Movie review: The Nutcracker and Four Realms

Movie reviews

Hello!

And welcome to a review of a first Christmas movie of the 2018 holiday season. If the whole season will be as rocky as its start, then we can just cancel Christmas. This is a quite negative (as you have probably already guessed) review of The Nutcracker and Four Realms.

IMDb summary: A young girl is transported into a magical world of gingerbread soldiers and an army of mice.

Writing

The Nutcracker and Four Realms – a mouthful of a title, huh – was written by Ashleigh Powell. It’s a remake/reimagining of a classic fairytale and a famous ballet. Disney has been making quite a few live-action fairytales. Some of them crashed, like Alice in Wonderland and its sequel. Some blossomed like Cinderella and Beauty and the Beast. The Nutcracker seems like it will be joining the first group. I feel like there is a general fatigue of live action fairytales and only the really special ones turn into something. The Nutcracker, being a niche and holiday-specific fairytale, is already a hard sell. The fact that it’s premiering so early in November also almost guarantees that it will have a small opening. Maybe it will play for a long time?

Anyways, speaking of the writing: it wasn’t bad but wasn’t original in any way, shape or form. The message on how to deal with grief was a neat one and the young woman’s journey into self-confidence was also a nice thing to spotlight. The actual adventure was sooo by the numbers. The twist could be seen from miles away. The characters were also just meh. The nutcracker especially was so unexceptional despite being the titular character. The dialogue was very simplistic. It just seemed that this whole film was aimed at a very young audience. And by young, I mean babies.

Directing

The Nutcracker was directed by Lasse Hallström (of The Hundred-Foot Journey and A Dog’s Purpose) and Joe Johnston (of Captain America: The First Avenger) – what a weird duo of directors. And even a weirder end product. They did a good job with the visuals – I cannot fault the film’s production value. The CGI could have been cleaner. The pacing was way off. At least the runtime was fairly decent. To end on a positive note: the ballet scenes and the ballet-inspired credits were nice touches. The score, which included the classic melodies, was good too.

Acting

The Nutcracker’s cast’s performances were a huge letdown. Mackenzie Foy and Jayden Fowora-Knight were both wooden. Hellen Mirren and Morgan Freeman were folding in their performances and were still the best just because they are true pros and can outact everyone in their sleep. Keira Knightley was killing her career with every minute of being on screen. She was both a cartoon and a parody: everything about her performance – from the look to the speech to the behavior – were just so cringe-y. Her work her kinda reminded me of Anne Hathaway in Alice in Wonderland (another unfortunate comparison between the two less than good Disney fairytales).

The actor who played the father – Matthew Macfadyen –  looked like off-brand Armie Hammer. The British comedian Jack Whitehall also had a cameo role – good on him for finally getting into a Disney movie (even if bad one) after being cut from Frozen.

In short, The Nutcracker and Four Realms was a boring film that won’t bring anyone any Christmas joy. A basic narrative, oversaturated visuals, and some cringe-y acting – that’s this picture in one sentence.

Rate: 2.4/5

Trailer: The Nutcracker and Four Realms trailer

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Movie review: A Simple Favor

Movie reviews

Hello!

And welcome to a review of the film that critics love but I was confused by! This is A Simple Favor!

IMDb summary: A woman seeks to uncover the truth behind the disappearance of her best friend.

Writing

A Simple Favor was written by Jessica Sharzer (writer of Nerve and American Horror Story), based on the book of the same name by Darcey Bell. This film a successor of earlier female-centric book-to-movie thrillers like Gone Girl and The Girl on The Train. I have always loved the thriller genre so I was quite excited about the film. I haven’t read the book prior to watching so I had no idea about the plot. And the plot left me speechless and I still don’t know whether in a good or bad way.

I thought that the movie’s set-up was successful and intriguing. However, the complete 180 that the main character did (going from a good friend to a certainty shady person) confused me. I wish we would have seen more of her past ‘darker’ side than just a couple of scenes – maybe I would have believed her transition more. I also thought that the first half of the film felt a bit rushed and then the third act dragged on, with reveals being pilled on top of each other and not allowed to make an impact. The reveals were messy and even laughable at times, and yet, sort of interesting – I was hoping that one final reveal might make everything make sense but I never really got that.

I appreciated the movie’s attempts to explore a variety of adult relationships: friendships, family relationships, romantic or sexual relationships. However, all of them were portrayed as quite toxic and I don’t think that that is quite true to life. Due to these toxic relationships, the characters involved in them did not seem that likable. However, that wasn’t my main issue with them – it’s the fact that they did not appear to think at all or consider the consequences of their actions that annoyed me.

Directing

Paul Feig, quite a well-known director of female-centric comedies, like Bridesmaids and Ghostbusters, left his usual genre but took his skills with him. While A Simple Favor was supposed to be a mystery thriller, it had a plethora of comedic moments, some of which fit and some of which felt completely jarring and out of place. Those 3 parents that were sort of there in the background and would sometimes pop-up to comment on something felt very Bad Moms-esque and annoyed me with their awkwardness.

Acting

Anna Kendrick and Blake Lively – two amazing and under-appreciated actresses – played the leads and were ready great even if I didn’t think that the movie itself was so great. Lively (The Shallows, Cafe Society) fabulous in all those suits and the mysterious character really suited her. It was quite weird seeing Kendrick in a mother’s role as I still have her stuck in my mind as a student or an intern from Pitch Perfect and The Accountant, respectively, and she just seems so young in real life. Henry Golding (of Crazy Rich Asians whose review is coming soon) also had a role in this film and was really good. Hope to see more of him in mainstream films!

In short, A Simple Favor, while a complex and mysterious thriller according to some people, was a messy and awkward film in my view.

Rate: 3.4/5

Trailer: A Simple Favor trailer

5 ideas about 5 movies

Movie reviews

Hello!

And welcome to a slightly different type of a movie review. Long story short: I have been feeling a bit burned out after writing 2-3 movie reviews per week while also writing a lot of essays for my studies. Thus, as soon as the summer started, I almost stopped writing completely and missed out on reviewing quite a few films. In order to get myself back to writing without pushing myself too much and in order to catch up on the missed reviews ASAP, I decided to review all the 5 films together in 1 post. Thankfully, these movies easily lend themselves to this type of format, as they all have a similar message and some shared ideas.

The movies that I will be discussing are: I Feel Pretty, Life of the Party, Book Club, Eddie, and Tully. You might have heard about some or all of these films. If you know anything about them, then you know what’s their connection: they are all female-driven films that encourage women to live at ever age (yes, even after 30) and however they want (as mothers, as career women, as both or neither, or as whoever they want to be). Let’s go over all the pictures one by one in a bit more detail and see what exactly they were doing with the overarching topic of female empowerment.

I Feel Pretty is the latest Amy Schumer comedy (joining Trainwreck and Snatched), written and directed by Abby Kohn and Marc Silverstein (who did How To Be Single recently). I have always appreciated Schumer’s ‘zero f*cks given’ attitude but never found her jokes particularly funny or original. I had similarly mixed feelings about this film. I wasn’t sure and I’m still not sure whether this movie portrayed character growth or was confused about its message. Was the movie trying to portray body positivity or body shaming? Was it condoning or celebrating egoism and privilege? Were we laughing with or at Schumer’s character? It’s been like 3 months since I saw the film and I’m still not sure. Rate: 3/5

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The second comedy out of the five films, Life of the Party is less raunchy than I Feel Pretty and has a clearer message. Mellisa McCarthy starred and wrote the film, while her husband Ben Falcone directed it (the duo previously worked on Tammy and The Boss together). The main idea of the movie was the female empowerment through higher education, specifically. The film also promoted female friendship and solidarity, which both are super important. On the entertainment side, the movie was funny but a bit cringe-y too. Rate: 3.3/5

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The third comedy of the bunch, Book Club stars the creme de la creme of Hollywood: Diane KeatonJane FondaCandice Bergen, and Mary SteenburgenBill Holderman directed the film (in a directorial debut) from a script written by him and Erin Simms (TV actress). Book Club was my favorite of the three comedies because it had the best-written dialogue and banter and also promoted female friendship not only in college (like Life of the Party) but throughout one’s whole life. It also showcased 4 successful women with different career and life choices (variety is important as any life choice is valid!). Lastly, Book Club, even though inspired by Fifty Shades of Grey, somehow felt the most profound out of all the comedies. Rate: 4/5

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The indie version of Book Club, Eddie is small British drama about not being afraid to live and follow one’s dream at any age. While Book Club gets to the same message through a raunchy book, Edie gets there through hiking in Scotland. Sheila Hancock stars as the frustrating and sympathetic lead, while Elizabeth O’Halloran writes and Simon Hunter directs. In addition to Book Club, this film also reminded me of other indie dramas like The Leisure Seeker and Finding Your Feet! Rate: 3.7/5

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The last of the films and the second drama of the five, Tully was the film that surprised me the most. Starring Charlize Theron (in another, Monster-esque de-glamourized role) and Mackenzie Davis, written by Diablo Cody and directed by Jason Reitman (the duo behind Juno), Tully tells the not sugar coated at all story of a tired mother. It has a Bad Moms set-up but doesn’t go the comedy route. Instead, its story goes into an unexpected direction in order to present a message that a simple family life is as valid of a life choice as any other, even if it is no longer promoted as much in the media (‘a career woman’ is the desired ideal these days and my personal ideal too. And yet, this ode to motherhood of a movie states, moms should be celebrated and idolized just as much). Rate: 4/5

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To conclude, I hope you enjoyed reading my slightly rushed and probably confused take on 5 movies that I’ve seen recently and somehow managed to connect in my own head!

 

5 ideas about a movie: Tag

Movie reviews

Hello!

And welcome to the review of Tag, or what Hawkeye was doing instead of fighting Thanos!

IMDb summary: A small group of former classmates organize an elaborate, annual game of tag that requires some to travel all over the country.

  1. Tag was written by Rob McKittrick and Mark Steilen (two fairly unknown writers), based on a true story about 5 friends, who have been playing tag for 3 decades. A lot of the developments in the story were embellished and exaggerated for the movie, however, a lot of the core elements o the narrative were actually true as the real footage during the credits proves. You know what else felt real about this comedy? Its sincere message.
  2. I loved the focus on adult friendship in the film and the message that growing up doesn’t have to mean losing the fun in life or growing apart. I highly appreciated that misquoted quote “We don’t stop playing because we grow old; we grow old because we stop playing.” too (I do love cheesy words of wisdom, have a whole board o them on my wall). In addition to a nice message, the film’s humor also worked mostly because it also felt real – the banter between the friends, the inside jokes, the blasts from the past were all familiar and relatable elements for the audience.
  3. Jeff Tomsic directed Tag and did a great job with his cinematic debut (his previous work has mostly been TV related). Tag had a weird ‘we are taking this way too seriously’ tone that was self-referential and tongue-in-cheek rather than annoying or cringe-y. The style o the action scenes, which were exciting and entertaining, was also very fitting and displayed a good usage of slow-mo and voice-over combination.
  4. A big reason why this movie worked was its cast and the chemistry between them. Ed HelmsJeremy RennerJon HammJake JohnsonHannibal Buress made characters with little development be seen as three-dimensional humans. This was probably Helms best performance I have seen in a couple of years, while Renner (MI5, Wind River, Arrival) seemed like he was having so much fun with the role (way more than he appears to have when he is playing Hawkeye). Hamm’s (Baby Driver) and Johnson’s (The Mummy) characters worked well as competitors of sorts, while Buress (Blockers) commentary was top-notch.
  5. On the supporting/female front we had Annabelle Wallis (The Mummy) as the clear-headed outsider (I liked that she wasn’t portrayed as too serious or judgemental) and Isla Fisher (who was a bit crazy but so much fun. Her comedic chops should definitely be appreciated more than they are).

In short, Tag is an entertaining and sincere comedy that might not be a must-watch but makes for a great time.

Rate: 4/5

Trailer: Tag trailer

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Movie review: Ocean’s 8

Movie reviews

Hello!

And welcome back to the sporadic AF movie reviews. Ocean’s 8 is the topic for today.

IMDb summary: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

Writing

Ocean’s 8 – a spin-off of the original trilogy rather than its reboot (this is no Ghostbusters) – was written by the director of the film Gary Ross and Olivia Milch (she is writing a Barbie movie next, don’t know how to react to that). There was a lot to like in the script. To begin with, I liked how this action film was kept feminine with the focus on the MetGala and diamonds. A decision to make women steal diamonds might be seen as playing into stereotypes. However, I’d argue that by keeping a feminine focus, Ocean’s 8 fights the stereotype that strong women, especially female action stars, have to be masculine. Some of them might be masculine, while others might prefer femininity (or a mixture of the two). And Ocean’s 8 showcases that by having a variety of women of different colors/shapes/sizes/styles as the core characters. While the character development isn’t plentiful, there is enough of it to make each character necessary and at least a tiny bit interesting.

Additionally, while Ocean’s 8 stands on the shoulders of the original Ocean’s trilogy, it doesn’t lean on them too hard, meaning that one can go into this movie not knowing anything of the first 3 films and completely get the plot of this one. As I wasn’t a fan of the original films, I also didn’t mind some of the developments/reveals about the original characters in this film (some fans might actually be legitimately annoyed by them). Personally, my main problem with this movie was its structure. I loved the first two acts – the pre-heist set-up and the actual heist. However, I feel like the whole 3rd act, rather than being a big finale, was a boring wrap-up that dragged immensely. The investigation and the reveals felt both rushed and like the movie was overstaying its welcome.

Directing

Gary Ross (of the first Hunger Games film and Free State of Jonesdirected Ocean’s 8, while Steven Soderbergh – the director behind Ocean’s 11,12, and 13 – stayed on as a producer. I thought that Ross handled the material well, the narrative made sense and was intense for the most part. Pacing had some issues, especially the pacing of the aforementioned third act. The glitz and the glamours of the MetGala were realized accurately.

Acting

Undeniably, the best part about Ocean’s 8 was its cast: Sandra BullockCate BlanchettAnne HathawayMindy KalingSarah PaulsonAwkwafinaRihanna, and Helena Bonham Carter. I adored the female solidarity and friendship on display. Cate Blanchett (Thor 3, Cinderella, Carol) was my absolute favorite – I loved her character’s outfits, charisma, and just effortless coolness. I also enjoyed seeing Hathaway (Alice 2) playing the gossip sites’ version of herself. I also loved seeing Bullock, back on screen in a lead role as I feel I haven’t seen her in a big movie in ages (since Gravity). Kaling (A Wrinkle in Time) and Paulson (The Post) were also really fun to see. I loved the uber contemporary vibes that Awkwafina brought to the film and I loved seeing Rihanna actually having a character to play rather than just being there to look pretty (*cough, cough*, Valerian. BTW, I’ve been to her concert some years before and wrote about that). Bonham Carter (Suffragette) was also good in the film, though I feel like she played her typical, slightly awkward and over-the-top type of a personality.

Ocean’s 8 also featured some cool celebrity cameos, some neat cameos by the original cast, and a short appearance by James Corden (Peter Rabbit), who is always a delight to see.

In short, Ocean’s 8 was a great all-female thriller. It might not please everyone, but then again, why does it have too?

Rate: 4/5

Trailer: Ocean’s 8 trailer

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Movie review: Solo: A Star Wars Story

Movie reviews

Hello!

And welcome to a review of a movie that nobody really asked for and not a lot of people are going out to see. This is Solo: A Star Wars Story!

IMDb summary: During an adventure into the criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

Before going to see the film, I had my own reservations. I wasn’t a 100 percent on board with the casting choices. The behind-the-scenes drama and the changing directors also shook up my already weak confidence in this movie. And yet, I tried going in with an open mind and I’m glad to say that I did have fun with this movie, despite its flaws. Let’s discuss!

Writing

Solo was written by a father and son duo, Lawrence Kasdan (writer of Episodes 5,6, and 7) and Jonathan Kasdan (TV writer and actor). I have mixed feelings about the script that they penned for this movie. Solo was truly an origin film that showcased the origins of every single aspect relating to Han Solo. I wasn’t really sure whether we needed to see everything: how he got his name, blaster, costume, sidekick, favorite supporting character, taste in women, and a cynical attitude. And yet, every time the references came up, I geeked out internally. The Chewie and Lando meetings were some of the best scenes and I really loved seeing the beginning of those relationships. The taste in women part annoyed me a bit, mainly because I felt like Han’s relationship to Qi’ra undermined his later relationship with Leia and made it less special (there wasn’t a lot of difference between Qi’ra and Leia).

The cynical attitude of Han’s mostly formed during the 3rd act of this film. He did seem way more hopeful and sincere in the first two acts than I expected him to be. However, the multiple twists and turns and betrayals in the 3rd act, while not really working that well for the actual narrative of the film, did work well as steps of Han’s character development. Also, I did like how, despite all the hardships that he went through, the script underscored that he was a good guy, as that goes well with his choice of a side in the original trilogy.

Solo not only referenced the original trilogy but also tied itself to the prequels and the animated TV shows. That was quite an unexpected choice. Does that mean that they are gonna bring back some of the characters from this movie in the later projects? I feel like I preferred Rogue One’s type of an ending better – more standalone-ish rather than with a promise of a continuation.

Directing

Ron Howard (Inferno, In The Heart of The Sea) directed the film, while the original Solo’s directors – Philip A. Lord and Christopher Miller (of The Lego Movie and 21 Jump Street) got executive producer credits. I thought that Howard did a good job. The picture was certainly competently made and looked and felt appropriately grim, dirty and grounded. And yet, the Star Wars space opera feeling was also there, especially in the choice of locations and background characters (the movie was grounded but cosmic too). The pacing worked for me too – the movie was quite action-packed, so I don’t understand how the critics are saying that they had pacing issues. The movie also had an opening crawl but not in the typical style of Star Wars which seemed like an odd choice. If you have an opening crawl, why not make it like the rest?

Acting

Solo’s cast’s acting started off a bit shaky and wooden but got better as the movie progresses. Alden Ehrenreich (Hail, Caesar!) was my biggest question mark going into the film and he impressed me a lot. The character of Han had such an infectious excitement about just being Han and I feel like that was Alden’s own excitement about playing this role. Woody Harrelson (War of Apes, Three Billboards, The Glass Castle, Now You See Me, THG), Emilia Clarke (Terminator 5, Me Before You), and Donald Glover (Spider-Man: Homecoming, The Martian) especially were all also really good in the film. It was fun to see Westworld’s Thandie Newton (Gringoand Paul Bettany (Infinity War) too. Phoebe Waller-Bridge was an absolute scene stealer as Lando’s droid. Joonas Suotamo did a fine job as Chewbacca too.

In short, Solo: A Star Wars Story was a good space adventure that wasn’t necessary for the Star Wars Universe but did no damage to it either (well, except financially, probably).

Rate: 4/5

Trailer: Solo: A Star Wars Story trailer 

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Movie review: Avengers: Infinity War

Movie reviews

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil WarAnthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

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Movie review: Rampage

Movie reviews

Hello!

And welcome to a review of another Dwayne Johnson movie. I swear his filmography is becoming a whole separate genre of cinema. This is Rampage.

IMDb summary: When three different animals become infected with a dangerous pathogen, a primatologist and a geneticist team up to stop them from destroying Chicago.

 

Writing

Rampage was written by Ryan Engle (writer of The Commuter), Carlton Cuse (Lost’s showrunner, writer of San Andreas), Ryan J. Condal (writer of Hercules), and Adam Sztykiel (a comedy writer). Quite a few previous connections to Dwayne Johnson on the part of the writing staff. This makes my introductory point sound even more truthful.

Rampage’s script is a very loose adaptation of a video game of the same name but it feels like any generic monster movie. It has some monster v. monster fights that both Godzilla and Kong: Skull Island had (and Godzilla v. Kong will definitely have) and a lot of bloodless destruction (the same amount as another very recent monster movie Pacific Rim: Uprising had). Rampage also features a brief moment of Johnson having fun in a jungle-like environment, reminding the viewer of Jumanji. His character, undoubtfully, has a family to care for but this time around it’s an animal family cause human families are just so 2015 (and so San Andreas). The film’s story also has a genetic engineering plotline, like Jurassic World. In addition to all these moments and details from other pictures, Rampage also has quite a few laughable and cheesy moments that are either incredibly far-fetched or cringe-y. The dialogue isn’t really great either and some of those one-liners and jokes fall so so flat in the movie.  Well, at least it doesn’t have a plug for a franchise at the end, like the other video game movie of 2018 – Tomb Raider.

While this is quite a harsh critique on my part, I still would not like to say that Rampage is a bad movie. It knows what it is (for the most part) and is entertaining (for the most part). Still, it is also very familiar and forgettable.

Directing

Brad Peyton, the director of San Andreas, directed Rampage and I swear these two movies have to be connected somehow. Same writer, same director, same star?! Anyways, the film’s direction was fine. The story was visualized on screen clearly and cohesively. The pacing was okay too. The action was quite enjoyable as well, though, by the end of the third act, I did sort of check out from the movie. The CGI was also fine for the most part, but some wider shots did look pretty fake.

Acting

Rampage’s cast consisted of Dwayne Johnson (Baywatch, FF8, Moana, Central Intelligence + all other movies of his that I’ve already linked to in this review) and some B-listers. Johnson was fine in the action hero type of a typical role, though, I had a hard time buying the fact that one of the most charismatic people on the planet could play a character who can’t connect/communicate with people.

On the supporting front, the movie features a lot of B-listers and even the most well known of them cannot really be seen as big move stars. They all do a good or serviceable job in the film. Naomie Harris is probably the biggest star out of the supporting cast due to her involvement with Moonlight. However, on the mainstream front, while she does have 007 franchise, she is only like a 3rd female lead in those films (behind M/Judi Dench and a revolving door of Bond girls/love interests). Malin Åkerman also stars the film – I don’t think I saw her in a movie since 2012’s Rock of AgesJeffrey Dean Morgan is big on TV with The Walking Dead but isn’t really a movie star either. Joe Manganiello has a cameo-sized role in this film too and he is Deathstroke but nobody really knows when he will get a chance to play that character, as DCEU’s future is so unclear. Jake Lacy also has a role here and, looking through his IMDb, I can notice quite a few films of his that I’ve seen, like Carol and Their Finest. The problem is that I don’t remember him in them.

In short, Rampage is a perfectly serviceable, forgivable, and forgettable action/video game movie. The video game curse is back in full force if you thought that Tomb Raider lifted it at least a bit.

Rate: 2.8/5

Trailer: Rampage trailer 

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5 ideas about a movie: Midnight Sun

Movie reviews

Hello!

Welcome to a review of another YA movie. This time around, it’s Midnight Sun.

IMDb summary: A 17-year-old girl suffers from a condition that prevents her from being out in the sunlight.

  1. Midnight Sun was written by Eric Kirsten and directed by Scott Speer (whose previous teen dramedy – Status Update – came out only around a month ago). It’s actually a remake of a Japanese film Song to the Sun. Yes, foreign YA movies are joining foreign actioners and thrillers as the second genre that Hollywood loves to reboot. In general, I have noticed that my enjoyment of teen/YA pictures depends as much on their quality as on my personal psychological state when watching them. My state was neutral today, so the movie seemed okay too. I definitely rolled my eyes as many times as I genuinely smiled.
  2. Thematically, this movie was similar to Everything Everything in that both of them had a sick girl in the lead. However, while that movie had a twist that led to a happy ending, Midnight Sun had a ballsier ending closer to that of Me Before You. I swear I watch too many movies cause my reviews are literally just me commenting on movies using other films. Anyways, there were a lot of things to love in the script of this film. The portrayal of teenage life was accurate, while the girl’s awkwardness when talking to her crush – incredibly relatable. It was also awesome to see such an open and loving father-daughter relationship on screen. The ultimate message to live life was either cheesy, inspirational or both.
  3. My two main dislikes in the writing were the fact that the girl’s choice not to tell her boyfriend that she was sick seemed like a cheap trick to build conflict rather than a profound and important decision. Similarly, on the character development front, the movie didn’t practice what it preached. The film’s message was that people shouldn’t be defined by one thing, like a sickness or a sport. However, the movie kinda went against that message because it didn’t give its characters much more than just that one defining feature. The main girl got a dead mom and a passion for music so that’s something, but the guy was just a swimmer. Basically, one more rewrite of the script to flesh out these details might have been beneficial.
  4. Bella Thorne played the lead girl in the film and did a good job. I found her dramatic performance quite believable. She also did a good job with the signing even though I don’t think that her voice is that good. Charlie’s Song was a really a lovely pop track. Rob Riggle was also really great as the father. He had one excellent speech that he nailed.
  5. Patrick Schwarzenegger, the son of Arnold Schwarzenegger played the romantic lead and was also fine. The fact that his character was a swimmer made the movie 10 times more enjoyable for me, as a someone who hasn’t left the pool since she was 7 (that’s 14 years in the water). Though, I did chuckle seeing him swimming in those couple of scenes. Not only wouldn’t he get into Berkeley with that, I don’t think a Division III school would even accept him. But, I guess, that’s just a personal gripe – the same one that, for example, actual doctors have when watching the cinematic versions of medical procedures.

In short, Midnight Sun was a perfectly fine YA drama. I have been watching quite a few of those lately and this one was certainly not the worst.

Rate: 3/5

Trailer: Midnight Sun trailer

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5 ideas about a movie: You Were Never Really Here

Movie reviews

Hello!

And welcome to a review of a movie I knew nothing about prior to seeing it. Can’t say I know much more having now seen it. This is You Were Never Really Here.

IMDb summary: A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.

  1. You Were Never Really Here was written and directed by Lynne Ramsay. Her previous feature – We Need To Talk About Kevin – has been on my ‘to watch’ list for years and I have yet to get to it. Thus, I went into this movie not only not knowing anything about the actual picture but also without any expectations. And I still don’t know how I feel about this movie, even though it’s been 3 weeks since I’ve seen it.
  2. The film won the ‘Best Screenplay’ at the 70th Cannes Film Festival and, at first, I wasn’t sure why, as I didn’t really think this movie had a story. It had a plot and stuff happening but I didn’t see the narrative. Then, I sort of realized that that was an intentional choice. There was barely any dialogue, let alone narration. It was up to a viewer to fill in the blanks and figure out the story. I think that one’s enjoyment of this film solely depends on one’s ability to fill in the gaps themselves or one’s willingness to be content with not knowing.
  3. While the movie never gave enough information neither in the opening nor throughout the rest of the plot, what it did present was intriguing as much as disturbing. These feelings are certainly appropriate for the themes that the movie was exploring: it looked at the concept of one’s inner demons and also showcased abuse (I thought that it questioned whether the main character was a victim or perpetrator of abuse or both? What is the relationship between the two?). What I liked most about this movie was its undeniable focus on the human. The happy ending was also nice but I didn’t trust the movie enough to actually believe it.
  4. The unsettling topics weren’t expressed verbally but they were perfectly showcased visually through a lot of uncomfortable close-ups. The movie was also really slow and that slowness of pace did not allow the viewer to escape from the creepiness of the movie’s world for but a second. Since I cannot see a movie and not automatically connect it with a different movie, I thought that the underwater shots in this film looked like creepier and more realistic takes on The Shape of Water’ water scenes.
  5. The lead in the movie was played by Joaquin Phoenix (Irrational Man) and he was really good. Both sort of scary yet sympathetic. He was my only draw to this picture and I should have known what kinda film I was signing up for, as Phoenix doesn’t really do mainstream (or close to the mainstream) projects. I, personally, was quite lost and confused when watching the movie and I don’t know if it is accessible to the mainstream audiences. My problem with movies like this one is that they don’t encourage me to research them and to potentially get smarter: they just make me feel dumber and angry about it.

Rate: 3/5

Trailer: You Were Never Really Here

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