Movie review: Pitch Perfect 3

Movie reviews

Hello!

Welcome to the end of the acapella era (more like half a decade). This is Pitch perfect 3.

IMDb summary: Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices.

Pitch Perfect 3 originally came out during Christmas, though it didn’t feature any Christmas songs. At first, I thought that it was a stupid idea to have a musical that features covers of popular songs come out during Christmas and not feature any Christmas songs. However, since I myself was only able to watch the film in January, the lack of Christmas songs made it still watchable after the festive season has ended. So, it was a smart idea not to tie this picture to any specific time after all.

Writing

The third Pitch Perfect film was written by Kay Cannon (writer of the previous Pitch Perfect films) and Mike White (of The Emoji Movie) and I thought that they did a so-so job. The films in this franchise have always been borderline ridiculous but this one went over such border. It didn’t really do anything really original but also somewhat betrayed the brand of the franchise.

The characters of the film were soon established as being down on their luck. Let me ask you this: when have the Bellas started their films in a good place? Never! These movies all begin the same! However, this movie somewhat differed in that it attempted to developed other characters rather than just Becca (a bit late, guys). And yet, by the end of it, the movie solidified Becca as the only important and the main character (also, I’m pretty sure that they did Becca v Bellas idea in the first film already. Still, the message that true family will lift you up rather than tying you down was a cute one). Also, the fact that the other character’s arcs were wrapped up during the credits was an additional proof of how unimportant they are/were to the series.

Speaking about the betrayal of the brand – why on earth did Pitch Perfect 3 though that it could be a crime drama??? Also, why was it necessary for the Bellas to go on that military tour? It literally added nothing to the story. Plus, that whole tour plotline was full of inconsistencies. They got booed (silenced by a siren) in their first performance, then burnt a hotel room, and then they are suddenly liked by the audiences and everyone? Also, to top everything off, the movie partook in some heavy exposition (pointing out the exposition is not enough for me to forgive the fact they that employed it too). Lastly, some moments of writing were meant to be jokes but just turned out stupid. Like ‘Evermoist’. Really?!

Directing

Neither Jason Moore (director of the original) nor Elizabeth Banks (long-time producer and director of the second film) chose to come back and helm the third film, so the reins went to Trish Sie of Step Up: All In (arguably, the worst film in that franchise). I feel like she did as good of a job as she did with her last film (which means she delivered poor results). The movie felt tonally confused, choppy, and lacked a direction. The opening sequence was ridiculous but, I guess, it prepared the viewer the rest of the film. The performances were fine. Only two of them – the riff-off and the finale felt iconic to this series – because the first one belonged to their signature genre and the last one had some heart. The riff-off also presented the acapella v instruments idea that didn’t go anywhere.

One good thing about this picture was the fact that it felt like a true goodbye. It somewhat concluded all the storylines and had a fun end-credits sequence, full of behind the scenes clips from all 3 movies. It was also nice that it was fairly short, as I don’t think I would have been able to sit through another half an hour of it.

Acting 

A lot of old characters and a bunch of new ones appeared in this film and were fighting for the very limited screening. Anna Kendrick (Mike and Dave, Trolls, The Accountant) and Rebel Wilson were the best just because they had somewhat developed storylines. The other Bellas were played by Brittany SnowAnna Camp (Cafe Society), Hailee Steinfeld (had absolutely nothing to do but was there just because she is probably the biggest name in the cast), Hana Mae Lee (who spoke for the first time in the franchise), Ester Dean (who should have been given more solos because she is brilliant!), and Chrissie Fit. The commentators – John Michael Higgins and Elizabeth Banks (Magic Mike, Mockingjay, Power Rangers) came back too and their inclusion in this movie was justified by a paper-thin reason.

The new characters were played by John Lithgow (I thought that Daddy’s Home 2 was a low point for him but this was something else), Matt Lanter (who was the replacement eye candy for the female viewers), Guy Burnett (eye candy number 2), DJ Khaled (who couldn’t act even when playing himself), and Ruby Rose (the ultimate female crush of any straight girl, who also appeared in John Wick 2 recently).

In short, Pitch Perfect 3 felt flat while trying to go out on a high note.

Rate: 3/5

Trailer: Pitch Perfect 3 trailer

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5 ideas about a movie: Wonder Wheel

Movie reviews

Hello!

A feature from one of the most polarizing yet still working directors in Hollywood. This is Wonder Wheel.

IMDb summary: On Coney Island in the 1950s, a lifeguard tells the story of a middle-aged carousel operator and his beleaguered wife.

  1. Wonder Wheel was written and directed by Woody Allen. Despite all the allegations and rumors, he is still able to keep his career afloat. This is even more surprising when one considers the current political climate in Hollywood. What is even more disturbing regarding Allen and this particular film is the fact that this movie focuses on the relationships between a mother, a stepdaughter, and a young man – a topic that might be too closely related to the filmmaker himself (he married his stepdaughter in 1997).
  2. After a series of Europe-centric pictures (Vicky Cristina BarcelonaMidnight in Paris, To Rome with Love, and Magic in the Moonlight), Allen has returned to his native US and explored a number of different time periods and parts of US with his latest films: Irrational Man, Cafe Society, and A Rainy Day in New York (premiering next year). While the temporal and the physical places might have constantly been in flux in Allen’s films, the topics that he investigates have stayed the same. Wonder Wheel explored love (the most signature and simultaneously universal theme) and really dug deep into it. The film also celebrated movies as both art and escapism. It also looked at the concept of unfulfilled dreams (a personally relatable topic) and had a dark twist (also, very Allen-like).
  3. The feature also examined writing as an occupation and looked at its tools of dramatization and symbolism. The film also presented life as a script that we write (or have written for us). Wonder Wheel was a bit meta too: not only did it break the 4th wall but it interrogated the differences between the real-life stories and the fictional ones. From the directing standpoint, the movie felt indie and old school. The long takes and the soft colors added to the aforementioned feelings. The jazz score was lovely too.
  4. Kate Winslet (Collateral Beauty, Triple 9, The Mountain Between Us, Steve Jobs) played the lead in the movie and, while she was undeniably great, I’m wondering why she chose this role in the first place. I saw Ginny (her character) as an absolutely stereotypical female character – highly emotional and always needing a man to rely on. Looking past these typical traits, Ginny had some interesting qualities that probably intrigued Winslet too, like her selfishness, shadiness, and her trivial choice to not save Caroline (her stepdaughter). That choice seemed like Ginny’s big stage moment – the meeting point between her life and art (Ginny used to be an actress).
  5. The supporting cast of the film was quite good. The aforementioned Caroline was played by Juno Temple (Black Mass), who brought delightful youthfulness to the role. Justin Timberlake (Trolls) was believable as the guy Caroline and Ginny fancied. While he isn’t the best actor, Timberlake was fine in this role (probably not one far from his life). Jim Belushi played Caroline’s father and Ginny’s husband and was also okay. All of the performances had a touch of the theatrical but that fit the film’s tone, as it explored the idea of life as a dramatic and symbolic story.

In short, Wonder Wheel was a fine film. Not Allen’s best and not an awards’ contender but perfectly watchable and interesting.

Rate: 3.3/5

Trailer: Wonder Wheel trailer

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Movie review: Girls Trip

Movie reviews

Hello!

It seems that nowadays, more and more Hollywood films break the boundaries of disposable entertainment and start to provide commentary on or revelations about the modern society. Girls Trip has accidentally become one of those kinds of films too. Let’s review it!

IMDb summary: When four lifelong friends travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush.

For those not understanding my cryptic intro: Girls Trip is a female centric comedy about a group of friends reuniting after years of separation. Sounds familiar? That’s because you have already seen that movie this summer and I have also reviewed it for you. It was called Rough Night and it wasn’t that good. Things get interesting when you realize what is the difference between the two films. Rough Night had a predominantly ‘white’ cast, while Girls Trip has cast mostly ‘black’ actors. What surprised Hollywood the most was the fact that the ‘black’ version of the film did much better at the box office and with critics. I don’t even want to get into what this means for the business and for society. Is it a coincidence? A one time deal? A plea for more diversity? Or maybe Girls Trip is just a better and more entertaining film than Rough Night? Cause at the end of the day, Hollywood movies are still, first and foremost, pieces of entertainment, despite the extra baggage that they now carry.

Writing

Girls Trip was written by Kenya Barris (the creator of Black-ish who has also worked on ANTM), Tracy Oliver (a TV writer), and Erica Rivinoja (also a TV writer but she also penned the story for Trolls).

The initial opening and the set up for the story was short but effective. It quickly (but not in a rushed way) setup all 4 ladies as, more or less, 4 equal leads. The archetypes of a girl group were there (the mommy, the crazy one, the career-focused, the leader) but were also expanded upon as well as subverted. The script also had a lot of fun with the different pairings of the girls.

The script treatment of the concept of friendship was amazing because of how realistically this relationship was portrayed. There were moments of genuine sweetness (the inside jokes felt real as well as the majority of the dialogue) and fearless confrontation. While I really liked the relatably exaggerated moments of comedy (something along the lines of memes or FB post you would tag your bestie on), the heated scenes full of arguing were where the screenplay (and the actresses) shined the most. I loved how these disputes touched upon the influence of social media as well as the career v friendship discussion. These moments really added some drama and elevated the whole film from just being a comedy. Additionally, these scenes helped to bring home the message about true friends, who aren’t afraid to confront you for your own good. The second dual message of the movie was also wonderful. Both the surface idea that one can have it all was uplifting, as well as the deeper idea about being okay with not having it all. The final speech about discovering one’s own voice and embracing the loneliness was very lovely too.

Directing 

Girls Trip was directed by Malcolm D. Lee. I thought that he did a very good job realizing the modern setting of the film and pacing this story. The snappy moments of humor (like the tripping sequence and the dance off) were paired with slower sequences of the character (and the friendship) development, which were believably emotional. The style of filming was good too: varied but familiar.

Acting

The 4 actresses in the lead – Regina HallQueen LatifahJada Pinkett Smith, and Tiffany Haddish – did a wonderful job bringing these characters to life. They seemed like they had a lot of actual fun on the set – the chemistry was real. I really wish I knew more about their previous work, especially Hall’s and Haddish’s. Speaking about Haddish – she was really close to being too much (going into cartoon territory) and yet still, her antics somehow worked. What I loved even more was the other actresses’ reaction faces – they were priceless. Lastly, Hall’s and Queen Latifah’s characters’ competitive yet loving relationship was also very well portrayed, while it was fun to see Jada Pinkett Smith in a much more comedic and tonally lighter role than her the one she used to play on Gotham. She was also recently in two other comedies – Magic Mike XXL and Bad Moms.

The supporting cast, in addition to having a plethora of celebrity cameos, also included a few familiar faces from Netflix. Luke Cage’s Mike Colter had a small role, while Kate Walsh, from 13 Reasons Why, also starred.

In short, Girls Trip is an entertaining and relatable comedy. And yes, it is better than Rough Night cause it knows what it is and what it has to deliver.

Rate: 4/5

Trailer: Girls Trip trailer

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5 ideas about a movie: The Boss Baby

Movie reviews

Hello!

The newest DreamWorks animated picture – The Boss Baby – is currently in theaters, so, let’s talk about it!

IMDb summary: A suit-wearing briefcase-carrying baby pairs up with his seven-year-old brother to stop the dastardly plot of the CEO of Puppy Co.

  1. The Boss Baby was written by Michael McCullers, based on the picture book of the same name by Marla Frazee.  The film’s story was absolutely ridiculous but nonetheless really fun. The movie focused on the theme of family – a common and classical topic for kid’s animation. The Boss Baby also found a new inventive way to answer a question – where do babies come from? – this question seems to be popular with the animators in Hollywood, as the recent picture by Warner Animation – Storks – also tried to answer it. This picture also highlighted the sibling rivalry and the sibling relationship. Lastly, I loved how the film celebrated the children’s imagination – a crucial part of any childhood.
  2. One of the strongest parts of d The Boss Baby was the picture’s humor. The film used both more adult jokes (like business and movie references, e.g. ‘Cookies are for closers’ from the trailers) and more child-friendly gags (e.g. the insane action and the fart jokes). The picture also had some callbacks to the stereotypical horror movie scenes which felt a bit weird in a children’s movie but were appreciated by me as a grown up viewer.
  3. The Boss Baby was directed by Madagascar trilogy’s Tom McGrath.The actual 3D animation was okay – good but not groundbreaking. I think that I and a lot of movie goers just got used to usually good-looking computer animation, so it does not amaze me/us anymore. The film also had a few months of 2D animation and this one montage which felt very old school because of the accompanying music – song ‘Cheek to Cheek’ from 1935 movie musical Top Hat. The character design was also fine, although one supporting character – Stacy – reminded me a lot of Wreck-it-Ralph’s Vanellope – a beloved animated character. Lastly, the film’s visuals also were cute enough to match its narrative idea of cuteness as a threat.
  4. The titular character of the movie was voiced by Alec Baldwin. Baldwin embraced the absurdness and the hilariousness of the story and the whole movie and just nailed his performance. He has a long history of voice acting: Baldwin has narrated quite a few documentaries as well as voiced a handful of characters in animated films.
  5. Shrek’s voice actor Miles Christopher Bakshi played the child version of Tim (The Boss Baby’s brother), while Toby Maguire lent his voice to the adult Tim. Other well-known actors/TV personalities like Steve Buscemi, Jimmy Kimmel, and Lisa Kudrow also had roles of varying sizes.

In short, The Boss Baby is a perfectly passable animated picture. It doesn’t have the most original story or fresh visuals, but it definitely provides a fine time at the cinema for both kids and adults who can’t grow up (me!).

Rate: 3.3/5

Trailer: The Boss Baby trailer

Movie review: Moana

Movie reviews

Hello!

The long awaited and newest Disney Princess movie – Moana – has reached theaters, so, let’s talk about it!

IMDb summary: In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain’s daughter’s island, she answers the Ocean’s call to seek out the demigod to set things right.

Moana is, technically, a 13th Disney Princess film. It has been truly amazing to see how this brand evolved in the past 80 years. I feel that the biggest changes started with 2010’s Tangled and all the films following it have been adapting their stories and characters to fit the contemporary world and I’m excited to see what will Disney do next.

Moana is also Disney’s return to musicals, since Frozen 3 years ago. Can Moana’s soundtrack replicate the success of Frozen’s soundtrack? It is gonna be a bit harder for Moana, as this year, we already had one fairly successful animated musical – Trolls – and we also have another one coming up – Sing.

Lastly, Moana is Disney’s attempt at presenting an indigenous – Polynesian culture – to the global market. Thier last attempt at this with Pocahontas wasn’t the most successful, but I think that Disney learned from their mistakes. They went an extra mile to cast voice actors from appropriate backgrounds and also employed anthropologists to help portray Polynesian culture as accurately as possible. As a student of anthropology and a lover of films, I found that fascinating – maybe this can be my job in the future?

Moana’s story also appealed to me on two personal levels. First of all, I, as a longtime professional(-ish) swimmer, sometimes do feel better in the water than on land, so I loved seeing Moana’s connection to the ocean. Secondly, Moana reminded me of two different books that I read as a kid that both revolved around islands and island culture. One of them was Whale Rider (1987) by Witi Ihimaera about a Maori girl and her journey to becoming her clan’s chief. The other was called Island of the Blue Dolphins (1960) by Scott O’Dell about a Native American girl who gets stranded on an island near California. Both books have been turned into movies, in 2002 and 1964 respectively.

Writing and Story

Jared Bush, who has previously worked on Big Hero 6 and also co-wrote and co-directed Zootopia, wrote the screenplay of Moana but a lot of people got the credits for the story, including the directors of this film Ron Clements and John MuskerBig Hero 6’s directors Chris Williams and Don HallWreck-It Ralph 2’s writer Pamela Ribon, and twin Hawaiian screenwriters Aaron and Jordan Kandell.

For the most part, I really enjoyed the writing for Moana. I loved that the movie opened with a lesson in Polynesian mythology. In general, I thought that this specific culture was represented with respect but it was still made fun. The writing for the two main characters was also great. Where the movie’s magic kinda broke down was in the actual narrative of the film. The first act felt a bit drawn out – I wanted to get onto the adventure part quicker. I felt that the movie was just basically checking things off a list in during the set-up: Moana had Disney staples such as the dead relative/teacher, the overprotective parents, and the idea that everyone should stay in their place. The ending was also a bit predictable and I wish they would have done without the cliches like failing at first try and leaving and coming back in the heat of the battle. Nevertheless, a few narrative ideas that I thought were great was the fact that Moana didn’t have or need a love interest. Also, the final confrontation was female-centric, similarly to Frozen, and I would have had a problem with that if Moana didn’t have strong and cool male character – Maui – as well.

Directing and Animation

Ron Clements and John Musker, who have made such Disney classic as The Little MermaidAlladinHercules, and Princess and the Frog, directed the film and did a wonderful job. The pacing of the film could have been better but I absolutely adored the visuals and the animation. All the environment, especially the ocean, were brought to life just magnificently – the water looked both realistic and magical – so much better than another recent water based animation Finding Dory. The character design was also super cool. Moana actually looked like a real person, with realistic body proportions! Maui looked super cool too – I liked that his tattoos were not only a visual prop but a part of the plot. Moana’s sidekicks were good too. The chicken was mostly used for comic relief which was neither a hit or a miss for me. I wish, however, that they would have brought the piggy along for the ride, as he was super cute. The baby Moana was also so adorable. You couldn’t not fall in love with her. Lastly, one of my favorite parts of the film was the good old training montage for both Moana and Maui.

Music

Tarzan’s composer Mark MancinaHamilton’s Lin-Manuel Miranda, and a member of Oceanic music group Te Vaka – Opetaia Foa’i – all worked on the soundtrack and did an amazing job. To being with, I loved hearing some of the songs in Tokelauan language – it added more authenticity to the film’s atmosphere. The more mainstream pop-songy numbers were also great. I see a lot of potential in one song especially in finally making the world let go of Let it Go – I’m talking about the main song of MoanaHow Far I’ll Go. I liked the version sung by Cravalho much more than Alessia Cara’s credits version. Even though I love Cara and her lyrics, I felt that Cravalho voice just had more emotion and fit the song better. But I can see why Disney wanted a more well-known singer to record a version of the song. Let it Go was also recorded by Idina Menzel and a more mainstream choice Demi Lovato.

Other two songs that I’d like to name are You’re Welcome by Dwayne Johnson. I was super impressed with Johnson’s voice – is there anything he can’t do? The song itself kinda reminded me of another Disney tune whose name I don’t remember, but it just sounded so familiar. The last song I’m gonna mention was the one sung by the crab – that was the only part of the score that I didn’t feel on board with.

Voice cast

  • Auli’i Cravalho was amazing as Moana. Her voice just had so much emotion and fit the character perfectly. I think she has a long career ahead of her, at least I hope so.
  • Dwayne Johnson as Maui was great too. He just had so much charisma in his voice alone. This was only his second voice role. Next year, he has 3 big movies coming up – Fast 8Baywatch, and Jumanji.

In short, Moana was another great picture from Disney. It had spectacular characters, nice thematical ideas and gorgeous animated visuals. I only wish they would have made the story a bit more original.

Rate: 4/5

Trailer: Moana trailer

P.S. Before Moana, a new Disney short called, Inner Workings, was screened. It was kinda the Inside Out of the body rather than the mind. It was both funny and cute as well as sad and depressing (like Pixar levels sad). Loved the main message – treat yourself, escape the routine and enjoy life!

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5 ideas about a movie: The Accountant 

Movie reviews

Hello!

An original thriller – The Accountant – finally premiered in the UK, so, let’s review it!

IMDb summary: As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

  1. The Accountant is an original thriller, written by Bill Dubuque, who has previously penned the script for RDJ’s The Judge. I absolutely loved the narrative of this film from a thematical point of view. The movie felt fresh because it had a unique character – an accountant – in the lead (usually, thrillers tends to focus on ex-military personnel, former spies, even politicians). Moreover, the personal background of the character was out of the ordinary and new. The story also had a good mix of personal and professional narrative ideas. Plus, I loved the fact that they made accounting seem interesting, similar like The Big Short made the housing crisis exciting rather than dull. The twists and turns were also unexpected but much appreciated. My only gripe with the screenplay is that I wish the movie would have explained some stuff sooner. There was around 10 min of expositional dialogue full of information just before the 3rd act started and I think that if the scriptwriter would have dispersed that info into a few scenes, the plot would have flowed a bit better.
  2. Gavin O’Connor, whose last two films were Warrior (one of my favorite sports films ever) and Jane Got a Gun, directed The Accountant and did a magnificent job. I loved how subtle his directing was and how he found a good balance between drama and action in a thriller. The visuals, as well as the handling of the mise-en-scene (props and setting used for the purposes of the narrative ) were nice and neat as well. The picture unraveled slowly but was extremely engaging.
  3. Ben Affleck (BvS, Gone Girl) played the lead character and did a spectacular job. I believed that he had the highly-functioning autism and I also appreciated the fact that they spotlighted this type of an individual in a movie. I also applaud the film for trying to show that autistic people are not lesser than everyone else – they are just different and special in their own way. Huge props to the movie and to Ben Affleck for attempting to break social stigmas associated with this supposed illness/condition. I, personally, could also relate to the character, because even though I’m not autistic, I’m quite shy and anti-social, so seeing all the problems that the characters had while communicating with people made me cringe a bit as well as sympathize since it hit so close to home.
  4. Anna Kendrick (Pitch Perfect, Mike and Dave, Trolls) and Jon Bernthal (WAYF, Sicario) played two supporting characters that had relations to the main character. Kendrick did a nice job with the few scenes she had and I did love her optimism in contrast to Affleck’s calmness and serenity. Bernthal was also great – I did not predict his character’s twist. His character shared some similarities with The Punisher, so I could see why Bernthal wanted to play this role, as I think he really enjoyed playing The Punisher. His solo series is coming out next year.
  5. J.K. Simmons and Cynthia Addai-Robinson played the government personnel and brought a different perspective into the movie. For Simmons, this is one of his 10 movies this year. Two other notable pictures which have premiered at festivals, but haven’t had wide releases are La La Land and Patriot’s Day. I’m also excited for Simmons’s role in next year’s Justice League.  Addai-Robinson was also really good in her role – I was excited to see her on a big screen, as she has mostly done TV until now. I first became a fan of her after she appeared as Amanda Waller on Arrow before Suicide Squad‘s storylines had to be scratched from the small screen.

In short, The Accountant was a great original film that didn’t deserve to be panned by the critics as much. It had good directing, amazing acting and a thematically strong and important story.

Rate: 4/5 

Trailer: The Accountant trailer

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Movie review: Trolls

Movie reviews

Hello, everyone!

Usually, I go to the cinema on a Friday or during the weekend. However, I made an exception this week and went to see a film on a Monday afternoon as a reward for finishing a very depressing anthropology essay (I wrote about race and racism). As a result, I chose a movie that I hoped would make me smile and would lift my spirits – Trolls. So, let’s see if the film succeeded in that regard!!

IMDb summary: Enter a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic Trolls, with a constant song on their lips, and the comically pessimistic Bergens, who are only happy when they have trolls in their stomach

Writing

Jonathan Aibel and Glenn Berger, writers of the Kung Fu Panda series and The SpongeBob Movie: Sponge Out of Water, penned the script for Trolls and did a good job. The narrative was not the most original – it had the basic rescue plot, a storyline of hero’s growth, a dead relative (a Disney/Pixar staple in a DreamWorks film?) and even a Cinderella-esque plot-line on a side. However, it was executed effectively. Trolls was cheesy and had heart: it was pleasing to the eye, the mind, and the soul. It portrayed universal topics of friendship and family and looked for the balance between positivity and negativity. It overcame the problematic and a tiny bit cruel premise that one can only be happy by hurting others with a concluding notion that happiness is inside all of us, but sometimes we need others to bring it out. The film’s jokes were mostly aimed at children, but a few more adult lines were also slipped in, including ‘Little slappy, make daddy happy’ moment. I also appreciated ‘the happiness equals pizza’ scene.

Directing

Mike Mitchel (worked on the Shrek movies and the new SpongeBob film) and Walt Dohrn (co-wrote the Shrek series, the Madagascar series and Rise of the Guardians) directed the film and did a nice job. I loved the fact that they and the DreamWorks animators just went all out with the colors. Trolls was an absolute explosion of the rainbow – all big and bright. I loved the troll’s hair and the way they used it as a tool or a weapon. Both the hair and all other surrounding textures appeared to be very furry and soft – I really wanted to physically touch that world. The structure/appearance of the trolls’ bodies reminded me a bit of smurfs, although it was actually based on the Danish woodcutter’s Thomas Dam’s designs. Because of the way trolls acted, they also had some similarities to minions. I wish that Trolls would become the new Minions because I am so tired of those yellow fire-hindrents – they are literarly everywhere. Trolls’ movements (or singing, dancing, hugging, and scrapbooking) were realized nicely as well: they moved realistic enough but also had the right amount of fantasy’s fluidity. Lastly, the movie had a mid-credits scene, so make sure you stay through the first part of the credits to watch it.

Music and Voice Work

Christophe Beck was responsible for the music and he did a fairly good job. The film had a good mixture of well-known pop songs and, since I enjoy pop music and different covers of it, I liked the overall soundtrack. My favorite performances were the sadly happy ‘True Colors’ scene and the unapologetically bright and explosive finale with ‘Can’t Stop The Feeling’. That song was literally everywhere this past summer (and will probably re-appear after the release of this picture) and was the best marketing for the film. However, I wish they would have released the movie’s version with both Kendrick’s and Timberlake’s vocals, instead of it just being sung by Timberlake. Both of them did a good job with their songs and dialogue, though. Kendrick (Mike and Dave Need Wedding Dates, Pitch Perfect and upcoming The Accountant) was bubbly and sweet as Poppy and Timberlake (Friends with Benefits, In Time, upcoming Woody Allen project) was moody and whiny enough to be Branch. Branch’s character was probably the one that I related the most to. I also liked the meta-moment when Branch said ‘I don’t sing’ even though the person behind his voice is literally one of the greatest singers/entertainers of out generation.

The supporting voice cast included a few actors, a few comedians, a few singers and even a few YouTubers: Zooey DeschanelRussell BrandJames CordenGwen Stefani, and Icona Pop all had characters to bring to life. Youtube was represented by Ricky Dillon, Kandee JohnsonGloZell GreenCarrie Hope Fletcher, and Connie Glynn (Noodlerella). All of them were supposed to have voice cameos in the film, although I’m not sure in which versions. I definitely know that Carrie and Connie aurally appeared in the UK version – the one I saw.

Rate: 3.75/5

In short, Trolls was a delightful little film. It had superb animation, some nice songs, and good performances from the voice cast. The story lacked originality but entertained me in that familiar kinda way. Next similar film – an animated musical comedy SING will be coming out in December/January!

Trailer: Trolls trailer

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Movie review: The Boxtrolls (+The Equalizer)

Movie reviews

Hello!

First of all, I would like to apologize for not posting much this week. The reason why I did that is because my laptop crashed and it was being repaired for a whole week.  I don’t have a spare one and I could hardly prepare a proper post of my phone. Anyway, let’s get on with this week’s movie review.

On Wednesday, I have finally gone to see The Boxtrolls – newest stop motion animation distributed by Disney. The movie was directed by Graham Annable and Anthony Stacchiand and written by Irena Brignull and Adam Pava.

Summary: Everybody believes that little trolls living underground are monster and that they have stolen a baby a few years ago. An evil man who wants to satisfy his selfish needs tries to eliminate all the boxtrolls from the city but a boy opposes him and even manages to unite 2 different races while destroying the evil – written by myself.

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I went to see this film not because I was interested in the story but because stop-motion graphics amaze me. I appreciate all the hard work that is put into this type of animation. My favorite stop motion flick is Coraline (2009) by director Henry Selick produced by LAIKA studios (The Boxtrolls were also made by LAIKA). I also love Coraline because it is an animation for grown ups. It is pretty scary, dark and has a deep meaning.  What is more, I hate the fact that people think that animation movies are only for kids and Coraline helps to shed that myth away.

Having said that, I believe that The Boxtrolls movie was purely for young kids. I really wanted it to be smarter and a bit more serious. The graphics were nice but sometimes ugly and unpleasant to look at, however, interesting at the same time. It almost seemed like a piece of art and not a film for entertainment. I cannot discuss the voice work, because in my country all the voice overs had been done by different people in my own native language.

Although the movie was quite childish, it still had a few subtle undertones. It portrayed society obsessed with consumerism and people with no sentimental values perfectly. The Boxtrolls also showed altered (in a bad way) relationships between parents and kids. However, movie tackled not only sad issues but encouraged confidence and bravery as well. Outside doesn’t matter, you have to look deeper. The film is considered to be one of the contenders for the Oscar nomination in the category of Best Animation. While I think it might be nominated, I definitely don’t think that it’s going to win.

TrailerThe Boxtrolls trailer

Rate 3.5/5

The-Boxtrolls-poster

That same day, I also saw The Equalizer (I know I am late to the party) with Denzel Washington in the main role. I’m not going to review it because I don’t have much to say, I quite liked it but I wished they would have explained  Robert’s  background and why he was such a great fighter. Moreover, I believe that they could have made a movie at least half an hour shorter and since I was very tired that day and had and IETLS exam the next, I could not wait for the movie to end and for me to finally be able to go to sleep. Rate 3/5

downloadPhotos: Google Images

Moomin-trolls + Tove Jansson’s 100th birthday

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Hello!

This Sunday, I was reading Haper’s Bazaar UK magazine’s August issue and found an article about Tove Jansson – one of my favorite authors from childhood.

Tove was a Finnish novelist, painter and illustrator who was born in 1914 August. Last month, the world celebrated her 100th birthday. Tove is the most famous for the creation of Moomins – little trolls who live their peaceful but full of adventures life in Moominvalley. She wrote 8 books about them and also released a short story collection through period of 25 years (from 1945 to 1970). I was introduced to her characters by accident – I was about 8 or 9 years old when I first picked up her book Finn Family Moomintroll on sale at my local bookstore. Since then I was amazed and enchanted by the characters that she created and the events they lived through. Now, 10 years later, I still reread all of her books with a smile on my face but I also can see between the lines and understand the social messages she was portraying.

All books about Moomintrolls (Tittles in English):
The Moomins and the Great Flood
Comet in Moominland
Fin Family Moomintroll
The Exploits of Moominpappa
Moominsummer Madness
Moominland Midwinter
Moominpappa at Sea
Moominvalley in November
Short story collection Tales from Moominvalley

For her contribution as a children’s writer she received Hans Christian Medal in 1966. She died in 2001 from lung cancer. Her work inspired a couple of theater productions, cartoons and even movies based on Moomintrolls. If you wish to know more about her work, I highly recommend you to read the article I previously mentioned by Sam Baker. I would love to visit Moomin Museum and Moomin World theme park one day. For now, I will revisit my local library, where a special display for Tove Jansson was put together to commemorate her 100th birthday. Have a great rest of the weekend with a cup of tea and maybe one of Tove’s books!