5 ideas about a movie: Game Night

Movie reviews

Hello!

Welcome to a review of a comedy whose trailers’ actually made a fairly good impression. This is Game Night!

IMDb summary: A group of friends who meet regularly for game nights find themselves trying to solve a murder mystery.

  1. Game Night was written by Mark Perez (he has written a couple of obscure comedies before). I thought that the writing for this comedy was quite good: fairly smart and even original at times. I loved the actual idea of a game night – that opening set-up of the main couple’s relationship through the various games was super fun! I also really appreciated the fact that the movie celebrated adult friendship. All the film and pop culture references were much appreciated too. Lastly, I liked how the movie set up some details and actually delivered on them – the creepy neighbor had a role in the film and wasn’t just used for a funny cameo, the Fight Club recurring verbal joke ended up being more than just a verbal jab, while even the minor doctor character reappeared.
  2. For all the good parts of the writing, there was an equal quantity of bad ones (a bit less, maybe, I don’t want to be too harsh on this movie). I did like the fact that the characters fairly quickly realized that they weren’t playing a game. However, that actual mystery of the film that they found themselves in was a bit too convoluted: there were too many layers of fakeness and reality for it to make sense. Also, ‘the everyday Joe/Jane’ characters did Jar Jar Binks-ed their way through a lot of the plot and got lucky one too many times. Still, I wasn’t that mad at the picture for some these inconsistencies or stupid-ish moments, as I found the story of the film entertaining on the whole.
  3. Game Night was directed by John Francis Daley and Jonathan Goldstein. The duo was on the writing team for Spider-Man: Homecoming and are also supposed to helm the Flashpoint movie for DCEU (if it ever materializes). They also did the questionable Horrible Bosses comedy and the god-awful Vacation movie. Weirdly, I believe that they did a good job with this film: the movie was exciting and was paced well in addition to being of appropriate length (90minute-ish/short and sweet/doesn’t overstay its welcome). The score was also fun: it has electronic music vibes and featured few familiar hits. The credits were cool too: they were very thematically and narratively appropriate for the picture.
  4. Game Night had quite a big cast, consisting of actors of various caliber. At the centre of the film were three main couples, all of whom had somekind of personal problem to argue about during the quiter scenes: there was Rachel McAdams (Doctor Strange, Spotlight, Southpaw) and Jason Bateman (heard good things about his Netflix show Ozark) going on about having kids, New Girls’ Lamorne Morris and Kylie Bunbury (a TV actress) bickering about past celebrity hookups, and Billy Magnussen (the prince in Into The Woods) and Sharon Horgan (a British/Irish TV actress) just getting to know each other though arguments about everything.
  5. In smaller roles, there was the brother character played by Manchester By The Sea’s Kyle Chandler (Bateman and he do look fairly similar and they could actually be brothers). Westworld’s Jeffrey Wright also had a short scene (can’t wait for that TV show to come back). Plus, Fargo’s Jesse Plemons was absolutely brilliant in being creepy! Lastly, there was also a revolving door of villains and bad guys played by both familiar and new faces. They were too numerous and their roles – too insignificant to list here, though.

In short, Game Night is an entertaining and fun comedy with some neat moments. Not a sure hit but worthy of a watch.

Rate: 3.7/5

Trailer: Game Night trailer

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Movie review: Justice League

Movie reviews

Hello!

Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.

SPOILER ALERT

Writing

Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).

Directing

Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).

Acting

The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer

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Movie review: Flatliners 

Movie reviews

Hello!

The 90s are back in theatres with the remake of Flatliners. Let’s see how dead this movie about the near-death experiences is. Disclaimer: I haven’t seen the original, so I’m giving this movie as fair of a shot as they get.

IMDb summary: Five medical students, obsessed by what lies beyond the confines of life, embark on a daring experiment: by stopping their hearts for short periods, each triggers a near-death experience – giving them a firsthand account of the afterlife.

Writing

2017’s Flatliners was written by Ben Ripley (a newcomer screenwriter) and he did a very good job for the first half of the film. I really liked the set-up of the med school and how the movie showcased the strains of it. The science (barely?) parts of the actual procedures that the characters undertook were interesting too (the question is, how accurate were they?).

Speaking of the characters – they were not the best. The 5 leads were just stereotypes: the lead, the smart one, the wannabe smart one, the party-boy, and the good girl. Their afterlife visions could be seen as an attempt to develop their characters more deeply, but then again, those sequences only added a single extra feature – a sin from the past – to embellish the pre-existing stereotype. The personal arcs of all the character ended exactly how they always do. The lead was the ‘inciting incident’ (twice), the competitive intellectuals realized they love each other, the good girl went rogue and the party-boy grew up. Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

The second part of the film was where Flatliners fell flat. The supernatural/subconscious horror went unexplained and the movie never committed to an answer of who/what was happening to the characters. That whole borderline-magical second part also seemed jarring after the more sci-fi (and quite solid) opening. Additionally, that ‘inner demons’ concept, could be comparable to a similar idea in It (which, BTW, is gonna murder this film at the weekend box office). Lastly, the conclusion that one should forgive oneself and take up responsibility was a nice message but it was also an extremely typical one.

Directing

Niels Arden Oplev, a Danish TV director (he helmed Mr.Robot’s pilot episode), was responsible for the Flatliners remake and did an okay job. The set-up and the first part of the film (the sci-fi) one were well realized and exciting enough but the second half’s jump scares and the unexplained horror cheapened and undermined the overall product. The opening title sequence felt very 90s, which, I guess, was an appropriate choice for a remake of a 90s film (an homage?). The scenes of the students partying/having fun seemed like they belonged to The Hangover remake, though. Basically, the movie was fine and somewhat enjoyable. If it weren’t a remake and were an original property, I’d praise it.

Acting

The main reason why I went to see 2017’s Flatliners was its cast. I was really interested to see whether Diego Luna’s English-speaking career will go anywhere after Rogue One and I guess it is, even if it’s not soaring high as I wanted it to. He has a Woody Allen project lined up as well as that Scarface remake (bummer, that it is another remake).

Another actor who drew me into the cinema was Nina Dobrev. I watched her on The Vampire Diaries for years as a teenager and was a bit disappointed when she decided to leave the show to start a movie career, which did not get off the ground quickly or even at all. This was probably her best big-screen work to date, as her appearance on the third XXX movie was atrocious. Weirdly, her med-student character here reminded me a lot of her TVD’s Elena character, who wanted to be a doctor at one point of the show. Also, another side note, her character in this movie was supposed to be a swimmer (at least I got that impression) and, as somebody who practices this sport IRL, I could not take her seriously because of that super-sexy and not at all training appropriate swimming suit and that cap, that elderly women wear to the water aerobics.

Other cast members of the film were: Ellen Page (X-Men) – the biggest name-talent attached to this film, who also had the best performance; British TV actor James Norton, and Kiersey Clemons (DCEU’S Iris West). Kiefer Sutherland had a few scenes (he played the lead in the original), while Awkward’s Beau Mirchoff also cameoed as basically his character from that MTV show.

In short, Flatliners was fun but unexceptional film, that started out quite promising but fell apart in the end.

Rate: 3/5

Trailer: Flatliners trailer

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Movie review: Batman & Harley Quinn

Movie reviews

Hello!

Last summer, I branched out and reviewed a straight-to-DVD animated movie because it was an adaptation of a famous graphic novel – Batman: The Killing Joke. This summer, WB/DC has released another Batman animated film, and the reason to review it this year is Batman’s co-star – the highly popular character of Harley Quinn. The Joker’s girlfriend has definitely broken the boundaries in which she was created and become a favorite of both niche comic fans and mainstream audiences (Suicide Squad is mostly to blame/thank for that). So, let’s see what Batman & Harley Quinn have to offer!

IMDb summary: Batman and Nightwing are forced to team with the Joker’s sometimes-girlfriend Harley Quinn to stop a global threat brought about by Poison Ivy and Jason Woodrue, the Floronic Man.

Writing

Batman & Harley Quinn is an original story, written by Bruce Timm (Jim Krieg helped with the script too). Timm has earned the respect of fans by co-creating Batman: The Animated Series. However, recently he lost some of the said respect by doing something ‘original’ with Batman: The Killing Joke (his producing gig resulted in the ruin of the Batgirl character), so I was preemptively concerned about where his originality will go in this film. And I was right to be worried.

The core story of Batman & Harley Quinn certainly wasn’t bad. The eco message was actually quite interesting, while some of Harley’s character development moments were neat too (seeing her ‘going straight’ and being compassionate). However, a lot (and I mean really a lot) weird choices were made with the details of the narrative and the humor. And not weird in a good kind of way, but in a way that made me wonder ‘what?’ and ‘why?’ a lot.

Let’s start with the biggest problem of the film – the sexual references (both obvious and hidden) that lacked all subtlety or sophistication. The therapy joke, the super-babes bar, the freeze frame kiss? Not only were they quite tasteless but also quite meaningless details. They were just there for some reason and didn’t contribute much to the plot.

Another elephant in the room (movie) was that implied Nightwing/Harley sex scene. It seemed really weird but at least it raised a few problems/questions. First, it allowed the film to analyze the sexualization of Harley Quinn as a character (the line about the job offers as well as the interplay of cuteness and sexiness in the portrayal of the character were two fascinating additions)). Maybe, then, that sex scene was quite fitting, knowing how the character has been perceived? Her partner of the scene – Nightwing – has also been involved in a fair share of adult themes too prior to this picture. Another, more real-world, problem that this sex brought into the forefrunt was the fact that our society still can’t comprehend romantic or sexual pairings where the woman is older than a man. In general, age gaps are a big topic even if the consent is there.

 

Speaking about the non-sexual part of the humour, it wasn’t that good either. The fart joke and ‘smells like discipline’ line were bizzare. I can’t even call them childish – that was something else. The singing in the bar scene was odd too. My favorite joke in the movie wasn’t actually part of the movie – it was the post credits scene with the Ask Dr. Harley TV show. It was a smart jab at reality TV and doctor shows and I also appreciated its meta qualities.

Directing

Sam Liu, who has directed my favorite DC animated film Justice League: Crisis on Two Earths as well as already mentioned last year’s The Killing Joke, helmed Batman & Harley Quinn. I though that he did an okay job. I really liked ‘the Pink Panther meets James Bond’ type of credits. The action was quite campy but I thought that it was an intentional omage to the 1960s Batman TV show. The animation style itself was fine too – the familair 2D of all the WB/DC animated projects.

Voice work

It was lovely to hear Kevin Conroy as Batman/Bruce Wayne as well as Loren Lester as Nightwing/Dick Grayson. These role have become synonyms to their names. The Big Bang Theory’s Melissa Rauch voiced Harley Quinn/Dr. Harleen Quinzel. It was her first time doing that and I wasn’t completely onboard with the choices she made. Frankly, she sounded quite annoying and I wasn’t sure about the southern accent (if it even was a southern accent).

In short, Batman & Harley Quinn was a uncohesive and strange mess of a movie. It’s kinda hearbreaking to write that, as all the characters involved in the picture are loved not only by me but a lot of people.

Rate: 2.75/5

Trailer: Batman & Harley Quinn trailer

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Movie review: War For The Planet Of The Apes

Movie reviews

Hello, 

The third and final installment in the rebooted Apes franchise – War For The Planet Of The Apes – is upon us, so let’s review it.

IMDb summary: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

SPOILER ALERT

Writing

War For The Planet Of The Apes broke the trend that most blockbusters follow nowadays and was written by only 2 people instead of a bunch of them. Mark Bomback (who wrote The Wolverine, Insurgent, and the previous entry in the trilogy Dawn) and the director Matt Reeves were the only two screenwriters responsible for the script and, to my mind, that was one of the factors that lead to War’s screenplay being a major success that only had a few minor flaws.

To begin with, I loved the neat recap that played with the titles of the films (Rise, Dawn, War). I also very much enjoyed the direction that this story took with the humans devolving and losing the traits that make them human. The scene in which Woody Harelson’s character exposed that concept was a bit exposition heavy but the idea itself was so interesting that I didn’t care that much. In general, the issues of humanity were even more prevalent than in the previous films and were handled really well. Moreover, I adored the final twists in the plot, where the final battle was more about the human vs human conflict with the apes caught in the middle. Additionally, the idea to have mother nature as the winning agent was a genius one and also helped the action-y third act to tie into Harrelson’s character’s story-idea that apes are more adapted for survival.

Other themes, like Caesar’s struggles of leadership (to stay with the group or be the lone wolf/ape), his drive for revenge and/or survival, and his feelings of guilt and responsibility, were great additions to the narrative that elevated the film. Speaking about Caesar, his death at the end of the movie was quite emotional – he was one of the most memorable sci-fi characters ever that we had a privilege of seeing grow and develop in three, near damn perfect, films.

The new characters in War were excellent additions. The bad ape character was an obvious ploy for comedic relief but he was actually funny (wonder how much of that was improvised and how much was written). The child human character was also really good – she was like a beacon of real humanity and goodness in a war film. Lastly, the few gripes with the picture’s writing I had were mostly illogical gaps in the narrative. For one, the soldier characters were kinda awful at their job, not noticing the little girl or that the apes were gone. Secondly, I wish that the ape characters would have been made to utilize their ape skills more. When Caesar and the band went looking for the colonel, why not make them smell the territory rather than just barge in? Thirdly, this is not really a logical flaw, but I wish that the flower moment with the ape and the girl and that ape’s death scene would have been further apart. It would have given us more time to really get to know the character and would have made the untimely demise even more emotional.

Directing

Matt Reeves took over Rupert Wyatt (he directed Rise) on the second film Dawn and also helmed the final installment War. I loved the continued direction that he first chose for the second film – to treat the movie as a thriller or even a drama but to also have spectacular action moments. War was intense and slow but crafted with such care. The only time the film slowed down too much was the sequences with the apes in the camp before they started planning the escape. Nevertheless, that part had to be in the picture because Caesar had to go through a period of muddled motivations and had to re-find his purpose.

The visuals were amazing: the surroundings of nature were just impeccable and a character in their own right, while the CGI of the apes was absolutely unbelievable as well and even better than it was before (and it was already great). The long takes were awe-inspiring and emotionally driven, like the shot of apes kneeling before Caesar in his introduction or the sweeping shots of the battle. Another emotional moment was the scene of the ‘Apes Together Strong’ sign. Ir really reminded me of The Hunger Games ‘Three Finger Salute’.

Generally, I loved what Reeves did with the final installment in this trilogy and I’m now way more trusting in the fact that he can absolutely nail The Batman solo movie. He recently replaced Ben Affleck as the director of that project and his is also rewriting the script.

Acting

Andy Serkis (LOTR, Star Wars 7, Avengers 2) was back in his element as Caesar and just did his job to perfection. He portrayed so much emotion through all the CGI: some actors can’t even do that with their real faces. He is a mastermind of motion capture and his work must be rewarded or at least recognized. Academy, prove to us that you are not as old fashioned as we think.

Although other actors had to compete with Serkis, they did do a good job with their motion capture performances too. The comedian Steve Zahn was brilliant as the Bad Ape, while the returning talent Karin Konoval and Terry Notary were also really good. I really wish that their motion capture work would lead to more on-screen acting gigs for them. The humans, this time around, were played by Woody Harrelson (Triple 9, Now You See Me 2) – he was great in the villainous role and the young TV actress Amiah Miller – she was a delight to watch as well.

In short, War For The Planet Of The Apes might be the best thriller of this summer and one of the best blockbusters too. It’s smartly written, well-acted, and directed with care on top of being an incredible showcase of what can be achieved with CGI in this day and age.

Rate: 4.5/5

Trailer: War For The Planet Of The Apes trailer

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Movie review: Wonder Woman

Movie reviews

Hello!

Let me begin by saying that I don’t think I can name another recent movie that had so many external things riding on it. Wonder Woman has at least 3: 1. It has to save DCEU and finally unite the fans and the critics; 2. It has to prove that female-lead (behind and in front of the camera) superhero films and action pictures, in general, can be both of high quality and profitable; 3. It just has to be a good movie on its own.

IMDb summary: Before she was Wonder Woman she was Diana, Princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

SPOILER ALERT

Writing

The first big screen adaptation of the Wonder Woman comics was written by a TV and comic book writer Allan Heinberg, who previously tried bringing Wonder Woman to the small screen in 2011-2012. Batman v Superman’s Zack Snyder and a quite unknown writer Jason Fuchs also contributed to the story.

I really enjoyed the narrative that they crafted for this film and the character development that they managed to interweave into it. I loved how the story started in the modern day with Diana looking at the picture from WW1. The said image was actually one of the first pieces of the promotional material released for this film. The flashback to her childhood and younger years on Themyscira were also fascinating. I appreciated that the film did include both of her origin stories from the comics – the clay one and the one where Zeus is her father.

The whole explanation of the backstory for the Amazons and Aries from the Greek mythology was a bit overwhelming but informative and interesting too. The set-up of the world outside of Themyscyra also worked – the scene where Steve told the Amazons about The Great War not only set up the main conflict but also showcased one of the main tools of WW in action – The Lasso of Truth. In general, a lot of my favorite moments in the movie involved the lasso.

On top having a lot of great story elements from the comics and history, Wonder Woman’s script also had a plethora of comic relief moments which did actually work. While the culture shock, which kickstarted all the funny banter, was a bit cringy at times, it was also equally cute, and, most importantly, quite realistic.

All the comedy, as well as the more dramatic moments, worked because of the characters involved. We not only got to learn Diana’s whole backstory, but we also got to witness an amazing character arc of Steve Trevor. I was really afraid that he would be relegated to the background in this movie, but he was, thankfully, front and center – an equal of Diana’s. It was really nice to see him being efficient at his jobs as a spy and his journey from dismissing to believing Diana was also awesome. Plus, I really liked the fact that both he and Diana had separate things to accomplish in the third act. Their interactions – from comedic to romantic ones – worked too and didn’t seem like they were pushed. I was quite sad to see Trevor go, especially since he is such a crucial part of Wonder Woman’s mythos. Having said that, I still think that they did an amazing job with the character in this film. Other characters in the movie were also really interesting, especially Trevor’s friends. That was one weird group of characters you don’t see together on film often.

Thematically, Wonder Woman provided the commentary on humanity and her whole emotional arc was learning to take humans for what they are, flaws and all. And yet, her signature idea of fighting prejudice on all fronts was still present in the movie. Diana’s final realization – that love is the one thing that can save this world – wasn’t campy at all and actually quite emotional. I felt that the movie earned this type of a conclusion. The big reveal of the film – who was Aries – was actually surprising (for those who did not spoil it to themselves while researching the movie). I really liked how Ares attempt at an armistice was only a ploy for more war as well.

Lastly, Wonder Woman’s story ended the way it began – in a modern day with her writing a thank-you reply to Bruce Wayne for sending her the photo. I loved how this small scene gave a feeling of a bigger universe – DCEU – existing beyond this film. I thought that the scene of her sending the email was much more organic than the video attachments from the BvS.

Directing

Patty Jenkins, whose debut film was also her last one for over a decade, directed Wonder Woman and did a spectacular job. She didn’t lose an ounce of skill that she showcased with the fascinating 2003’s picture Monster, which I only watched yesterday for the first time and was absolutely blown away. Jenkins definitely should have received more praise for it in addition to Charlize Theron, instead of the latter just getting the majority of it. Anyways, after a series of failed movie projects and some highly-regarded and successful TV ones, Jenkins agreed to direct Wonder Woman and we all should be extremely happy and thankful that she did.

First of all, she succeeded in striking a balance of tone for the movie. While BvS was too dark and Suicide Squad was trying too hard to be funny, Wonder Woman had the right amount of seriousness, comedy, and romance. More importantly, this mixture was elevated by sophistication and a level of class. The movie was also edited in a way that was cohesive – the story flowed organically rather than the film just being a collection of sequences of no relation to one another.

Visually, the film was also stunning. The way that Themyscira was realized with a distinctly Greek feeling (architecture, costumes) was just absolutely amazing.  The shots of the island and the ocean were wonderful as well. In contrast to the glamourous yet strong Themyscira, the WW1 Europe was realized as broken and dirty – very realistic. The film had a number of amazing looking shots, like the one of Diana standing on the crashed plane from Steve’s POV from underneath the water or those few shots of Diana looking up at the sky in different locations.

The action was also astounding. The style of fighting of the Amazons – a lot of flips in mid-air while holding a bow and arrow (my weapon of choice alway and forever) – was super cool. Jenkins also used a lot of slow motion but actually did it tastefully and in a way that it enhanced the action. Another epic sequence was Wonder Woman fighting in the no-man’s-land and later on in the village. She looked absolutely brilliant while doing it and I also loved how Trevor and the other characters collaborated with her by making a ramp for her to jump on. The final action sequence was also amazing. My only gripe was that I wish Ares CGI costume would have had a different design, something more inventive. Nevertheless, I loved how in that fight (and in many others), Diana used the Lasso as a weapon and it wasn’t just a tool for truth-telling. Having said that, the way Trevor took the lasso and wrapped in around his hand to make her believe that he was taking her to the front was such a clever idea!

And the last note on the visuals of the film – now I get why all the posters for the film had an orange background – it was meant to symbolize the orange mustard gas. I actually haven’t realized that prior to seeing the movie. Nevertheless, it was nice to see a continuity between the ads and the final product. The soundtrack of the picture wasn’t bad either. I love the Wonder Woman theme and it was used several times. Sia’s song ‘To be human’ played during the credits and made me ask the question: is Sia’s music going to play over the credits of all the summer movies like it did last year? Probably.

Acting  

  • Gal Gadot as Diana Prince / Wonder Woman. Gadot was absolutely amazing in the role. Firstly, she looked like the character – the right mixture of model and fitness athlete. More importantly, she did not look oversexualized. Gadot was also not only marvelous in the action scenes but handled both the dramatic and the comedic moments very well. I can’t wait to see whether this role will give her career a boost. She first rose to prominence with the Fast and the Furious films, while last year she had minor roles in thrillers Triple 9 and Criminal in addition to appearing in BvS. She also showcased her comedic chops in the 2016’s action comedy Keeping Up With The Joneses. The youngest version of Diana was played by a child actress Lilly Aspel. She was also amazing in the few scenes she was in – both cute and fierce.
  • Chris Pine as Steve Trevor is an amazing casting if I ever saw one. Pine was charming yet efficient in the role. His chemistry with Gadot was also believable. While I’m sad that Pine won’t be able to continue playing this character, I hope that we can at least watch him on Star Trek for years to come.
  • Robin Wright delivered a short but powerful performance as General Antiope. I really should watch House of CardsConnie Nielsen also worked as Queen Hippolyta.
  • Danny Huston as General Erich Ludendorff and Elena Anaya as Doctor Isabel Maru / Doctor Poison were also well cast. Huston was threatening as the General (he is probably used to this type of a role), while it was nice to see Anaya playing a character from the comics that somehow really fit into the WW1 scenario.
  • David Thewlis as Ares. The only casting choice that I wish was different. Don’t get me wrong, I though that Thewlis did a good job in the role but I wish they would have done something more interesting with the role than having it played by an older white male.
  • Some ethnic diversity was brought to the movie by a band of Trevor’s friends, played by Saïd Taghmaoui, Trainspotting’s Ewen Bremner (Scottish sniper/singer – amazing), and Eugene Brave Rock. Lucy Davis was also good as the comedic relief secretary of Trevor’s.

In short, Wonder Woman is one the best comic book origin movies, the best female lead superhero film, the best DCEU movie, and one of my favorite pictures of this year already! I highly suggest you see it before continuing to follow Diana’s story in the Justice League. Moreover, if you are interested in the behind-the-scenes backstory of the character, the biographical drama about her creator is currently in the works, titled Professor Marston & the Wonder Women.

Rate: 4.5/5

Trailer: Wonder Woman trailer

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Movie review: The Lego Batman Movie

Movie reviews

Hi!

With the DCEU films being critical nightmares, which do not earn as much as they should do, Ben Affleck stepping out as director of the Batman solo movie and The Flash film being completely rewritten, the Warner Bros desperately needs a win concerning its DC properties. Might The Lego Batman Movie be the win? Let’s find out!

IMDb summary: Bruce Wayne must not only deal with the criminals of Gotham City but also the responsibility of raising a boy he adopted.

Writing

The Lego Batman Movie was written by Seth Grahame-Smith (who wrote Dark Shadows, Abraham Lincoln: Vampire Hunter, and the novel version of Pride and Prejudice and Zombies), Chris McKenna (a TV comedy writer), Erik Sommers (Spider-Man: Homecoming writer), Jared Stern (who provided additional story material for Wreck-It Ralph), and John Whittington (a newcomer writer who doesn’t have any significant credits on his IMDb page). The duo of writers/directors behind the uber-successful The Lego Movie – the film that started The Lego franchise – Phil Lord and Christopher Miller – helped to produce this spinoff flick as well. I, personally, absolutely loved the writing for this movie.

Let’s star with the on the nose humor as it was such a huge part of the picture. The Lego Batman was basically Deadpool for kids. Like Deadpool, this film didn’t waste its credits and began mocking the studios and the executives in the first few seconds of its runtime. It then moved on to making fun of the comic book movies cliches, such as ‘the unnecessarily complicated bombs’, ‘the villains who explain their plan aloud’ and other plot conveniences.  Plus, I laughed out loud several times when the characters would start making the shooting noise – ‘pew pew’. I also loved the funny inclusion of the comic book sound effect balloons which showed the origins of Batman. Lastly, the movie also poked fun at merchandise with that merch gun scene (I’m definitely guilty of owning some items myself – I was actually wearing my batman sweatshirt at the screening).

The narrative wise, The Lego Batman Movie didn’t bother with neither the setup nor the basic development and origins of the character and I’m actually really glad that they skipped all of that, cause everybody already knows Batman’s background. Nevertheless, the film still did some cool stuff with its main character, for example, portraying him more as an anti-hero and raising the questions of accountability and legitimacy (basically, Captain America: Civil War storyline). The movie also teased and parodied the Batman’s Rogues Gallery and also mocked his gadgets (while at the same time, showing them on screen just so that they could turn them into toys and merch, which they have also made fun of already).

In addition, this film attempted to do something with the Batman and Batgirl relationship, which was very similar to what The Killing Joke movie did. That development really angered the fans and The Killing Joke really suffered from that addition, so I was worried that this idea might damage The Lego Batman too. However, this film dragged the ship more than pushed it, so everything turned out fine in the end. On the other hand, I really liked the relationship that was created for Batman and The Joker. The were literally like an old married couple. The other little details, like Batman’s password (‘Iron Man sucks), the Hugh Hefner-like dressing gown, and his obsessions with romcoms (shout out to Jerry Maguire) were just amazing. I also loved the fact that they managed to include a Nightwing easter egg and actually used the fact that lego figurines can join together as a plot point in the film.

From the thematical standpoint, the movie explored relationships within a family and between friends as well as narcissism. It looked at the fear of human connection which arose from the possibility of being left alone. The final message of the film – that one has to let people in even if they might hurt you by leaving and disappearing – was a neat one.

Directing

Chris McKay, who worked as an animator and editor on The Lego Movie, directed The Lego Batman and did a spectacular job. I just loved the fact that he took the grimmest property from the dark and sophisticated DC and made it work as a comedy. The Lego Batman Movie was, truly, one of the best action comedies I’ve seen. It had the non-stop jokes and the fast action (the film was unbelievably energetic) but it still found time for quieter, more heartfelt moments (every animated movie needs ‘the feels’). The only few moments in the picture, which annoyed me a bit, were all the singing and rapping scenes. They juts seemed of a lower level of humor than all the wonderful meta-references and jokes.

Additionally, the animation was just striking. Every shot looked so densely animated and complex – you could just see how much work it has taken to bring this story to life in this format. The Lego Batman Movie was definitely a perfect match between the material and the format, cause I doubt that this narrative could have worked in live action. It would have just come across as stupid (mostly because of all the rapping), but now it blended the right amount of stupidity and cleverness and was, overall,  extremely fun and very enjoyable.

Speaking more about the visuals of the film, I loved seeing the recreations of all the previous Batman films in the lego form. I also really appreciated the lego versions of all the other DC and non-DC villains that cameoed in the film – crossover all the way! We got to see Voldemort, Sauron, King-Kong, The Wicked Witch, and Doctor Who’s Daleks – basically all properties that belong to WB.

I have also noticed, that the majority of DC films (both live-action and animated) are now team-ups. It also seems that one cannot have a Batman movie without Superman or the other Justice League members (that short scene was a neat surprise and maybe it was there to set-up a sort of solo Lego movies for other DC characters?).

Music

Lorne Balfe was responsible for the soundtrack and he picked some very appropriate, witty, and catchy songs for the film. While I didn’t really like the actual Batman song, I loved the updated version of ‘Man in the Mirror’ and felt that it was a more clever jab at Batman rather than the on the nose Batman song.

Voice Cast

The film had an amazing voice cast. Will Arnett (a long time voice actor and narrator) just killed it as Bruce Wayne / Batman, while Zach Galifianakis (who has also had some experience with voicing) was an equally amazing JokerMichael Cera (Sausage Party) brought a sense of innocence to Dick Grayson / Robin, while Rosario Dawson’s (who voices Wonder Woman in most of the direct to video JL films) voice really fit Barbara Gordon / Batgirl – she sounded as and actually was an efficient go-getter. Ralph Fiennes (Kubo and the Two Strings) oozed class as Alfred PennyworthJenny Slate (Zootopia, The Secret Life of Pets) was the voice of Harley Quinn. It might be the Margot Robbie effect, but I wanted Harley to sound sassier.  The filmmakers also managed to get the big name talent – Channing Tatum and Jonah Hill –  to record a few lines as Superman and Green Lantern, respectively (they voiced these characters in The Lego Movie), while Adam DeVine joined them as The Flash.

In short, The Lego Batman Movie was both a successful spin-off of The Lego Movie as well as a great parody of all the comic book movies. Extremely funny and highly enjoyable!

Rate: 4.7/5

Trailer: The Lego Batman trailer

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2016: 100 Book Challenge

Uncategorized

Hello!

The end of the year usually means a lot of looking-back/reflection/summary posts. This one is no exception. Also, if you ever needed more proof that I am a gigantic nerd, this is it.

At the beginning of the year, I raised myself a challenge – to read 100 books and to keep track of them. I mainly did that because 1. I wanted to read more – I used to read a lot during childhood but couldn’t find time for books in later years, due to watching a lot of films and 2. since I read/watch/hear so many stories, I wanted to have a list of them so that I would not start reading a book which I have read before.

I’m glad to announce that I did achieve my goal and did finish 100 books in 12 months. I covered a variety of genres, authors, and languages.

Some statistics before I give you the list: out of the 100 books:

  • 23 were in my native Lithuanian language and 77 were in English.
  • 20 of them were for study purposes, 80 – for leisure.
  • 60 authors were covered: I read only one book by 44 authors and a few books by 16 authors. W. Shakespeare came in first with 8 repeats, T. Morrison followed second with 6 and J.K.Rowling with 5. D. Brown had 4, while A. Moore, R. Riggs, M. Strandberg and S.B. Elfrgen and Sir A. Conan Doyle all had 3. Lastly, I read 2 books by each of the following authors: A. Miller, H. Ibsen, A. Spiegelman, S. Plath, J. Conrad, J. Moyes, G. Flynn, and H. Lee.
  • 30 writers were American, 15British, 5French, 2 (each) were Lithuanian, Irish, Japanese, and Scandinavian and 1 (each) – Russian, Polish, Nigerian, and Pakistani.
  • 72 were stand-alone books, while 28 belonged to 11 series.
  • 53 were modern books, while 47 were classics.
  • 56 were prose and 2poetry books. 15 were plays, 18graphic novels, and 9memoirs.
  • 8 was my monthly average.

Before I give you the long list by genre, here is my TOP 10 in no particular order:

  • A. Spiegelman – ‘Maus’
  • A.Moore and D.Gibbons – ‘Watchmen’
  • J.K.Rowling – ‘Harry Potter and the Cursed Child’
  • S. Plath – ‘The Bell Jar’
  • H. Lee – ‘Go Set a Watchman’
  • A. Weir – ‘The Martian’
  • G. Flynn – ‘Sharp Objects’
  • E. Cline – ‘Ready Player One’
  • L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  • C. McDougall – ‘Born to Run’

Now the actual list by genre:

Prose:

  1. E. A. Poe – collection of short stories titled ‘The Gold-Bug’
  2. A. de Saint-Exupéry – two storiesSouthern Mail’ and ‘Night Flight’ in one novel.
  3. M. Shelley – ‘Frankenstein’
  4. J.M.Barie – ‘Peter Pan’
  5. W. Golding – ‘Lord of the Flies’
  6. V. Nabokov – ‘Lolita’
  7. K. Ishiguro – ‘Never Let Me Go’
  8. S. Plath – ‘The Bell Jar’
  9. J. Conrad – ‘Hearth of Darkness’
  10. J. Conrad – a trio of short stories ‘An Outpost of Progress’, ‘Karan’, ‘Youth’.
  11. J. Baldwin –  ‘Giovanni’s Room’
  12. C. Achebe – ‘Things Fall Apart’
  13. T. Morrison – ‘Beloved’
  14. T. Morrison – ‘Sula’
  15. T. Morrison – ‘Song of Solomon’
  16. T. Morrison – ‘A Mercy’
  17. T. Morrison – ‘The Bluest Eye’
  18. T. Morrison – ‘Home’
  19. M. Mauss – ‘The Gift’
  20. H. Melville – ‘Moby Dick’
  21. J. Austen – ‘Sense and Sensibility’
  22. J. Moyes – ‘Me Before You’
  23. J. Moyes – ‘After You’
  24. H. Lee – ‘To Kill a Mockingbird’
  25. H. Lee – ‘Go Set a Watchman’
  26. A. Weir – ‘The Martian’
  27. G. Flynn – ‘Sharp Objects’
  28. G. Flynn – ‘Dark Places’
  29. M. Strandberg and S.B.Elfgren – ‘The Circle’
  30. M. Strandberg and S.B.Elfgren – ‘Fire’
  31. M. Strandberg and S.B.Elfgren – ‘The Key’
  32. K. Vonnegut – ‘The Breakfast of Champions’
  33. I. Fleming – ‘Casino Royale’
  34. D. Brown – ‘Angels and Demons’
  35. D. Brown – ‘The Da Vinci Code’
  36. D. Brown – ‘The Lost Symbol’
  37. D. Brown – ‘Inferno’
  38. G. DeWeese – ‘Into the Nebula (Star Trek: The Next Generation #36)’
  39. R. Riggs – ‘Miss Peregrine’s Home for the Peculiar Children’
  40. R. Riggs – ‘Hollow City’
  41. R. Riggs – ‘The Library of Souls’
  42. E. Blyton – ‘The Famous Five: Five Go Down to the Sea’
  43. E. Blyton – ‘The Famous Five: Five Go to Mystery Moor’
  44. E. Blyton – ‘The Famous Five: Five Have Plenty of Fun’
  45. E. Blyton – ‘The Famous Five: Five on a Secret Trail’
  46. K. Keplinger – ‘The Duff’
  47. P. Hawkins – ‘The Girl on the Train’
  48. J.K.Rowling – ‘The Casual Vacancy’
  49. J.K.Rowling – ‘Fantastic Beast and Where To Find Them’
  50. J.K.Rowling – ‘Quidditch Through The Ages’
  51. J.K.Rowling – ‘Tale of Beedle The Bard’
  52. Sir A. Conan Doyle – ‘The Adventures of Sherlock Holmes’
  53. Sir A. Conan Doyle – ‘The Memoirs of Sherlock Holmes’
  54. Sir A. Conan Doyle – ‘The Return of Sherlock Holmes’
  55. E. Cline – ‘Ready Player One’
  56. G.R.R.Martin – ‘The World of Ice and Fire’
  57. D.Grayson – ‘Doctor Strange: The Fate of Dreams’

Poetry:

  1. S. Heaney – ‘North’
  2. S. Plath – ‘Ariel’

Plays:

  1. J.M.Synge – ‘The Playboy of the Western World’
  2. A. Miller – ‘The Crucible’
  3. A. Miller – ‘Death of a Salesman’
  4. H. Ibsen – ‘A Doll’s House’
  5. H. Ibsen – ‘Hedda Gabler’
  6. J. Lyly – ‘Galatea’
  7. W. Shakespeare – ‘The Taming of the Shrew’
  8. W. Shakespeare – ‘A Midsummer Night’s Dream’
  9. W. Shakespeare – ‘Twelfth Night’
  10. W. Shakespeare – ‘The Merchant ofVenice’
  11. W. Shakespeare – ‘The Tempest’
  12. W. Shakespeare – ‘Coriolanus’
  13. W. Shakespeare – ‘Hamlet’
  14. W. Shakespeare – ‘Troilus and Cressida’
  15. J.K.Rowling – ‘Harry Potter and the Cursed Child’

Graphic Novels:

  1. A. Spiegelman – ‘Maus’
  2. A. Spiegelman – ‘In The Shadow of No Towers’
  3. M. Satrapi – ‘Persepolis’
  4. J. Maroh – ‘Blue is the Warmest Colour’
  5. C. Burns – ‘Black Hole’
  6. M.Millar and S.McNiven – ‘Civil War’
  7. Various authors – ‘Marvel’s Mightiest Heroes: Wolverine’
  8. A.Moore and D.Gibbons – ‘Watchmen’
  9. A.Moore and D.Lloyd – ‘V for Vendetta’
  10. A.Moore and B.Bolland – ‘Batman: The Killing Joke’
  11. M.Anusauskaite and G.Jord – ’10 litu’
  12. Various authors – ‘The Greatest Batman Stories Ever Told’
  13. Various authors – ‘Marvel Platinum: The Definitive Iron Man’
  14. J. Sacco – ‘Palestine’
  15. C.Thompson – ‘Blankets’
  16. M.Wolfman and G.Perez – ‘Crisis on Infinite Earths’
  17. E. Brubaker – ‘The Death of Captain America’

Memoirs:

  1. D. Howell and P. Lester – ‘The Amazing Book Is Not On Fire’
  2. T. Oakley – ‘Binge’
  3. C. Franta – ‘A Work in Progress’
  4. G. Helbig – ‘Grace’s Guide: The Art of Pretending to be a Grown-Up’
  5. L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  6. M.Youafzai and C.Lamb – ‘I am Malala’
  7. I.Staskevicius – ‘Maratono laukas’ (‘Marathon running’)
  8. H. Murakami – ‘What I talk about when I talk about running’
  9. C.McDougall – ‘Born to Run’

I hope you enjoyed flicking through my 2016 reading list. I really want to start writing more book-centric posts next year, so this was like a taster-post. Have a great New Year and tell me in the comments your favorite book from last year!

A snapshot of my collection

Movie review: Suicide Squad

Movie reviews

Hi!

In 2014, on my birthday, I went to the Guardians of the Galaxy premiere. A year later, I celebrated my entry into adulthood (18th birthday) with Ant-Man. Well, today, I’m continuing this tradition and watching a comic book movie – Suicide Squad – on/around my birthday.

The majority of my knowledge about the actual Task Force X comes from the TV series Arrow. I was really disappointed when WB stop allowing Suicide Squad characters to be featured in the Arrowverse because they were making a movie, so all of these iconic characters were killed off like Red Shirts. If you want something to watch to prepare yourself for the film, I suggest Batman: Assault on Arkham animated movie and the Mad Love episode of the Batman TV series. Also, Gotham TV show has a few nice moments involving these characters. Lastly, I’ve read a few issues of the Suicide Squad comics but definitely would love to read some more, so leave your suggestions in the comments.

IMDb summary: A secret government agency recruits imprisoned supervillains to execute dangerous black ops missions in exchange for clemency.

The reviews, that have been coming in, have been pretty terrible and made me actually terrified to see the film because I desperately wanted it to be good. Sadly, I think we have another BvS situation on our hands. I didn’t hate Batman v Superman when I first saw it but had a lot of problems with it. Since I loved the concept of that film so much I didn’t want to give up on it, so I watched the Ultimate Edition and absolutely loved it. Suicide Squad feels like a BvS theatrical version – it is missing a ton of stuff that has been cut, including a lot of scenes showed in the trailers, so we will probably see another version of this film released in a near future.

David Ayer

David Ayer has only directed 5 feature-length pictures before he undertook the Suicide Squad project. For the most part, his films have been both critically and commercially successful, except the flop of Sabotage. Nevertheless, Ayer has shown that he can create intense action sequences in limited spaces (Fury and End of Watch). He has also demonstrated his writing skills – just listen to the Training Day’s dialogue – it’s snappy, funny and has a message. Until now, Ayer has made small-scale, more intimate, character-driven films (e.g. Fury – a group of soldiers stuck in a tank, End of Watch – 2 police officers in a car). Suicide Squad is his biggest film to date both cast-wise, story-wise, and budget-wise.

Sadly, I really think that David Ayer should have brought in an additional screenwriter or a co-director because I believe that he bit off more than he could chew. The actual writing on the film was fine but its execution and presentation on screen lacked quality. Moreover, the editing was all over the place again, like with the Batman v Superman.

SPOILER ALERT

The characters

The picture had way too many characters and didn’t give all of them enough of backstory or if it did give the characters some development, it did it in a rushed and really tacked-on way. Deadshot and Harley received the majority of development – Waller just basically told the viewer about them and there were also a few montages of flashbacks. The same happened with Rick Flag and June Moone, the only difference was that they received even less of any actual development. Captain’s Boomerang’s and Killer Croc’s backstories were mostly skipped. Slipknot was only there to be killed off, so no one even bothered to introduce him in any interesting way. Katana felt like an after-thought and didn’t have anything significant to do either, but at least she wasn’t an actual member of the squad, so at least that allowed her to stand out. The only character, whose development seemed to be organic and came out of the story, was El Diablo – he had an emotional monolog in the middle of the story.  I was also surprised by how quickly the Squad became friends or maybe they were just acting that way?

We also had two cameos: Batman appeared in Deadshot’s and Harley’s backstories, while The Flash – in Captain Boomerang’s. The Joker was also in a film – I really liked him as an updated modern gangsta, with a great fashion sense and a lot of sex appeal – and felt that he had a place in Harley’s backstory. However, his appearance in the present day was so-so. He showed up, did some stuff and went away again. And then popped up at the end, again. Didn’t make much sense.

I think that the main character of the Suicide Squad film was probably Amanda Waller – she had the most scenes and an actual place in the plot. The picture also had another soldier character, played by a sort-of well-known actor, but, given that that character’s part in the narrative was minimal, I think the role could have been played by anyone.

I was kinda worried that the movie wouldn’t be able to handle all of its characters, but really hoped that it would find a way to do it, but, sadly, my worries came true. Don’t get me wrong, I loved Harley’s and Joker’s scenes, I loved Rick’s and June’s scenes, I liked seeing Deadshot with his daughter – all of these elements were brilliant separately, but their organization and the way they were put together was just off. The whole first act felt like a big rushed montage, consisting of non-related 10 seconds long scenes, that was just cramming information left and right, without having any cohesion or flow.

So, let’s talk more about those character moments I liked:

Firstly, Joker’s and Harley’s relationship – I loved how it was changed during its transition from the comics to the big screen. Yes, their relationship was still abusive, obsessive and just plain crazy. But, it was not longer one sided – Joker actually seemed to care about Harley, as he should, since he was the one who made her crazy. I loved their moment in the helicopter but, unfortunately, it was cut short. The subtle hints at a possible Harley’s, Joker’s and Deadshot’s love triangle were also there. I would actually love to see this idea portrayed on the big screen. I usually hate love triangles in films because they tend to be extremely cliche, however, when the people involved in the love triangle are a nutjob, a crazy former psychiatrist and a criminal who can’t miss – I’m on board.

Secondly, June Moone’s and Rick Flag’s relationship was nice and I also liked the fact that, when June turned into Enchantress, who became the big bad of the film, at least one member of the squad had personal reasons to go after her/the villain. This made the final fight more emotional. However, Enchantress’s brother seemed like a weird addition. I don’t really know how I feel about him. He did look very cool visually (Enchantress also looked magnificent) but he kinda appeared out of nowhere. Is he a character from the comic books or an original creation?

Thirdly, I loved the back and forth between Deadshot and Rick Flag. Their inside competition and moments of one-liners were extremely entertaining. Captain Boomerang was also a nice addition because his comic relief was on-point.

Finally, I loved that almost all the characters’ reason to fight was their loved ones: Harley had Joker, Deadshot – his daughter, Rick – June, Katana – her husband, and El Diablo – his dead family

The narrative

The actual ‘quest’ of the movie or the mission that the Suicide Squad had to complete was fine. It wasn’t the most inventive but it did kinda work. However, I didn’t understand while the villain had to use a beam of light to destroy the world AGAIN. I just complained about this in my Ghostbusters review.

The visuals and the action

The action of the picture was fine – there were some nice sequences in the 2nd act and the final fight was cool looking, but there wasn’t anything special. I don’t feel like I have to go see the film again just because that one part was amazing. Also, in addition to investigating the editing choices and their negative effects on the story, I question some of the editing arrangements purely from a visual perspective. The slow-motion to fast-motion thing was fine in a few scenes, but got boring real quick. The color filter was also an interesting choice that didn’t necessarily work .

The character costumes were nice. I loved the look of Enchantress, as I’ve said. Her transition shot with the hand as well as that mirror shot were amazing.  The ‘money shot’ where the whole Squad was walking in the street at the end of the second act was also cool. The bar scene was nice and emotional, although it was missing a few intro shots that we’ve seen in the trailer. The darker tone also worked for the benefit of the film because it was paired with humor.

Lastly, I saw the movie in 3D – it was the first film I saw in 3D in a long time – and didn’t think that it added anything. I never was a fan of 3D, always felt that it was a financial gimmick. Are any of you fans of 3D? Can you recommend me a film that has to be watched with 3D because this effect makes it better?

The music

Suicide Squad’s soundtrack was created by Steven Price (Fury, Gravity). All of the song choices were nice but I don’t think that, on the whole, this collection of songs worked as a soundtrack. In some scenes, the music really added something special, in others – it was just distracting. I feel like they tried to make the soundtrack of the film  a character in its own right, similarly to what Guardians of the Galaxy did. However, I think that the music in Guardians was used more subtly and it at least fit the theme, while Suicide Squad’s songs were from all over the place.

The mid-credits scene

Suicide Squad had one mid-credits scene that involved Bruce Wayne, obtaining information from Waller. This was a nice Justice League set-up: now we know how Batman will able to find other meta-humans. We can see him doing just that in the first trailer for the feature, released during comic-con.

Acting

The whoel cast did a good job portraying their characters. Viola Davis (The Help) slay-ed the role of Amanda Waller. Will Smith (The Pursuit of Happyness, Focus, Concussion) was Deadshot – a badass with a heart of gold underneath the mask of a villain. Margot Robbie (Wolf of Wall Street, Whiskey Tango Foxtrot, Focus, Legend of Tarzan) was Harley Quinn – the crazy, funny but intelligent psychatrist/psychopath. Jared Leto (Dallas Buyers Club, Requiem for a Dream, Mr. Nobody) was a great Joker. It took me a second to get used to him, but now I really want to see more of him as the character. There probably isn’t another actor like Leto. He just completely loses himself in the role and tranfroms both physically and psychologically or at least performs in that way.

Joel Kinnaman (Child 44) was also great as Rick Flag. I didn’t know anything about the actor before, so didn’t really know what to expect, but he blew me away. Cara Delevingne (Paper Towns, upcoming Valerian) also worked as Enchantress. While she isn’t the most experienced actress, I can see why they cast her for this role – Enchantress’s had to be portrayed through bodily movements and eyes and that’s what models do every day in their field of work. Jai Courtney (Divergent, Terminator Genisys) as Captain Boomerang was amazing. This is the best work I’ve seen from Courtney. Jay Hernandez (upcoming Bad Moms) as El Diablo and Adewale Akinnuoye-Agbaje (Trumbo) as Killer Croc were both really good too. I liked Hernandez’s performance in that emotional scene and Akinnuoye-Agbaje did a fine job acting through all that makeup and face paint. Scott Eastwood (Fury, The Longest Ride, upcoming Snowden and Fast 8) was also fine in the pictue – he didn’t have much to do but did okay with what he was given.

In short, I was a bit disappointed by Suicide Squad. Maybe it is my fault – I had too high expectations. I wanted to love this picture completely but couldn’t not notice its flaws. I did love the characters, I liked the story, I appreciated the action and some of the music. However, the way that this whole movie was put together a.k.a edited flabbergasted me – it was missing a lot of connective tissue and a few montages definitely could have been changed into more organic storytelling methods.

Rate: 3.5/5

Trailer: Suicide Squad trailer

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5 ideas about a movie: Batman: The Killing Joke

Movie reviews

Hello!

I have been reviewing movies for almost 3 years and, throughout that time, I tried to branch out as much as possible – I wrote about big blockbusters and small indie films, Hollywood flicks and foreign pictures. All of the movies had one thing in common – they all have been theatrical releases. Well, this time, I’m widening the spectrum and reviewing an animated movie that was released on streaming and had only a limited theatrical run – Batman: The Killing Joke.

IMDb summary: As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.

  1. The Killing Joke is the newest addition to the DC Animated Universe. Lately, I have been watching a lot films of that franchise – I’m done with Justice League films and I’ve also checked out the Wonder Woman animated feature. All of the DC Animated films are beloved by the fans, so The Killing Joke was also highly anticipated. The original graphic novel was written by the genius Alan Moore and drawn by Brian Bolland, so that’s also a few of the reasons why the nerds couldn’t wait for it. I haven’t read the original comic book  but really want to and will do in a near future.
  2. Writing: the comic book writer Brian Azzarello penned the script for the film and did quite a good job. However, the story did seem uneven. The first half an hour of original material, regarding Batgirl and her relationship with Batman, did not have any connections to the actual narrative of The Killing Joke, so the feature seemed like 2 different shorts in one. I understand why they wanted to add more backstory and development for Barbara, but I think they could have found a more cohesive way to do so. Nevertheless, I really liked the ending of her story – The Joker might have broken Batgirl, but Barbara survived and moved on to better (?) things. I also liked that they kept the ambiguous ending and that they also played fast and loose with The Joker’s backstory: even though the visual flashbacks told one story, the lines of dialogue sorta contradicted it.
  3. The theme of insanity and loneliness during madness was explored in the film. I have a weird interest in insanity as a concept for creative cinematic stories (that’s why I love Gotham’s Arkham Asylum episodes), even though I understand what a serious, awful, and important real-world issue it is. Nevertheless, the dark portrayal of insanity in The Killing Joke was respectful and sophisticated – the film wasn’t just dark and crazy for entertainment sake. I also really liked the deeper dive into Batman’ and Joker’s relationship and the similarities they share. The Joker has always been my and a lot of people’s favorite comic book villain and it is quite easy to see why. He is so iconic and well-rounded, both physically and psychologically: his distinct look is instantly recognizable, despite the plethora of variations throughout the years, and his emotional stance as a villain is amazing: he is frightening, yet humorous; efficient, relentless and threatening; unreliable yet still scarily charming.
  4. Sam Liu directed the picture – he has a lot of experience with animated comic book properties and didn’t disappoint this time either. The animation was good, it was done in the same style as the majority of DC Animated Universe films. I don’t know if would look good on the big screen but it definitively worked on a small one. The action scenes were also realized nicely and I appreciated the recreation of the comic book panels – even though I have yet to read the original material, its graphics are familiar to me due to how iconic they are.
  5. The voice cast did an amazing job, but it is no surprise when you see who actually voiced the characters. Kevin Conroy returned to voice Bruce Wayne / Batman and did a perfect job, as expected. Mark Hamill shined as The Joker once again. I just love that slight crack and the edge in Hamill’s voice – it is so appropriate for The Joker and I cannot imagine a different actor who could do this job. He performed the infamous memory monolog perfectly: it wasn’t too flashy but just the right amount of terror and intimidation. Tara Strong, who has plenty of voice work experience did a nice job bringing Barbara Gordon / Batgirl to life, while Ray Wise was also good Commissioner James Gordon, even though it is his only second voice role.

In short, Batman: The Killing Joke was a nice addition to the magnificent DC Animated Universe. It might not be the best feature of the franchise but it is definitely enjoyable. I would love to hear the thoughts of those who have read the comic – how does the film compare to it?

Rate: 3.5/5

Trailer: Batman: The Killing Joke

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