Movie review: The Nutcracker and Four Realms

Movie reviews

Hello!

And welcome to a review of a first Christmas movie of the 2018 holiday season. If the whole season will be as rocky as its start, then we can just cancel Christmas. This is a quite negative (as you have probably already guessed) review of The Nutcracker and Four Realms.

IMDb summary: A young girl is transported into a magical world of gingerbread soldiers and an army of mice.

Writing

The Nutcracker and Four Realms – a mouthful of a title, huh – was written by Ashleigh Powell. It’s a remake/reimagining of a classic fairytale and a famous ballet. Disney has been making quite a few live-action fairytales. Some of them crashed, like Alice in Wonderland and its sequel. Some blossomed like Cinderella and Beauty and the Beast. The Nutcracker seems like it will be joining the first group. I feel like there is a general fatigue of live action fairytales and only the really special ones turn into something. The Nutcracker, being a niche and holiday-specific fairytale, is already a hard sell. The fact that it’s premiering so early in November also almost guarantees that it will have a small opening. Maybe it will play for a long time?

Anyways, speaking of the writing: it wasn’t bad but wasn’t original in any way, shape or form. The message on how to deal with grief was a neat one and the young woman’s journey into self-confidence was also a nice thing to spotlight. The actual adventure was sooo by the numbers. The twist could be seen from miles away. The characters were also just meh. The nutcracker especially was so unexceptional despite being the titular character. The dialogue was very simplistic. It just seemed that this whole film was aimed at a very young audience. And by young, I mean babies.

Directing

The Nutcracker was directed by Lasse Hallström (of The Hundred-Foot Journey and A Dog’s Purpose) and Joe Johnston (of Captain America: The First Avenger) – what a weird duo of directors. And even a weirder end product. They did a good job with the visuals – I cannot fault the film’s production value. The CGI could have been cleaner. The pacing was way off. At least the runtime was fairly decent. To end on a positive note: the ballet scenes and the ballet-inspired credits were nice touches. The score, which included the classic melodies, was good too.

Acting

The Nutcracker’s cast’s performances were a huge letdown. Mackenzie Foy and Jayden Fowora-Knight were both wooden. Hellen Mirren and Morgan Freeman were folding in their performances and were still the best just because they are true pros and can outact everyone in their sleep. Keira Knightley was killing her career with every minute of being on screen. She was both a cartoon and a parody: everything about her performance – from the look to the speech to the behavior – were just so cringe-y. Her work her kinda reminded me of Anne Hathaway in Alice in Wonderland (another unfortunate comparison between the two less than good Disney fairytales).

The actor who played the father – Matthew Macfadyen –  looked like off-brand Armie Hammer. The British comedian Jack Whitehall also had a cameo role – good on him for finally getting into a Disney movie (even if bad one) after being cut from Frozen.

In short, The Nutcracker and Four Realms was a boring film that won’t bring anyone any Christmas joy. A basic narrative, oversaturated visuals, and some cringe-y acting – that’s this picture in one sentence.

Rate: 2.4/5

Trailer: The Nutcracker and Four Realms trailer

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Movie review: Ocean’s 8

Movie reviews

Hello!

And welcome back to the sporadic AF movie reviews. Ocean’s 8 is the topic for today.

IMDb summary: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

Writing

Ocean’s 8 – a spin-off of the original trilogy rather than its reboot (this is no Ghostbusters) – was written by the director of the film Gary Ross and Olivia Milch (she is writing a Barbie movie next, don’t know how to react to that). There was a lot to like in the script. To begin with, I liked how this action film was kept feminine with the focus on the MetGala and diamonds. A decision to make women steal diamonds might be seen as playing into stereotypes. However, I’d argue that by keeping a feminine focus, Ocean’s 8 fights the stereotype that strong women, especially female action stars, have to be masculine. Some of them might be masculine, while others might prefer femininity (or a mixture of the two). And Ocean’s 8 showcases that by having a variety of women of different colors/shapes/sizes/styles as the core characters. While the character development isn’t plentiful, there is enough of it to make each character necessary and at least a tiny bit interesting.

Additionally, while Ocean’s 8 stands on the shoulders of the original Ocean’s trilogy, it doesn’t lean on them too hard, meaning that one can go into this movie not knowing anything of the first 3 films and completely get the plot of this one. As I wasn’t a fan of the original films, I also didn’t mind some of the developments/reveals about the original characters in this film (some fans might actually be legitimately annoyed by them). Personally, my main problem with this movie was its structure. I loved the first two acts – the pre-heist set-up and the actual heist. However, I feel like the whole 3rd act, rather than being a big finale, was a boring wrap-up that dragged immensely. The investigation and the reveals felt both rushed and like the movie was overstaying its welcome.

Directing

Gary Ross (of the first Hunger Games film and Free State of Jonesdirected Ocean’s 8, while Steven Soderbergh – the director behind Ocean’s 11,12, and 13 – stayed on as a producer. I thought that Ross handled the material well, the narrative made sense and was intense for the most part. Pacing had some issues, especially the pacing of the aforementioned third act. The glitz and the glamours of the MetGala were realized accurately.

Acting

Undeniably, the best part about Ocean’s 8 was its cast: Sandra BullockCate BlanchettAnne HathawayMindy KalingSarah PaulsonAwkwafinaRihanna, and Helena Bonham Carter. I adored the female solidarity and friendship on display. Cate Blanchett (Thor 3, Cinderella, Carol) was my absolute favorite – I loved her character’s outfits, charisma, and just effortless coolness. I also enjoyed seeing Hathaway (Alice 2) playing the gossip sites’ version of herself. I also loved seeing Bullock, back on screen in a lead role as I feel I haven’t seen her in a big movie in ages (since Gravity). Kaling (A Wrinkle in Time) and Paulson (The Post) were also really fun to see. I loved the uber contemporary vibes that Awkwafina brought to the film and I loved seeing Rihanna actually having a character to play rather than just being there to look pretty (*cough, cough*, Valerian. BTW, I’ve been to her concert some years before and wrote about that). Bonham Carter (Suffragette) was also good in the film, though I feel like she played her typical, slightly awkward and over-the-top type of a personality.

Ocean’s 8 also featured some cool celebrity cameos, some neat cameos by the original cast, and a short appearance by James Corden (Peter Rabbit), who is always a delight to see.

In short, Ocean’s 8 was a great all-female thriller. It might not please everyone, but then again, why does it have too?

Rate: 4/5

Trailer: Ocean’s 8 trailer

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Movie review: Murder on the Orient Express 

Movie reviews

Hello!

A glamorous whodunit has landed in theatres. This is Murder on the Orient Express.

IMDb summary: A lavish train ride unfolds into a stylish & suspenseful mystery. From the novel by Agatha Christie, Murder on the Orient Express tells of thirteen stranded strangers & one man’s race to solve the puzzle before the murderer strikes again.

Prior to seeing the film, I had some knowledge about Hercule Poirot: I and my aunt used to play a Poirot video game, where you had to either assist the detective in solving a mystery or you were playing as the detective. In addition, while I haven’t seen any of the previous adaptations of this book, I did go straight to the source and read an original novel by Agatha Christie. I would love to read more of her writings about Poirot but that extensive list is a bit overwhelming.

Writing

Agatha Christie’s detective novel Murder on the Orient Express was adapted to the screenplay format by Michael Green (the writer of 3 (not counting this one) big movies of 2017: Logan, Alien: Covenant, and Blade Runner 2049). I thought that he did a fairly competent job. Since I have read the book only recently, I noticed a few changes in the story, mostly in the set-up, the locations, and the character traits. Other than these small details, the narrative stayed the same and the ending, which I was a bit disappointed by while reading the book, also stayed the same. In the film form, I did not mind the ending that much. I’m just wondering whether that complex reveal and its various tie-ins were explained well enough for a viewer, who wasn’t familiar with the story in the first place, to grasp.

I quite enjoyed the character development that Poirot received. I don’t think these particular details of his past were in the original book but I’m sure they were taken from one of the other Christie’s books of the same series. The emotional vulnerability that the character exhibited in the film made me believe his final decision (the one that came from the heart) more believable. The other characters did not receive much character development unless it was directly related to the case. Since the plot also involved a lot of performative elements, even the character development that was given could not be fully trusted.

Last few points on the script: I feel like it had a more overtly political tone than the book had, or at least elements relating to race, nationality, and governance, were more noticeable in the film. Murder on the Orient Express also had a fair few of chucklesome moments and a surprisingly big amount of sexual innuendos.

Directing

Murder on the Orient Express was directed by Kenneth Branagh, who has quite a lot of experience directing adaptations of classical books (mostly Shakespeare). He has also worked with the fantasy, action, and fairytale genres with Thor, Jack Ryan: Shadow Recruit, and Cinderella. Overall, I thought he did a great job with this movie. I believe that the glamour of the setting was well realized, while the limits of it were used for the benefit of the film. The picture had quite a few impressive looking long tracking shots and also a couple of very unique looking straight-overhead/from the top shots. A couple of scenes of more obvious action-y nature were added to keep up the pace of the film, while the extensive interviews of the book were placed in various inventive locations around the train to make them more interesting. The black and white flashback sequences were a nice touch. My only gripe with the visuals of the film was the fact that some wide exterior shots looked really fake and too obviously CGI.

Acting

Kenneth Branagh was quite spectacular as Hercule Poirot. When a director plays the lead in his own film, I always get a bit worried, but I think Branagh handled the challenge well. I think he portrayed the character eccentrically enough but didn’t go into the cartoon territory (which was my worry). Poirot actually seemed like a serious and real person with some unique quirks.

The supporting cast of the film was quite extensive and full of big-name talent. The actors all delivered good enough performances with their limited screen time. Johnny Depp (Pirates 5, Fantastic Beasts, Black Mass, Alice 2) had his most ‘normal’ performance, so maybe the audience members, who have been turning away from him and his over the top roles, will come back? It was also really nice to see Daisy Ridley in a non-Star Wars role and Josh Gad (Beauty and the Beast, Pixels) in another live-action rather than voice role. It was also interesting to spot Michelle Pfeiffer and Judi Dench (Tulip Fever, Spectre) doing something more mainstream after mother! and Victoria&Abdul, respectively.

Penélope CruzWillem Dafoe (Death Note, What Happened To Monday, The Great Wall, TFIOS), Hamilton’s Leslie Odom Jr.Derek JacobiMarwan Kenzari (The Mummy, The Promise, Ben-Hur), Olivia Colman (The Lobster + she is taking over the role of the queen on The Crown), Lucy Boynton (Sing Street), Manuel Garcia-Rulfo (The Magnificent Seven), Sergei Polunin (he is a ballet dancer, so the count’s jumping kicks were legit), and Tom Bateman all starred in the roles, ranging from small to tiny, but the limited size of their roles did not limit the quality of their performances.

In short, Murder on the Orient Express was quite an enjoyable old-school thriller.

Rate: 3.75/5

Trailer: Murder on the Orient Express trailer

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Movie review: Pirates of the Caribbean: Dead Men Tell No Tales

Movie reviews

Hello!

The summer movie season is already in full swing. Let’s see what it has to offer in Pirates of the Caribbean: Dead Men Tell No Tales also known as Salazar’s Revenge.

IMDb Summary: Captain Jack Sparrow searches for the trident of Poseidon.

Let’s start with a disclaimer: I have always been a fan of this franchise despite its flaws. The third’s film is my favorite (and I’m definitely in the minority) and its third act – one of my most rewatched action sequences. Also, the role of Jack Sparrow is the only kooky role that I still like Johnny Depp in.

Writing:

Pirates 5’s screenplay was written by Jeff Nathanson (Catch Me If You Can, Indiana Jones 4, next project – the live action Lion King) with some input on the story by Terry Rossio (who had a hand in creating these characters in the first place). In general, I have mixed feelings about the quality of writing for this film and wish it was better because it could have been (like the writing for so many blockbusters these days – come on, Hollywood, just hire some amazing TV writers!).

To begin with, I thought that the set-up for the narrative was too reliant on coincidences, while the twists and turns in the plot – just way too convenient. The film was also going all over the place with the multiple plotlines that were just thrown together. It was nice to see all the old characters and the new one were good too but I just wish they all would have fit into the narrative more organically. Another problem with the reveals in the story is that they came out of nowhere. They were surprising, for sure, but not in a good way. Not in a way ‘I didn’t see it coming but I can retrace the steps of the reveal now’ but more like ‘Oh, so you have come up with this like a year ago and not when you released the previous movies in the series’.

Having critiqued the script, I would now like to mention a few neat writing moments which really impressed me. First, I loved seeing the young Jack Sparrow. In addition to the de-aging technology being really impressive, it was really nice to see Sparrow as an efficient and clever sailor and not just drunk and babbling, even if lovable, idiot. The explanation of how he got the iconic costume and the name was also much appreciated. I also liked the fact that the story of The Turners was continued through their son. The new female lead was also a well-enough written character – I liked that she was a person of science who was confronted by the irrational legends and myths. The feminism aspect could have been handled better, though. The writing for the villain – Salazar – was also quite good. He is no Davy Jones, but then again, Jones had 2 movies worth of development while Salazar had only half of that. Jones might also get even more (further on that in the After-Credits section). Lastly, I also enjoyed the attempt at expanding the mythology of this world.

Directing

The Norvegian directing duo – Joachim Rønning and Espen Sandberg – best known for their Kon-Tiki film (about an expedition on a raft across the Pacific Ocean) helmed Pirates of the Caribbean 5 and did a good job. Having previous experience with water-centric films definitely helped them because the movie did look gorgeous. The locations themselves and the way they were realized on screen were just spectacular. The action wasn’t bad either – it was definitely entertaining and exciting, just not as impressive as it used to be before. This might be because I have seen too many Pirates of the Carribean movies or just action films in general. One particular action sequence – the first one centered on the robbing of the bank – really reminded me of the 3rd act heist in Fast Five but only done with horses instead of the fast cars. The visuals of the map in the final act (the island that’s the perfect image of the sky) were really cool-looking too.

No Pirates of the Carribean review cannot not mention the soundtrack of the film. It was really nice to hear the iconic theme music as well as the rest of the soundtrack, which, this time around was not done by Hans Zimmer but by his long-time collaborator/student Geoff Zanelli.

Acting

Johnny Depp (Transcendence, Alice, Black Mass) was fine in the movie. He was doing the same thing he always does, but I have already said, this is the only role of his that I can stomach his eccentrics in. Please, God, don’t let him screw up Grindewald in the Fantastic Beasts sequel.

The two new leads this movie introduced were both YA alumni – Brenton Thwaites (of The Giver) and Kaya Scodelario (of The Maze Runner). They were better replacements to Orlando Bloom and Keira Knightley than the romantic couple from the previous film – On Stranger Tides – played by Sam Claflin and Àstrid Bergès-Frisbey. I hope that Thwaites’s and Scodelario’s careers can get a boost from this movie but I don’t think we will see more of them in these roles. Maybe in a supporting part in a sequel but I don’t see them getting a solo/duo spin-off (more on that in Post-Credits section).

The villain of the picture – Salazar – was played by Javier Bardem – Hollywood’s go-to Spanish actor for villainous roles (No Country For Old Men, Skyfall). Well, one can’t argue that Bardem is really good at playing these types of characters and he was truly menacing as Salazar – the hunter of pirates. His next project is Aronofsky’s Mother!. 

Geoffrey Rush was also, once again, back in the role of Barbosa. While I felt that his character was kinda tacked on, it was nice to see a different side of him. His demise, however, was mostly wasted and should have been built-up more (both story-wise and emotionally).

David Wenham also appears in a film, playing a secondary villain and a high-ranking officer in the British Navy. He is basically just a replacement for the character that Tom Hollander played (and in a much better way) in the original trilogy.

Post-Credits

If you sit through the 10 minutes of the credits, full of digital artists’ names, you will be treated to a potential teaser for a Will Turner spin-off. I really liked the character in the original trilogy and Orlando Bloom does not seem to be doing much, so a Will Turner or a Turner family-centered spin-off might actually be quite good or could at least happen. Maybe Keira Knightley could also be in it and actually get a few speaking lines (she just cameos and says nothing in Dead Men Tell No Tales). Thwaites’s Henry Turner and his new girlfriend, played by Scodelario, might also have a place in that picture.

In short, if you are a fan of the franchise, you will probably be able to overlook the problems with the movie (like you did many times) and will enjoy it for what it is. For all the regular movie goers – Pirates 5 is a good enough time at the movies but not a required viewing.

Rate: 3.3/5

Trailer: Pirates of the Caribbean: Dead Men Tell No Tales trailer

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Movie review: Beauty and the Beast

Movie reviews

Hello!

The Disney’s juggernaut Beauty and the Beast has landed in theaters, so, let’s review it!

On a personal note, Belle was always the character I most closely identify with, in that we were both more interested in books than the real world. Also, weirdly enough, Disney fairytales seem to be the only romances I can stomach because l seem to prefer love stories set in a fantasy world rather than real one.

Disney has made quite a fair few of the live-action fairytales: Alice and its sequel, Oz The Great and Powerful, Maleficient, Into The Woods, Cinderella, The Jungle Book, The BFG, and Pete’s Dragon. The re-tellings started dark (almost as a comeback to the original print version of the tales) and have gotten lighter and more faithful to the Disney animated versions. The new Beauty and the Beast film is the most faithful to its animated predecessor out of all of them because the live action movie will also be a musical. While all the other live-action adaptations have featured some variations of the traditional songs neither of the previous movies have been full-on musicals.

Writing

2017’s Beauty and the Beast’s script was written by Stephen Chbosky (The Perks of Being a Wallflower) and Evan Spiliotopoulos (The Huntsman: Winter’s War). I thought that the duo of writers crafted a beautiful and faithful adaptation that was inspired by both the Disney animated version and the original French fairytale (which I, sadly, haven’t read in its original form but have definitely read a few re-tellings). I didn’t notice any big changes from the animated film but I highly appreciated all the additions. I really liked that they expanded Gaston’s character: gave him a war background and made him more cruel and villainous not just empty. I also enjoyed seeing Agatha or The Enchantress taking on a more active role in the story. Similarly, both Belle and the Prince received more development – their family backgrounds were incorporated into the narrative. That really helped The Beast’s character – his vainness was justified by his upbringing and, thus, made him more likable.

Speaking more about the writing for Belle – I really loved the fact that this time around Belle tried escaping from the very beginning and that it was explicitly stated that she find out about the curse. Moreover, I loved that they added the idea that both Belle and The Beast were outsiders and that that helped them reach a common ground.

Finally, to address the issue that a lot of people pointlessly made a big deal of – LeFou being gay or having a ‘gay moment’ in the movie (wtf that even means?). Personally, I loved all the subtle progressive additions to the plot: I absolutely loved the moment with the three musketeers being dressed in the lady’s outfits and one of the giving a positive reaction. The way that moment came into play later, during the final dance with that musketeer and LeFou briefly meeting was also nice. Even though the idea that feminity and homosexuality go hand-in-hand is bit stereotypical, it was still a nice moment and a definite step (even if a tiny one) forward. Additionally, the fact that LeFou realized that he was too good for Gaston was so important! In general, I really enjoyed what they did with the character. I applaud the filmmakers for seeing an opportunity to make a modern and sophisticated alterations/enhancement and taking it. Moreover, the screenwriters still managed to keep the comic relief aspect of the character and even made his jokes more mature and commentary-like instead of the slapstick cartoonish humor of the animation.

Directing and Visuals

Bill Condon, who has a diverse list of movies in his filmography, ranging from Twilight 3 and 4 to The Fifth Estate and Mr. Holmes, directed the picture and did a brilliant job. From the opening shot of the film, the visual were just plain gorgeous. The CGI characters and the backgrounds and the actual physical props blended seamlessly (hats off to both the production design and the special effects teams). The opulent opening sequence acted as an amazing visual set-up and explained the Prince’s greed and vainness effectively. The Sound of Music reference with Belle singing on the hill was also nice. The final action sequence appeared to be elongated and was definitely more suspenseful than the one in the animated version – I can easily see why they did that – even fairytales have to have a big 3rd act action sequence in Hollywood’s mind. My only criticism for the movie was that the second hour before the 3rd act felt a bit slow. And yet, I still understand why they had to slow down – they needed to show Belle and The Beast falling in love. In fact, I actually appreciated that the falling in love montage was longer, and, hence, more believable. In general, the picture had all the right feels – from the heartbreaking sadness to the Disney staple of eternal romance. Lastly, the animated character credits and the French translations for the credits were neat finishing touches.

Musical Numbers

Alan Menken was responsible for the music of the picture and did an amazing job. I felt that all of the musical numbers lasted for a longer time (the movie is half an hour longer than the animated picture) and I also loved the huge scope of them – they had way more extras and dancers than I expected. All the theatricality and drama of the performances was just great as well. All the old songs sounded familiar and yet brand new. I loved all the classics – Belle, Gaston, Be Our Guest, and, of course, Beauty and the Beast. The new songs – How Does a Moment Last Forever, Evermore, and Days in the Sun were also great and fit the old soundtrack well. The fact that the filmmakers got Celine Dion to sing one of the new songs during the credits was also great and a nice reference to her work on the animated film. I also really liked the Ariane Grande/John Legend version of Beauty and the Beast.

Acting

Emma Watson as Belle. Watson is always going to be Hermione in the majority of people’s minds but I hope that she will also get remember as Belle as she was stunning in the role: sweet but also tough enough. I also thought that she did a good job with the singing. Next step for her career is to star in an awards movie and maybe even snag a nomination for it.Some of her recent films include Noah, Colonia, and the upcoming The Circle.

Dan Stevens as The Beast. He was amazing. I could actually see him through all the motion capture CGI and his singing was also excellent. Steven’s career has had its ups and downs. He first got on everyone’s radar through Downton Abbey, but then he made a decision to leave the show just after a couple of seasons in order to star his movie career Well, that didn’t happen as soon as he probably planned. The role of The Beast is his most high-profile role to date but his performance 2014’s The Guest has also been positively accepted. Interestingly, Stevens also made a decision to go back to TV – be it in a very different role than the Cousin Matthew one – this time playing the titular mutant on Legion.

Luke Evans as Gaston. A perfect casting if I have ever seen one. Evans was just oozing charm as Gaston and even though I wanted to completely despise the character, I just couldn’t. Evans got his big break with The Hobbit movies and Dracula Untold and he was also recently in an indie experimental film High-Rise and The Girl on The Train big screen adaptation.

Josh Gad as LeFou was also brilliant. I really liked actually seeing him on screen after only listening to him in Frozen (he was Olaf for those not in the know).

My favorite voice actors were Emma Thompson as Mrs. Potts and Ewan McGregor as Lumière. Thompson just has a motherly sounding voice that was perfect for Mrs. Potts, while McGregor was super funny as Lumière. I can’t really comment on McGregor’s French accent or lack of it, cause I don’t speak French but I know that he had some difficulties with it. Well, I didn’t mind and actually liked how he sounded. It was also nice to hear McGregor singing cause I think that the last movie I heard him singing in was Moulin Rouge more than 15 years ago. The fact that he went from Trainspotting 2 straight to a Disney fairytale is also pretty funny.

Other cast member included Kevin Kline as MauriceIan McKellen as CogsworthAudra McDonald as Madame de GarderobeGugu Mbatha-Raw as Plumette, and Nathan Mack as Chip. All of them did a fine job. Lastly, Stanley Tucci played an original character – Maestro Cadenza. I didn’t really think that the picture needed a new character but his presence didn’t hurt the movie either. That final gag with the teeth and the piano keys was actually quite funny.

In short, Beauty and the Beast is an amazing adaptation of a beloved classic. It’s immensely entertaining and provides a great opportunity for some quality escapism into a fairytale world.

Rate: 4.8/5

Trailer: Beauty and the Beast trailer

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Movie review: Passengers

Movie reviews

Hello!

I am closing the holiday season by watching and reviewing the last big movie of 2016 – Passengers.

IMDb summary: A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early.

I have been really looking forward to this movie, as it stars two of the biggest stars of today. However, then the paycheck news overshadowed the film and, later on, its critical scores, as well as the box office haul, were lesser than expected, so, I started having some reservations. These reservations were also the reason why I didn’t go out of my way to see this film before I made my best film list for the year. It was probably a good thing, as this movie, most likely, would have ended up on the worst list since  I had quite a few problems with it.

SPOILERS AHEAD

Writing

Passengers was written by Jon Spaihts, who also wrote Prometheous (one big plot hole of a movie), co-wrote Doctor Strange (how?) and is penning the upcoming The Mummy reboot. The majority of the problems I had with the film were because of its narrative. Let’s just go straight to the case: while the big reveal was not surprising to me, as I find out about doing my research before the film, it was still infuriating. I don’t know if I am the only one who finds the fact that Pratt’s character picked a gorgeous young female to keep him company more than unsettling. So, should we all make important decisions that our survival might depend upon based on purely physical attraction? Having read that sentence back, I suddenly realize that this actually happens in the real world constantly. Well, I still don’t want to see that in the sci-fi movies that are supposed to portray the better and brighter future.

Moving aside from the big spoiler-y reveal, the story by itself was not the most original. The movie was mostly a slow and sappy love story, so don’t expect to find any elements of a sci-fi thriller in Passengers (if you want an engaging space opera, just watch Gravity, Interstellar or The Martian). The plot was super predictable for the most part and the action really only picked up when one of the crew members woke up. But, yet again, the movie went back to its romance aspect and had a cliche ending.

The writing for the main female character was not the best either. I didn’t find her to be a particularly likable – she was a bit annoying and pretentious. I know I have championed unlikeable characters before but only if they were interesting. I didn’t find Aurora interesting at all. Her name, in reference to the Sleeping Beauty, might have been the most exciting thing about her.

Despite me hating the bigger part of the story, I want to mention at least a few things I liked. First, the whole discussion about humanity and culpability was interesting even if not handled efficiently or correctly. Secondly, the set-up, the backstory of the ships and the company its belongs to, and Pratt’s Jim’s character development were all quite good. Thirdly, the movie did have a few cute moments and a couple of funny lines that didn’t make me cringe or facepalm.

Directing

The director of The Imitation Game (absolutely adored that picture) Morten Tyldum directed Passengers and did a good job. I loved how the film looked visually: the design of the ship (both the inside and the outside) was stunning and the CGI effects of space and the stars were gorgeous too. All the space walk scenes, as well as the gravity loss at the pool scene, were my favorite (because they didn’t involve a lot of talking, just the visual part of filmmaking). The pacing could have been neater, but overall, I felt that Tyldum did the best he could with a flawed script.

Acting

Chris Pratt (The Magnificent Seven, Guardians of the Galaxy, Jurassic World) was magnificent in the lead. He was charming and likable and made that awfully misogynistic character of Jim seem passable. I liked the fact that his character was an engineer, though, at least that added some logic to the film.

Jennifer Lawrence (The Hunger Games, X-Men, Joy) was also good in the film but that’s a no brainer. What baffles me is why she even took on this role: it wasn’t challenging at all, just a role of a cliche female love interests. It just seemed way bellow Lawrence’s, Academy Award WINNER’s, level. If she only took it for the massive paycheck – well, that is even more problematic, as she doesn’t really want to add the adjective ‘greedy’ to her already sinking image. In addition, the movie’s opening weekend’s domestic box office didn’t even cover her paycheck! If she is not a draw for the movie goers, why would you pay her this much, especially, when this role could have been played by any other young actress.

The film didn’t really have a supporting cast, it was mostly a two people show. Nevertheless, Michael Sheen (Nocturnal Animals, Alice 2, Far From The Madding Crowd) was great as the android bartender, while Laurence Fishburne was also okay in the few scenes he had. His story and passing were probably more emotionally appealing to me than the whole romance of the two leads.

In short, Passengers was an okay movie with some problematic ideas (if you just think about it longer than a minute), stunning visuals and great performances from the overpaid cast.

Rate: 3/5

Trailer: Passengers trailer

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BEST, WORST, and MISSED movies of 2016!

Movie previews, Movie reviews

Hello!

Yes, it’s that time of the year again for me to list my favorite and least favorite pictures. Like last year, I will also give you a top 5 of the films that you might have missed because of various reasons but which are worth a watch. 2015’s lists are here.

A short warning before we start: I have not seen all the pictures released this year, especially the majority of the awards contenders, so do not expect to find a lot of them here. Also, this is not an objective ranking of films – these are my subjective personal preferences. That means that the movie you hated might have been one of my favorites and vice versa. Similarly, a film that the critics bashed or a movie that bombed at the box office might also find itself on my best list. Without further ado, let’s begin:

Best:

  1. Captain America: Civil War
  2. Deadpool
  3. Rogue One: A Star Wars Story
  4. Fantastic Beasts and Where To Find Them
  5. Doctor Strange
  6. Hell or High Water
  7. Sully
  8. Arrival
  9. Zootopia
  10. Hacksaw Ridge

The first 5 places on my list are all occupied by big blockbusters. Not surprisingly, two Marvel movies managed to squeeze into the list at number 1 and 5, respectively. The fact that a Harry Potter and a Star Wars film made the list at 4th and 3rd place isn’t unexpected either. The biggest shocker of this year and the first half of my list finds itself at number 2. I was extremely worried about Deadpool but it totally blew my mind. Even though it came out back in February, I still cannot forget it and that’s why it is a runner-up on my favorite movie list.

The second half on the Top 10 spotlights a few ‘regular’ movies. Here we have my favorite indie picture at number 6, my favorite drama at number 7 and the best sci-fi I’ve seen in years at number 8. The list closes with my favorite animation of the year from none other than Disney at 9th place (it was so hard to pick the best animated picture – we had a few good ones in 2016) and the best historical film of the year at 10th place.

Worst:

  1. Jack Reacher: Never Go Back
  2. The Divergent Series: Allegiant
  3. Independence Day: Resurgence
  4. Assasin’s Creed
  5. Jason Bourne
  6. Mike and Dave Need Wedding Dates
  7. Alice Through The Looking Glass
  8. Miss Peregrine’s Home for Peculiar Children
  9. The BFG
  10. The Girl on the Train

I wouldn’t necessarily state that these films are the worst that I have seen this year but rather the most disappointing. The problem that I had with the majority of them was the fact that they wasted their potential and were extremely generic.

This list has a few sequels that nobody asked for (1st, 3rd, 7th). It also has a couple of YA adaptations that should not have been made the way they were at number 2 and number 8. It has a film that was basically destined to be bad at number 4. Plus, the list has my biggest disappointment of the year at number 5. Lastly, at the 6th place, we find a generic comedy that was not that funny; at number 9 – the worst Spielberg movie possibly ever and, in the last place, we have another bland thriller that was not that thrilling.

Missed Movies:

  1. Everybody Wants Some!! – the latest coming of age drama from Richard Linklater and the spiritual successor to Dazed and Confused, Everybody Want Some!! was a great film that not a lot of people saw. It came out in spring and had a neat story, nice directing, and great performances from a whole cast.
  2. Eye in the Sky – a modern and very topical thriller about contemporary warfare. It was suspenseful and intriguing. The film also featured the last on-screen performance by Alan Rickman.
  3. Eddie the Eagle – the feel-good film of the year. It had an inspiring story about a loveable underdog played by Taron Egerton. Wolverine himself provided the support.
  4. Nocturnal Animals – the second feature from the designer Tom Ford that had one of the most inventive and exciting narratives this year. The film was engaging, it asked questions, and was visually stunning.
  5. The Nice Guys – an actually funny comedy from this summer that nobody saw! It had both style and substance! The lead duo – Ryan Gosling and Russell Crowe – were amazing too!

So, these are my lists for the year! What movies did you love or hate in 2016? What is a film that you think I should watch that came out this year? Leave the answers in the comments bellow! I am looking forward to reviewing and discussing movies with you in 2017!

Bye!

My dorm room’s wardrobe

Movie review: Miss Peregrine’s Home for Peculiar Children

Movie reviews

Good morning/day/evening!

Another YA adaptation from a once visionary director has hit theaters, so, let’s take it apart! This is the review of Miss Peregrine’s Home for Peculiar Children!

IMDb summary: When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

Allow me to begin by saying that I think that this movie (and the book) has one of the coolest names ever. Yes, it is quite long, weird, and hard to remember, but that’s what makes it special. Just the name alone tells you a lot about the story, but, at the same time, doesn’t give anything away. I wanted to start this review with a compliment because I imagine I will be quite hard on the film in the following paragraphs since I had a number of problem with it.

SPOILERS AHEAD

The narrative: the book, the changes, and the screenplay

The trilogy of books by Ransom Riggs that inspired this film was one of the two YA series that I checked out this year, other being the Engelsfors series by M.Strandberg and S.Bergmark Elfgren. I have always been a fan of fantasy, so I knew that I would enjoy the novels. I also really liked the role that the old vintage photographs played in the making of the books and how they were used in the final product. Those pictures really made the series stand out from the other numerous YA franchises out there.

However, before going to see this film, I questioned whether it can become a successful cinematic trilogy since YA adaptations have been going down both in quality and in the box office numbers. Mockingjay Part 2 was a disappointing finale that didn’t earn as much as expected, Allegiant absolutely crashed and burn – didn’t even earn enough to get the final entry in the franchise made into a film and the release of The Maze Runner‘s final movie had to be postponed due to Dylan O’Brien’s injury on set. Will the audiences still want to see The Death Cure a year later? Will they show up to support an altogether new franchise? I guess, we’ll have to wait and see.

The film’s script was written by Jane Goldman – a long time co-writing partner of Matthew Vaughn. Together, they have worked on movies such as Kingsmen: The Secret Service, X-Men: First Class, Stardust and Kick-Ass. Miss Peregrine Home for Peculiar Children was her second solo writing project, first being the period horror picture The Woman in Black.

As usual, when adapting a piece of literature to the big screen, some (or a lot) of details of the narrative are changed. Miss Peregrine’s Home for Peculiar Children was no exception. For the first two acts, the film followed the book pretty closely but it did create a completely new and different 3rd act. Concerning the smaller alterations, I’ll try to list as much of them as I could spot:

  1. Emma’s and Olive’s abilities were switched. Emma had the power of air instead of fire, while Olive controlled fire rather than being able to float.
  2. Bronwyn was aged down, while Olive aged up. I understand why they did this: Regarding Bronwyn –  it is more striking to see a little girl lift huge weight rather than a teenager, whereas Olive had to be a teenager for them to have a second romantic couple in the film.
  3. The underwater ship scene went down a different way in the book. They probably wanted to make it more visually interesting in the film and I also think that this scene was the reason they switched Emma’s and Olive’s peculiarities.
  4. Miss Avocet’s involvement in the main narrative was altered.
  5. Jacob’s only normal human friend was cut from the beginning of the story and, in general, in the picture, Jacob was made into an even more of a social outcast than he was in the book.
  6. The hollows were eating the eyes of the peculiars instead of their souls. Since eyes are the window to the soul, this might have been the filmmakers’ attempt to visualize a soul as something material.
  7. Miss Peregrine’s kidnapping was altered and basically, all the 3rd act, which followed the kidnapping, went completely away from the book. The film’s final act had different locations than the book’s (the action happened in the house, on a big ship and in the circus, rather than on a small boat on a sea) and it was also more action-y in the cliche Hollywood way. The decision to use the ship allowed Emma to do more stuff and was a cool effect, but everything that happened after that fell flat. Personally, I think that the modern setting and fantasy don’t mix well, so the whole sequence in the circus in 2016 just seemed ridiculous. It might have looked cool and clever on paper but it appeared childish and stupid on screen. I also get why some people complain that the plot was hard to follow during the 3rd act because it actually was a jumbled mess.

A few other points on the script of the feature. To begin with, the film had an awful amount of obvious exposition. The characters would just sit around listening to each other tell important points of the backstory. Half of that exposition could have been incorporated more organically. Secondly, the writing for Jacob was quite awful – he mostly stood around asking questions or reacting to stuff. He was quite a useless hero – it there will be a sequel, I want him to take charge of his situation much more. Actually, he kinda did that at the end of the film, although we didn’t see it because they just montaged through his individual travels. Thirdly, the writing for Jacob’s parents was paper-thin. They were super one dimensional – their one character trait was the fact that they don’t really care about their son. Lastly, gonna end on a positive note and praise the picture for adding a couple of interesting moments to the story: one, Peregrine shooting the hollow was a cool scene and, two, young Abraham’s call was a nice emotional detail.

Although I try my best to always allow the movie to stand on its own, this time, I’m just gonna come out and say that I liked the book’s story better. I’d love to see a sequel that is closer to the second book’s (Hollow City) plot but I doubt it’s possible since the narrative has gone into a way different direction.

Directing

Tim Burton used to be an imaginary and fantastic director but he seems to have run out of steam lately. I have even done a separate post on his filmography before Alice 2 came out earlier this year. Miss Peregrine’s Home for Peculiar Children and Tim Burton seemed like a match made in heaven between the source material and the director, however, the movie was just fine. Nothing spectacular or special. The visuals were great, I liked how the film opened with the photos and the letters – it was a nice optical callback to the photographs in the book. The CGI and the design of the monsters were cool too. The slight steampunk vibes were also appreciated. However, the decision to allow (or make) the actors overdramatize some line and scenes, the awkward and choppy editing and the pacing problems (rushing through the setup, dragging in the middle, rushing in the end) were just a few of the flaws of the flick that Burton should have fixed.

Acting

  • Eva Green (Casino Royale, Dark Shadows, 300: Rise of an Empire) as Miss Peregrine. Green is a fabulous actress and she should have been great as Peregrine but her whole performance seemed a bit off to me. She was younger than I imagined Peregrine to be in the book and she also portrayed the character more as a quirky but cool aunt, rather than strict but caring grandma. Nevertheless, she did seem more friendly and open in the movie, which I liked, though, her shaky introduction and the signature Tim Burton crazy/dead eyes weren’t great.
  • Asa Butterfield (Ender’s Game, Hugo, X+Y) as JacobButterfield is one of the most promising young actors working today but his performance here was a bit stiff and low energy. The writing for Jacob was problematic and the performance didn’t save the character either.
  • Ella Purnell (Maleficient) as Emma was good. She and Butterfield did have some chemistry, although, I still think that their love story was creepy and forced. Grandad and grandchild having the same girlfriend. Really!? It is kinda a Twilight type of a coupling, just with switched genders.
  • Lauren McCrostie as Olive was good. She didn’t have much to do, but I’d like to see more of her. Since they aged up the character, they should’ve used her more.
  • Finlay MacMillan as Enoch. Enoch was one of my favorite parts of the books. He could have been such a cool sarcastic character on screen but the actor just portrayed him as super annoying, which was a disappointment.
  • Samuel L. Jackson (Kingsman, The Hateful Eight, Marvel) as Mr. Barron. Jackson is a great actor but here he was kinda a caricature. He was funny and his portrayal of the character did work for the film, but, on its own, the performance would be considered a complete parody.

In summary, Miss Peregrine’s Home for Peculiar Children was promising but didn’t really fulfill any of the promises as much as it could have. The story started out good but fell flat in the 3rd act, the directing was disjointed and the acting – only so-so.

Rate: 2.7/5

Trailer: Miss Peregrine’s Home for Peculiar Children trailer

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2016 Summer Movies RANKED

Movie reviews

Hello!

The summer movie season has come to a close, so, it’s time to rank the films that Hollywood offered us this year. The 2015’s summer movie list is here if you want to check it out.

Now, summer movie season doesn’t technically start until April or even May, but, since this is my blog, I will be including some pictures that came out in March because they were big summer-type blockbusters. Also, I will be diving the features into categories – these categories will mostly focus on the genre. While I haven’t seen all the movies that have been released, I’ve definitely watched and reviewed the majority of them so my list(s) will be quite extensive. Lastly, the previous rates that I’ve given these films don’t really count – I will take them into consideration and will also try to be as objective as possible, but my subjective feelings and likes/dislikes will also play a role. Either way, I hope you will enjoy this list and check out the reviews that you might have missed or that just simply interest you!

Comic-Book Movies:

  1. Captain America: Civil War
  2. Suicide Squad
  3. Batman: The Killing Joke
  4. X-Men: Apocalypse
  5. Batman v Superman: Dawn of Justice (theatrical cut)

Live-Action Fairytales:

  1. The Legend of Tarzan
  2. The Jungle Book
  3. The Huntsman: Winter’s War
  4. Pete’s Dragon
  5. Alice Through The Looking Glass
  6. The BFG

Sci-Fi/Action Movies:

  1. Star Trek Beyond
  2. Warcraft
  3. Ben-Hur
  4. Jason Bourne
  5. TMNT: Out of Shadows
  6. Now You See Me 2
  7. Independence Day: Resurgence

Thrillers:

  1. Nerve
  2. Eye in the Sky
  3. The Shallows
  4. Money Monster
  5. Bastille Day
  6. The Neon Demon

Dramas:

  1. Me Before You
  2. Florence Foster Jenkins
  3. Café Society
  4. Genius
  5. A Hologram for The King

Comedies:

  1. The Nice Guys
  2. Eddie The Eagle
  3. Sausage Party
  4. Central Intelligence
  5. Everybody Wants Some!!
  6. Ghostbusters
  7. Bad Moms
  8. War Dogs
  9. Mike and Dave Need Wedding Dates

Animation:

  1. Finding Dory
  2. The Secret Life of Pets

Upcoming films

Autumn is usually a slow time for movies before the awards season really kicks in. However, I’m looking forward to a few cinematic adaptations of bestsellers, coming out this fall, including Miss Peregrine’s Home for Peculiar Children, Girl on a Train and Inferno. In addition, Marvel’s Magic Movie – Doctor Strange and Disney’s Moana will also reach theaters, while possible mainstream awards’ contenders like The Magnificient Seven, Sully, Snowden, and Arrival will also premiere. The Harry Potter world will be expanded with Fantastic Beasts and Where to Find Them, while Tom Cruise will give as another solid action film – Jack Reacher: Never Go Back. I’m quite excited for all these pictures and you can definitely look forward to their reviews in the near future.

Also, I would like to thank all my followers for taking the time to click the ‘Follow’ button, for reading, liking and commenting on my posts. It means a lot to me and I can’t wait to continue writing and discussing movies with you! I also appreciate the fact that you do tolerate my other post – mainly sport and sightseeing ones! Thank You again!

Movie review: The BFG

Movie reviews

Hi!

Welcome to another summer movie review. I’m running out of ways to greet you and introduce the posts, so without further ado, let’s talk about The BFGThe Big Friendly Giant.

IMDb summary: A girl named Sophie encounters the Big Friendly Giant who, despite his intimidating appearance, turns out to be a kindhearted soul who is considered an outcast by the other giants because, unlike them, he refuses to eat children.

Genre

I would say that The BFG belongs to the live action fairytale genre, which is so popular nowadays and especially this summer (we already had The Huntsman, Alice 2, The Jungle Book and Tarzan comes out next week). However, The BFG differs from all of them in that it is a somewhat original film – it is not a sequel or a remake of an animated picture, but the first-time big screen adaptation of Roald Dahl’s book with the same name. Dahl is a famous author who has created such stories as James and the Giant Peach, Charlie and the Chocolate Factory and Matilda among others.

Spielberg’s filmography and similar films

Back in the 80s, Spielberg made a career for himself, crafting beautiful family films about children who befriend unique creatures. Of course, I’m talking about E.T. (interestingly, E.T. and The BFG share a screenwriter – Melissa Mathison, who, sadly, had recently passed away). However, in the past 5 years, Spielberg have focused on serious historical dramas, like War Horse, Lincoln, and Bridge of Spies, so The BFG is kinda his comeback to the family fantasy genre. Another well-known director, who has also recently tried to transition from the awards contenders to family films, is Martin Scorcese, who made the child-appropriate Hugo in 2011. The BFG also reminded me a bit of Peter Pan films (the good ones) and it also had a slight Harry Potter-like feeling.

Writing: the narrative

The BFG’s story was okay. It portrayed a lead peaceful ‘monster’ in Spielberg’s fashion. It had nice things to say about friendship and growing up and also had a strong anti-bullying and standing up for yourself type of a message. The two faults I had with the story were: 1. the pace – the set up was really long and there wasn’t really any buildup: the film dragged on and the final resolution was also kinda disappointing – I did not see the need to involve The Queen – those sequences came out of nowhere and just seemed so bloody British; 2. the jokes – The BFG relied on slapstick humour and fart jokes – I really wish they would have come up with cleverer comic relief, like Zootopia did. In general, I felt that The BFG was not a family but solely a kids movie and not a very good one. It lacked sophistication for adults and didn’t have enough ‘adventure’ for the younger viewers. However, I do believe that this film could do great on TV in like 5 years time – I can definitely see people watching it at home during Christmas or something.

Directing: the visuals + the music

The CGI and the motion capture work on The BFG were both stellar. My favorite visuals were the dreamland and that tree – that whole physical manifestation of dreams was a cool idea and was realized nicely. The eye to sun transition was also a great and memorable shot. The BFG’s score by the great John Williams was breathtaking, heartfelt and suspenseful. He is the greatest score composer and his work will forever live on.

Acting

  • Mark Rylance as The BFG was really good. This was Rylance’s second collaboration with Spielberg – last year Spielberg directed Rylance into an Oscar-winning performance. His manners were really appropriate for the role – gentle yet steel giant like. His look was also on-point: Rylance looks like a really loving grandpa, so The BFG’s role was perfect for him. Next year, Rylance will be in Nolan’s Dunkirk and a year after that he will collaborate with Spielberg once again on Ready Player One
  • Ruby Barnhill as Sophie was a really good child lead. I think that this young lady has a bright future and a long career ahead of her. 
  • Penelope Wilton as The Queen. While I did not understand the need to include The Queen into this story, I was happy that Wilton was the one to portray  her. I’m happy to see her getting more work since Downton Abbey has ended. 
  • Jemaine Clement as The Fleshlumpeater – the main antagonist. Clement was okay: his look was pretty scary and ugly and his performance brought this flesh-eater to life in a believable way.

In short, I expected more from Spielberg. I hoped that he would create another family-friendly classic, which would satisfy both the adults and the children, however, I do think that anyone above the age of 11 will find The BFG kinda boring.

Rate: 3.25/5

Trailer: The BFG trailer

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