Movie review: Ant-Man and the Wasp

Hello!

And welcome to a review of a film that is supposed to sustain MCU fans till Avengers 4. This is Ant-Man and the Wasp!

IMDb summary: As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Age of Ultron, Guardians 1and 2, Infinity War, and, of course, the original Ant-Man.

Writing

Ant-Man and the Wasp was written by a whole bunch of writers: Chris McKenna and Erik Sommers (who both have worked on The Lego Batman, Spider-Man and Jumanji before), the star of the film – Paul Rudd, and Andrew Barrer and Gabriel Ferrari (another writing duo that doesn’t have a lot of credits on IMDb yet ). I thought that they did a good job with the script. The film had a good opening to catch the viewer up on the previous events and this film’s place in the timeline. It was also rooted in MCU lore but accessible enough for the newcomers. It was also a good sequel as it took Scott Lang’s story further and forwards.

It was also nice to see a female character getting at least half of a solo movie in MCU (finally!). The superhero-couple idea was also neat and was probably the best romantic plotline in MCU (Hulk/Black Widow didn’t really work, Gamora/Starlord always felt rushed, and only Vision/Wanda is/was a neat pairing, just wish it had more screen time). It was also nice to see the idea of the generations of superheroes in the film and the passing of the mantle between the heroes – that happens in the comics all the time but hasn’t really been touched upon in the movies before. The picture’s villain wasn’t the best but also wasn’t bad. Her intentions seemed valid and believable. The movie was also quite chucklesome if not laugh out loud funny. Overall, while I didn’t think that Ant-Man and the Wasp was one of the staple/must-watch MCU films, it was thoroughly enjoyable and a well-written summer actioner.

Directing

Peyton Reed, who directed some amount of the first film (remember that Edgar Wright debacle?), helmed the second film and did a neat job. The pacing was good and the narrative was translated to the screen cohesively. The shrinking action was also inventive and fun to watch.

Mid/Post-credits scenes

The film had two scenes at the end. The mid-credits scene acted as a follow-up to Avengers: Infinity Warand was a continuation of that heartbreak. It also raised some questions about the character’s potential comeback in the 4th Avengersfilm. The post-credits scene was fun but kinda a let-down and not really necessary.

Acting

Paul Rudd as Scott Lang / Ant-Man and Evangeline Lilly as Hope van Dyne / Wasp were both great – likable and believable. Their chemistry worked too. Michael Peña (The Martian, Collateral Beauty, 12 Strong, A Wrinkle in Time) had a couple of great scenes that have become signature of his character’s Luis. Walton Goggins (The Death Cure, The Hateful Eight, Tomb Raider) was good as another slightly off-putting and potentially crazy villain Sonny Burch. Hannah John-Kamen was also good as Ava Starr / Ghost. It was nice to see Michelle Pfeiffer (mother!) as Janet van Dyne, though she wasn’t in the movie much. Laurence Fishburne (John Wick 2) jumped shipped from DCEU to MCU to portray Bill Foster, a former colleague of Hank Pym’s, played superbly, once again, by Michael Douglas.

In short, Ant-Man and the Wasp was a tasty treat for all MCU fans, broken after Infinity War.

Rate: 4.3/5

Trailer: Ant-Man and the Wasp trailer

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Movie review: Avengers: Infinity War

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil War, Anthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

5 ideas about a movie: Isle of Dogs

Hello!

And welcome to a review of one peculiar little picture. This is Isle of Dogs.

IMDb summary: Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.

1. Isle of Dogs was written and directed By Wes Anderson and was undeniably his picture. His style of filmmaking is just so unique and different that it is impossible to confuse his films with anyone else’s. While Anderson did write the screenplay himself, the story credits went to Roman Coppola, Jason Schwartzman (two of Anderson’s frequent collaborators), and Kunichi Nomura (a Japanse actor/writer who was also one of the two casting directors for this film).
2. I have seen a lot of articles and comments online about Isle of Dogs in relation to the appropriation of Japanese culture. I certainly had a similar thought when watching the movie. I wasn’t entirely sure why the setting had to be Japan, though I found the interplay between the languages – English and Japanese – quite an interesting choice for the film. I also wouldn’t like to state that the filmmaker was definitely appropriating something as I believe that cultures should be shared. And yet, where is the line between respectful homage and appreciation versus malevolent appropriation?
3. In my mind, Isle of Dogs’ story unfolded on two plains: the surface and the hidden one. The surface story was an elaborate but clear adventure narrative about some dogs and a boy fighting an evil empire. That story was a bit slow but the humor was still snappy (the comedic timing was quite impeccable). The deeper meaning that I took from the picture was the commentary on the modern society, which enjoys nothing more than othering and excluding people that it finds unsuitable for a whole number of reasons (a lot of which relate to the person’s identity).
4. I highly enjoyed the format of Isle of Dogs. I have always been a fan of the stop-motion animation and I sill find it just so captivating. The amount of work that goes into this style of animation blows my mind every time I see a new film using it. The design of the animals was also great – real but not really. Every shot felt just so material: saturated with objects, colors, and textures. The symmetrical steady shots also felt very Anderson. The film was also very musical in that its score had an underlying beat, constantly ringing in the background, which provided a sort of rhythmic backdrop for the story. The animation, art, and music departments should get as much recognition for this movie as Anderson himself does.
5. Isle of Dogs’ voice cast was full of Hollywood’s most recognizable and expressive voices that added so much to the picture. Bryan Cranston (Trumbo, Power Rangers), Edward Norton (Collateral Beauty), Bill Murray (The Jungle Book), Jeff Goldblum (ID2, Thor 3), Bob Balaban, Greta Gerwig (Lady Bird), Frances McDormand (Three Billboards), Scarlett Johansson (Ghost in the Shell, MCU), and Tilda Swinton (Okja, Doctor Strange) all had roles of varying sizes.  On the Japanese front, Koyu Rankin, Kunichi Nomura, Akira Takayama and even Yoko Ono lent their voices to some characters.

In brief, Isle of Dogs was a bizarre and fascinating Wes Anderson-y ride that might or might not have been culturally insensitive.

Rate: 3.5/5

Trailer: Isle of Dogs trailer

Movie review: Black Panther

Hello!

Welcome to the review of the newest and, arguably, the most important Marvel movie! This is Black Panther!

IMDb summary: T’Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.

As usual, before I start, my previous MCU reviews are here: Guardians 1 and 2, Avengers 2, Ant-Man, Doctor Strange, Civil War, Spider-Man: Homecoming, Thor 3.

Writing

Black Panther was written by the director of the film Ryan Coogler and Joe Robert Cole. I thought that the duo did a stellar job with the script. I’m not going to talk about the plot in detail, so as to keep this review spoiler free, other than to stay that a lot of narrative things happen in this film and a couple of them are quite unexpected. There are also a few of meaningful deaths (that might silence MCU critics who say that nobody ever dies in this universe). What I’m going to discuss more elaborately are the brilliant and multiple thematical concepts of Black Panther.

Just on the surface representational level, this film was a game changer. Black characters were elevated from the roles of the supporting friend/the funny sidekick/the one-scene cameo and were brought to the forefront. It’s also refreshing to see fictional black characters rather than real-life rebel slaves or civil rights activists (those smaller biographical movies are important too, but diversity in the blockbuster field is key as well). Also, even though this movie told a fictional story about fictional characters, it honored and paid homage to a lot of its real-world equivalents/inspirations, which raised a question for me: why haven’t we seen pictures about real, past or current, African tribes that were not documentaries???

Anyways, more on Black Panther paying homage to certain real-world ideas/events. I absolutely loved how the movie honored the connection that Africans have with their ancestors (and how in touch with their spirituality they are) as well their connection with nature (healing herbs, animals as deities). It was also great for the movie to acknowledge the violence within African culture (both the inner to the culture and the one coming from the west). Most importantly, it was just so amazing to see the Afrofuturism ideas on screen, which connected modernity with the traditional side of the culture. Scholars have been racking their brains about how to develop Africa without Westernizing it! Well, just do what Black Panther did: connect the two things rather than make one negate the other!

As the movie’s main character was a sovereign of a country, Black Panther also had some political commentary, mostly about a single country’s relation and obligation to the world. It also explored the well-known idea of the sins of the father reflecting of the children but in a royal context.  The film also had some fascinating things to say about communities, tribes or one’s ‘people’. How do we define that category? Do we draw lines based on race? Ethnicity? Nationality? Culture? Common beliefs and ideals? One of the central conflicts in the film was based on the fact that the villain and the hero of the story had different answers to that question. Speaking of the villain, Killmonger might be Marvel’s best one yet because he wasn’t just a villain but a character in his own right, whose goals were radical yet valid. The viewer could definitely understand his frustrations and reasons for his thinking.

Directing

Ryan Coogler (of Creedand Fruitvale Station) did an amazing job with Black Panther. He realized the visuals of Afrofuturism so well (with the help of production design, of course). The sets were brilliant and the costumes – absolutely impeccable and so cool as well! The action was really great too: fast-paced, intense, and meaningful for the plot. The pacing was also great!  The much-celebrated music of the movie was great (so it has been celebrated for a reason). I wanted to hear even more if it!

Acting

Black Panther assembled a stellar cast, led by Chadwick Boseman (Civil War) in a role that he was born to play. I’d love to see his involvement in the MCU leading to more non-biographical roles for him (cause I have seen him in quite a few biopics). Coogler’s collaborator Michael B. Jordan (Creed, Fantastic Four) played the villain and fully embodied the role, both physically and emotionally. I absolutely loved his character’s Americanized look too. An absolute scene stealer was Letitia Wright as the tech (and actual) princess. I loved her portrayal as a tech genius who was super excited about her creations and I also loved all her outfits and amazing sense of humor (bit cringe-y at times but so relatable). Lupita Nyong’o (The Jungle Book, The Force Awakens) also had a great role in the film – really loved seeing her in a big picture in person (not as in Star Wars, in motion capture).

Walking Dead’s Danai Gurira played an incredible role of the leader of Dora Milaje (who were all so amazing), while the breakout star of last year Daniel Kaluuya (Get Out) also had an interesting role to play (I loved how his character’s cape-like looking thing was also a shield). Winston Duke played a fun and multifaceted character too. Some more seasoned talent was also spotlighted: Angela Bassett was great as the mother of the king, while Forest Whitaker (Southpaw, Arrival, Rogue One) was perfect as an elderly statesman. Martin Freeman and Andy Serkis (War For The Planet of The Apes, The Last Jedi) also reprised their earlier roles in the MCU and were great. Freeman was a lovable CIA agent (not a word I’d use to describe a CIA agent, but, oh well), while Serkis was super crazy as one the villains of the film but it was really nice to see him in a non-motion capture performance.

Post-credits/End-credits (bit spoiler-y)

While Black Panther was mostly divorced from the MCU (it didn’t have many Easter Eggs that I could notice except of course the Stan Lee cameo), it did have a neat after-credits scene, where a fan-favorite from Civil War (‘White Wolf’) was defrosted. He seemed to be doing well in Wakanda.

The mid-credits scene was closely related to this picture and had a nice message of peaceful communication. It sounded a tiny bit naive but I can’t really fault hope.

In short, Black Panther was both a great Marvel comic book movie and a sophisticated game-changer in terms of representation for the whole context of modern cinema.

Rate: 4.8/5

Trailer: Black Panther trailer

BEST, WORST, and MISSED movies of 2017

Hello!!

Happy New Years Eve!

For most people, it’s a day/night of celebration: partying and drinking. Well, I’m also celebrating but in my own way – by posting my cinema round-up of the year. Like in 2015 and 2016, I’m providing you with my personal list of best and worst films (and I’m linking all of their reviews). A new development for this year is the fact that my top 5 list of obscure, small, ‘missed’ movies/honorable mentions is expanding into a 10 just because I’ve seen too many pictures this year that I want to bring to your attention once again! As always, please don’t bear any hard feelings if our lists don’t match! This post was written in the name of fun and I’m really looking forward to reading your picks in the comments!

BEST Movies:

1. Logan
2. Star Wars: The Last Jedi
3. Wonder Woman
4. Blade Runner 2049
5. Thor: Ragnarok
6. Beauty and the Beast
7. Spider-Man: Homecoming
8. War For The Planet Of The Apes
9. Wind River
10. It

Those who read my blog somewhat regularly probably aren’t surprised by the fact that my list contains 4 comic book movies. As much as I love the genre in general, what I loved about these particular films was the fact that they expanded the status quo: Logan brought the sophistication that we haven’t seen since The Dark Knight, while Wonder Woman was a game-changer for the female characters. Thor 3 fixed the weakest MCU trilogy, while Homecoming achieved what was deemed impossible – told the first good Spidey story in a decade. Joining the comic book films, are the three sci-fi juggernauts: Star Wars 8 (no surprise here, though, maybe it is a surprise as I seem to be one of the few who truly enjoyed the picture), Blade Runner sequel (visual and narrative masterpiece), and Apes 3 (an underappreciated finale of a great trilogy). The last 3 pictures bring some more variety genre-wise. Wind River represents drama (as well as my anthropological interests), Beauty and the Beast symbolizes my love for live-action fairytales (and my choice to remain a kid inside), while It is the biggest surprise of the year – the first horror movie that I’ve ever enjoyed.

WORST Movies:

1. Snatched
2. Transformers: The Last Knight
3. Rough Night
4. The Emoji Movie
5. Geostorm
6. Tulip Fever
7. Suburbicon
8. The Snowman
9. American Assasin
10. The Dark Tower

My worst list has it all: awful comedies (Snatched and Rough Night), confused dramas (Tulip Fever and Suburbicon), and underwhelming action thrillers (American Assasin and The Snowman). It also showcases a genre that should die (disaster films – Geostorm) and a franchise that should do the same (Transformers). The infamous cash grab for the millennials (The Emoji Movie) and the bad kind of Stephen King adaptation (The Dark Tower) finish of the list!

Honorable mentions/Movies you’ve MISSED:

I’ve decided not to number these and divide them into 3 levels of obscurity, from the least known to almost mainstream (or even actually mainstream) films.

To begin with, in the most obscure category, I’ve put The Death of Stalin, The Party, and Free Fire. First is a British adaptation of a French graphic novel, which itself is a reimagining of Russian history; second is more of a character piece than a movie with the shortest runtime of a feature film I’ve seen; and the third is an action movie that builds its story around the main action sequence that last the whole picture.

The second trio of more well known movies consist of The Killing of a Sacred Deer, Their Finest, and T2: Trainspotting. The first is an extraordinary revenge story from a proven director, the second – a romantic take on war and the movie business, and the last is everything I love about my adoptive country of Scotland!

Lastly, the 4 final movies that the majority of moviegoers have heard about and which couldn’t necessarily make my top 10 list but were so unique that they deserved to be mentioned are Paddington 2(a bundle of joy in these dark times), John Wick 2 (a successful sequel in a not that big of a franchise), mother!(the picture that was more fun to analyze than watch), and The Big Sick (a romantic comedy like no other).

And that is it for 2017 cinema! I hope you enjoyed reading my lists! Every year, its gets harder and harder to decide on my picks because of the sheer amount of new movies I’m able to see. Please don’t be mad if your favorite/least favorite movies were not on my lists! Also, if you missed some awards contenders in this post, they might have been excluded because I haven’t seen them yet or because I expect to talk about them a lot during the next two months. Hence, they will get enough praise then, it’s what I’m saying.

Anyways, have a happy 2018 in the cinema and in life!

Movie review: Thor: Ragnarok

Hello!

What a time to be a nerd! A new Marvel movie is in theatres every 4 months! Is this heaven or what? Without further ado, let’s discuss Thor: Ragnarok!

IMDb summary: Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.

If it wasn’t obvious from my intro, I’m a huge MCU fan and have reviewed quite a few films of the franchise, thus, I’m linking the said reviews here: Captain America 1+2, Ant-Man, Guardians 1 and Guardians 2, Avengers 2, Civil War, Doctor Strange, Spider-Man: Homecoming.

This review is SPOILER FREE. The discussion involving SPOILERS is located at the end of the page.

Writing

Thor: Ragnarok was written by Eric Pearson (writer of a few MCU one-shots (I wish they were still making them) and writer on Agent Carter), Craig Kyle (comic book writer, producer the first two Thorfilms and of some of Marvel’s direct-to-video animated pictures), and Christopher Yost (longtime collaborator of Kyle, writer of Thor: The Dark World). I loved the writing for this film.

To begin with, I appreciated how dense the narrative was. So much happened in this picture and every second of that 2-hour runtime was packed with plot. It felt like this movie consisted of a couple of films, which was exactly the case. Thor: Ragnarok contained the first third of a Hulk solo movie – the middle part and the ending will probably be folded into Avengers 3and 4. I was a bit worried that the Hulk sideline will feel tacked-on but it didn’t – Bruce Banner and his green friend fit into this picture organically. I loved the fact that we got to see more of Hulk and find out about his own separate personality.

In general, the majority of the main characters had very satisfying character arcs. First of all, Thor went on a journey on finding his path again, while Valkyrie also had to re-find her purpose in life (I loved how she was both badass and had her flaws). Loki attempted to redeem himself in the most questionable and Loki-appropriate way possible and Heimdall got to do something meaningful for once in these films. Skurge’s questioning of morality was great, while Grandmaster’s hijinks were hilarious.

Speaking of the comedy in the film – it was just wonderful. The situational relatable humor, the reactions, the call-backs, the references, and the jabs at the previous MCU events were extremely funny. However, the film also had some heart to it. One particularly touching moment occurred in Norway at the beginning of the film. That scene’s location – Norway – was also a neat nod to the Norse mythology roots of these characters.

MCU films have been notorious for their lack of great villains. I didn’t think that Hela followed this trend. She was both memorable and menacing. I also loved how she had a family connection to the protagonist, and, thus, how the film got an opportunity to explore the notions of family and home. I also enjoyed seeing her be actually threatening, setting the stakes high and having a lasting impact on both Thor and Asgard (physical and emotional).

Directing

Thor: Ragnarok was directed by the incredible filmmaker from New Zealand – Taika Waititi. I was only introduced to his work last year with the awards’ nominated delightful and heartfelt comedy Hunt for the Wilderpeople. Before going to see Ragnarok, I also watched his brilliant vampire mockumentary What We Do in the Shadows. Needless to say, my expectations were high and I’m so glad to say that Waititi delivered on them 100%! Thor: Ragnarok had the heartwarming feeling of Spider-Man: Homecoming, the jokes of Guardians of the Galaxy, and the trippy visuals of Doctor Strange. Nevertheless, it wasn’t just a rehashing of elements from other films, but a refreshing, unique, and immensely entertaining take on them.

The color palette of Thor 3 was just so gorgeous and super vibrant. The location and the character designs have never looked better in a Thor film (the looks reminded me of a mixture of Star Wars, Star Trek, Lord of the Rings and just 1980s style). The action was just so dynamic and energetic. It was also varied: we got to see a couple of one-on-one fights as well as some epic scale battles and a few spaceship chases. One of my favorite action pieces was the short opening fight between Thor/Loki/Hela in the rainbow bridge. Not on it, but in its stream. The music (by Mark Mothersbaugh) was also nicely incorporated into the film. I’m gonna listen to that Led Zeppelin song every day at the gym now.

Acting

• Chris Hemsworth (Ghostbusters, The Huntsman, In the Heart of the Sea) had his 5th and best outing as Thor. We already knew that he was great a the role of a hero, but here he also displayed all his comedic chops!
• Tom Hiddleston (High-Rise, Kong) was sly and charismatic as Loki again (I love the character, so I’ll never complain about seeing him).
• Cate Blanchett (Carol, Cinderella) had a snake-like quality to her performance of Hela. At the beginning, I thought that she was bordering on being too cartoonish a too bit much but I think she quickly found her footing.
• Idris Elba (The Mountain Between Us, The Dark Tower, Star Trek Beyond, Bastille Day, Beasts of No Nation) returned as Heimdall and got a chance to do something more in the film than just stand in one room!
• Jeff Goldblum (ID2) was perfect as Grandmaster. He was doing his Jeff Goldblum thing (I can’t explain it) and that fit the character so well! He, in my mind, had the leeway to go cartoonish and I’m glad he went there at least a bit.
• Tessa Thompson (Creed) was wonderful as Valkyrie. I loved how Thompson portrayed her character’s flaws, regrets, and determination.
• Karl Urban (Pete’s Dragon, Star Trek Beyond) as Skurge. I hope that Urban’s involvement with a new comic book property means that he might go back to one of his old ones – the role of Dredd. Nonetheless, I loved seeing him here.
• Mark Ruffalo (Spotlight, Now You See Me 2) delivered a short but sweet performance as Bruce Banner / Hulk. Immense props to him for his comedic timing too!
• Anthony Hopkins (Transformers 5) only appeared briefly as Odin but he was responsible for the most touching and the most emotionally-challenging scene of the film, as a dramatic actor of his caliber should be.

In short, Thor: Ragnarok was without a doubt the best Thor film but it also might be one of the best MCU solo films ever! Not only worthy of watching once, but repeated viewing is recommended!

Rate: 4.8/5

SPOILER-Y PART: 

Since I saw the movie super early (thanks, UK release schedule), I didn’t want to talk about spoiler stuff in the main part of the review, so I’ll just unpack some ideas in more detail here:

1. Thor: Ragnarok had a great cameo by Doctor Strange. Those, who saw Doctor Strange and waited for the post-credit scene of that film, knew that Sorcerer Supreme will be showing up in Thor 3. It was wonderful to see the character appear on film as being closer to his comic book counterpart – way more advanced in his skill and more in control of his powers than he was when we last saw him.
2. Matt Damon, of all actors, had a super funny cameo as an Asgardian actor playing Loki. It’s always nice to see a great actor doing some bad acting and Damon nailed his. Stan Lee also had an amazing cameo as the hairdresser. I’m glad that he was the one who supposedly got a chance to change Thor’s look. I feel like, since that change came from Lee, it is somehow automatically canon.
3. Hela was turned into Thor’s and Loki’s sister for the film (she is the daughter of Loki in the comics). I liked the change because it allowed the movie to explore the differences between Odin’s relationships with each of his kids. Also, the fiction vs truth idea came into play in the movie because of that change.
4. Some of my favorite jokes, which I didn’t want to spoil were: the Sakar’s infomercial sequence; Loki’s reaction to Hulk throwing Thor around like a ragdoll – Loki experienced the same fate in Avengers; Thor’s attempt to calm Hulk down with Black Widow’s lullaby; and the jabs at Tony Stark. Even if RDJ is not in the film, his presence is always felt. Another delightful comedic part was Taika Waititi’s motion capture and vocal performance as Korg. Waititi is a great comedic actor and I’m glad he got to showcase that here in addition to directing.
5. Lastly, Thor: Ragnarok had two end-credits scenes. The mid-credits scene was a very vague tease for Avengers: Infinity War, while the post-credits scene was just a fun nod to this particular film.

Movie review: Wind River

Hello!

Let’s take a break from all the summer blockbusters of varying quality and give a chance to the dying genre of the regular movie. This is the review of Wind River.

IMDb summary: An FBI agent teams with a town’s veteran game tracker to investigate a murder that occurred on a Native American reservation.

Taylor Sheridan

Wind River is a thriller, written and directed by Taylor Sheridan. Sheridan’s name might be unfamiliar to a lot of people, but cinephiles should know him for writing two recent marvelous pictures that both had some awards potential – 2015’s Sicario and 2016’s Hell or High Water. While Sheridan didn’t direct any of his previous scripts (Sicario was done by Villeneuve, and Hell or High Water by Mckenzie), he does have some directing experience, having helmed 2011’s horror film, Vile. Wind River is being distributed by the awards whisperers The Weinstein Company. Their involvement combined with Sheridan’s previous track record might actually give Wind River a chance to make some ways during the proper awards season. More importantly, the film highly deserves that.

Writing

Sheridan, similarly to his previous movies, has written a story that’s both thrilling and entertaining but is also thematically clever. Wind River, a film inspired by true events, is set on a Native American reservoir and the first victim of a crime is a young Native American woman. The local police are not equipped to solve the mystery, while FBI is also not willing to pay a lot of attention. This fictionalized account goes very much in line with the real life events (so, ‘inspired by true events’ sentence is accurate). As an anthropology student, I have studied a few cases of Native American women going missing in the north of North America and the local authorities doing nothing to find them (in class, we mostly focused on cases in Canada but the film’s Wyoming’s case was very similar). Wind River’s story at least had a somewhat happy ending and some closure, however, that’s usually not the case in real life. So, it was really nice for a film to end with a sentence about the statistics of missing Native women –  a call to action, even if it will probably go unheard.

The depictions of the reservoir life seemed quite accurate. The problems within a Native American community – the drugs and substance abuse, poverty, the loss of identity and the marginalization – were all mentioned. The relationship between the white Americans and the Native Americans was represented in a variety of ways. The viewers saw both a friendly relationship of a white man being, more or less, a member of a community and an outsider white American being seen as a hostile stranger (at least in the beginning). Lastly, even though some of the ideas and relationships in the film could be seen as very specific and having a limited crossover, the overarching themes of the picture were survival and family – two extremely universal concepts that are understood across all cultures.

I have mentioned the historical facts as well as topics of the movie, let’s now turn our attention to the actual detective story. To begin with, I found it refreshing to see an FBI agent and a local hunter working together and listening to one another, rather than competing to reach the same goal. It was also nice to see a completely professional relationship without any pushed romance being depicted. The reveal of who the criminals were – 5 white, less than bright, drunk men from a working class background – was maybe a bit disappointing at first but, on a second viewing, very much grounded and realistic. Plus, the scene that followed the reveal – the rapid shoot-out – was unexpected in the best way possible and also oddly satisfying.

Directing

While Sheridan’s directing style wasn’t groundbreaking, it was still good in its subtlety. His direction for the picture was mostly elevated by his own amazing writing. Visually, the film looked nice – the sweeping shots of the mountains and snow were naturally gorgeous, while the sequence of the snowmobile action added an element of effortless coolness. The pacing was very good too – the film was constantly building to a crescendo and also delivered on it. Wind River was definitely a great effort from a sort of new director.

Acting

At the center of Wind River, two Marvel stars were reunited – Jeremy Renner and Elizabeth Olsen. They both did a magnificent job. It was nice to see Renner continuing his indie/awards career alongside his blockbuster-focused one (he was just recently in Arrival in addition to Civil War, MI5, and Age of Ultron). Elizabeth Olsen (Godzilla) has really come into her own as an actress and is probably now more famous (acting-wise) than her older sisters.

The supporting cast, thankfully, provided an opportunity for some Native American/First Nations talent to shine, like Gil Birmingham (he was also in Hell or High Water), Julia Jones, Graham Greene, and Martin Sensmeier. Jon Bernthal (Baby Driver, The Accountant, We Are Your Friends) also appeared in the film, reuniting with Sheridan, after having worked on Sicario with him. 

In short, Wind River is an emotional, smart, and entertaining thriller that deserves more recognition that it will probably get.

Rate: 4.4/5

Trailer: Wind River trailer

Movie review: Spider-Man: Homecoming

Hello!

The 3rd cinematic reimagining of the Spider-Man character has reached cinemas in a form of Spider-Man: Homecoming. Let’s see whether third time’s a charm!

IMDb summary: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.

SPOILER WARNING

Writing

Spider-Man: Homecoming was written by 6(!) people and it wasn’t a mess. The scriptwriters included the comedy writing duo Jonathan Goldstein and John Francis Daley, the director Jon Watts, Christopher Ford (who wrote Robot & Frank), Chris McKenna (he worked on The Winter Soldier), and Erik Sommers (wrote The Lego Batman Movie).  The script was a perfect blend of two coming of ages stories: one of growing up into an adult and the other one of evolving as a hero. I loved the two narratives separately as well as how they worked together.

The Spider-Man side of the story was, thankfully, not an origin story, but still showed the character’s beginnings (Year One, basically). I loved the inclusion of the ‘Training Wheels Protocol’ and also enjoyed seeing that handful of moments of Spider-Man failing – they added a lot of realism and believability to the character. The plotlines concerning Peter Parker were also great. The advertised John Hughes-like feeling was actually present in the film and did work (we even saw a scene from Ferris Bueller’s Day Off playing on TV)! I also loved how the high school setting and the student characters were realized. Those awkward commercials were spot on, while the students weren’t just walking stereotypes – they were actually multidimensional. Flash was a popular rich kid, a bully, and a nerd (or at least a wannabe one), Liz was the ‘pretty girl’ who was also smart and a great leader, and MJ was a mixture of a nerd and a hippie. My favorite supporting character was Ned cause I could relate the most to him. I mean, I was making the Lego Star Wars figurines a day before I saw the movie. I also loved his unapologetic excitement about the amazing things that were happening to Peter cause that’s how I feel about Marvel movies. Peter’s family’s plotline also worked. I loved how the screenwriters acknowledged that everyone online loves the new Aunt May by making other characters (not just Tony Stark) flirt with her. I also liked how the death of Uncle Ben wasn’t pushed but only mentioned in passing.

The feeling of a wider MCU was also there but all the tie-ins did not overshadow the standalone narrative of the film. Iron Man was, once again, kinda to blame for the creation of a new villain (the trend continues), but the character himself did not appear much on screen. He didn’t even have a full-on action scene, only a small one. I did, however, really love his and Peper Pots’s moment at the end. In addition, the idea to set the movie’s opening during the Civil War, but to show it from Peter’s perspective, was superb. Not only was that whole sequence funny, but its format – the vlog – was so appropriate for a high schooler and the tone of the picture. The fact that Vulture’s tech was made from the scraps from the previous MCU battles was neat too. I also loved how, by the time Homecoming rolled around, he has been doing his thing for at least half a decade already. However, I wish that the new Stark’s Damage Control Firm would have consisted of the characters from Agents of S.H.I.E.L.D. because there have been episodes of the show were those characters cleaned up the mess left by the Avengers. This would have a been a perfect moment to finally allow them to appear in a movie.

Finally, the two big reveals of the film were great too. I did not expect Vulture to be Liz’s dad (need to brush up on my comic book knowledge). The twist in the end fight, where Peter had to save Vulture rather than fight it, was brilliant too.

Directing

Jon Watts directed Spider-Man: Homecoming (he also co-wrote it) and did a spectacular job. This was only his 3rd feature film but he just absolutely nailed the realization of the character. The youthful vibe and the contagious energy were perfect. The sweet moments and the funky fast pace worked too. The way the intense action scenes co-existed next to the high school awkwardness was just wonderful. The action sequences were extremely cool and entertaining too (I just wish we haven’t seen big parts of them in the trailers). They had the staple Spider-Man swings but were also fresh and exciting. The 80s style credits were a nice finish as well. Watts also did a good job of integrating a character into the broader MCU while also showing the daily life and the ground level work that Spider-Man did on the streets. Homecoming was basically a PG version of the Marvel Netflix’s shows.

In summary, I can’t really explain it, but the experience of watching Spider-Man: Homecoming was one of pure fun. This film made me realize why Spider-Man is the best selling and the most popular Marvel character (or even the most popular superhero ever).

The credits scenes

Spider-Man: Homecoming, like all superhero films, had a few extra scenes during the credits. The mid-credits one worked as an epilog for the standalone story of the film and expanded on the character of Vulture, by showing that he has an honor code. The post-credits scene was a continuation of the gag involving Captain America. Cap broke the 4th wall and praised the fans for their patients, while also making a fun of them. The 4th wall breaking joke did work in a Spider-Man film because of who the character is and because of the funny tone of Homecoming (however, it wasn’t as appropriate as it were for Deadpool).

Acting

After blowing everyone away as Spider-Man/Peter Parker, Tom Holland (In The Heart Of The Sea) has grown into the character and has become the best version of the character I have seen on film. He was actually believable as a high schooler, a nerd, and the friendly neighborhood Spider-Man. Peter’s classmates, played by Jacob Batalon and Tony Revolori (The Grand Budapest Hotel), were really good too, as the best friend and the bully, respectively. Laura Harrier played the love-interest, while the highly discussed role of MJ, played by Zendaya (who will soon star in The Greatest Showman), was just a slightly bigger than a cameo. Angourie Rice (The Nice Guys) also had a cameo appearance as a potential love interest in the later films.

The ex-Batman and ex-Birdam Michael Keaton (Spotlight) donned another comic book costume inspired by a bird and nailed the villainous role. He was menacing but also someone that a viewer could identify with. Marisa Tomei was good and her aunt-nephew relationship with Peter was believable and cute. Donald Glover’s (The Martian) involvement in the film was a nice thank you for all his work in attempting to bring a Miles Morales/Spiderman film into existence. Lastly, Robert Downey Jr. (The Judge) reprised the role that has basically become an extension of himself but, thankfully, he didn’t steal the scenes he was in but rather embellished them. Jon Favreau’s (Chef, The Jungle Book) return as Happy Hogan was just delightful – he was in more of the film than RDJ and that actually worked in favor of the picture and made more sense for the story.

In short, Spider-Man: Homecoming is a triumphant return for the character of Spider-Man. Finally, the justice has been done and we have the perfect Spider-Man film. I, honestly, can’t remember the last Marvel stand-alone movie I loved this much (and Civil War doesn’t count, that was a team-up).

Rate: 4.8/5

Trailer: Spider-Man: Homecoming trailer

 

5 ideas about a movie: Rough Night

Hello!

After two weeks of back to back volunteering gigs at big sports events, I needed a simple and fun movie. I expected Rough Night to be just that. Let’s see if it were.

1. Rough Night was written by the director of the film Lucia Aniello and Paul W. Downs (real-life and comedic partners, who both work on Comedy Central projects). The writing was mostly fine: I liked the topical humor, like the fact that Scarlet Johansson’s politician character looked like Hilary Clinton or that the film made fun of the selfie culture. The ending was a bit out-there but managed to get a few laughs from me, so that’s good. The typical (almost cliche) themes of the friend rivalry and the growing apart were also present.
2. Aniello’s direction for the movie was okay, though it did seem a bit amateurish, with some neat moments dispersed throughout. The whole idea to set the film in Miami, unfortunately, reminded me of Snatched and how that film was just basically set in a more exotic location so that the actors could go on vacation. The pop soundtrack was fun and summery, though.
3. The main 5 ladies were played by Scarlett Johansson (Marvel films (Rough Night’s low box office killed any possibilities of a Black Widow movie), The Jungle Book, Hail, Caesar!, Ghost in the Shell), Kate McKinnon (Ghostbusters), Jillian Bell, Ilana Glazer, and Zoë Kravitz (Divergent, Mad Max, Fantastic Beasts). Although their characters seemed pretty varied, all of their performances were really similar. My favorite one was actually Kravitz, while McKinnon’s Australian-ness (the actress is American) seemed like a cheap joke that was pushed too far.
4. The supporting cast of the film was way more fun than the main one. The groom and his friends at the wine tasting sequence (what melodrama were they from? doesn’t matter – it worked), as well as the slow-motion sequence at the shop, were hilarious. The screenwriter of the film Paul W. Downs actually played the part of the groom-to-be. The cameo appearances by Demi Moore and Ty Burrell also added a few laughs.
5. The movie had two after/during credits scenes. The mid-credits one was a way too long joke involving McKinnon’s character, while the after-credits scene provided some extra revelations about the plot. I didn’t even wait for it, though.

In short, Rough Night (or Bridesmaids: the crime comedy) was an okay summer flick that served some laughs as well as some cringy moments.

Rate: 3/5

Trailer: Rough Night trailer

 

 

Movie review: Baby Driver

Hello!

An original movie, in this day and age, is a rarity, and that makes Baby Driver ten times more special than it already is. Let see whether the film can live up to the hype, whether it can prove the worth of original material, and whether it can act as the comeback of Edgar Wright! Plus, can it just be a fun and enjoyable summer movie?

IMDb summary: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Edgar Wright

Baby Driver was both written and directed by the coveted auteur Edgar Wright (one of the few auteurs working in Hollywood). Wright is best known for creating The Three Flavours Cornetto trilogy and cult classic Scott Pilgrim vs. The World. He also worked on the Marvel project Ant-Man before parting ways with the studio. Even though he left Disney/Marvel, he did live to make another movie and Baby Driver very much proves that his career is far from over. So, on a side note, Lord and Miller situation (them being fired from the Han Solo movie) might also turn out fine.

Writing

I very much enjoyed the writing for Baby Driver. The story was tight and simple, but yet also complex and unique. Let’s begin with the main character of Baby – I don’t think I can name another recent character that was so extraordinary. His love for music and driving, his sense of style (those glasses – brilliant), his relationships with his mother, girlfriend, and the deaf foster dad, and a good heart made him not only a relatable but extremely likable lead. And yet, he also had unexpected qualities (like the idea for that brutal kill or just bravery enough to kill). Also, the fact that the movie acknowledged that there are different ways to enjoy music (by hearing AND feeling it) was so great.

The romantic plotline also actually worked, which it rarely does in an action film. I loved the ending shot in black and white: they looked like a couple of criminals from a 60s movie. All the main criminal characters were amazing too and I loved the fact that all of their arcs had a definitive ending and that they weren’t dropped halfway through the runtime. My only gripe was that I didn’t think that Kevin Spacey’s character’s change of heart fully worked. The film also had wonderful humor, some of my favorite parts were the kid in the post office and the butchery metaphor. Lastly, I loved how Wright paid dues to other movies, by either giving them a shout-out or just showing a clip from them on TV. Baby Driver was, truly, a film written by a movie lover for movie lovers.

Directing

From the trailers, Baby Driver seemed like a super fun movie but I didn’t feel that it had the signature flavor of Wright. I was kinda right – Baby Driver was his lowest energy project yet (although it did dial everything up for the finale) and his most mainstream film so far and that is not really a bad thing. It was basically something different yet familiar. I loved all the action sequences and enjoyed the irony of Baby also having to run rather than drive in one of them. I was also impressed by the long takes, especially the one that followed the opening car chase. The signature close-ups were also neat.

Plus, I liked the fact that they used normal looking cars, not super expensive and super fast ones. Thus, Baby Driver was a celebration of driving – a thing that The Fast and The Furious used to have but lost completely in the later installments. Lastly, I cannot write a review for Baby Driver without mentioning the editing and the soundtrack. This is how you edit the visuals into the music. King Arthur and Suicide Squad should watch and learn.

Acting

Baby Driver’s cast was marvelous: it consisted of both proven actors and some up-and-comers. Ansel Elgort (TFIOS, Divergent) was spectacular, they way he acted into the music/with the music was just thrilling to watch. Lily James (Cinderella) was good as his girlfriend: they looked cute together and had chemistry. The cinema veterans Kevin Spacey (House of Cards), Jon Hamm (Keeping Up With The Joneses was actually not bad), Jamie Foxx (Sleepless was the best movie of this January – not much but something), and Jon Bernthal (The Accountant) all brought their A-game and appeared to be having a ton of fun with this picture. Lastly, an unknown (to me) Mexican actress Eiza González was an amazing badass to watch as well.

In short, Baby Driver is the best version of Drive meets American Grafitti. It has great action, funny jokes, cool editing, spectatcular soundtrack and it’s Edgar Wright at his best, even if that ‘best’ is a bit different than we are used to.

Rate: 4.5/5

Trailer: Baby Driver trailer