Movie review: Avengers: Infinity War

Movie reviews

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil WarAnthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

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Movie review: Black Panther

Movie reviews

Hello!

Welcome to the review of the newest and, arguably, the most important Marvel movie! This is Black Panther!

IMDb summary: T’Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.

As usual, before I start, my previous MCU reviews are here: Guardians 1 and 2, Avengers 2, Ant-Man, Doctor Strange, Civil War, Spider-Man: Homecoming, Thor 3.

Writing

Black Panther was written by the director of the film Ryan Coogler and Joe Robert Cole. I thought that the duo did a stellar job with the script. I’m not going to talk about the plot in detail, so as to keep this review spoiler free, other than to stay that a lot of narrative things happen in this film and a couple of them are quite unexpected. There are also a few of meaningful deaths (that might silence MCU critics who say that nobody ever dies in this universe). What I’m going to discuss more elaborately are the brilliant and multiple thematical concepts of Black Panther.

Just on the surface representational level, this film was a game changer. Black characters were elevated from the roles of the supporting friend/the funny sidekick/the one-scene cameo and were brought to the forefront. It’s also refreshing to see fictional black characters rather than real-life rebel slaves or civil rights activists (those smaller biographical movies are important too, but diversity in the blockbuster field is key as well). Also, even though this movie told a fictional story about fictional characters, it honored and paid homage to a lot of its real-world equivalents/inspirations, which raised a question for me: why haven’t we seen pictures about real, past or current, African tribes that were not documentaries???

Anyways, more on Black Panther paying homage to certain real-world ideas/events. I absolutely loved how the movie honored the connection that Africans have with their ancestors (and how in touch with their spirituality they are) as well their connection with nature (healing herbs, animals as deities). It was also great for the movie to acknowledge the violence within African culture (both the inner to the culture and the one coming from the west). Most importantly, it was just so amazing to see the Afrofuturism ideas on screen, which connected modernity with the traditional side of the culture. Scholars have been racking their brains about how to develop Africa without Westernizing it! Well, just do what Black Panther did: connect the two things rather than make one negate the other!

As the movie’s main character was a sovereign of a country, Black Panther also had some political commentary, mostly about a single country’s relation and obligation to the world. It also explored the well-known idea of the sins of the father reflecting of the children but in a royal context.  The film also had some fascinating things to say about communities, tribes or one’s ‘people’. How do we define that category? Do we draw lines based on race? Ethnicity? Nationality? Culture? Common beliefs and ideals? One of the central conflicts in the film was based on the fact that the villain and the hero of the story had different answers to that question. Speaking of the villain, Killmonger might be Marvel’s best one yet because he wasn’t just a villain but a character in his own right, whose goals were radical yet valid. The viewer could definitely understand his frustrations and reasons for his thinking.

Directing

Ryan Coogler (of Creedand Fruitvale Station) did an amazing job with Black Panther. He realized the visuals of Afrofuturism so well (with the help of production design, of course). The sets were brilliant and the costumes – absolutely impeccable and so cool as well! The action was really great too: fast-paced, intense, and meaningful for the plot. The pacing was also great!  The much-celebrated music of the movie was great (so it has been celebrated for a reason). I wanted to hear even more if it!

Acting

Black Panther assembled a stellar cast, led by Chadwick Boseman (Civil War) in a role that he was born to play. I’d love to see his involvement in the MCU leading to more non-biographical roles for him (cause I have seen him in quite a few biopics). Coogler’s collaborator Michael B. Jordan (Creed, Fantastic Four) played the villain and fully embodied the role, both physically and emotionally. I absolutely loved his character’s Americanized look too. An absolute scene stealer was Letitia Wright as the tech (and actual) princess. I loved her portrayal as a tech genius who was super excited about her creations and I also loved all her outfits and amazing sense of humor (bit cringe-y at times but so relatable). Lupita Nyong’o (The Jungle Book, The Force Awakens) also had a great role in the film – really loved seeing her in a big picture in person (not as in Star Wars, in motion capture).

Walking Dead’s Danai Gurira played an incredible role of the leader of Dora Milaje (who were all so amazing), while the breakout star of last year Daniel Kaluuya (Get Out) also had an interesting role to play (I loved how his character’s cape-like looking thing was also a shield). Winston Duke played a fun and multifaceted character too. Some more seasoned talent was also spotlighted: Angela Bassett was great as the mother of the king, while Forest Whitaker (Southpaw, Arrival, Rogue One) was perfect as an elderly statesman. Martin Freeman and Andy Serkis (War For The Planet of The Apes, The Last Jedi) also reprised their earlier roles in the MCU and were great. Freeman was a lovable CIA agent (not a word I’d use to describe a CIA agent, but, oh well), while Serkis was super crazy as one the villains of the film but it was really nice to see him in a non-motion capture performance.

Post-credits/End-credits (bit spoiler-y)

While Black Panther was mostly divorced from the MCU (it didn’t have many Easter Eggs that I could notice except of course the Stan Lee cameo), it did have a neat after-credits scene, where a fan-favorite from Civil War (‘White Wolf’) was defrosted. He seemed to be doing well in Wakanda.

The mid-credits scene was closely related to this picture and had a nice message of peaceful communication. It sounded a tiny bit naive but I can’t really fault hope.

In short, Black Panther was both a great Marvel comic book movie and a sophisticated game-changer in terms of representation for the whole context of modern cinema.

Rate: 4.8/5

Trailer: Black Panther trailer

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Movie review: Thor: Ragnarok

Movie reviews

Hello!

What a time to be a nerd! A new Marvel movie is in theatres every 4 months! Is this heaven or what? Without further ado, let’s discuss Thor: Ragnarok!

IMDb summary: Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.

If it wasn’t obvious from my intro, I’m a huge MCU fan and have reviewed quite a few films of the franchise, thus, I’m linking the said reviews here: Captain America 1+2, Ant-Man, Guardians 1 and Guardians 2, Avengers 2, Civil War, Doctor Strange, Spider-Man: Homecoming.

This review is SPOILER FREE. The discussion involving SPOILERS is located at the end of the page.

Writing

Thor: Ragnarok was written by Eric Pearson (writer of a few MCU one-shots (I wish they were still making them) and writer on Agent Carter), Craig Kyle (comic book writer, producer the first two Thorfilms and of some of Marvel’s direct-to-video animated pictures), and Christopher Yost (longtime collaborator of Kyle, writer of Thor: The Dark World). I loved the writing for this film.

To begin with, I appreciated how dense the narrative was. So much happened in this picture and every second of that 2-hour runtime was packed with plot. It felt like this movie consisted of a couple of films, which was exactly the case. Thor: Ragnarok contained the first third of a Hulk solo movie – the middle part and the ending will probably be folded into Avengers 3and 4. I was a bit worried that the Hulk sideline will feel tacked-on but it didn’t – Bruce Banner and his green friend fit into this picture organically. I loved the fact that we got to see more of Hulk and find out about his own separate personality.

In general, the majority of the main characters had very satisfying character arcs. First of all, Thor went on a journey on finding his path again, while Valkyrie also had to re-find her purpose in life (I loved how she was both badass and had her flaws). Loki attempted to redeem himself in the most questionable and Loki-appropriate way possible and Heimdall got to do something meaningful for once in these films. Skurge’s questioning of morality was great, while Grandmaster’s hijinks were hilarious.

Speaking of the comedy in the film – it was just wonderful. The situational relatable humor, the reactions, the call-backs, the references, and the jabs at the previous MCU events were extremely funny. However, the film also had some heart to it. One particularly touching moment occurred in Norway at the beginning of the film. That scene’s location – Norway – was also a neat nod to the Norse mythology roots of these characters.

MCU films have been notorious for their lack of great villains. I didn’t think that Hela followed this trend. She was both memorable and menacing. I also loved how she had a family connection to the protagonist, and, thus, how the film got an opportunity to explore the notions of family and home. I also enjoyed seeing her be actually threatening, setting the stakes high and having a lasting impact on both Thor and Asgard (physical and emotional).

Directing

Thor: Ragnarok was directed by the incredible filmmaker from New Zealand – Taika Waititi. I was only introduced to his work last year with the awards’ nominated delightful and heartfelt comedy Hunt for the Wilderpeople. Before going to see Ragnarok, I also watched his brilliant vampire mockumentary What We Do in the Shadows. Needless to say, my expectations were high and I’m so glad to say that Waititi delivered on them 100%! Thor: Ragnarok had the heartwarming feeling of Spider-Man: Homecoming, the jokes of Guardians of the Galaxy, and the trippy visuals of Doctor Strange. Nevertheless, it wasn’t just a rehashing of elements from other films, but a refreshing, unique, and immensely entertaining take on them.

The color palette of Thor 3 was just so gorgeous and super vibrant. The location and the character designs have never looked better in a Thor film (the looks reminded me of a mixture of Star Wars, Star Trek, Lord of the Rings and just 1980s style). The action was just so dynamic and energetic. It was also varied: we got to see a couple of one-on-one fights as well as some epic scale battles and a few spaceship chases. One of my favorite action pieces was the short opening fight between Thor/Loki/Hela in the rainbow bridge. Not on it, but in its stream. The music (by Mark Mothersbaugh) was also nicely incorporated into the film. I’m gonna listen to that Led Zeppelin song every day at the gym now.

Acting

  • Chris Hemsworth (Ghostbusters, The Huntsman, In the Heart of the Sea) had his 5th and best outing as Thor. We already knew that he was great a the role of a hero, but here he also displayed all his comedic chops!
  • Tom Hiddleston (High-Rise, Kong) was sly and charismatic as Loki again (I love the character, so I’ll never complain about seeing him).
  • Cate Blanchett (Carol, Cinderella) had a snake-like quality to her performance of Hela. At the beginning, I thought that she was bordering on being too cartoonish a too bit much but I think she quickly found her footing.
  • Idris Elba (The Mountain Between Us, The Dark Tower, Star Trek Beyond, Bastille Day, Beasts of No Nation) returned as Heimdall and got a chance to do something more in the film than just stand in one room!
  • Jeff Goldblum (ID2) was perfect as Grandmaster. He was doing his Jeff Goldblum thing (I can’t explain it) and that fit the character so well! He, in my mind, had the leeway to go cartoonish and I’m glad he went there at least a bit.
  • Tessa Thompson (Creed) was wonderful as Valkyrie. I loved how Thompson portrayed her character’s flaws, regrets, and determination.
  • Karl Urban (Pete’s Dragon, Star Trek Beyond) as Skurge. I hope that Urban’s involvement with a new comic book property means that he might go back to one of his old ones – the role of Dredd. Nonetheless, I loved seeing him here.
  • Mark Ruffalo (Spotlight, Now You See Me 2) delivered a short but sweet performance as Bruce Banner / Hulk. Immense props to him for his comedic timing too!
  • Anthony Hopkins (Transformers 5) only appeared briefly as Odin but he was responsible for the most touching and the most emotionally-challenging scene of the film, as a dramatic actor of his caliber should be.

In short, Thor: Ragnarok was without a doubt the best Thor film but it also might be one of the best MCU solo films ever! Not only worthy of watching once, but repeated viewing is recommended!

Rate: 4.8/5

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SPOILER-Y PART: 

Since I saw the movie super early (thanks, UK release schedule), I didn’t want to talk about spoiler stuff in the main part of the review, so I’ll just unpack some ideas in more detail here:

  1. Thor: Ragnarok had a great cameo by Doctor Strange. Those, who saw Doctor Strange and waited for the post-credit scene of that film, knew that Sorcerer Supreme will be showing up in Thor 3. It was wonderful to see the character appear on film as being closer to his comic book counterpart – way more advanced in his skill and more in control of his powers than he was when we last saw him.
  2. Matt Damon, of all actors, had a super funny cameo as an Asgardian actor playing Loki. It’s always nice to see a great actor doing some bad acting and Damon nailed his. Stan Lee also had an amazing cameo as the hairdresser. I’m glad that he was the one who supposedly got a chance to change Thor’s look. I feel like, since that change came from Lee, it is somehow automatically canon.
  3. Hela was turned into Thor’s and Loki’s sister for the film (she is the daughter of Loki in the comics). I liked the change because it allowed the movie to explore the differences between Odin’s relationships with each of his kids. Also, the fiction vs truth idea came into play in the movie because of that change.
  4. Some of my favorite jokes, which I didn’t want to spoil were: the Sakar’s infomercial sequence; Loki’s reaction to Hulk throwing Thor around like a ragdoll – Loki experienced the same fate in Avengers; Thor’s attempt to calm Hulk down with Black Widow’s lullaby; and the jabs at Tony Stark. Even if RDJ is not in the film, his presence is always felt. Another delightful comedic part was Taika Waititi’s motion capture and vocal performance as Korg. Waititi is a great comedic actor and I’m glad he got to showcase that here in addition to directing.
  5. Lastly, Thor: Ragnarok had two end-credits scenes. The mid-credits scene was a very vague tease for Avengers: Infinity War, while the post-credits scene was just a fun nod to this particular film.

5 ideas about a movie: Detroit

Movie reviews

Hello!

The race issue has always been a prominent theme for the awards’ season. Nowadays, this problem has re-established itself as a contemporary issue and, with the street riots and the public displays of violence back in the news, Kathryn Bigelow’s cinematic return – Detroit – is more topical than ever.

IMDb summary: Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers responds to a complaint with retribution rather than justice on their minds.

  1. Detroit was written (and produced) by Mark Boal, who has also written Bigelow’s two previous features. The script was based on real events, while the characters were also inspired by real people. The film opened with a 2D animated sequence, which gave a brief history of the larger issue. However, the picture itself focused on the specific events in Detroit and on a group of people, in various positions, who got caught up in the event. This limited focus helped to go deep into the matter, while the inclusion of a wide variety of characters presented multiple sides of it. The film didn’t paint one said as inherently bad or good. Both of them seem to be operating in a gray area. For one, not all the police officers were abusive. Similarly, not all the rioters were actually fighting for anyone’s rights – they just looted and spread chaos for the sake of it.
  2. I really appreciated the human perspective on the riots, meaning that the personal lives of the characters took the front seat, while the riots were only the background setting. These two layers came together in the middle of the film, for the main sequence in the hotel, which was really hard to watch because of the blatant police brutality as well as stupidity (e.g. not even knowing how intimidation tactics work). One of the most despicable moments in the picture was a police officer tampering with the crime scene to spin the story in a positive light for him. It was also interesting to see how those police officers weren’t necessarily painted as racist but just simply awful people in general.
  3. It was also fascinating to see the differences in the portrayal of the local vs the state police vs the national guard and made me question the training and the background checks of the lowest tier of the police officers. There were some policeman in the film (from all levels) who actually attempted to help the people and I wish that there was maybe more of that type of representation for a more balanced view to be formed (unless there weren’t actually many police officers helping IRL instead of doing the damage). And the damage has been done in excess: by taking lives or ruining them; by making incorrect assumptions; by painting the innocent as the enemy because of their skin color; and by distorting and perverting justice. The ending of Detroit drove home the point that, while life goes on, the consequences – both physical and psychological scars – remain.
  4. Although Kathryn Bigelow hasn’t made a movie since 2012’s Zero Dark Thirty (and 2008’s The Hurt Locker before that), she has not lost an ounce of her style. Detroit’s visuals had her signature mobile frame and quicks zoom ins/outs – basically, a narrative picture’s interpretation of the documentary style. The structure of the film was good too – I liked how she relocated the main event from its usual 3rd act into the middle of the film.
  5. Detroit had a great cast full or both familiar and fresh faces. John Boyega (Star Wars VII, The Circle) was really good as the intermediator between the two sides, while Will Poulter (The Maze Runner, The Revenant, War Machine) was absolutely stellar – while Poulter has already played bullies, I have never hated him as much as I did in this film. The singers Algee Smith and Jacob Latimore (Collateral Beauty) had small roles, while Jason MitchellHannah Murray (GOT’s Gilly), and Kaitlyn Dever also co-starred. Jack Reynor appeared as well: he has been doing quite good, career-wise, by booking pictures like Sing Street and Free Fire – that Transformers 4 gig, thankfully, hasn’t done a lot of damage. Lastly, Anthony Mackie (Marvel, Triple 9) had a borderline cameo role too, he has previously worked with Bigelow on The Hurt Locker.

In short, Detroit was a great crime drama and also a great biographical picture, that told both the personal stories of the people and the communal facts of the event. The watching experience itself was quite heavy on a heart but incredibly engaging to the mind.

Rate: 4.2/5

Trailer: Detroit trailer

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Movie review: Logan Lucky

Movie reviews

Hello!

Steven Soderbergh is back from retirement but the audiences don;t care much. This is Logan Lucky!

IMDb summary: Two brothers attempt to pull off a heist during a NASCAR race in North Carolina.

Writing

Logan Lucky was written by Rebecca Blunt – either a newcomer writer or somebody, working under a pseudonym. There has been speculation online that Blunt lives the UK, while some critics thought that Soderberg himself is hiding underneath that name (because he does that when crediting himself as a cinematographer (as Peter Andrews) and editor (as Mary Ann Bernard). Anyways, whoever this Blunt person is/was, they did a good job on the script. While the core narrative was quite familiar (Hell or High Water-esque – stealing for one’s family), its execution in details was brilliant.

The movie opened with a good set-up of the mundane lives of its characters and established them as people, whose lives did not turn out the way they planned (one of them peaked in high school, the other was suffering from the little brother inferiority complex).

Then, Logan Lucky moved on to showcasing the American culture (the kind that foreign people wouldn’t even dare to call culture), which consisted of children beauty pageants and rural county fairs. However, the star of the said culture and the film was NASCAR – a very American brand of motor-racing. The cherry on top was the prolonged anthem scene. Logan Lucky seemed to be driving home a message, that stuff like this, for better or for worse, happens only in the USA. This type of portrayal could have easily come across as annoying but the underlying sense of irony and satire made it work.

Speaking about the comedic side of Logan Lucky – it was great if not as extensive as I hoped, after watching the trailer. I loved the different pairings of the criminals (The Hitman’s Bodyguardesque) as well as the jokes that were central to the characters (one-handed bartender, the dumb brothers of Joe Bang). Logan Lucky also had a really funny sequence with Sebastian Stan’s driver character (who didn’t seem like he had much to do with the actual plot of the film). Another magnificent and hilarious sequence was the prison riot and the prisoners demanding all GRRM books, getting frustrated that ‘The Winds of Winter’ has yet to be released, and hating the fact that the TV show is going off books. The ‘explosive device’ sequence and the decision to stop midway and explain the chemistry were extremely funny too.

Logan Lucky also had a surprising and really heartfelt scene involving the main character’s daughter’s beauty pageant and the song ‘Take Me Home, Country Roads’ (by John Denver). That scene should have been the closing images of the picture. However, Logan Lucky did continue and had a concluding detective story that felt like an afterthought. The investigation itself was not that interesting or neccesary. However, that closing sequence did provide some revelations about the main character’s secret dealings and did have a nice ending (well, for now) with all of them sitting in a bar.

Directing

Steven Soderbergh (The Ocean’s trilogy, Magic Mike series, Haywire) did a good job with Logan Lucky but I don’t think that this was his best film. The pacing at the start was a bit slow, however, the movie did pick up its pace, when the action began. However, it started dragging again with that detective-story afterthought. What I appreciated the most about Logan Lucky (and the other films by Soderbergh) was that it felt real. Not necessarily realistic but real, grounded, self-aware, and sprinkled with irony. While the scripts that he directs (or even writes) are usually mainstream, Soderbergh addresses them with unique auteur/indie perspective.

This time around, Soderbergh also approached the distribution of the film uniquely and decided not to partner with any of the big studios. Well, that backfired. Big time. Logan Lucky didn’t win its weekend, nor it showed any staying power by dipping lower and lower in the TOP 10. I really want to know who/what is to blame. Are the audiences just not interested in Soderbergh’s work anymore? Was it the lack of advertisement? Where were all the NASCAR fans? Where were all the grown-up Pixar’s Cars fan (the ones who saw the 2006 film as children and are now adults)? Where were the fans of movies, involving cars, a la Baby Driver?

Acting

Logan Lucky had a really strong cast, lead by a new favorite of Soderbergh’sChanging Tatum (they worked together on Magic Mike, while the other recent Tatum’s films include Hail, Caesar!, The Hateful Eight, Jupiter Ascending, Jump Street). His brother was played by Adam Driver, who is constantly working on smaller, more art-house pictures in between his Star Wars gigs, like Midnight Special, Silence, and Paterson. Daniel Craig (Spectre) also had a very fun role in the film that he seemed to be having a blast while playing. He never appeared to enjoy being Bond that much and, yet, he still signed on to continue being the 007.

The supporting cast included Riley Keough (Mad Max), Katie HolmesKatherine Waterston (Fantastic Beasts), and Hilary Swank (would love to see her going back to the Million Dollar Baby type of projects and the level of success). The majority of them didn’t really play real characters but were used as devices for world-building or the lead’s character development. Seth MacFarlane (Ted, Sing) and Sebastian Stan (Marvel stuff, The Martian) also had cameo roles and their whole separate thing going on in the background.

In short, Logan Lucky was an enjoyable mixture of mainstream and indie, but it didn’t offer anything too special. Neither a disappointment nor really a win for Soderbergh.

Rate: 3.5/5

Trailer: Logan Lucky trailer

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Movie review: Wind River

Movie reviews

Hello!

Let’s take a break from all the summer blockbusters of varying quality and give a chance to the dying genre of the regular movie. This is the review of Wind River.

IMDb summary: An FBI agent teams with a town’s veteran game tracker to investigate a murder that occurred on a Native American reservation.

Taylor Sheridan

Wind River is a thriller, written and directed by Taylor Sheridan. Sheridan’s name might be unfamiliar to a lot of people, but cinephiles should know him for writing two recent marvelous pictures that both had some awards potential – 2015’s Sicario and 2016’s Hell or High Water. While Sheridan didn’t direct any of his previous scripts (Sicario was done by Villeneuve, and Hell or High Water by Mckenzie), he does have some directing experience, having helmed 2011’s horror film, Vile. Wind River is being distributed by the awards whisperers The Weinstein Company. Their involvement combined with Sheridan’s previous track record might actually give Wind River a chance to make some ways during the proper awards season. More importantly, the film highly deserves that.

Writing

Sheridan, similarly to his previous movies, has written a story that’s both thrilling and entertaining but is also thematically clever. Wind River, a film inspired by true events, is set on a Native American reservoir and the first victim of a crime is a young Native American woman. The local police are not equipped to solve the mystery, while FBI is also not willing to pay a lot of attention. This fictionalized account goes very much in line with the real life events (so, ‘inspired by true events’ sentence is accurate). As an anthropology student, I have studied a few cases of Native American women going missing in the north of North America and the local authorities doing nothing to find them (in class, we mostly focused on cases in Canada but the film’s Wyoming’s case was very similar). Wind River’s story at least had a somewhat happy ending and some closure, however, that’s usually not the case in real life. So, it was really nice for a film to end with a sentence about the statistics of missing Native women –  a call to action, even if it will probably go unheard.

The depictions of the reservoir life seemed quite accurate. The problems within a Native American community – the drugs and substance abuse, poverty, the loss of identity and the marginalization – were all mentioned. The relationship between the white Americans and the Native Americans was represented in a variety of ways. The viewers saw both a friendly relationship of a white man being, more or less, a member of a community and an outsider white American being seen as a hostile stranger (at least in the beginning). Lastly, even though some of the ideas and relationships in the film could be seen as very specific and having a limited crossover, the overarching themes of the picture were survival and family – two extremely universal concepts that are understood across all cultures.

I have mentioned the historical facts as well as topics of the movie, let’s now turn our attention to the actual detective story. To begin with, I found it refreshing to see an FBI agent and a local hunter working together and listening to one another, rather than competing to reach the same goal. It was also nice to see a completely professional relationship without any pushed romance being depicted. The reveal of who the criminals were – 5 white, less than bright, drunk men from a working class background – was maybe a bit disappointing at first but, on a second viewing, very much grounded and realistic. Plus, the scene that followed the reveal – the rapid shoot-out – was unexpected in the best way possible and also oddly satisfying.

Directing

While Sheridan’s directing style wasn’t groundbreaking, it was still good in its subtlety. His direction for the picture was mostly elevated by his own amazing writing. Visually, the film looked nice – the sweeping shots of the mountains and snow were naturally gorgeous, while the sequence of the snowmobile action added an element of effortless coolness. The pacing was very good too – the film was constantly building to a crescendo and also delivered on it. Wind River was definitely a great effort from a sort of new director.

Acting

At the center of Wind River, two Marvel stars were reunited – Jeremy Renner and Elizabeth Olsen. They both did a magnificent job. It was nice to see Renner continuing his indie/awards career alongside his blockbuster-focused one (he was just recently in Arrival in addition to Civil War, MI5, and Age of Ultron). Elizabeth Olsen (Godzilla) has really come into her own as an actress and is probably now more famous (acting-wise) than her older sisters.

The supporting cast, thankfully, provided an opportunity for some Native American/First Nations talent to shine, like Gil Birmingham (he was also in Hell or High Water), Julia JonesGraham Greene, and Martin Sensmeier. Jon Bernthal (Baby Driver, The Accountant, We Are Your Friends) also appeared in the film, reuniting with Sheridan, after having worked on Sicario with him. 

In short, Wind River is an emotional, smart, and entertaining thriller that deserves more recognition that it will probably get.

Rate: 4.4/5

Trailer: Wind River trailer

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Movie review: Spider-Man: Homecoming 

Movie reviews

Hello!

The 3rd cinematic reimagining of the Spider-Man character has reached cinemas in a form of Spider-Man: Homecoming. Let’s see whether third time’s a charm!

IMDb summary: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.

SPOILER WARNING

Writing

Spider-Man: Homecoming was written by 6(!) people and it wasn’t a mess. The scriptwriters included the comedy writing duo Jonathan Goldstein and John Francis Daley, the director Jon Watts, Christopher Ford (who wrote Robot & Frank), Chris McKenna (he worked on The Winter Soldier), and Erik Sommers (wrote The Lego Batman Movie).  The script was a perfect blend of two coming of ages stories: one of growing up into an adult and the other one of evolving as a hero. I loved the two narratives separately as well as how they worked together.

The Spider-Man side of the story was, thankfully, not an origin story, but still showed the character’s beginnings (Year One, basically). I loved the inclusion of the ‘Training Wheels Protocol’ and also enjoyed seeing that handful of moments of Spider-Man failing – they added a lot of realism and believability to the character. The plotlines concerning Peter Parker were also great. The advertised John Hughes-like feeling was actually present in the film and did work (we even saw a scene from Ferris Bueller’s Day Off playing on TV)! I also loved how the high school setting and the student characters were realized. Those awkward commercials were spot on, while the students weren’t just walking stereotypes – they were actually multidimensional. Flash was a popular rich kid, a bully, and a nerd (or at least a wannabe one), Liz was the ‘pretty girl’ who was also smart and a great leader, and MJ was a mixture of a nerd and a hippie. My favorite supporting character was Ned cause I could relate the most to him. I mean, I was making the Lego Star Wars figurines a day before I saw the movie. I also loved his unapologetic excitement about the amazing things that were happening to Peter cause that’s how I feel about Marvel movies. Peter’s family’s plotline also worked. I loved how the screenwriters acknowledged that everyone online loves the new Aunt May by making other characters (not just Tony Stark) flirt with her. I also liked how the death of Uncle Ben wasn’t pushed but only mentioned in passing.

The feeling of a wider MCU was also there but all the tie-ins did not overshadow the standalone narrative of the film. Iron Man was, once again, kinda to blame for the creation of a new villain (the trend continues), but the character himself did not appear much on screen. He didn’t even have a full-on action scene, only a small one. I did, however, really love his and Peper Pots’s moment at the end. In addition, the idea to set the movie’s opening during the Civil War, but to show it from Peter’s perspective, was superb. Not only was that whole sequence funny, but its format – the vlog – was so appropriate for a high schooler and the tone of the picture. The fact that Vulture’s tech was made from the scraps from the previous MCU battles was neat too. I also loved how, by the time Homecoming rolled around, he has been doing his thing for at least half a decade already. However, I wish that the new Stark’s Damage Control Firm would have consisted of the characters from Agents of S.H.I.E.L.D. because there have been episodes of the show were those characters cleaned up the mess left by the Avengers. This would have a been a perfect moment to finally allow them to appear in a movie.

Finally, the two big reveals of the film were great too. I did not expect Vulture to be Liz’s dad (need to brush up on my comic book knowledge). The twist in the end fight, where Peter had to save Vulture rather than fight it, was brilliant too.

Directing

Jon Watts directed Spider-Man: Homecoming (he also co-wrote it) and did a spectacular job. This was only his 3rd feature film but he just absolutely nailed the realization of the character. The youthful vibe and the contagious energy were perfect. The sweet moments and the funky fast pace worked too. The way the intense action scenes co-existed next to the high school awkwardness was just wonderful. The action sequences were extremely cool and entertaining too (I just wish we haven’t seen big parts of them in the trailers). They had the staple Spider-Man swings but were also fresh and exciting. The 80s style credits were a nice finish as well. Watts also did a good job of integrating a character into the broader MCU while also showing the daily life and the ground level work that Spider-Man did on the streets. Homecoming was basically a PG version of the Marvel Netflix’s shows.

In summary, I can’t really explain it, but the experience of watching Spider-Man: Homecoming was one of pure fun. This film made me realize why Spider-Man is the best selling and the most popular Marvel character (or even the most popular superhero ever).

The credits scenes

Spider-Man: Homecoming, like all superhero films, had a few extra scenes during the credits. The mid-credits one worked as an epilog for the standalone story of the film and expanded on the character of Vulture, by showing that he has an honor code. The post-credits scene was a continuation of the gag involving Captain America. Cap broke the 4th wall and praised the fans for their patients, while also making a fun of them. The 4th wall breaking joke did work in a Spider-Man film because of who the character is and because of the funny tone of Homecoming (however, it wasn’t as appropriate as it were for Deadpool).

Acting

After blowing everyone away as Spider-Man/Peter Parker, Tom Holland (In The Heart Of The Sea) has grown into the character and has become the best version of the character I have seen on film. He was actually believable as a high schooler, a nerd, and the friendly neighborhood Spider-Man. Peter’s classmates, played by Jacob Batalon and Tony Revolori (The Grand Budapest Hotel), were really good too, as the best friend and the bully, respectively. Laura Harrier played the love-interest, while the highly discussed role of MJ, played by Zendaya (who will soon star in The Greatest Showman), was just a slightly bigger than a cameo. Angourie Rice (The Nice Guys) also had a cameo appearance as a potential love interest in the later films.

The ex-Batman and ex-Birdam Michael Keaton (Spotlight) donned another comic book costume inspired by a bird and nailed the villainous role. He was menacing but also someone that a viewer could identify with. Marisa Tomei was good and her aunt-nephew relationship with Peter was believable and cute. Donald Glover’s (The Martian) involvement in the film was a nice thank you for all his work in attempting to bring a Miles Morales/Spiderman film into existence. Lastly, Robert Downey Jr. (The Judge) reprised the role that has basically become an extension of himself but, thankfully, he didn’t steal the scenes he was in but rather embellished them. Jon Favreau’s (Chef, The Jungle Book) return as Happy Hogan was just delightful – he was in more of the film than RDJ and that actually worked in favor of the picture and made more sense for the story.

In short, Spider-Man: Homecoming is a triumphant return for the character of Spider-Man. Finally, the justice has been done and we have the perfect Spider-Man film. I, honestly, can’t remember the last Marvel stand-alone movie I loved this much (and Civil War doesn’t count, that was a team-up).

Rate: 4.8/5

Trailer: Spider-Man: Homecoming trailer

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Movie review: Guardians of the Galaxy Vol.2

Movie reviews

Hello!

The 15th MCU movie and a sequel to the 2014’s Marvel gamble – Guardians of the Galaxy Volume 2 – has premiered on my side of the world, so, I’m going to talk about it!

IMDb summary: Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

Before I review the actual film, here are the links to my previous Marvel reviews, starting with GOTG Vol.1Doctor Strange, Civil War, Avengers 2, Ant-Man, Captain America 1 + 2.

SPOILER WARNING

Writing

The writer and director of the first film – James Gunn – also penned the screenplay for the sequel. Overall, I very much enjoyed seeing the continuation of the Guardians story but I did feel that the first act of the film was a bit wonky. I thought that the set-up involving The Sovereign was choppy. In addition, The Sovereign were not utilized in a useful way throughout the rest of the movie (they just popped up in the third act because the film needed to have an even bigger space battle – they were basically the sequel’s Nova Corps). Plus, the fact that Aysha was interested in Peter’s heritage and, in the very next scene, Peter’s dad Ego suddenly appeared seemed as just too much of a coincidence.

The jokes and the banter at the beginning also seemed a bit forced. They were the bad kind of cheesy. However, as the picture progressed, the humor got way better and the narrative also found its footing and started to unfold quite cohesively. GOTG 2 just needed those first 30 minutes to get going and it could afford that, being a 2h+ movie.

I also really liked the character development in the film. I loved learning more about Peter, his past, and his dad. Ego was a wonderful addition to the cast and I also really enjoyed the fact that they turned him into a villain. And he actually was a good Marvel villain – menacing and threatening! I liked the fact that his and Yondu’s backstories fit together quite organically as well. I’m just worried that the filmmakers might have overpowered Ego – I can’t imagine what will Thanos be like?

A character which surprised me a lot was Yondu – I did not think much about him in the first film but the reveal of his backstory and true feelings towards Peter made him into a wonderful character. Sucks that he met his end as soon as I started to like him. The other new addition to the Guardians (well, sort of) was Nebula – I did enjoy learning more about her and thought that her and Gamora’s relationship progressed nicely. The definite newcomer – Mantis – was also a fun new inclusion. I loved the duo she and Drax made.

Lastly, I loved the thematical core of the film – the Guardians coming to terms with the fact that they care about each other and are a family. Yes, the family angle is cheesy and overdone (Fast and Furious in space) but it still works and has a universal appeal.

Directing

James Gunn, once again, directed the movie (and he also just recently announced that he will be back to helm Vol. 3). I believe that he did a great job. The visual design was just extraordinary, especially the visual realization of Ego in his various forms. I loved the landscapes of his planet as well as his appearance as a human. The visual sequence of Ego rebuilding his human body from a skeleton to being Kurt Russell was really impressive. The fact that they actually put a face on a planet was also really cool and a neat nod to the character’s representation in the comics. Another great visual sequence was Yondu’s ‘Ravager’s funeral’: it was so colorful and actually emotional. An extremely funny visual was the space travel facial distortion – it was such an unexpected but really brilliant gag.

The ‘money shot’ – the round shot of all the Guardians standing together was also just glorious. The camera work, in general, was very vibrant and elaborate – and it made the action look amazing. The opening shot was really great too – the focus on the Baby Groot with the action happening in the background was a really inventive and funny way to kickstart the film. Generally, Baby Groot was a complete scene-stealer. Huge props to the CGI department for realizing an animated (basically) character and adding so much personality (much more than the adult Groot had) to his movements and facial expressions. I also loved the fact that his size was an asset to the team and that Baby Groot was part of a final solution, not just the cuteness relief (a cute version of comic relief). Lastly, I loved the two visual gags and how they were both part of the story and fun references to the real life – I, of course, am talking about the cameos by David Hasselhoff and Pac-Man.

Music

The film’s soundtrack was also really good – equal to the soundtrack of its predecessor. Tyler Bates was responsible for the music but I think Gunn also had a hand in picking the songs. I also appreciated the fact that the music was half-diegetic and a part of the story.

Acting/Favorite Character Moments

  • Chris Pratt (Passengers, Jurassic World, The Magnificent Seven, The Lego Movie) as Peter Quill / Star-Lord. Pratt was really good in the role – he has that infinite charm of a leading man and I can’t wait for him to appear on screen with other MCU leading men, like Robert Downey Jr. I also though that Pratt’s and Kurt Russell’s/Ego’s (The Hateful Eight) chemistry was believable. I bought them as father and son for a while and that scene with the ball was really touching and a nice callback to Peter missing out on this type of activity during childhood because of a lack of father figure.
  • Zoe Saldana (Star Trek Beyond) was also good as Gamora, my favorite shot with her was when she picked up that oversized gun. Her and Karen Gillan’s/Nebula’s (The Big Short, The Circle (premiering this weekend in the US as well)) chemistry was good and the banter – really enjoyable.
  • Dave Bautista as Drax the Destroyer. Bautista’s acting abilities have improved since the first film and his unapologetic and unironic comic relief was amazing. His budding relationship with Pom Klementieff’s Mantis was also lovely. Their scene on the steps was really moving. Klementieff was a nice addition to the cast and her performance was appropriate for the character.
  • Michael Rooker as Yondu Udonta. The scene-stealer of the film. I loved the sequence where he used the arrow to escape from the Ravagers. It was just spectacular. I would have loved to see more of Rooker’s performance in subsequent films, but, oh well.
  • Vin Diesel (Fast&Furious) as the voice of Baby Groot  I have no idea why Diesel returned to voice Groot when Baby Groot sounds nothing like Vin Diesel. Well, at least they can put his name on the adverts and posters and that will get them a lot of money in China. 
  • Bradley Cooper (War Dogs, Joy) as the voice of Rocket. Cooper’s voice somehow fits Rocket’s appearance and behavior. I loved how the actor depicted the character’s dry sense of humor.
  • Elizabeth Debicki (The Man from U.N.C.L.E.) as Aysha. While Debicki did look cool with all that gold make-up on, I don’t think she took the role seriously enough. Her acting seemed a bit cheesy but I am excited to see where her character’s story goes next, cause my favorite moment with her, performance-wise, was her delivery of a few lines during the mid-credits scene. In that scene, she sounded way more ominous and authenticate than she did in before.
  • Sean Gunn as Kraglin. I really liked the fact that we got to see more of Sean Gunn’s on-screen character during the sequel. If you didn’t know, he also does the motion capture for Rocket.

5 CREDITS SCENES

As James Gunn promised, the film had 5 scenes during the credits (that has to be some kind of record). 2 scenes played before the credits, 2 in the middle and 1 after. They were very well dispersed and the credits themselves did not feel long at all. The scenes were mostly related to the predeceasing film but they also set up some minor but long awaited stuff.

  1. The first pre-credits scene depicted Sean Gunn’s character Kraglin learning to work with Yondu’s arrow and failing at it. It was both funny and developed the story further.
  2. The second pre-credits scene showed Sylvester Stallone’s (Creed) character reforming the Ravagers out of the characters who were the original Guardians of the Galaxy in the comics. Their inclusion during the credits probably means that they will have a role to play in MCU or at least in GOTG Vol.3. It was also nice to see another scene with Stallone as he only appeared in a handful of them during the main runtime of the movie. It was basically just a cameo and if the role would not have been played by a big name talent like Stallone, no one would talk about it.
  3. The first mid-credits scene was a conclusion to The Sovereign’s plotline and a potential set up for the arrival of the long anticipated character – Adam Warlock! I really hope he finally shows up in the next film!
  4. The second mid-credits scene was probably my favorite out of all of them: it showed the teenager Groot acting as a typical teenager, while Peter attempted to be the Dad. Groot is kinda the child of the Guardians. What a dysfunctional yet lovable family.
  5. The last scene which came at the end of the credits was another Stan Lee cameo. He had a cameo in the main part of the film but it was also nice to see him again. I read online that they film a lot more scenes with Lee than they actually use, so it was quite neat that they found a place to use some more of that material.

Rate: 4.5/5

Trailer: Guardians of the Galaxy Vol.2

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2016: 100 Book Challenge

Uncategorized

Hello!

The end of the year usually means a lot of looking-back/reflection/summary posts. This one is no exception. Also, if you ever needed more proof that I am a gigantic nerd, this is it.

At the beginning of the year, I raised myself a challenge – to read 100 books and to keep track of them. I mainly did that because 1. I wanted to read more – I used to read a lot during childhood but couldn’t find time for books in later years, due to watching a lot of films and 2. since I read/watch/hear so many stories, I wanted to have a list of them so that I would not start reading a book which I have read before.

I’m glad to announce that I did achieve my goal and did finish 100 books in 12 months. I covered a variety of genres, authors, and languages.

Some statistics before I give you the list: out of the 100 books:

  • 23 were in my native Lithuanian language and 77 were in English.
  • 20 of them were for study purposes, 80 – for leisure.
  • 60 authors were covered: I read only one book by 44 authors and a few books by 16 authors. W. Shakespeare came in first with 8 repeats, T. Morrison followed second with 6 and J.K.Rowling with 5. D. Brown had 4, while A. Moore, R. Riggs, M. Strandberg and S.B. Elfrgen and Sir A. Conan Doyle all had 3. Lastly, I read 2 books by each of the following authors: A. Miller, H. Ibsen, A. Spiegelman, S. Plath, J. Conrad, J. Moyes, G. Flynn, and H. Lee.
  • 30 writers were American, 15British, 5French, 2 (each) were Lithuanian, Irish, Japanese, and Scandinavian and 1 (each) – Russian, Polish, Nigerian, and Pakistani.
  • 72 were stand-alone books, while 28 belonged to 11 series.
  • 53 were modern books, while 47 were classics.
  • 56 were prose and 2poetry books. 15 were plays, 18graphic novels, and 9memoirs.
  • 8 was my monthly average.

Before I give you the long list by genre, here is my TOP 10 in no particular order:

  • A. Spiegelman – ‘Maus’
  • A.Moore and D.Gibbons – ‘Watchmen’
  • J.K.Rowling – ‘Harry Potter and the Cursed Child’
  • S. Plath – ‘The Bell Jar’
  • H. Lee – ‘Go Set a Watchman’
  • A. Weir – ‘The Martian’
  • G. Flynn – ‘Sharp Objects’
  • E. Cline – ‘Ready Player One’
  • L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  • C. McDougall – ‘Born to Run’

Now the actual list by genre:

Prose:

  1. E. A. Poe – collection of short stories titled ‘The Gold-Bug’
  2. A. de Saint-Exupéry – two storiesSouthern Mail’ and ‘Night Flight’ in one novel.
  3. M. Shelley – ‘Frankenstein’
  4. J.M.Barie – ‘Peter Pan’
  5. W. Golding – ‘Lord of the Flies’
  6. V. Nabokov – ‘Lolita’
  7. K. Ishiguro – ‘Never Let Me Go’
  8. S. Plath – ‘The Bell Jar’
  9. J. Conrad – ‘Hearth of Darkness’
  10. J. Conrad – a trio of short stories ‘An Outpost of Progress’, ‘Karan’, ‘Youth’.
  11. J. Baldwin –  ‘Giovanni’s Room’
  12. C. Achebe – ‘Things Fall Apart’
  13. T. Morrison – ‘Beloved’
  14. T. Morrison – ‘Sula’
  15. T. Morrison – ‘Song of Solomon’
  16. T. Morrison – ‘A Mercy’
  17. T. Morrison – ‘The Bluest Eye’
  18. T. Morrison – ‘Home’
  19. M. Mauss – ‘The Gift’
  20. H. Melville – ‘Moby Dick’
  21. J. Austen – ‘Sense and Sensibility’
  22. J. Moyes – ‘Me Before You’
  23. J. Moyes – ‘After You’
  24. H. Lee – ‘To Kill a Mockingbird’
  25. H. Lee – ‘Go Set a Watchman’
  26. A. Weir – ‘The Martian’
  27. G. Flynn – ‘Sharp Objects’
  28. G. Flynn – ‘Dark Places’
  29. M. Strandberg and S.B.Elfgren – ‘The Circle’
  30. M. Strandberg and S.B.Elfgren – ‘Fire’
  31. M. Strandberg and S.B.Elfgren – ‘The Key’
  32. K. Vonnegut – ‘The Breakfast of Champions’
  33. I. Fleming – ‘Casino Royale’
  34. D. Brown – ‘Angels and Demons’
  35. D. Brown – ‘The Da Vinci Code’
  36. D. Brown – ‘The Lost Symbol’
  37. D. Brown – ‘Inferno’
  38. G. DeWeese – ‘Into the Nebula (Star Trek: The Next Generation #36)’
  39. R. Riggs – ‘Miss Peregrine’s Home for the Peculiar Children’
  40. R. Riggs – ‘Hollow City’
  41. R. Riggs – ‘The Library of Souls’
  42. E. Blyton – ‘The Famous Five: Five Go Down to the Sea’
  43. E. Blyton – ‘The Famous Five: Five Go to Mystery Moor’
  44. E. Blyton – ‘The Famous Five: Five Have Plenty of Fun’
  45. E. Blyton – ‘The Famous Five: Five on a Secret Trail’
  46. K. Keplinger – ‘The Duff’
  47. P. Hawkins – ‘The Girl on the Train’
  48. J.K.Rowling – ‘The Casual Vacancy’
  49. J.K.Rowling – ‘Fantastic Beast and Where To Find Them’
  50. J.K.Rowling – ‘Quidditch Through The Ages’
  51. J.K.Rowling – ‘Tale of Beedle The Bard’
  52. Sir A. Conan Doyle – ‘The Adventures of Sherlock Holmes’
  53. Sir A. Conan Doyle – ‘The Memoirs of Sherlock Holmes’
  54. Sir A. Conan Doyle – ‘The Return of Sherlock Holmes’
  55. E. Cline – ‘Ready Player One’
  56. G.R.R.Martin – ‘The World of Ice and Fire’
  57. D.Grayson – ‘Doctor Strange: The Fate of Dreams’

Poetry:

  1. S. Heaney – ‘North’
  2. S. Plath – ‘Ariel’

Plays:

  1. J.M.Synge – ‘The Playboy of the Western World’
  2. A. Miller – ‘The Crucible’
  3. A. Miller – ‘Death of a Salesman’
  4. H. Ibsen – ‘A Doll’s House’
  5. H. Ibsen – ‘Hedda Gabler’
  6. J. Lyly – ‘Galatea’
  7. W. Shakespeare – ‘The Taming of the Shrew’
  8. W. Shakespeare – ‘A Midsummer Night’s Dream’
  9. W. Shakespeare – ‘Twelfth Night’
  10. W. Shakespeare – ‘The Merchant ofVenice’
  11. W. Shakespeare – ‘The Tempest’
  12. W. Shakespeare – ‘Coriolanus’
  13. W. Shakespeare – ‘Hamlet’
  14. W. Shakespeare – ‘Troilus and Cressida’
  15. J.K.Rowling – ‘Harry Potter and the Cursed Child’

Graphic Novels:

  1. A. Spiegelman – ‘Maus’
  2. A. Spiegelman – ‘In The Shadow of No Towers’
  3. M. Satrapi – ‘Persepolis’
  4. J. Maroh – ‘Blue is the Warmest Colour’
  5. C. Burns – ‘Black Hole’
  6. M.Millar and S.McNiven – ‘Civil War’
  7. Various authors – ‘Marvel’s Mightiest Heroes: Wolverine’
  8. A.Moore and D.Gibbons – ‘Watchmen’
  9. A.Moore and D.Lloyd – ‘V for Vendetta’
  10. A.Moore and B.Bolland – ‘Batman: The Killing Joke’
  11. M.Anusauskaite and G.Jord – ’10 litu’
  12. Various authors – ‘The Greatest Batman Stories Ever Told’
  13. Various authors – ‘Marvel Platinum: The Definitive Iron Man’
  14. J. Sacco – ‘Palestine’
  15. C.Thompson – ‘Blankets’
  16. M.Wolfman and G.Perez – ‘Crisis on Infinite Earths’
  17. E. Brubaker – ‘The Death of Captain America’

Memoirs:

  1. D. Howell and P. Lester – ‘The Amazing Book Is Not On Fire’
  2. T. Oakley – ‘Binge’
  3. C. Franta – ‘A Work in Progress’
  4. G. Helbig – ‘Grace’s Guide: The Art of Pretending to be a Grown-Up’
  5. L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  6. M.Youafzai and C.Lamb – ‘I am Malala’
  7. I.Staskevicius – ‘Maratono laukas’ (‘Marathon running’)
  8. H. Murakami – ‘What I talk about when I talk about running’
  9. C.McDougall – ‘Born to Run’

I hope you enjoyed flicking through my 2016 reading list. I really want to start writing more book-centric posts next year, so this was like a taster-post. Have a great New Year and tell me in the comments your favorite book from last year!

A snapshot of my collection

Movie review: Doctor Strange 

Movie reviews

Hello hello hello!

The newest Marvel film – Doctor Strange – has premiered in some places around the world, and since I’m lucky enough to live in one of the places that got the movie real early , I can already give you my thoughts on it! Since this review is ahead of the wide release of the film, some of it will be spoiler-free and then I’ll give a big spoiler warning for those who want and can continue to read further. Let’s go!

IMDb summary: A former neurosurgeon embarks on a journey of healing only to be drawn into the world of the mystic arts.

First, I will begin this review by stating that I’m a Marvel fangirl, so that could color my judgment (I would love to be a DC fangirl as well, it’s just that DC doesn’t allow me to be one yet – praying that Wonder Woman will be good). I have reviewed more than a couple of Marvel films already and gonna link them for those who are interested: Guardians of the Galaxy, Avengers 2, Ant-Man, Civil War.

Also, I would like to briefly mention that, once again, the screening that I attended had a predominately male audiences, like the majority of the comic book movie screening this past year. This kind of audience breakdown explains why Marvel doesn’t want to make a Black Widow movie but I do hope that Captain Marvel will bring more girls/women to the cinema.

I was really looking forward to Doctor Strange for quite a while, I was really excited to see magic being introduced into the MCU. I was also interested to see if Marvel Studios will be able to launch another successful franchise, which revolves around a weird character. So far, their gambles (Guardians and Ant-Man) have paid off, so Doctor Strange will probably follow suit, because, let me state this loud and clear – it is an amazing movie. I will go through the different aspect of the film in and give you an informative but a spoiler free overview. Then, I will give you a spoiler warning and talk about interesting story points. Lastly, although the first part of the review will be spoiler free (I’ll try my best), I would still advise you to read it at your own discretion. It’s gonna be a long post, so get some snacks or drinks.

Writing

A few people worked on the script as well as the story of the movie, including the director Scott DerricksonC. Robert Cargill (writer of the Sinister movies) and Jon Spaihts (wrote Prometheus and these upcoming pictures: PassengersThe Mummy and Pacific Rim: Maelstrom)I wasn’t that familiar with their previous work but they impressed me a lot with the story and dialogue of Doctor Strange. Although the movie’s narrative revolved around the origin story, it was executed really well, without making it cliche or stereotypical. The dialogue and the jokes were also marvelous. All of the comic relief worked and tied the movie to brand that is Marvel (in contrast to DC). The familiar types of jokes were a reassurance that one was watching a Marvel movie since the visuals were so unique, different and nothing I’ve seen before in a Marvel film, or in any film for that matter. The dialogue and the character interactions were snappy, emotional and clever. The seeds have also been sown for future sequels and the references to the wider universe (Avengers and Infinity Stones) were also present.

My only gripe with the writing was, and I cannot believe I’m saying this, the villains. AGAIN. Marvel, come on! Either cast more appropriate actors, or have better writing for your villains. Don’t get me wrong, they were not that bad, just not quite right and as high of a quality as the rest of the film.

Directing

Scott Derrickson, who has mostly worked on horror films, directed the movie and did a spectacular job. However, half of the praise should also go to the cinematographer Ben Davis (A Long Way DownGuardians, Age of UltronGenius), because the visuals of the movie were its strongest point. They are really hard to describe and deserve to be seen on the biggest screen possible.

Despite the visuals being indescribable, I will attempt to explain them somehow. Basically, all the warping and shaping of reality gives off feelings of madness and has a slight Mad Hater/Wonderland aura. All of the folding buildings do remind a bit of Inception, but I would also say that Doctor Strange takes this type of visuals to an extreme. The mirror effects, the kaleidoscopic folding, the clockwork-like structure and the domino-like movements really make the film a sight to behold and marvel at.

The variety of different locations were also really great – they added a global aspect to the film and even more flavor. I absolutely loved the fact that the Ancient One lived in Nepal – it kinda tied the sorcerers and magic to Buddhism and monks (at least that’s the connection I made in my mind). Doctor Strange was also one of the only films in which magic and the modern world worked well together because I usually enjoy fantasy films that are set in the past more, but this picture broke that tradition. The action was also great – the movie found a balance between physical and magical fights as well as their mixture.

Lastly, I loved all the costumes of all the characters, but especially Strange’s. His cape was wonderful – not only a costume but also a tool, a living tool – so cool! Other gadgets that he had were also neat and have a lot of merchandise potential (read the spoiler part to find out what I’m definitely buying).

On a separate note, Doctor Strange was the first movie to feature the new Marvel Studios logo. This one looks more cinematic than the last one and it also has a sense of nostalgia and grandeur – something along the lines of ‘oh, look how far we’ve come’.

Acting

  • Benedict Cumberbatch as Stephen Strange / Doctor Strange was AMAZING (probably have repeated this word like 100 times in this review). His American accent was believable and his whole portrayal of the character – impeccable. He made me both like and hate Strange at first. He was funny, funky, posh, annoying, charming and charismatic – such a well-rounded performance with layers. Another great casting on Marvel’s part, another great leading man. I also loved his purely physical acting – the hand movements. I liked how all the sorcerers were moving both their hands and arms. This makes their magic appear different from Scarlet Witch’s as she relies more on the finger movements. Also, I’ve mentioned that his character’s gadgets had a lot of merchandise potential. Well, for one, I want that dimensional travel ring since I wear a lot of nerdy jewelry. Also, his costume will probably be at the top of everyone’s cosplay list, while I can at least be happy that my winter coat is the same color as his cape. Recommended actor’s movies: Sherlock, The Imitation Game, Star Trek Into Darkness, Black Mass, The Fifth Estate, The Hobbit 2.
  • Tilda Swinton as the Ancient One was superb too. Some people were annoyed that they gender flipped the character, others had racial issues. I didn’t have any problems with Swinton being cast because I really admire her fluidity as an actress – she plays with masculine and feminine a lot and I think she could probably transform into a different ethnicity for art’s sake if that wasn’t so frowned upon these days. I’m not saying that Asian actors shouldn’t be cast in Asian roles, but I also cannot agree with those that are saying that creative liberties cannot be taken when adapting a comic book to the big screen. Recommended actor’s movies: We Need to Talk About Kevin, Only Lovers Left Alive, Snowpiercer, A Bigger Splash, Hail, Caesar!.
  • Rachel McAdams as Christine Palmer was excellent as well. I liked the fact that McAdams was finally cast as a franchise character because I’m a fan of her and would like to see more of her. I liked how she played probably the only normal person in the film and how she reacted to everything that was happening around her. She was both relatable and really funny. Recommended actor’s movies: Midnight in Paris, Southpaw, Spotlight.
  • Mads Mikkelsen as Kaecilius to me, sadly, was the weakest link in the cast. His performance seemed a bit off and I cannot pinpoint why. I’ve seen Mikkelsen play a wonderful and scary villain in Casino Royale, so I’m quite annoyed and devasted that he wasn’t as good in this picture as he could have been.Recommended actor’s movies: Casino Royale.
  • Chiwetel Ejiofor was exceptional as Karl Mordo. I loved how emotional his performance was, how it could go from extremely energetic to a very subtle in a heartbeat. Would love to see more of his character and cannot wait for him to be the villain in the sequel. Recommended actor’s movies: The Martian, 12 Years a Slave, Triple 9, Z for Zachariah.
  • Benedict Wong as Wong was really nice. I liked how funny he was but, at the same time, how he could hold his own against Cumberbatch’s Strange. I would love to see more of his character’s and Strange’s friendship because the two actors had great chemistry! Recommended actor’s movies: Prometheus, The Martian.

In short, Doctor Strange is another win for Marvel. The film successfully told an interesting origin story, introduced a bunch of characters and blew me away with the visuals. I’ll most likely see it again in a few weeks time.

Rate: 4.8/5

Trailer: Doctor Strange trailer

SPOILER DISCUSSION

In this part, I would like to talk about a few plot points as well as a few action sequences that really stuck a cord with me. To begin with, let’s look at the characters and their interactions. I loved the writing for Doctor Strange – he started as a super cocky yet efficient person and had an amazing story of hero’s growth. I really liked seeing him as a surgeon, just being in his element in contrast to him being completely lost and failing miserably during his magical training. Strange’s interactions with the other doctors as well as with Christine were also amazing: funny and kinda annoying but still enjoyable. I also thought that the love story worked and wasn’t forced. It seemed organic and was full of both bad times (the fight in the apartment – amazing back and forth dialogue) and nicer ones (Christine saving Strange’s life). I loved Strange’s relationship with his mentor – the Ancient One – too and I liked the pep-talk that she gave him before dying. I also enjoyed the ideas and lines that the scriptwriters wrote for her character, including ‘Not everything makes sense, not everything has to’. Strange’s and Mordo’s relationship was also interesting and had more than a few moments of foreshadowing. The biggest hint at what will happen in the future was, of course, the post-credits scene, in which Mordo was seen stealing powers from the other sorcerers. This probably means that he will be the main villain the sequel .

As I have said, the movie had plenty of jokes and quips. Some of the best ones came from Strange’s and Wong’s interactions: ‘Wang? Like Adele?…Or Aristotle?…Or Eminem?’; ‘Try me, Beyonce’, followed by a shot of Wang listening to the song Single Ladies; ‘People used to think I was funny. Did they work for you?’. The wifi moments from the trailer was still funny as well, despite the fact that I’ve seen it numerous times. The mid-credits scene’s self-refiling pint of beer was extremely entertaining too.

All of the action sequences were amazing and they were all also kinda distinct. Doctor Strange’s first encounter with the Astro plane was crazy – so cool and so mad.  That taster we got in Ant-Man was nothing compared to this. It got a bit creepy at times, though, especially with those tiny hands (Deadpool?!).  The fight in the Astro plane in the hospital was cool too and expanded on the idea that we are now dealing with multiple realities (that voltage and magic relation – great). Same with that mirror world – I liked the fact that we got to travel to it and through it quite a lot.

The time gem, which is the eye of Agamotto, really came into play in the last act of the film and was utilized well. I liked the turning back of time, the stopping time, the time loop and the breaking the laws of nature plot-points quite a bit.

The villains of the film were my biggest and only issue. The way that Dormammu was realized seemed a bit cliche and, for such a powerful being, he seemed to be defeated to easily. I hope he comes back in the sequel. The character of Kaecilius was only okay, while he could have been amazing. He had reasons to be angry and also had a kinda personal relationship to the Ancient One but he just didn’t seem to be used fully.

Moving forward, Doctor Strange will definitely show up in the Infinity War and his time gem will have to get stolen during the first part of the Avengers 3. The mid-credits scene with Thor might also be an indication Strange will show up in Thor Ragnarok – that would actually be really cool, would love to see Strange and Loki interacting!

So, that’s it for the spoiler part. I would love to hear what you liked and disliked about the movie in the comments!

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