5 ideas about a movie: A Bad Moms Christmas

Movie reviews

Hello!

Welcome to the start of the Christmas Season (yup, Halloween was yesterday)! We are opening it with a festive female comedy sequel – A Bad Moms Christmas!

IMDb summary:  A Bad Moms Christmas follows our three under-appreciated and over-burdened women as they rebel against the challenges and expectations of the Super Bowl for moms: Christmas.

  1. 2016’s Bad Moms was a delightfully surprising comedy that was made super cheaply and earned a lot of money. Thus, STX Entertainment rushed out a themed sequel in just over a year. Interestingly, in a few weeks, we will get another Christmas comedy sequel – Daddy’s Home 2. Who would have thought that 2017 is gonna be the year of gendered and parental Christmas comedies?
  2. A Bad Moms Christmas was written and directed by the duo responsible for the first film as well as The Hangover movies – Scott Moore and Jon Lucas. I enjoyed the writing for the film quite a lot. It did have a lot of the same elements as the first film only in a different – now a Christmas – setting. However, the addition of the moms’ moms was great and made for some amazing moments of humor, especially in the varied messed up relationships between the older moms and their daughters/moms.
  3. The jokes, in general, were not the most sophisticated but, honestly, they didn’t have to be. The heightened reality/far-fetched cartoonish situations are what make makes movies like this one enjoyable. And A Bad Moms Christmas was definitely fun and entertaining. While it could not really be seen as a regular Christmas movie (aka one that’s appropriate for the whole family), the picture still had some traditional Christmasy heart and warmth to it. It also had a lovely message of compromise.
  4. The directing was also great. I wonder how much of the situational humor was directed and how much improvised, though. The editing was spectacular too. I loved the western parody sequence in the trampoline park and the cheesy usage of the slow-mo. The inclusion of Christmas music was also tonally and seasonally appropriate. The credits sequence was also cute and cheesy.
  5. A Bad Moms Christmas assembled a fun cast. Mila Kunis (Jupiter Ascending), Kristen Bell, and Kathryn Hahn were great once again, but, this time around, they were a bit outshined by ‘their moms’: Christine Baranski (I adored her character and also loved that she had a singing scene – it reminded me of her Mamma Mia! role and also made me even more excited for the sequel to my guilty pleasure movie musical); Cheryl Hines (cutely creepy); and Susan Sarandon (unapologetically crazy).

To summarise: was this film a revelation? No. Was it entertaining and helped me to get into a Christmas spirit way too early? Absolutely. I had a chill and chucklesome time at the cinema and listened to the Michael Buble Christmas album for the first time this year on my way home.

Rate: 3.25/5

Trailer: A Bad Moms Christmas trailer

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Movie review: Flatliners 

Movie reviews

Hello!

The 90s are back in theatres with the remake of Flatliners. Let’s see how dead this movie about the near-death experiences is. Disclaimer: I haven’t seen the original, so I’m giving this movie as fair of a shot as they get.

IMDb summary: Five medical students, obsessed by what lies beyond the confines of life, embark on a daring experiment: by stopping their hearts for short periods, each triggers a near-death experience – giving them a firsthand account of the afterlife.

Writing

2017’s Flatliners was written by Ben Ripley (a newcomer screenwriter) and he did a very good job for the first half of the film. I really liked the set-up of the med school and how the movie showcased the strains of it. The science (barely?) parts of the actual procedures that the characters undertook were interesting too (the question is, how accurate were they?).

Speaking of the characters – they were not the best. The 5 leads were just stereotypes: the lead, the smart one, the wannabe smart one, the party-boy, and the good girl. Their afterlife visions could be seen as an attempt to develop their characters more deeply, but then again, those sequences only added a single extra feature – a sin from the past – to embellish the pre-existing stereotype. The personal arcs of all the character ended exactly how they always do. The lead was the ‘inciting incident’ (twice), the competitive intellectuals realized they love each other, the good girl went rogue and the party-boy grew up. Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

The second part of the film was where Flatliners fell flat. The supernatural/subconscious horror went unexplained and the movie never committed to an answer of who/what was happening to the characters. That whole borderline-magical second part also seemed jarring after the more sci-fi (and quite solid) opening. Additionally, that ‘inner demons’ concept, could be comparable to a similar idea in It (which, BTW, is gonna murder this film at the weekend box office). Lastly, the conclusion that one should forgive oneself and take up responsibility was a nice message but it was also an extremely typical one.

Directing

Niels Arden Oplev, a Danish TV director (he helmed Mr.Robot’s pilot episode), was responsible for the Flatliners remake and did an okay job. The set-up and the first part of the film (the sci-fi) one were well realized and exciting enough but the second half’s jump scares and the unexplained horror cheapened and undermined the overall product. The opening title sequence felt very 90s, which, I guess, was an appropriate choice for a remake of a 90s film (an homage?). The scenes of the students partying/having fun seemed like they belonged to The Hangover remake, though. Basically, the movie was fine and somewhat enjoyable. If it weren’t a remake and were an original property, I’d praise it.

Acting

The main reason why I went to see 2017’s Flatliners was its cast. I was really interested to see whether Diego Luna’s English-speaking career will go anywhere after Rogue One and I guess it is, even if it’s not soaring high as I wanted it to. He has a Woody Allen project lined up as well as that Scarface remake (bummer, that it is another remake).

Another actor who drew me into the cinema was Nina Dobrev. I watched her on The Vampire Diaries for years as a teenager and was a bit disappointed when she decided to leave the show to start a movie career, which did not get off the ground quickly or even at all. This was probably her best big-screen work to date, as her appearance on the third XXX movie was atrocious. Weirdly, her med-student character here reminded me a lot of her TVD’s Elena character, who wanted to be a doctor at one point of the show. Also, another side note, her character in this movie was supposed to be a swimmer (at least I got that impression) and, as somebody who practices this sport IRL, I could not take her seriously because of that super-sexy and not at all training appropriate swimming suit and that cap, that elderly women wear to the water aerobics.

Other cast members of the film were: Ellen Page (X-Men) – the biggest name-talent attached to this film, who also had the best performance; British TV actor James Norton, and Kiersey Clemons (DCEU’S Iris West). Kiefer Sutherland had a few scenes (he played the lead in the original), while Awkward’s Beau Mirchoff also cameoed as basically his character from that MTV show.

In short, Flatliners was fun but unexceptional film, that started out quite promising but fell apart in the end.

Rate: 3/5

Trailer: Flatliners trailer

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Movie review: War Dogs

Movie reviews

Hello!

Another buddy comedy has hit theaters, so let’s review it!

IMDb summary: Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan.

War Dogs is kinda similar to the other to buddy comedies of this summer – The Nice Guys and Central Intelligence, in that they all have a contrasting duo in a lead. The film also shares some topical similarities (greed) with Pain & Gain and even The Wolf of Wall Street.

Writing

War Dogs was written by Stephen Chin, Todd Phillips, and Jason Smilovic, based on Guy Lawson’s book Arms and the Dudes, which was inspired by true events. The film’s narrative was fine – it had a few clever things to say about war, mainly, that was is an economy. It also explored the greed of people and portrayed it as the biggest flaw of humanity. Lastly, the movie touched upon the performative aspect of communication – War Dogs showed how specific individuals can read other people and modify their own manners and appearance to fit the vision that the others have of them.

The first act of the film felt a bit choppy – I couldn’t figure out where the story was going, but in the middle of the 2nd act, everything started to flow nicely. War Dogs also had a lot of narration and, while, to my mind, it worked well, to a lot of movie-goers it is a bad thing. The picture’s ending was a bit abrupt, though. I did not feel that there was a full resolution and I also thought that the two criminals got away way too easily.

Directing

Todd Phillips of The Hangover trilogy was at the helm of this picture and did a good job. War Dogs was quite a slow but really well made and entertaining film. I wanted to see a bit more action but I guess they decided to go the drama route and explore the relationship between the two characters. The intro montage set the stage for the upcoming story neatly and explained the premise clearly and concisely. I also liked the structure of the feature – how it was divided into a bunch of  vignette-like parts. The names of these vignettes, which were just random lines of dialogue, were also cool and perfectly summarized the main ideas of these specific pieces of the film. The soundtrack wasn’t bad either.

Acting

The two leads of the movie were played by Jonah Hill and Miles Teller. Their characters were both clever idiots, only Hill’s character was the more crazy and greedy one, while Teller’s character was presented as the protagonist, the everyday-man that the audiences are supposed to root for.

Hill was amazing as the selfish Efraim Diveroli, the only element of his performance that annoyed me slightly was that laugh. He played a similar character in the already mentioned The Wolf of Wall Street. In addition, Hill isn’t new to the buddy comedy genre – his big break was in Superbad (the teen comedy about two guys), while in the recent years he has returned to the genre with Changing Tatum and 21+22 Jump Street. Now, Hill replaced Tatum with Teller but, thankfully, Hill’s and Teller’s chemistry is as good if not better.

Miles Teller was also great in the role of David Packouz. I’ve told you numerous times that I’m a fan of his and was extremely soud after Fantastic Four turned out the way it did. I hope that Teller will start clicking with the audiences soon, because he is a really talented actor. If you don’t belive me, just watch Whiplash. He was also good in small comedies 21 and Over, Two Night Stand and That Awkward Moment. Going forward, Teller has a boxing movie coming up as well as a drama and an action flick. I don’t know if he will return to the Divergent franchise as the last installment of that series is still up in the air and will probably go to the TV.

An important supporting role was played by Bradley Cooper who also produced the picture. Cooper was fine in the movie but I was actually much more interested to find out that he produces basically all his big films like Silver Linings Playbook, American Hustle, and American Sniper. Going forward, he has a few voice roles for Marvel/Disney and Universal.

In short, War Dogs was a fine summer picture that had a great release date – if it would have come out earlier in the summer, it would have probably been burried underneath the big blockbusters. The film had okay directing and writing, while the standout feature of the movie were the performances of and the chemistry between the two leads.

Rate: 3,5/5

Trailer: War Dogs trailer

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5 ideas about a movie: Bad Moms

Movie reviews

Hello!

This summer, I have been watching a lot of newly released comedies and reviewing them. This is a bit unusual to me, as I would usually check them out on streaming without bothering to write any reviews. However, I have changed my way, so let’s talk about Bad Moms.  

IMDb summary: When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.

 

  1. Bad Moms was a typical Hollywood comedy. And that’s not a bad thing. Yes, it was cheesy, predictable, full of cliches and some cringy moments. But it was also funny and entertaining. It made me laugh more than a couple of times. It was directed and written by the duo, who wrote the first The Hangover movie and had their directorial debut in 2013 with 21 & Over (loved this one).
  2. Bad Moms’ story proved one thing – I will never have kids. They can literally destroy lives. I don’t think that this was the intended message of the filmmakers, though. I feel that they tried to show how the role of the mother can be challenging, hard but rewarding and still worth it. The montage during the end credits with all the actresses and their mothers portrayed this idea nicely and was a sweet ending touch. I also appreciated the fact that Bad Moms showed that modern moms can have it all.
  3. My favorite part of the film was the supermarket montage. It was fast paced, funny, had the perfect amount of cheesines and a catchy soundtrack. I also enjoyed seeing SuperWoman a.k.a. Lily Singh in the film. She is a famous Youtuber that has an amazing comedy channel. Lily had like 30 seconds of screentime, but I hope that this cameo will help her get more work on the big screen because she is super funny and relatable.
  4. The lead of the movie was played by Mila Kunis, who nailed her role. She has always been good at both comedy (just watch Friends with Benefits) and drama (Black Swan comes to mind). Like any other actress working in Hollywood, she had a few missteps (Jupiter Ascending) but, on the whole, her career has been fairly successful. The two main supporting characters were played by Kristen Bell (Frozen) and Kathryn Hahn (She’s Funny That Way). Bell was great as the quiet, hard-working mom (she just played a similar character in The Boss), while Hahn played a completely opposite and crazy mother well. By the end of the film, these two characters kinda exchanged a couple of personality traits and that was a fine resolution to their personal plotlines.
  5. Other members of the cast included Christina Applegate, whose character was extremely annoying but served the purpose of the picture well. Jada Pinkett Smith (Magic Mike XXL) also had a small role, which, to my mind could have been played by anyone and I don’t know what Pinkett Smith was doing there. She is worth better roles and I also hope that she will return to Gotham as a series regular. The writer of Bridesmaids and Joy – Annie Mumolo – had a small and very stereotypical role too. I think that Mumolo is better off writing comedies rather than starring in them. Lastly, the compulsory love interest for the leading lady was played by Jay Hernandez, who was just in Suicide Squad as El Diablo (the standout character of that feature). I didn’t even recognize him!

All in all, Bad Moms was an entertaining comedy with good performances, solid writing and directing, and a few nice moments. It wasn’t unique or inventive, so I can’t really recommend it to everyone as a must watch.

Rate: 3.25/5

Trailer: Bad Moms trailer

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