5 ideas about a movie: Isle of Dogs

Movie reviews

Hello!

And welcome to a review of one peculiar little picture. This is Isle of Dogs.

IMDb summary: Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.

  1. Isle of Dogs was written and directed By Wes Anderson and was undeniably his picture. His style of filmmaking is just so unique and different that it is impossible to confuse his films with anyone else’s. While Anderson did write the screenplay himself, the story credits went to Roman Coppola, Jason Schwartzman (two of Anderson’s frequent collaborators), and Kunichi Nomura (a Japanse actor/writer who was also one of the two casting directors for this film).
  2. I have seen a lot of articles and comments online about Isle of Dogs in relation to the appropriation of Japanese culture. I certainly had a similar thought when watching the movie. I wasn’t entirely sure why the setting had to be Japan, though I found the interplay between the languages – English and Japanese – quite an interesting choice for the film. I also wouldn’t like to state that the filmmaker was definitely appropriating something as I believe that cultures should be shared. And yet, where is the line between respectful homage and appreciation versus malevolent appropriation?
  3. In my mind, Isle of Dogs’ story unfolded on two plains: the surface and the hidden one. The surface story was an elaborate but clear adventure narrative about some dogs and a boy fighting an evil empire. That story was a bit slow but the humor was still snappy (the comedic timing was quite impeccable). The deeper meaning that I took from the picture was the commentary on the modern society, which enjoys nothing more than othering and excluding people that it finds unsuitable for a whole number of reasons (a lot of which relate to the person’s identity).
  4. I highly enjoyed the format of Isle of Dogs. I have always been a fan of the stop-motion animation and I sill find it just so captivating. The amount of work that goes into this style of animation blows my mind every time I see a new film using it. The design of the animals was also great – real but not really. Every shot felt just so material: saturated with objects, colors, and textures. The symmetrical steady shots also felt very Anderson. The film was also very musical in that its score had an underlying beat, constantly ringing in the background, which provided a sort of rhythmic backdrop for the story. The animation, art, and music departments should get as much recognition for this movie as Anderson himself does.
  5. Isle of Dogs’ voice cast was full of Hollywood’s most recognizable and expressive voices that added so much to the picture. Bryan Cranston (Trumbo, Power Rangers), Edward Norton (Collateral Beauty), Bill Murray (The Jungle Book), Jeff Goldblum (ID2, Thor 3), Bob BalabanGreta Gerwig (Lady Bird), Frances McDormand (Three Billboards), Scarlett Johansson (Ghost in the Shell, MCU), and Tilda Swinton (Okja, Doctor Strange) all had roles of varying sizes.  On the Japanese front, Koyu Rankin, Kunichi Nomura, Akira Takayama and even Yoko Ono lent their voices to some characters.

In brief, Isle of Dogs was a bizarre and fascinating Wes Anderson-y ride that might or might not have been culturally insensitive.

Rate: 3.5/5

Trailer: Isle of Dogs trailer

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5 ideas about a movie: Status Update

Movie reviews

Hello!

Welcome to a review of a movie you haven’t heard of. This is Status Update – a clear example of what the critics (or angry online commentators) mean when they describe something as ‘millennial’.

IMDb summary: Ross Lynch stars as Kyle Moore, a teenager who after being uprooted by his parents’ separation and unable to fit into his new hometown, stumbles upon a magical app that causes his social media updates to come true.

  1. Status Update was written Jason Filardi (he wrote 17 Again) and directed by a music video director Scott Speer (who also did the last two Step Up movies and the upcoming Midnight Sun). I knew (and didn’t mind) the previous works of the duo, so I’ve had certain expectations about this film beforehand. And… it was exactly what I thought it’d be  – a typical teen dramedy with cringe-y and cool moments in an equal measure.
  2. Status Update tried being super contemporary by focusing on the impact of social media (Nerve did that more than a year ago too) and the fictional app the Universe. While the said app was really nonsensical (magic and technology rarely work together), it did have a smart thematical concept. At its core, the Universe was all about wishful thinking or imagining the best version of one’s life. And while that isn’t a healthy practice, it is also one that all people have partaken in at least once in their life. I know that I have certainly imagined quite a few ‘what if’ versions of my own life. Relating to that, I also appreciated the fact that the movie asked the question ‘who is the real you?’. Is it your social media-self or your real-world self? In the past, I had a definite answer to this question, but now, the answer is becoming harder and harder to find.
  3. While Status Update did some new things, it also heavily relied on the good old teen movie cliches. It had some really cringe-y and on-the-nose dialogue; a lot of jokes that didn’t land; and some walking caricatures for its characters (that phone guy was so annoying). It also attempted to present a diverse high school but really fell flat in its representation of a gay student (hopefully, Love, Simon fixes the trend of awful or non-existent LGBTQ+ representation).
  4. From the directing point of view, Status Update was fine. It was relatively short and the pacing was okay. It was also more musical-esque than I expected (thus, it kinda reminded me of High School Musical, which is not a bad thing to resemble, in my book). It also did look like a TV movie that could have aired on Disney Channel/Nickelodeon/Freeform/The CW. Lastly, more as a side note, I really do wonder whether anybody will remember contemporary teen movies fondly in about 30 years time, similarly to how now people feel nostalgic towards the teen films from the 1980s, like the whole filmography of John Hughes.
  5. Status Update’s cast consisted of mostly Disney Channel alumni: Ross Lynch (of Austin & Ally and Teen Beach moviesand Olivia Holt (of Kickin’ ItGirl vs. Monster, and I Didn’t Do It) played the leads. Although I have been a fan of the Disney Channel in the past, I haven’t really been keeping up with it lately (except Descendants) thus, I didn’t know any of the actors. I feel like they are from a later generation of Disney TV (not the generation of HSM, Hannah Montana, Wizards of Waverly Place, or Suite Life). The only actor I knew was Greg Sulkin who has been playing this type of a role for years now: he should really move on. Though, typecasting is a hard thing to escape from. Pitch Perfect’s John Michael Higgins also had a role in the movie, not too dissimilar from the one in the acapella trilogy. 

In short, Status Update made me roll my eyes as much as it made me smile. I don’t think it’s necessarily a cinema admission worthy movie but it’s certainly a great Netflix/background for chores film.

Rate: 3.2/5

Trailer: Status Update trailer

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5 ideas about a movie: Early Man

Movie reviews

Hello!

While some people flocked to the theater to see the last Fifty Shades, I joined my favorite demographic – kids – at the cinema. This is Early Man.

IMDb summary: Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, Early Man tells the story of Dug, along with sidekick Hognob as they unite his tribe against a mighty enemy Lord Nooth and his Bronze Age City to save their home.

  1. Early Man was written by Mark Burton (comedy writer) and James Higginson and directed by Nick Park (Chicken Run director). This animated feature comes from Aardman – one of the few stop-motion animation studios still working in the mainstream (the other studio being Laika). I have always loved this type of an animation style and the aforementioned style was one of the factors that drew me into the cinema to see Early Man.
  2. Having seen the trailer numerous times (they were showing it literally before every movie here in the UK, Aardman being a British company), I vaguely knew what the story was going to be and wasn’t certain how to feel about it. Part of me was thinking that it’s a good thing to educate children on the origin of humans but another part of me (the anthropology student) wasn’t sure how the film would handle the ideas of a ‘primitive’ (can’t stand that word anymore, thanks, anthropology). Anyways, Early Man’s solution to the tricky representation was to just make every character into an idiot and also, have the movie to turn out to be about something completely different: not the origin of humans but the invention of football.
  3. The whole football storyline (which was, basically, the main plotline) was where the movie shined. All the real world comparisons and jabs completely worked: starting with the instant replay puppets, unfair referee, players acting as if they were hurt and ending with Lord Nooth being a corrupt sports manager (‘Voluntary contribution…everybody has to pay’ was such a great oxymoron of a line). This whole idea to focus on football (or soccer for the US) also seemed very British/European. South America enjoys football too, so maybe this film will be financially successful down there. In addition to smart jokes, Early Man also had a plethora of really stupid ones, which I didn’t care for, but the primary audience (a.k.a. children in my screening) absolutely loved.
  4. The animation of the picture was really great and the character design stayed within the Aardman brand (more round, obviously clay-like characters in contrast to Laika’s more spindly and weirdly shaped ones). The pacing of the movie was good too and I did appreciate how quick and short it was. As all sports-movies (yes, Early Man is a sports movie), this film had a fun and quite inventive training montage. Lastly, I’d love to find out whether any of the football players in the movie were based on real athletes.
  5. Early Man’s voice cast featured some incredible British A-listers (their involvement was the second major draw to the movie for me, personally). Eddie Redmayne (Fantastic Beasts, The Danish Girl, Jupiter Ascending) was great as aloof, optimistic, and infectious lead Doug, while Tom Hiddleston (Thor 3, Kong, High-Rise) sounded like he had fun embodying such a caricaturish old-school villain. Game of Thrones’ Maisie Williams was basically voicing an animated version of Arya (only obsessed with football, not revenge). While one could definitely recognize the voices of all the actors, their accents did sound a bit thicker than usual, which seemed like an intentional choice to go with the overall tone of the film.

In short, Early Man was a lovely and neatly animated movie with a nice message of writing one’s own story. It also kinda made me want to watch a football match or even kick a ball around for a bit myself.

Rate: 4/5

Trailer: Early Man trailer

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5 ideas about a movie: Den of Thieves

Movie reviews

Hello!

Welcome to review of the most January movie ever. Yes, I know it’s already February but January is more than just a month, it’s a whole separate genre of movies. This is Den of Thieves.

IMDb summary: A gritty crime saga which follows the lives of an elite unit of the LA County Sheriff’s Dept. and the state’s most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank.

  1. Den of Thieves was directed by Christian Gudegast from the script by Gudegast himself and Paul Scheuring. The duo has worked on various projects before. Gudegast is probably best known for writing London Has Fallen, while Scheuring is responsible for creating the TV show Prison Break. Their work on this film was a mixed bag. The film was directed competently enough (especially for a first-time feature director) but the writing was just a steaming pile of cliches and recycled ideas.
  2. Let’s start with the characters. Den of Thieves attempted to pin to equally awful sides against one another: the criminals (who first were shown as having some kind of an honor code which didn’t stick for long) and the unlawful police officers (who were literally introduced while eating donuts – such a cliche). For the first act of the picture, the movie decided to have an interview+flahbacks structure that was instantly dropped as soon as the set-up was finished. Then, the movie went into more of a confrontation-type of a plot, rather than an investigation story. This type of direct relationship between the two groups would have made for a great story if it weren’t so convoluted. Den of Thieves really tried going for the elaborate and turned out confused (even the titles appearing on screen were convoluted as both the names of characters, the names of places and the times were all flashed on screen).
  3. In addition, for the movie that picked direct confrontation as its narrative structure, it really lacked actual action scenes. All of the action was crammed into the last 30 minutes of the film and I wish there was more of it in the preceding 1.5h. For an old-school actioner, Den of Thieves was surprisingly action-less. The movie also should have explained more of its twist and turns as to make it more engaging throughout. The final reveal was quite good but it came way too late for me to have carried.
  4. Two ideas in the script that I found quite interesting and worthy of mention were 1)the way to enter a gang and 2)the position of bars as neutral grounds. The fact that sport or the military are the only two points of acceptance on the street was fascinating. It really drew attention to what is valued in terms of male identity in the criminal world. Also, the portrayal of a bar as a cesspool of information was spot-on (this comes from somebody who has worked behind the counter and provided basically free therapy for customers).
  5. The film assembled quite a good cast of B-listers. Gerard Butler (Geostorm) was half of a cartoon, half of the real person as the main ‘bad cop’. Inexplicably, he also had a family on the side (cause even when Butler plays a twat, he has to have a family. He is the Scottish Liam Neeson, basically). American God’s Pablo Schreiber played the main villain of the film and was good. It took me forever to recognize the actor without the ginger hair and bear of Mad Sweeney, though. O’Shea Jackson Jr. (Straight Outta Compton) played the mediator between the two groups and was great too. He was also the only one to have some sort of a character arc. A bunch of others actors rounded up the cast but as they had almost nothing to do, I don’t see the point to mention them. Also, as Den of Thieves was mostly just a fest of traditional masculinity, it had a total zero of female characters.

 

In short, Den of Thieves was an okay action movie that should have had more action and fewer cliches.

Rate: 2.7/5

Trailer: Den of Thieves trailer

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Movie review: The Shape of Water

Movie reviews

Hello!

Welcome to a review of another awards movie. This is The Shape of Water!

IMDb summary: At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

Writing

The Shape of Water was written by the director Guillermo del Toro and Vanessa Taylor (who wrote Divergent and the upcoming live-action Alladin and has also worked on Game of Thrones). I thought that the duo crafted a unique yet familiar love story. The characters – the mute woman and the creature – were the two things that made the conventional plot into an unconventional (subverted) and extraordinary one. It was interesting to see how Elisa’s disability made her more empathetic towards other individuals who were shunned by society (not only the creature but the (?)gay (he is never labeled in the movie) neighbor but the black co-worker). Her specific disability (being mute) and her gender (female) also had an interesting correlation with the idea of women being silenced/having no voice in that period (the 1960s – prior to the sexual revolution and the overt women’s rights movements).

The hints at the fact that the amphibian man was the one who hurt her as a child made for some fascinating implications in their relationship too. For one, that possibility (of him maybe having hurt her) and some of his other actions in the film made him seem as a creature in which goodness and destruction coexist (sort of like in humanity: Hawkins‘ character symbolizing the kindness and Shannon’s – the violence). The whole romantic relationship between the two characters was just so pure, even adorable and yet still slightly creepy. The picture didn’t shy away from the more questionable parts of the relationship (Beauty and the Beast never raised those kinds of questions) which was quite brave, in my mind, mostly in risking alienating the audience. The film’s ending was quite unexpected, to me, personally. I was assuming that the script will go the melancholic route – ‘if you love, let go’ – but The Shape of Water chose the hopeful/happy fairytale conclusion and finished on the note of love and unity. That was quite an escapist ending but it did fit the surreal quality of the film.

A few other notes on the writing. First, I loved this movie’s appreciation for cinema and creative arts in general (painting, drawing). I’ve always loved films which love (like me) and pay homage to other motion pictures (I’d love to live above the movie theatre). The second interesting point of writing that was somewhat divorced from the main love story was Michael Shannon’s arc and his character’s relation to the ideas of the male success and the expectations for such success. Failure was not an option for him and it is still not seen as a legitimate or appropriate part of the construction of masculinity, especially the white privileged form of masculinity.

Directing

Guillermo del Toro directed The Shape of Water and succeeded in crafting almost a spiritual sequel (an adult one) to Pan’s Labyrinth (while I have liked his more action-driven works like Hellboy and its sequel and Pacific Rim, his weirder creations (fantasy realism or realistic fantasies) were always more fascinating to me and that includes Crimson Peak). Anyways, speaking about this picture, I adored its mixed tonne. The Shape of Water was both a genre movie and a typical awards movie. It was an old-school monster thriller/horror movie (think the original Universal Monsters Universe, Creature from the Black Lagoon) as well as an old-school romantic drama with some shades of the theatrical musical or more than just shades in one particular sequence (think Singin’ in the Rain, An American in Paris, just recently La La Land). The adult tone that I’ve mentioned in the opening sentence was that fact that the film had sexual and sensual undertones that one would not find in a more family-friendly film, like Pan’s Labyrinth (though, both that movie and The Shape of Water were rated R, so maybe Pan’s Labyrinth isn’t that all-ages appropriate as I remember).

Visually, the film looked stunning. The 1960s world of science was well realized (stellar production design) and the underwater sequences at the beginning and the end of the film were amazing (top-notch cinematography). The movie’s and the main character’s relationship to water was realized so cleverly and beautifully too. The costume design and the makeup were impeccable as well: the monster looked incredibly real.

Acting

Sally Hawkins (Paddington 2) delivered a brilliant performance that shined through the limited means of expression, a.k.a., she was amazing, even though, she barely said any lines. She seemed so endearing and had such a complex interplay innocence and maturity about her. And, although she was so great in the film, part of me wishes that the role would have been given to am an actually mute actress – I’d love to see more opportunities being extended to actors with disabilities (or special abilities). The TV show Switched at Birth has taught me that there are quite a few mute and deaf actors working in the business.

Doug Jones (a longtime collaborator of del Toro, currently part of the main cast of Star Trek: Discoveryor the Andy Serkis of practical costumes/effects was great as the creature and was definitely more than able to act through all that rubber. Michael Shannon (12 Strong, Nocturnal Animals, Loving) was also fascinating to watch even when though he played a very despicable character. Octavia Spencer (Hidden Figures, Allegiant) also had some fun scenes, while Richard Jenkins was amazing as the neighbor. Michael Stuhlbarg also had a small role in the film (and applause go to him and his agent for having three awards movie this season – The Shape of Water, Call Me By Your Name, and The Post – that join numerous other awards movies in his filmography, including the recent ones: Steve Jobs, Trumbo, and Arrival).

In short, The Shape of Water was one of those movies that made me go ‘huh?!’ and made me unsure what to feel (or think) in the best way possible.

Rate: 4,8/5

Trailer: The Shape of Water trailer

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Movie review: Maze Runner: The Death Cure

Movie reviews

Hello!

The last of the YA dystopias is coming to an end. This is Maze Runner: The Death Cure.

IMDb summary: Young hero Thomas embarks on a mission to find a cure for a deadly disease known as the “Flare”.

Writing

The Death Cure was written by T.S. Nowlin (the writer of the two previous pictures in this series and the upcoming Pacific Rim: Uprising film), based on the book of the same name by James Dashner. I’ve read the original trilogy more than 5 years ago now, so I hardly remember its plot details (I might have remembered a bit more a year ago, when this film was supposed to come out but, as it was pushed back due to Dylan O’Brien’s injury on set, I’m now more in the dark than I’ve ever was). However, this movie franchise has gone so far off the books (especially in the second film) that my background of having read and not remembering the book hardly impacts the motion picture watching experience. Having said that, I did recount two major things from the last book that managed to stay with for 5+ years and both of these developments were preserved in the film. I was quite upset that the filmmakers kept the first thing (from the selfish fan perspective) but quite glad that they retained the second one (from an objective-ish reviewer perspective). Let me elaborate. Also: SPOILERS!

The first thing I had in my mind was the death of probably my favorite character from the series – Newt. I distinctly remember being very sad after finishing the book and hoping that, when this novel will finally reach the big screen, Newt will be allowed to live. However, I’m not surprised that the screenwriter kept such an ending for one of the main character’s, as his final scene was pretty emotional and made for a great and powerful moment on screen. His nickname for Thomas – Tommy – was heartbreakingly sweet too. The second development that I’ve mentioned as having liked from a more objective point of view was the movie’s (and the book’s) ultimate ending. The film ended with all the surviving characters living on an island (a more realistic version of the safe haven from the books. In the original novels, a portal had to be taken to reach safety rather than just a boat). I’m glad that the screenwriters didn’t change the ending into fairytale/happy one but kept it ambiguous: what will Thomas do with HIS gift? In addition, I feel like a happy ending (like a sequence of the cure being spread to everyone) would have undercut all the losses that the surviving characters had to go through.

Now, having explored some of the narrative details, let’s look at some themes. One of the major topics of discussion for the film was memory (and my musings about remembering or forgetting certain details of the plot somehow feel more appropriate). Another big concept for this series has always been friendship, which was on display here once more (Thomas, Newt, and Minho are one of my favorite trios in YA fiction). The shades of the love triangle (Thomas, Teresa, Brenda) were present too, though, they weren’t on display that much.

My few slight criticism towards the writing were mainly just two and both of them had to do with the antagonists of the series. For one, I have never fully understood the hierarchy within the WCKD. In this film, Ava Paige had to ask somebody else for the permission to start the human trials of the cure as if they haven’t been experimenting on humans for years already to get the vaccine in the first place?! Also, I’m still not entirely sure whether I buy Teresa’s shifting allegiances or it might be that I just don’t understand her character and the scale she uses to judge what is right on.

 

 

Directing

Wes Ball directed The Death Cure (he also did The Maze Runner and The Scorch Trials) and did quite an amazing job, especially with only around $60 million budget. The last entry into the franchise was highly action-packed. The said action was also quite varied: the film had a variety of sets (all brown and broken but still cool looking) and a ton of CGI that looked quite good (I’ve seen movies that cost double what this one did and looked four times worse (*cough, cough*, Geostorm). The focus on the action in this film also allowed this series to finally differentiate itself from the other YA dystopias, mainly The Hunger Games. While THG finished off as more of a political thriller, TMR series seems to have always been more about the spectacle and only then about the ideas. The ideas – the attempt to go the political thriller route with the cure only being meant for the privileged – were present but they did feel like an afterthought. The Maze Runner series should not have tried to shy away from its action roots, as these sequences were the best ones in the movie. Having said that, the characters had to break into The Capitol-like city in this film, so maybe these two series aren’t that different after all. I wonder how the Divergent/Allegiant situation is going on? That series probably won’t end ever.

Anyways, the fact that this movie had a lot of action, also helped it with the pace, which was quite fast. The only dip came in the second act, however, the first and the third acts were rapid and intense.  My only critique of the action sequences was that, at times, they were filmed with a bit too much of the shaky cam. Nevertheless, those moments were far and few in between, while the majority of the action was captured by a handheld but steady enough camera, while the mobile frame helped with the intensity. I also loved how the action scenes in the first act (the maze and the grievers; the cranks) were used as a slight reminder of what happened in the previous pictures. Lastly, how nice was it that they the filmmakers (and the suits) didn’t divide the finale of the trilogy into two parts!

Acting

The Death Cure saw the return of all the favorites. Dylan O’BrienThomas Brodie-Sangster, and Ki Hong Lee were all great as my favorite trio: Thomas, Newt, and Minho, respectively. I only wish that they would have shared more scenes together. O’Brien’s TV show – Teen Wolf – has ended last year but he has been steadily racking up movie roles (in this series, Deepwater Horizon, and American Assasin) and seems to be fairing much better than the actual lead of his TV show – Tyler Posey. I really hope that the relative financial success of this franchise will allow Thomas Brodie-Sangster and Ki Hong Lee to be cast in more projects too.

Will Poulter (The Revenant, Detroit) also returned as Gally, while Dexter Darden had some neat moments (operating a crane) as FrypanKaya Scodelario (Pirates 5) was okay as Teresa, while Giancarlo Esposito’s (OkjaJorge and Rosa Salazar’s Brenda were neat to watch in their father-daughter-like relationship. On the villain side, Patricia Clarkson (The Party) was still immaculately dressed in white as Ava Paige, while Littlefinger – Aidan Gillen (Sing Street) as Janson – was doing his thing as usual. Another GOT family member (who also stars in Fast&Furious franchise) Nathalie Emmanuel (as Harriet), as well as ShadowhuntersKatherine McNamara (as Sonya), appeared too, although the film didn’t really know what to do with them, after having introduced them in The Scorch Trials as members from a different maze/test group.

In short, Maze Runner: The Death Cure was an entertaining finale to the, overall, surprisingly strong YA franchise, that pleased my heart and mind. And this praise comes from somebody who was once the biggest fan of the book and this genre in general.

Rate: 3.8/5

Trailer: Maze Runner: The Death Cure trailer

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Movie review: The Post

Movie reviews

Hello!

Spielberg. Hanks. Streep. Need I say more? This is The Post!

IMDb summary: A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher and a hard-driving editor to join an unprecedented battle between the press and the government.

Writing

The Post was written by Liz Hannah (a first-time writer on a movie) and Josh Singer (who worked on The Fifth Estate and Spotlight – two similar pictures to The Post). I thought that the writers did a really great job and I’d like to explore 3 particular aspects of their writing in a bit more detail. These are the journalism narrative, the commentary on war, and the character development.

To begin with, some of you may know that I once wanted to study journalism and this movie, with its display of amazing investigative journalism, reawakened that dream. The quote from Streep’s character, how news is the first rough draft of history, was brilliant and summed up everything that is great about true journalism. It was also incredibly interesting to see the relationship between the politicians and the press: how they not only used to be in cahoots (and started to be against each other after the events of 1971) but how members of the two occupations had personal relationships, thus, fighting against the politicians wasn’t just a job for journalists, but sometimes an attack on a friend. Hanks‘ characters line, about JFK being a friend rather than a source, perfectly encapsulated that whole conflict. In addition, The Post not only showcased the reporting side of journalism but the business parts of it too. The competition between newspapers, as well as the financial struggles of The Washington Post, were amazing to witness and helped to contextualize the particular events of the film.

The war commentary, as well as the insights into the faulty ideals of the American government, were also fascinating. The Post really showed how fragile American pride was and how the government was determined to put its citizens in jeopardy because they were afraid of embarrassment. And they still got embarrassed and have had a hard time working on that issue. Don’t even get me started on how they attempted to work around that problem with the 2016 election and dug themselves into an even deeper hole (and that’s only one of the parallels between the past events in the movie and the contemporary real ones).

The writing for Streep’s character is the third and last aspect I’d like to discuss. I found her whole character arc very interesting. To begin with, I didn’t think that Katharine Graham was a typical Streep character: she wasn’t untouchable Iron Lady. She was, at times, flustered and not always knew what to say. She was also very much part of her time: her lines about women not even knowing they could want more rang so true and opened my eyes to the fact that gender equality (and still not a full one) has not been a widespread thing for long, if the 1970s was still such a fighting ground for K. The said gender inequality was just perfectly seen in the fact that male characters would speak for her (she had to deal with a lot of manslapining); would question her decisions, or would even silence her. Lastly, the fact that journalism and all other business were dominated by white males also makes me question the legitimacy of the narrative cause it was just one kind of narrative.

Directing

Steven Spielberg (The BFG, so looking forward to Ready Player One) directed The Post and I’d place this film together with Bridge of Spies and Lincoln in his filmography. The picture opened with a battle scene and Spielberg knows how to direct those impeccably. I also loved how the initial focus of the film was on the papers and only then did it move to the actual subjects of this biography. The visualization of journalism – from looking for the sources to writing to printing to distributing – was amazing. I especially loved the sequences with the old school printing press and the one of overnight research at Hanks‘ character’s house. The gender inequality was also well visualized with that single scene of women sitting in a living room and men being left in the dining room. That rung so many visual bells to the 19th century and Downton Abbey, simultaneously. Lastly, the ending of the film – an obvious hint at the Watergate scandal – was spot-on and made me want to find out more about that it. Any recommendations for a good and somewhat accurate Watergate movie?

Acting

Meryl Streep (Suffragette, Florence Foster Jenkins) did a really stellar job with this complex role. Tom Hanks (The Circle, Inferno, Sully, A Hologram for the King, Bridge of Spies) was also really good as the confident, ‘no pulling punches’ editor. Sarah Paulson (Carol) didn’t really have much to do but she did have one great speech. Bob Odenkirk was amazing as one of the reporters at The Washington Post, while Matthew Rhys impressed as Daniel Ellsberg, the original whistleblower (he came way before Edward Snowden or WikiLeaks’ Julian Assange). It was also nice to see two Fargo’s alumni Carrie Coon (Gone Girl) and Jesse Plemons (American Made) in small roles.

In short, The Post was a complex yet straightforward biography that was well written, directed qualitatively and acted impeccably.

Rate: 4.5/5

Trailer: The Post trailer

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Movie review: Pitch Perfect 3

Movie reviews

Hello!

Welcome to the end of the acapella era (more like half a decade). This is Pitch perfect 3.

IMDb summary: Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices.

Pitch Perfect 3 originally came out during Christmas, though it didn’t feature any Christmas songs. At first, I thought that it was a stupid idea to have a musical that features covers of popular songs come out during Christmas and not feature any Christmas songs. However, since I myself was only able to watch the film in January, the lack of Christmas songs made it still watchable after the festive season has ended. So, it was a smart idea not to tie this picture to any specific time after all.

Writing

The third Pitch Perfect film was written by Kay Cannon (writer of the previous Pitch Perfect films) and Mike White (of The Emoji Movie) and I thought that they did a so-so job. The films in this franchise have always been borderline ridiculous but this one went over such border. It didn’t really do anything really original but also somewhat betrayed the brand of the franchise.

The characters of the film were soon established as being down on their luck. Let me ask you this: when have the Bellas started their films in a good place? Never! These movies all begin the same! However, this movie somewhat differed in that it attempted to developed other characters rather than just Becca (a bit late, guys). And yet, by the end of it, the movie solidified Becca as the only important and the main character (also, I’m pretty sure that they did Becca v Bellas idea in the first film already. Still, the message that true family will lift you up rather than tying you down was a cute one). Also, the fact that the other character’s arcs were wrapped up during the credits was an additional proof of how unimportant they are/were to the series.

Speaking about the betrayal of the brand – why on earth did Pitch Perfect 3 though that it could be a crime drama??? Also, why was it necessary for the Bellas to go on that military tour? It literally added nothing to the story. Plus, that whole tour plotline was full of inconsistencies. They got booed (silenced by a siren) in their first performance, then burnt a hotel room, and then they are suddenly liked by the audiences and everyone? Also, to top everything off, the movie partook in some heavy exposition (pointing out the exposition is not enough for me to forgive the fact they that employed it too). Lastly, some moments of writing were meant to be jokes but just turned out stupid. Like ‘Evermoist’. Really?!

Directing

Neither Jason Moore (director of the original) nor Elizabeth Banks (long-time producer and director of the second film) chose to come back and helm the third film, so the reins went to Trish Sie of Step Up: All In (arguably, the worst film in that franchise). I feel like she did as good of a job as she did with her last film (which means she delivered poor results). The movie felt tonally confused, choppy, and lacked a direction. The opening sequence was ridiculous but, I guess, it prepared the viewer the rest of the film. The performances were fine. Only two of them – the riff-off and the finale felt iconic to this series – because the first one belonged to their signature genre and the last one had some heart. The riff-off also presented the acapella v instruments idea that didn’t go anywhere.

One good thing about this picture was the fact that it felt like a true goodbye. It somewhat concluded all the storylines and had a fun end-credits sequence, full of behind the scenes clips from all 3 movies. It was also nice that it was fairly short, as I don’t think I would have been able to sit through another half an hour of it.

Acting 

A lot of old characters and a bunch of new ones appeared in this film and were fighting for the very limited screening. Anna Kendrick (Mike and Dave, Trolls, The Accountant) and Rebel Wilson were the best just because they had somewhat developed storylines. The other Bellas were played by Brittany SnowAnna Camp (Cafe Society), Hailee Steinfeld (had absolutely nothing to do but was there just because she is probably the biggest name in the cast), Hana Mae Lee (who spoke for the first time in the franchise), Ester Dean (who should have been given more solos because she is brilliant!), and Chrissie Fit. The commentators – John Michael Higgins and Elizabeth Banks (Magic Mike, Mockingjay, Power Rangers) came back too and their inclusion in this movie was justified by a paper-thin reason.

The new characters were played by John Lithgow (I thought that Daddy’s Home 2 was a low point for him but this was something else), Matt Lanter (who was the replacement eye candy for the female viewers), Guy Burnett (eye candy number 2), DJ Khaled (who couldn’t act even when playing himself), and Ruby Rose (the ultimate female crush of any straight girl, who also appeared in John Wick 2 recently).

In short, Pitch Perfect 3 felt flat while trying to go out on a high note.

Rate: 3/5

Trailer: Pitch Perfect 3 trailer

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Movie review: The Greatest Showman

Movie reviews

Hello!

What you get when you take the songwriters of La La Land and add them to a retired Wolverine? This is The Greatest Showman!

IMDb summary: inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.

Writing

The Greatest Showman, written by Jenny Bicks (one of the writers on Sex and the City) and Bill Condon (directed Beauty and the Beast, wrote Chicago, did both on Dreamgirls), is the story of P.T. Barnum. Being a mainstream musical that values entertainment value over accuracy, The Greatest Showman puts a fictional and quite an optimistic spin on a really dark and depressing real-life story. Barnum’s circus was not the safe haven for the different and marginalized, it was a prison for the so-called ‘freaks’ who neither the society nor Barnum himself actually cared for. And while there are some hints in the film for Barnum’s darker side (him turning away from his performers, and following the money and the high society’s acceptance instead), the overall final product can hardly be called a biography. Nevertheless, if one divorces the movie from its source material and takes it as a fictional story, then The Greatest Showman can absolutely be enjoyable (that’s how I enjoyed the movie – by treating it as a fictional musical rather than a biography).

Thematically, the picture explored ideas of hope and celebrated imagination and tolerance (again, take it as a fictional story, not a biography). It also expressed some ideas about hoaxes as lies for a good purpose (felt iffy about that message). The Greatest Showman also attempted to be a celebration of difference, however, it didn’t end up doing much else than just showcasing the difference – what I mean by this is that the script lacked character development for the majority of the performers. P.T. Barum received the most development, him being the lead and all, but even his personal arc was rushed at the beginning.

Directing

A visual effects supervisor Michael Gracey debuted as a director with The Greatest Showman and did quite a good job. Of course, he did get a lot of help from the aforementioned songwriters Benj Pasek and Justin Paul (their other credits include Dear Evan Hansen – a new and beloved Broadway musical as well as ‘Runnin’ Home To You’ – the song from The Flash musical episode) and composers John Debney and John Trapanese. The choreographer Ashley Wallen is also responsible for the success of the film’s musical numbers. And the musical numbers were plentiful. While on the first hearing, all of the songs somewhat blended together for me, upon a second listen, I started to appreciate them all separately. While ‘This is Me’ was certainly a great song and deserves the awards recognition it is getting, my favorite track was actually ‘Never Enough’. That song might be a bit too depressing and too real for the academy/other awards voters. What I wish that The Greatest Showman had less of was the reprisals of its songs. There were a lot of them and maybe a bit too many for a less than a 2-hour movie.

I’ve seen a few complaints online about the fact that this old school musical had a modern soundtrack – I actually loved the combo of old and new, but, then again, I liked how The Great Gatsby used modern music and I just love easy pop songs in general. I also loved how the movie realized its setting of a carnival/circus – I always thought that circus was a rich and realistically magical setting that is open to a lot of possibilities. In fact, The Greatest Showman’s circus numbers reminded me a bit of one short carnival sequence in the remake of Fame which I have always adored (linked it here).

Acting

Hugh Jackman (X-Men, Eddie The Eagle) starred in the lead of the film and did a good job. There was a reason why he so desperately wanted to make this movie – he knew he would be very good in it. It took me a few songs to get used to him not singing opera-like classics – I have only really heard him singing in Les Miserables before.

Zac Efron (The Disaster ArtistBaywatch, Mike and Dave, We Are Your Friends) was also really good in the picture and it was fun to see him coming back to his roots – a genre that made him well known in the first place (yes, I did grew up watching him in HSM, don’t judge me). Zendaya (Spider-Man) also delivered a wonderful performance, made even more amazing by the fact that she was actually the one doing the trapeze stunts. Michelle Williams (Manchester By the Sea) was also great in the film and in a less depressing role than she usually plays.

Rebecca Ferguson (The Snowman, MI5) delivered a great performance too – I loved the scene of her and Hugh Jackman just looking at each other. However, the most notable scene of Ferguson’s wasn’t even notable because of Ferguson herself – the aforementioned song ‘Never Enough’ was sung by her character but not by the actress herself. She was only lip syncing to the vocals of  Loren Allred. Lastly, Keala Settle rounded out the cast and was superb.

In short, The Greatest Showman was a great musical with delightful performances that was a bit let down by its mediocre writing

Rate: 4/5

Trailer: The Greatest Showman trailer

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Movie review: Star Wars: The Last Jedi!

Movie reviews

Hello, my dear readers!

A film that needs no introduction has finally arrived. It’s the nerds’ Christmas also known as Star Wars Episode VIII: The Last Jedi!!!

IMDb summary: Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn, and Poe that unlocks mysteries of the Force and secrets of the past.

Just before we get into the review, I have done a few Star Wars related posts and I’ll link them all here, in case you want to check them out: my general thoughts on Star Wars, The Force Awakens review, Rogue One review.

Also, the majority of my review will be spoiler-free, while some spoiler-y ideas will be included down below (after the rating and the poster). However, I advise you to proceed with caution as the things that I deem unspoiler-y, might seem spoiler-y to you if you are trying to go into the film completely clueless.

Rian Johnson

Star Wars 8 was written and directed by Rian Johnson. The filmmakers previous writing and directing credits include Looper, The Brothers Bloom, Brick(his indie directorial debut) and some of the best episodes of Breaking Bad. While Johnson’s credits list is not extensive, its qualitative worth cannot be disputed. Moreover, Kathleen Kennedy and other producers at Lucasfilms seem to believe in his filmmaking talents, as it was recently announced that Johnson will be creating a new Star Wars trilogy. Anyways, let’s talk about the writing and the directing of The Last Jedi – both of which were excellent.

Writing: the story and the reveals

To begin with, I loved how the writing for The Last Jedi went for more: more humour (this was honestly the funniest Star Wars movie out of all of them), higher emotional stakes (I have never cared for the nameless background characters more in my movie watching experience), and more action (literal action and just stuff happening plot-wise). Speaking about the plot, it was quite saturated with twists and turns: the picture had 4 storylines all interwoven very nicely (the villains, Rey/Luke, Poe/Leia/Resistance, and Finn/Rose). Nevertheless, while I enjoyed all the points of the narrative, I’m not entirely sure whether the reveals of The Last Jedi will be impactful in the long run – more on that in spoilers.

Thematically, The Last Jedi, more than all Star Wars movies before it (again with the idea of ‘more is more’) traversed the line between the darkness and the light. It also had a varied portrayal of heroism which was quite refreshing. It also presented a never before seen side of the galaxy – the glamours one (Casino Royale in space), and, through it, The Last Jedi was able to explore the concepts of privilege and war benefit. I also liked the film’s idea that wars can be won ideologically as well as physically (more on it in spoilers). Lastly, while The Force Awakens was a narrative rehash of A New Hope, The Last Jedi was somewhat similar to The Empire Strikes Back thematically, in that, both the Resistance and the Rebels have taken heavy losses in their respective stories. However, Episode V did not even come close to the having a hopeful ending of Episode VIII. Although The Last Jedi was about loss, grief, and sacrifice, it also carried within itself an undying spark of hope.

Directing: the action and the visuals

The Last Jedi’s action was vastly entertaining and exciting. It was also varied: the epic space battles (at least 3) were accompanied by amazing hand-to-hand fights (at least 3 as well). The visuals of the settings as well as the designs of the new characters/animals were gorgeous and unique. Luke’s island and the white/red plane of Hoth, which both could be glimpsed at in the trailers, were magnificent to look at. Porges (or the pigeons of the Star Wars universe) were cute and not annoying (that was my worry).

The pacing was also very good – the movie was a bit long but it never dragged or got boring, again, mostly because so much was constantly happening. Lastly, John Williams’s score was as impactful as it has always been. My conclusion after watching The Last Jedi is that I completely trust in Rian Johnson to continue expanding the Star Wars canon with that new trilogy of his.

Acting

  • Mark Hamill delivered the best performance of his career as Luke Skywalker. I highly enjoyed the complex portrayal of the character. It was a bittersweet feeling seeing Carrie Fisher as General Leia Organa. She didn’t have the biggest role in the film but her presence was felt throughout it. Also, she had one incredible scene that made up for the lack of quantity of scenes with her. The dedication to her at the end of the picture was heartbreaking.
  • Adam Driver (Midnight Special, Logan Lucky) was absolutely brilliant as Kylo Ren – he owned the role and was a pure joy to watch. Daisy Ridley (Murder on the Orient Express) was equally brilliant as Rey – I feel like she grew more confident in her acting abilities and that definitely shined through in the character. Her personal confidence also fit the character’s arc really well as Rey herself has also grown bolder and braver.
  • John Boyega (The Circle, Detroit) reprised his role as Finn and was amazing. He got a chance to show off his comedic talents. I also loved his chemistry with the newcomer Rose, played by  Kelly Marie Tran (she has played a handful of minor characters on TV and in films before but hasn’t done anything even close to the scale of this franchise).
  • Oscar Isaac (The Promise, Suburbicon, X-Men: Apocalypse) was wonderful as Poe Dameron – a.k.a. a bundle of charisma. His and BB-8’s interactions were just great. Laura Dern (recently appeared in a limited TV series Big Little Lies for which she is receiving a lot of awards’ nominations) played quite an unexpected and a very unique character. Her character’s and Poe’s standoffs very superb.
  • Andy Serkis (War For The Planet Of The Apes, Avengers 2, directed Breathe) did his thing motion capturing Supreme Leader Snoke, while Domhnall Gleeson (Goodbye Christopher Robin, mother!, American Made, The Revenant, Brooklyn, Anna Karenina) was a bit caricaturish as General Hux but still somehow fitting – probably mostly because the characters around him were aware of his cartoonishness and enjoyed slapping him around.
  • Gwendoline Christie (Game of Thrones) appeared as Captain Phasma and, while she did have a great fight with Finn, I still think that the actress was wasted in this role. Lastly, Benicio del Toro (Sicario, soon the sequel Soldado) had a little but a very interesting role in the film – would love to see more of his character in the future.

In short, Star Wars: The Last Jedi was an immensely satisfying addition to the Star Wars franchise. May it continue for many years!…and May The Force Be With You!!!!

Rate: 4.7/5

Trailer: Star Wars: The Last Jedi trailer

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SPOILERS

Throughout my review, I mentioned a few times that I don’t know if The Last Jedi’s reveals will be impactful. Let’s go through them and I’ll explain what I mean.

  1. To begin with, the most speculated thing of the past two years – Rey’s parentage – was somewhat revealed. Kylo stated that she is a nobody and that her parents were nobodies and, even though Rey keeps looking for father figures in Han and Luke, she is definitely not related to either of them. I have few reservations about this: first of all, is Kylo a trustworthy source? Also, what about that idea that the main three trilogies are Skywalker-centric – how could one of them have a lead character who isn’t a Skywalker? And yet, I also sort of love the idea that Rey is a nobody – it’s quite an inspirational message to spread that everyone can become a hero.
  2. The trailers have been toying with the viewers, making it seem like Rey was turning to the dark side. However, Kylo is the one who ends up turning…but not really. His character’s arc is just brilliant – I feel like these past two movies have been his growth as a villain rather than redemption as a hero. I immensely enjoyed his and Rey’s back-to-back fight against the imperial guards – it was certainly my favorite smaller scale action scene of the film.
  3. Another great hand-to-hand dual occurred between Luke and Kylo. It wasn’t as visually pleasing as the Kylo/Rey one but it was highly enjoyable because of its meaning for the characters’ shared backstory – Kylo’s darkness scaring Luke into a shameful and regretful act.
  4. The aforementioned fight also resulted in a very interesting goodbye to one of the characters of the old cast – Luke. His way of passing – with peace and purpose – was just so deserved and fitting for the character. However, I don’t think that this film was the last time that we see Luke – I expect him to reappear in the next feature as a force ghost (like Yoda in this one – his cameo was a lovely surprise).
  5. The dual between Kylo and Luke was not only important for Luke but also significant for Kylo, who got a double defeat – physically and, more importantly, ideologically. Kylo has been on a quest to defeat the past, however, as The Last Jedi’s ending proved – the past cannot ever be defeated. It will be reborn and repeat itself, as evident in the closing shots with the force sensitive child.
  6. You know who else’s force sensitivity was finally shown on screen explicitly? Leia’s! It took this series a while to give Leia a great force related scene but the one in this picture was worth the wait. The bait-and-switch aspect of it only added to the emotional turmoil of watching that scene.
  7. Another significant death in the movie was that of Supreme Leader’s. The fans have been speculating online about who he actually was but we didn’t get a chance to find that out before his demise. It seems a bit cruel to play with the fans like that – hint at something in Episode 7 and not deliver on it in 8. I wonder whether he will somehow come back in 9 or whether he was truly just a stepping stone/a development point for Kylo?
  8. Lastly, I don’t know if I was reading into the characters’ interactions too much but I think we will get a love triangle in the next film. There appears to be something brewing between Finn and Rose; Finn and Rey also have a connection; and Poe, having finally met Rey, also seems to like her (I mean, who wouldn’t, she is awesome!).