Movie review: Spiderman: Far From Home

Hello!

And welcome to my once in a blue moon movie review blog! No surprise in what movie I’m reviewing – I’ll always crawl out of the cave for Marvel – so let’s discuss Spiderman: Far From Home!

Spoilers for Endgame and Far From Home!

Writing

The Spiderman sequel was written by Chris McKenna and Erik Sommers – a duo that was also part of the Homecoming writing team. They did a great job following up both their own first movie and Endgame. Far From Home was undeniably rooted in MCU and dealth with the aftermath of Endgame in an interesting and meaningful way. It also somehow managed to take Iron Man’s legacy (both legacy of his movies and legacy of the character) and do something unexpected with it. And yet, I do wish that for the third film, Spiderman would attempt to move away from Iron Man’s influence a bit more – he has to grow into his own at some point (and I think that that is exactly what’s gonna happen – the basis for that type of story was already laid in Far From Home). The way Mysterio was handled in the story was interesting too – I felt that his character development lacked in the first act but his story kinda found its footing after the twist. Thematically, Far From Home was all about fake narratives and people believing in them – quite a timely topic if I may say so.

Directing

Jon Watts returned to direct the Spidey sequel and managed to mush two distinct genres – a teen comedy and a superhero epic – even more perfectly than the first time around. Far From Home felt like a decade defining teen comedy drama overflowing with awkward encounters and timely problems for teens everywhere. It also felt like an amazing superhero flick that was both sophisticatedly high stakes enough and also silly and comic-booky.

The humour of the film, while a bit cringey cause of second hand embarrassment, felt light and easy-breezy – a nice and much needed break after engame. Still, the action scenes in the film were great – not Endgame levels of epic but highly deserving of praise for a standalone film. I especially loved how the illusion sequences were both visually interesting and carried an emotional weight to them. I also loved the European setting of a lot of the action scenes – it was a nice and familiar trip for me as a European (especially remembering how I walked on the same bridge in Prague when I was the characters’ age – I always appreciate a personal touch in movies).

Mid-credits and Post-credits

Far From Home also had two quite shocking ending scenes – dare I say, we haven’t had post credits scenes that raised so many questions in a while. The mid credits acted as an amazing twist and a set-up for a Spidey sequel (and featured a long awaited cameo from a fan favorite), while the post credits gave us hints about the future of the wider MCU (I say ‘hints’ but, personally, have no idea what the scene means exactly).

Acting

Tom Holland proved everyone once more that he is the best Spiderman we ever had. He was endearing in the role and handled both the awkward comedy and the heavy drama so well. Jake Gyllenhall was also amazing: really enjoyed all the layers of his performance. It was also nice to see so many familiar MCU faces – Samuel L.Jackson and Jon Favreau – whose characters both had interesting small arcs. Zendaya shined as MJ while Jacob Batalon was a friend we all wish we had.

Rate: 4.5/5

Trailer: Spiderman: Far From Home trailer

In conclusion, Far From Home gives Marvel fans a deserved break after Endgame while simultaneously building on the legacy of it.

Advertisements

Movie review: Stronger

Hello!

Welcome to a review of the second Boston Marathon bombing biopic. It’s Stronger.

IMDb summary: Stronger is the inspiring real-life story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become a symbol of hope after surviving the 2013 Boston Marathon bombing.

Just last year (or at the beginning of this year, depending on the location), Patriot’s Day premiered in theatres. It recounted the events of the 2013 Boston Bombing from the perspective of the law enforcement officers. Back then, I questioned the morality of the cinematic adaptation of such a recent event. Nevertheless, my questioning did not stop Hollywood from making a second biopic centered on the tragic terrorist attack. This time around, the event is portrayed from the viewpoint of a supporter (almost a passerby) who got injured in the attack.

Writing

Stronger was written by John Pollono (actor mostly but he has written some short films before), based on the biography of the same name by Jeff Bauman (portrayed by Jake Gyllenhaal in the film) and Bret Witter. I thought that the writing for the picture was quite interesting. To being with, the set-up for the main character was really effective – in just three scenes (Costco, bar, and home), Jeff’s whole background (work, relationships, family) was established. Speaking of his family: their reaction to his injury (trying to almost benefit from it) was infuriating but, sadly, realistic. Having said that, his family, especially his mother, can’t really be blamed for being unequipped to deal with such a tragedy: nobody is ever prepared for such an incident, moreover, his mother seemed to have had her own personal issues and problems.

Bauman’s relationship with his on-and-off girlfriend was fascinating too. Just the idea that he usually did not show up for anything but the one time he showed up he got hurt was so unreal that it had to have been real (one cannot fictionalize coincidences like this one). The fact that the girlfriend felt to blame for the incident because he showed up for her was also hinted at in the film.

Although Stronger was a personal story of recovery, it also explored the society’s reaction to both the Boston bombing and its victims. The film portrayed the celebration of victims as well as their heroization – two developments that are so peculiar but undeniably real. I wish that the film would have explored PTSD a bit more broadly but, I guess, since Bauman himself was in denial about his state, if the film would have explored the issue more, Stronger would not have been Bauman’s authentic story anymore. What the movie did explore was the meaning of saving (how saving another saves oneself too) and it also touched upon the concepts of wholesomeness and masculinity very briefly.

 

Lastly, the film hinted at the idiotic ideas of conspiracy that surrounds global disasters like this one. It also had an overall nice message about staying strong in the face of a tragedy. Nevertheless, it would be much better if we didn’t need messages like that altogether, but, I suppose, the idea that terrorism might not exist one day is just pure wishful thinking on my part.

Directing

Stronger was directed by David Gordon Green, whose previous film was Our Brand Is Crisis (a fictionalized account of a real political election). I thought that he did a good job with Stronger. The pacing of the film was good for the most part, though, it started dragging slightly at the very end. The emotional core of the story was visualized very well. The scene at the hockey game was brilliant – it felt psychotic and full of anxiety – all the feelings that Bauman himself felt in that moment. The other sport-related scene – the final ceremonial pitch at the Red Sox’s game – acted as a nice conclusion to the character’s journey. Overall, it was very interesting to see how sporting events were/are such a big part of the identity of Boston and the Bostonians. I also appreciated the fact that Stronger focused a lot on the medical procedures and the practical difficulties that somebody with a disability encounters – becoming disabled doesn’t mean just losing a body part but losing one’s whole way of life too – and it was really great that Stronger emphasized that.

Acting

The whole film was mostly carried by three actors. Jake Gyllenhaal (Southpaw, Everest, Nocturnal Animals, Life) delivered an incredible physical and emotional performance as Jeff. Orphan Black’s Tatiana Maslany was also amazing as Erin, Jeff’s girlfriend: the scene with Jeff and Erin screaming at each other in the car was so emotional. Miranda Richardson also delivered a very grounded performance (one that would fit a social realism indie) as Jeff’s mother.

In short, Stronger was a deeply human story, brought to life by brilliant performances and solid directing.

Rate: 4/5

Trailer: Stronger trailer

Movie review: Okja

Hello!

When the international release schedules fail me, Netflix provides. Let’s review their newest original picture Okja!

IMDb summary: Meet Mija, a young girl who risks everything to prevent a powerful, multi-national company from kidnapping her best friend – a fascinating animal named Okja.

Writing

Okja was written by the director of the film Bong Joon-ho and the author/journalist Jon Ronson. The narrative they crafted was just extraordinary. At a glance, the film appeared to be a live-action family adventure. However, in addition to being very entertaining all ages film, Okja was also unique, different, clever, innovative, and very topical. The premise, given in the opening, sounded insane but also sort or realistic (honestly, humans have come up with crazier solutions to the global problems). The familiar family film elements, like the child-animal bond (which sorta reminded me of The BFG), were mixed with the concepts of the corporate world, like bureaucracy, advertising, social media impact and public image, and GMOs – the ideas usually found in dystopian movies. On top of it, the distinct shades of the Korean culture, starting with the Korean language being used alongside English (I loved how the language barrier and translations were part of the plot), added another layer of uniqueness to the picture (it might not seem that out of the ordinary for anyone familiar with the cinema of the Far East).

Okja’s relationship with the vegetarian/vegan movement was super complex too. The film definitely placed the horrors of the mass meat production to the forefront and destroyed the barrier that the supermarkets have created between the production of meat and the consumer. The animal abuse was also hard to witness (tbh, now I am wondering whether animal rape is a thing) but it helped to prove a point that Okja was going for. The ideas expressed through the inclusion of the Animal Liberation Front were also fascinating. It is important to note that the screenwriters wanted to portray this group as peaceful yet still found ways to show its radicalness (beating one of their own for betrayal, starving to not leave a carbon footprint). I also appreciated the partially ambiguous ending of the film: while the personal win was achieved, the broader battle was lost. And yet, as the post-credits scene suggests – the fight continues.

Even though the movie was quite serious, it still had a few chuckle-worthy moments. I can’t believe I’m writing this, but the poop jokes in Okja were adorable rather than annoying. The company’s driver, who was completely done with his job, was also a hilarious addition.

Directing

The South Korean filmmaker Bong Joon-ho directed Okja and did an excellent job. He is probably the most well-known to Western audiences for Snowpiercer – another topical and unique film that is still accessible because of its cast of well-known Hollywood actors. While I liked Snowpiercera bit more, I still have plenty of good things to say about Okja. First, the tone – a weird mixture of satire, theater, and realism (a less kooky version of A Series of Unfortunate Events) – was great. Second, the action,especially the chase sequence through Seoul, was was both fun and entertaining yet still had a lot of heart to it. The score, which accompanied the said sequence, was also magnificent, from the trumpets in the instrumental score to the usage of the song ‘You Fill Up My Senses’. The design of the Okja animal was good too – she was a cross between a hippopotamus and pet pig. The CGI was okay too – not super photo realistic but good enough for the movie.

On a side note, the story of this film’s release is almost as fascinating as the film itself. Okja was first booed at the prestigious Cannes Film Festival for being a Netflix film and then received a standing ovation for being a movie of extreme quality. Not only do the festival goers can’t seem to make up their minds, they also appear to be living in the last century. The film release practices are changing and they should catch up to that or risk becoming irrelevant in their field.

Acting

The movie had an ensemble cast, lead by a young actress Ahn Seo-hyun, whose performance was so pure: full of innocence and wonder. The Hollywood heavyweights like Doctor Strange’s and Hail, Caesar!’sTilda Swinton (once again, completely transformed for the dual role) and Life’sand Nocturnal Animal’sJake Gyllenhaal (in an eccentric and cartoonish performance that still somehow worked) provided the support.Swiss Army Man’sPaul Dano also starred (he is always really good in non-mainstream/indie films), while Lilly Collins also had a small role – she is actually headlining the next Netflix original film – To The Bone.

In short, Okja is a delightfully smart and entertaining picture that you can watch from the comfort of your own home. The best Netflix film so far!

Rate: 4.2/5

Trailer: Okja trailer

Movie review: Life

Hello!

Welcome to a review of the annual space movie. For the year 2017, it’s Life.

Life follows in the vein of the sci-fi space films, like 2013’s Gravity, 2014’s Interstellar, 2015’s The Martian, and, I guess, 2016’s Passengers. It’s also kinda similar to the earlier pictures, such as 2009’s Moon and 2007’s Sunshine. Life is the most similar to the last one because both films feature diverse groups of astronauts stuck on a space ship and have horror/slasher elements in addition to the sci-fi themes.

IMDb summary: A team of scientists aboard the International Space Station discover a rapidly evolving life form, that caused extinction on Mars, and now threatens the crew and all life on Earth.

Writing

Life was written by Rhett Reese and Paul Wernick (the duo previously co-wrote Zombieland and Deadpool). Story wise, the movie was not the most original but the narrative was still interesting and exciting. The two major themes were human intervention and survival. The character development was minimal but there were still a few nice character moments dispersed throughout. In fact, the movie’s main star was the alien – all the set-up focused on it rather than the humans. Life definitely depicted life beyond earth in an old-school way: the creature was instantly violent rather than communicative like the ones in Arrival. Whether the actual alien of this movie was just the rip-off of the Allien, I don’t know. It definitely appeared similar to that one and it was probably a good idea for this film to come out before Allien: Covenant.

In addition to there being some scenes to depict the character’s backgrounds, the picture also had a couple of sequences of the astronauts doing both scientific experiments and publicity for ISS. I really loved those parts and appreciated the fact that the scriptwriters attempted to show a variety of activities done by the astronauts. The ending of the movie was also interesting. I don’t know whether they didn’t explain what actually happened with the pods (how did they switch?) because they are hoping for a sequel or because they wanted to leave it open for speculation/discussion?

Directing

The Swedish director Daniel Espinosa directed Life. This was his second US-based picture, but he has also directed Child 44 in the UK (really enjoyed that one) and made a couple of films in both Denmark and Sweden. I quite liked what he did with Life. The visuals were just absolutely gorgeous and not once did I think that we weren’t in the real ISS. The pacing and the intensity were also great. The horror elements of the action weren’t cheesy either and didn’t rely too much on the jump scares but used the technique of suspense building and the visceral imagery to elicit a reaction. In fact, some of the scenes were quite gruesome and uncomfortable to watch but they were effective so I can’t fault a movie for that. The camera work was also pretty impressive, especially one of the early long shots that seemingly went all through the space station. The alien POV was also a neat effect.

Acting

The film had a very diverse cast for a narrative reason rather than just for a financial one. The astronauts were played by Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, and Olga Dihovichnaya.

Seeing Gyllenhaal on screen in yet another movie made me realize that he is one of a few actors who is constantly working. He never seems to fall off the radar even if his pictures don’t earn much. A few of his recent films that I enjoyed are Everest, Southpaw, and, especially, Nocturnal Animals. It was also really nice to see Ferguson in yet another American film (she began her career in Sweden, but has already appeared in MI5, Florence Foster Jenkins, and The Girl on The Train) and I’m excited to continue following her career. For Reynolds, this was his first post-Deadpool film and I think that his role in the marketing campaign for Life was expanded because he is the man behind the Merc with a Mouth. The ad campaign led me to believe that he will be an important part of the picture so I was quite surprised with his character’s story arc.

Sanada, weirdly enough, portrayed a character in Life who very closely resembled his character in Sunshine – a movie which I already mentioned in this review because of its and Life’s similar stories. What a coincidence that these films share an actor too. Bakare has mostly done TV work before now, but he also had cameos in big films like Rogue One and The Dark Knight. Lastly, Dihovichnaya is a newcomer to the Western mainstream cinema but is an established actress in Russian-speaking indie cinema market. I hope that her work in Life will provide her with more opportunities in the West.

In short, Life was a well-made space horror flick. It had a great cast and neat, suspenseful action, which will entertain the majority of the cinema -goers, and an open ending for those who appreciate the intellectual layer in their sci-fi.

Rate: 4/5

Trailer: Life trailer

Movie review: Nocturnal Animals

Hello!

Welcome to another Amy Adams movie review. A few back, I discussed Arrival and today, I’m giving you my thoughts on Nocturnal Animals.

IMDb summary: An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

In short, I would describe Nocturnal Animals as Hell or High Water and The Neon Demon put together. The more glamorous parts of the film (the bourgeoisie and the art scene), as well as the stylistic look of it, reminded me of The Neon Demon (plus, Demon was about the fashion world, Animals directed by a fashion designer), while the grittier parts – the book’s plot – were reminiscent of Hell or High Water both visually and thematically.

The fashion designer Tom Ford both wrote, directed, and produced Nocturnal Animals. This was his second attempt at making a feature film . I’ve not seen his first movie – A Single Man – but he impressed me a lot this time around, so I will most likely check out his debut movie. He successfully transitioned from designing to filmmaking and I’m excited to see what he will come up with next.

Writing and Story

I absolutely loved the clever and intriguing narrative of the film. All the different storylines – the reality, the book’s plot and the flashbacks – were separately interesting and distinctive but I also liked how they were combined and how they mirrored each other. In general,  I would say that the fipm was based on  thematical dichotomies – Texas vs. LA/NY, parents vs. children, felons vs. victims, past vs. present, and book vs. reality – and all of them were super engaging. I also liked the fact that the movie did not take sides: it critiqued both the southern traditional way of life and the uber modern and stylish world of the urban high classes.

Nocturnal Animals also appealed to me because it explored my biggest anxieties: the most obvious one was, of course, all of the events of the book (kidnap, rape, and murder). However, the fear of becoming like my parents and the anxiety which surrounds the uncertainty of my future are both very familiar and deeply personal to me as well. 

The movie had a very open ending and left some questions unanswered. Three theories immediately sprung up in my mind. 1. Maybe the film’s message was that one cannot truly change the past and it might sometimes be too late to say sorry, so that’s why the ex-husband didn’t show up. 2. Maybe, the novel’s events were just the main character’s way of dealing with the past mistakes a.k.a. putting ideas into a narrative and the ex-husband wasn’t actually a real person. 3. Maybe the book was just one big suicide note and that’s why he didn’t show up?  I’m probably totally wrong but it is fun to speculate and think about it.

Directing and Visuals

Nocturnal Animals had an interesting blend of visuals: it mixed urban lights with rural desserts. I especially loved all the landscape shots – the framed stills would make for some amazing photographs. The way modern art was used in the film was also interesting. I, personally, don’t get modern art but I can appreciate it. However, I got to say – I was a bit weirded out by the opening of the film (nudity) and wasn’t entirely sure if I was even in the right screening. However, I think that that was the point of the scene – it was meant to shock and to showcase the eccentric world of art that the film’s main character inhabited.

Nocturnal Animals was a perfect example of a successfully and tastefully stylized movie. Tom Ford’s design background and eye for textures and colors really assisted him in the choice of visuals. In addition, he dealt with the pacing of the picture very well: it was slow but never dragged – it was suspenseful and mesmerizing without beeing cliche.

Music and Soundtrack

Abel Korzeniowski did the soundtrack for the film. I really liked the instrumental score: it fit both the visuals and the narrative nicely. My favorite track was the one that sounded like the sextet from the movie Cloud Atlas. That particular track accompanied a variety of scenes and was also played during the credits.

Acting

The film had a stellar cast. Amy Adams was magnificent – I liked her performance even more than the Arrival one. Her eye-acting was mesmerizing. I also loved the way the movie played with the fact that Amy Adams’s and Isla Fisher’s look very similar. Jake Gyllenhaal was also brilliant – he lost himself in the role as he usually does. Michael Shannon was also a stand-out – loved his cool yet realistic portrayal of the detective. Lastly, Aaron Taylor-Johnson completely surprised me – this was probably his best role that I have seen yet just because it felt like the most challenging one. He was so good as the crazy, cocky, and eccentric felon. Armie Hammer also appeared in the film in his signature role of  ‘a white privileged businessman’.

Cast’s movie recommendations:

• Adams – Arrival, Big Eyes, American Hustle, BvS;
• Fisher –Now You See Me ;
• Gyllenhaal – Zodiac, Prisoners, Nightcrawler, Southpaw, Demolition;
• Shannon – Take Shelter, Midnight Special;
• Taylor-Johnson – Anna Karenina, Godzilla, Avengers 2;
• Hammer – The Social Network, The Man From U.N.C.L.E.

In short, Nocturnal Animals was beautifully stylized film, which also had important themes and interesting narrative ideas to match its gritty and glamorous visuals. The acting was also top-notch.

Rate: 4.5/5

Trailer: Nocturnal Animals trailer

Movie review: Everest

Hello!

While technically the awards’ season hasn’t started yet, I believe that we have our first solid contender for the Best Picture nomination. You know how every year at least one more mainstream movie gets nominated? (For example, last year it was American Sniper, a year before that – Gravity.) Well, I think that Everest will be this year’s awards nominated blockbuster. Let’s review it!

IMDb summary: A climbing expedition on Mt. Everest is devastated by a severe snow storm.

Everest film is based on the real events of 1996 Mount Everest disaster. I, personally, knew nothing about this tragic event, since I wasn’t even born when it happened. Also, while I knew that the movie was based on real life events, I didn’t want to research them much beforehand, so that I would not spoil anything for myself. However, I will spoil some stuff in this review, so if you haven’t seen the film and don’t know the real story like I didn’t know it, maybe come back to the review after you watch the film. If you know the story or just don’t care about the spoilers, please – read on.

So, as with all Hollywood movies, one usually hopes for a happy ending. Well, it’s not the case with Everest. The most interesting part is the fact that until the very last minute, I was hoping for a happy ending. I was sure that we, as an audience, would get one. And only when the credits and the memorials came up, I’ve realized that this is not that type of a movie. Huge props to the creators of the film, who were able to keep the audience invested into the film till the very end. Also, they were able to break out of the Hollywood movie stereotype/pattern , which has a somewhat predictable ending and a plot filled with cliches.

Not only does this film keep you invested till the very last minute, it affects your emotions a lot. While at the beginning of the film, you can find some inspirational stuff about following your dreams, at the end, you ultimately arrive at the conclusion that some dreams are not worth risking your life for. Or maybe they are for some people? That’s an open discussion. For me, the film was extremely sad, especially the 2nd part of it and the ending was heartbreaking. I don’t really cry in movies, but I was really tearing up in this one. Thank god, that I was the only person in the last row.

Writing 

This screenplay for the film was written by two British screenwriters – William Nicholson and Simon Beaufoy. Nicholson was a co-writer on Gladiator and has received an Oscar nomination for that film. He has also written a few of my favorite films – Les Miserables, Mandela: Long Walk to Freedom and Unbroken (co-writer). Beaufoy has an Oscar for writing a script for Slumdog Millionaire and he was also one of the writers on the second Hunger Games film – Catching Fire.

I loved what they did with the Everest screenplay. The film had a lot of characters, but they all had their little moments to shine. As a result, this necessary character development allowed the viewers to feel connected to the characters and really care for them in the times of crisis.

Also, the idea that companies like Adventure Consultants and Mountain Madness, who specialize in taking tourists to the summit of the Everest, really exist was a surprising one for me. I knew that were people who want to climb to the highest points of Earth, but I guess I never really expected somebody to allow them to do that for profit. Or that anyone would risk their life for such profit. But, I suppose if there are companies who would take tourists to space, you can’t expect people not to look for financial benefits down here on Earth. Also, as with every sport or occupation, there is a type of rush and desire to reach higher (literally, in their case), so I guess it shouldn’t be that shocking to me.

Directing

The film was directed by Baltasar Kormákur from Iceland. I haven’t seen his other films, but I’ve adored the visuals of Everest. From what I saw in the behind the scenes videos, I can tell you that they filmed a lot of this film on location. And even if they used some green screen and CGI, you could never tell the difference – the film was seamlessly edited. In addition, the scenery of the mountain range was beautiful and terrifying and the same time. The actual climbing footage was suspenseful and exciting.

Acting

This movie has a huge ensemble cast full of A-list actors and all of them bring their A-game. (A-listers and their A-game – sorry for the pun). I will only talk about a few of my favorite performances because this review would be way too long if I spoke about each and every character. Also, since in today’s world, you can’t review the movie without mentioning the color of the actors’ skin, I will just tell you that this film’s cast is predominately white. However, whitewashing is not the issue to the masses, because the film depicts real-life events which involved mainly white people. I’ve gotten extremely tired of people noticing the skin color of the actor before they notice the actual person, so, I hope you felt the sarcasm in a few sentences before this one. Let’s move on.

• Jason Clarke as Rob Hall was the leading man of the film, whose story was the most heartbreaking one. Until the very end of the film, I wanted to believe that he will make it home to his wife and unborn daughter. Keira Knightley played his wife – Jan Arnold – and their conversations on the phone were extremely emotional and one of the saddest parts of the film. Speaking of the actors performances, I have seen a few films starring Clarke, but he never really stood out to me until this film. For example, I thought that he was only okay in Dawn of the Planet of the Apes. However, I do believe his role as Rob Hall was his best performance to date and an amazing comeback after Terminator Genisys. Knightley was also amazing in her small part, but I was always a fan of hers, so that wasn’t surprising to me. 
• Jake Gyllenhaal as Scott Fischer. Gyllenhaal just keeps impressing me more and more with his every film. His role was quite small here because the film had so many characters, but he was really good in it. I also applaud how versatile he is as an actor, not just with his body (Southpaw review), but with his overall mindset and investment into the character. While watching the film, you never really think about Gyllenhaal as an actor or about any other character that he has played before. You just sit there and marvel at a complete transformation of a true actor. 
• Josh Brolin as Beck Weathers and John Hawkes as Doug Hansen. The reason that I’m putting these two people together is because I want to talk about the contrast that their characters brought to the film. Beck was a rich doctor, who climbed the mountain because he felt depressed at home with his wife, and Doug was a poor mailman, who did the climb to inspire kids from poor families. Beck’s reasons seemed much more selfish than Doug’s. The sad part is that Beck was the one who made it home and Doug didn’t. However, Dough reached the summit and Beck did not. So, their stories and the characters themselves, although contrasting at first, ended up being kinda equal. Beck’s reaction to the news of Doug’s death also added to that equality, because he seemed really upset by it. Speaking about the actors performance, I really enjoyed both of their portrayals of these real life climbers. I’m more familiar with Brolin’s work because he is Thanos in the MCU (very disappointing villain so far) and he also starred in Inherent Vice – the film that I have yet to watch but really want to. Brolin will also start in another movie this year, coming out very soon – Sicario – opposite  Emily Blunt and Benicio del Toro (another MCU actor). On the other hand, I don’t know much about his co-star John Hawkes, but I really want to watch Winter’s Bone – a Jennifer Lawrence film which Hawkes also stars in.
• Sam Worthington as Guy Cotter, Emily Watson as Helen Wilton and Elizabeth Debicki as Dr. Caroline Mackenzie were the 3 main members of the base camp team. While they were not part of the action of the film, they reaction shots mimicked the audience’s reactions perfectly. To my mind, these actors really played well with each other and were a convincing group. About the actual actors, Debicki has only recently appeared on my radar after The Man from U.N.C.L.E. I really liked her there and felt the same in this film as well. She will also be in this year’s Macbeth with Michael Fassbender – another film which I definitely want to watch. Watson was also a great addition to the cast. I’m not really familiar with her work, but really loved one of her latest films – Testament of Youth, though, she only had a small part in there. Worthington (another Terminator) was also really good in his role. Avatar is still my favorite movie of his and I haven’t seen him do better than that film so far. However, I haven’t seen Cake – last year’s Jennifer Aniston film, which received quite a good word of mouth. True, all the praises were directed at Aniston for her performance, but maybe Worthington was quite good as well. I suppose I need to watch the film to really know.

All in all, Everest is so far my favorite film of this fall and, in my opinion, a strong contender for the awards season. I hope that its release date (an early one) won’t be the thing that stops it from getting the recognition it deserves. The film is visually appealing to the eyes and emotionally captivating for the soul. Huge ensemble cast brings their A-game to the table, while the accomplished screenwriters and the director do justice to this heartbreaking real life disaster story.

Rate: 5/5

Trailer: Everest trailer

Movie review: Southpaw

Good morning!

I’ve promised to post a review for Southpaw 2 days ago, but I am only posting it now for some reason. Better late than ever, right ? Anyway, let’s start talking about a film already.

Southpaw is the latest Antoine Fuqua’s film, starring Jake Gyllenhaal, Forest Whitaker, and Rachel McAdams. It’s a sports drama distributed by The Weinstein Company. The chairmen of this company – Harvey Weinstein – is known for running very successful Oscar campaigns for the films his company distributes, so Southpaw is expected to get a few nominations as well. And it definitely deserves it! The only thing that might stop this film is its release date. Oscar season usually doesn’t start in summer, but Southpaw is trying to change the game. I hope it succeeds.

IMDb summary: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track after losing his wife in a tragic accident and his daughter to child protection services.

Story

The script for Southpaw has been written by Kurt Sutter. Sutter has worked as a writer, producer, and director on various TV shows (Sons of Anarchy being one of them), but this is his first time writing a screenplay for a motion picture. Southpaw is a story about a down-on-his-luck boxer Billy Hope, who, due to circumstances and his own hot temper and anger, loses everything he has, even, excuse the pun, hope to get back on his feet and onto a right path. I have never been a huge fan of boxing, I’ve never really understood the appeal of this sport, or of any martial arts and combat sport. As a result, I haven’t seen a lot of boxing movies, so Southpaw for me was an interesting, exciting and quite a fresh film. However, since I’m an athlete myself, I have seen a lot of movies about sport and all of them, including Southpaw, have the same cliches, like: finding a new coach who used to train one’s unbeatable opponent, getting the necessary motivation because of some random kid’s story, training not only for the title but to provide for one’s family and so forth. Having said that, even though the film is predictable and the biggest twist is spoiled in the trailer, Southpaw is still a great, but depressing story about a man’s fight for his existence, both in the ring and in the actual ‘real’ life.

Values

Southpaw underlines the importance of family a lot; it especially highlights the father-daughter relationship, which is always a winning theme for me, since my dad is my best friend. Furthermore, friendship and fake friends are also a theme that is touched upon in this movie. In addition, the corporate and commercial side of the sport is also discussed. Lastly, a theme, which is very important to all martial arts movies and real life boxers, of mixing the ring with real life is at the core of Southpaw. Interestingly, while a lot of people (including myself) might think that anger is the driving force in all combat sports, this movie tries to show how the actual technique of fighting, speed, and fast thinking are the skills that help one win the fight. Anger can only get you or others close to you killed or at least badly hurt, both in the ring and in day-to-day life.

This movie also has an interesting structure. The thing that sends Billy Hope’s life into a downwards spiral happens in the first 15 minutes and then the audience is asked to sit through 1.5 hours of slow, almost action-less redemption ark, which isn’t very redeeming at first, and only in the last 15 minutes Billy is actually able to get his life back on track. However, there are things and people that he is not able to get back and that will leave a mark on him for the rest of his life. Some consequences are permanent and that’s the sad true that all people have to deal with.

Directing

Southpaw is directed by Antoine Fuqua, who is probably best known to mainstream audiences for directing 2001’s Training Day, starring Denzel Washington and last year’s The Equalizer, also starring Denzel. I’ve seen both of these films but never have been a big fan of them. Personally, I was introduced to Fuqua in 2004 with the film King Arthur. That movie was one of my favorites during childhood and it still is now. The fight scene over a frozen lake is one of my favorite scenes in movies ever and also, that scene, together with Lord of the Rings: The Two Towers final battle scene, are the things that made me want to try my hand at archery! And now, almost 10 years later, it’s still my hobby. Anyway, sorry for going off track, we are here to talk about Southpaw. The fight scenes in that film are shot brilliantly, you feel like you are in the ring with the boxers and that you are actually the one fighting, The dark, brownish and grayish color palette also represent the mood of the film perfectly.

The next Fuqua’s film – the remake of 1960s Western – The Magnificent Seven – will be released next year and it will have a very esteemed cast. Denzel Washington once again will work with Fuqua after taking a 1-year break, fan favorite Chris Pratt and Boyhood’s Ethan Hawke will provide their services and even Kingpin – Vincent D’Onofrio – will stop by.

Acting

Jake Gyllenhaal as Billy Hope. Gyllenhaal deserves much more credit and attention than he gets. He is an extremely versatile actor, both with his emotions and his body. Do you remember how he looked last year in Nightcrawler and how he looks now in Southpaw? I still don’t know why he didn’t get an Academy Awards nomination last year and I will be extremely pissed off if he doesn’t get one this year. I enjoyed Nightcrawler a lot – never has a film or a character in the film made me feel so uncomfortable. I also liked Jake’s performance in movies like 2007’s Zodiac and 2010’s comedy Love and Other Drugs. I really want to check out his earlier work – Donnie Darko and Brokeback Mountain – as well.

Rachel McAdams as Maureen Hope. Usually, when an actress creates an iconic role, it’s hard for said actress to break out of that preconceived notion and stereotype. But Rachel McAdams never had this problem. In 2004, she starred in not one, but two cult classics – Mean Girls and The Notebook. Sadly, she hasn’t been able to recreate that year’s success with a wide variety of films – dramas, comedies and action flicks, but 2015 might be the year. Although her role is small and she isn’t on screen much, she kills it. I loved her character because Maureen Hope was the boss of the family and a strong female character that all movies are trying to create nowadays, but only a few of them actually succeed at doing so.

Oona Laurence as Leila Hope was amazing. Definitely, a young talent to watch. She is already pretty well know in a theater circuit for originating the role of Matilda Wormwood in Matilda on Broadway and for being nominated for a Grammy with the cast of Matilda for a soundtrack of that musical. Moreover, Oona has 7 movies (both short and feature-length) coming out this year and she is only 13 years old! Do you feel like you haven’t done anything with your life? Because I certainly am.

Forest Whitaker as Titus Wills was also a great addition to the cast. His character was believable and realistic as well as a great mentor for Billy Hope. The look of the character was also interesting and unique. I am not really familiar with Whitaker’s other films, although I enjoyed his performance in The Butler.

Curtis “50 Cent” Jackson as Jordan Mains was also surprisingly good. I always expect singers-turned-actors to be quite terrible, but Jackson has quite a broad film career, in addition to being a rapper. His look was also on point – those suits were amazing.

Miguel Gomez as Miguel “Magic” Escobar played the opponent of Billy Hope and was okay. His character was the only one, who, at times, seemed like a cartoon version of himself, meaning he was too over the top.

Rita Ora as Maria Escobar. Ora had a small cameo in the film and was really good in it. Previously, she had a small cameo in Furious 6: Rita met Vin Diesel at some event and they just came up with a role for her on a spot. Since then, Ora has been trying to get into Hollywood, but I don’t think she chose a great franchise as a starting point. I, of course, mean the infamous Fifty Shades of Grey, where she plays Grey’s sister. I guess we’ll just have to wait and see, what comes out of it.

To sum up, I enjoyed Southpaw immensely and I have never been a fan of boxing. The movie’s plot was full of sport’s movie’s cliches, but amazing directing from Fuqua and strong performances from the whole cast, especially Jake Gyllenhaal, made up for it. I highly advise you to see this film, because I believe it will resurface when the Awards season kicks in.

Rate: 4/5

Trailer: Southpaw trailer