Movie review: Jumanji: Welcome to the Jungle

Movie reviews

Hello!

Another reboot/sequel of a beloved childhood classic has hit theatres, but, this time around, it’s surprisingly good?! This is Jumanji: Welcome to the Jungle! (That title is awful, though.)

IMDb summary: Four teenagers discover an old video game console and are literally drawn into the game’s jungle setting becoming the adult avatars they chose.

Only last year, a 1980s classic, Which was near and dear to a lot of people during their childhood, was remade and the Internet went nuts. However, that Ghostbusters debacle did not stop Hollywood from remaking/attempting to continue another classic property, this time around, from the 1990s. And it looks like the LA suits were right to try: I haven’t seen much hate (barely any) towards the 2017’s a Jumanji. Why is this reboot more acceptable than the Ghostbusters one? Is it the Rock? The Rock and Hart proven combo? The ‘correct’ genders of the characters (mixed cast rather than an all-something reboot)? Or maybe nobody liked Jumanji in the first place as much as I thought they did? I certainly remember the film quite fondly from my childhood.

Writing

Jumanji: Welcome to the Jungle was written by Chris McKenna and Erik Sommers (the duo behind Spider-Man: Homecoming and The Lego Batman), the director Jake Kasdan, and Scott Rosenberg and Jeff Pinkner (the writers of the upcoming Venom movie which is currently being filmed). In general, I enjoyed quite a lot of elements of the writing of this film.

To begin with, I thought that the idea to update Jumanji from a board game to a video game was a clever one. However, the way the script went about doing that – just sort of allowing the game to morph by itself – was a bit weird. Also, if they were giving the game an update, why not do a completely contemporary take on it? Make it into a Nintendo Switch type of a thing rather than a very 90s cassette game. What I did like about the video game concept in relation to this film was the fact that the movie overtly and unapologetically used the video game tropes, like the cutscenes, the numbered lives, the strengths/weakness idea, and the different levels. Jumanji might actually be the best video game movie without technically being one

The new characters of Jumanji weren’t bad either. The teenagers/real-life characters got some brief but neat development during the setup, which was nicely built upon during the following adventure. The relationship moments that the characters shared actually provided the picture with some opportunities to explore the ideas of friendship and teamwork. Some nice messages about bravery, self-confidence as well as one’s ability to change were also expressed. The interactions between the characters also resulted in some great humorous moments. The flirting school and the peeing scene were stupid but also hilarious. The switch-ups with the bodies (the nerds becoming athletic and cool; the popular kids being degraded to sidekicks and the comic relief) was another source of jokes for the film.

My main and the only actual critique of the movie was its plot or the set up of it. The game narrative itself was fine and it worked well as an adventure story. However, the way it just came out of nowhere seemed a bit odd. That whole explanation about the stone, the villain, and the curse seemed a bit heavy-handed and too highly fabricated. At least the format of that explanation/set-up (the cutscene) was somewhat meta (explicit in its usage of a trope) and, thus, a bit more interesting.

Lastly, while this film appeared to have been a direct continuation of the original Jumanji with the game itself being found on the beach, where it was last seen, I question whether the people behind-the-scenes are planning to make any further sequels, in case this one is successful. The last scene, which showed the characters breaking the game, suggests that we won’t see any sequels, which is, quite frankly, a shocking thing in today’s mainstream filmmaking business.

Directing

2017’s Jumanji was directed by Jake Kasdan (his last two films were both mediocre Cameron Diaz comedies) and I thought that he crafted quite an entertaining action adventure flick that was so much better constructed that I thought it’d be. The action was inventive enough and energetic. The CGI of the animals could have been a bit better. The pacing was fine for the most part, though the film did slow down a bit towards the end of the second half. Lastly, I’ve noticed (or imagined) some callbacks to other movies in this feature, which seemed like quite neat additions to me: the creepy house and the yellow raincoat reminded me of It, while the biker gang inside the game seemed Mad Max-esque.

Acting

Jumanji’s two casts were both really good. The teenagers/young adult actors – Alex Wolf (Patriot’s Day), Ser’Darius BlainMorgan Turner, and Madison Iseman – were believable and relatable. However, the majority of the film was carried by the video game versions of these characters, played by Dwayne Johnson (Baywatch, FF8, Moana, San Andreas), Kevin Hart (The Secret Life of Pets), Karen Gillan (Guardians of the Galaxy 1 and 2, The Circle), and Jack Black, respectively. Johnson’s and Hart’s chemistry, which blossomed in Central Intelligence, was back in full force in this movie. All of the scenes with the Rock discovering his muscles were incredible and I also appreciated the fact that the film poked fun at his inherent charisma with that ‘smoldering look’ skill. Kevin Hart was amazing and funny too, while Karen Gillan was a complete badass (both as a character and as an actress). Jack Black also surprised me. I have never been much of a fan of his but I highly enjoy seeing him acting as the ‘it’ girl in this film.

A few other characters, worth the mention, were played by Nick Jonas and Bobby Cannavale (Ant-Man). Jonas was okay in the picture but his character was intended to be somewhat of a replacement for Robin Williams character of the original (a person who gets stuck in the game) and, no offense to Nick Jonas, but he could never replace Williams. Cannavale played the villain and he was the worst of the cast, in my mind. I think he went a bit too cartoonish with his performance – yes, there is such a thing as too cartoonish even in a live-action cartoon.

In short, Jumanji: Welcome to the Jungle is a surprisingly entertaining adventure movie. It would be the perfect holiday film for the whole family if it wasn’t competing with Star Wars 8.

Rate: 4/5

Trailer: Jumanji: Welcome to the Jungle trailer

adventurous-new-international-trailer-and-posters-for-jumanji-2-welcome-to-the-jungle1

Advertisements

Movie review: Justice League

Movie reviews

Hello!

Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.

SPOILER ALERT

Writing

Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).

Directing

Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).

Acting

The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer

justice-league-poster

2017 Summer Movies RANKED

Movie previews, Movie reviews

Good day!

Welcome to the fall/autumn and the post dedicated to the general overview of the 2017 Summer Movie Season. And bear in mind, I’m using the term ‘summer’ very loosely. Since a lot of blockbusters came during the early spring, I extended this movie season’s beginning from May to March, so the time frame we are now working with is March to August. Like in 2016 and 2015, when I ranked the movies of those respective seasons, I’m dividing the pictures into categories by genre as much as that is possible (a few of these films can fit into a couple of genres). Lastly, while the rank I gave these movies when I reviewed them does affect my thought process, it is not the only factor for ranking these films. Some of my ideas about the said films might have changed with time or with a second viewing. Enjoy and tell me your favorite movie of 2017 (so far) in the comments!

Comic Book Movies:

  1. Logan
  2. Wonder Woman
  3. Spider-Man: Homecoming
  4. Guardians of the Galaxy Vol.2
  5. Batman & Harley Quinn

Action Movies:

  1. Baby Driver
  2. Free Fire
  3. Atomic Blonde
  4. Fast & Furious 8

Animated Movies:

  1. Cars 3
  2. The Boss Baby
  3. Despicable Me 3
  4. The Emoji Movie

Sci-Fi Movies:

  1. War for the Planet of the Apes
  2. Okja
  3. Life
  4. Kong: Skull Island
  5. Power Rangers
  6. Valerian and the City of a Thousand Planets
  7. Alien: Covenant
  8. What Happened To Monday
  9. Ghost in the Shell
  10. Transformers: The Last Knight

Fantasy Movies:

  1. Beauty and the Beast
  2. King Arthur: The Legend of The Sword
  3. Death Note
  4. The Mummy
  5. Pirates of the Carribean: Dead Men Tell No Tales
  6. The Dark Tower

Action Comedy/Comedy Movies:

  1. Girls Trip
  2. The Hitman’s Bodyguard
  3. Baywatch
  4. War Machine
  5. Rough Night
  6. Snatched

Drama Movies:

  1. Wind River
  2. Dunkirk
  3. American Made
  4. To The Bone
  5. The Circle
  6. The Glass Castle
  7. Sand Castle

Romantic Drama Movies:

  1. The Big Sick
  2. Their Finest
  3. The Promise
  4. The Beguiled
  5. Everything Everything

I hope you enjoyed my list as well as the summer movies. Onto the awards’ season!

Movie review: Atomic Blonde

Movie reviews

Hello!

Accidentally, this week my blog has a theme – alternative (not DC or Marvel) comic book movies. On Tuesday, I reviewed Valerian (based on a French comic book) and today, we are talking about Atomic Blonde!

IMDb summary: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

Writing

The movie Atomic Blonde is based on a 2012 graphic novel ‘The Coldest City’ by Antony Johnston and Sam Hart. The screenwriter Kurt Johnstad (writer of the 300 movies) was the one who adapted this property. It was actually quite refreshing to see a film written by a single person rather than a group of screenwriters of varying experiences. And yet, the writing was still a mixed bag. I loved the main narrative and its structure – the story was presented in a flashback with the verbal exposition being given in an interrogation room. So, the plot was both told and shown. The set-up for the story and the decision to start it from almost the very end also helped to establish the main character. In the first seconds of her appearance, we realized her occupation, her relationships, and her vulnerabilities.

The spy-world was also well realized, with some of its details being quite fascinating. I loved how the film spotlighted the way spies deal with their lives, both physically and emotionally (ice baths, drinking, smoking). The historical tie-ins – the TV announcements about the state of Berlin Wall – were cool too and help to ground the movie. The ideas of spies deceiving each other and always having multiple ulterior motives were quite neat as well.

My few gripes with the film were a single logical flaw and the conclusion of the story. The thing that didn’t make much sense was the fact that James McAvoy’s character was trusted by others when he was obviously acting shady. Plus, the picture’s motto was ‘Never Trust Anyone’, so the fact that the characters turned a blind eye to his deceptions was kinda dumb. Secondly, the film’s story had a lot of twists and turns at the end, which were really heavily piled one on top of another. I wish that these reveals would have been given earlier or handled in different a way because it felt like the movie had multiple endings and didn’t know when to stop.

Directing

The longtime stunt coordinator, stuntman, and fight choreographer who recently transitioned into directing – David Leitch – helmed Atomic Blonde. His previous directing credits include the first John Wick (with Chad Stahelski), while his upcoming project is the Deadpool sequel. Not surprisingly, Atomic Blonde has been nicknamed online as the female version of John Wick and, while the comparison is valid, Atomic Blonde is also very much its own thing. It has its own cool action scenes, which were choreographed superbly and showcased fighters using a lot of everyday props rather than guns. The way these fight scenes were modified for someone, who is physically weaker (a female body) was interesting too. I also loved the car chases with all the old, now vintage, cars (no yellow Fast&Furious Lamborghinis here). 

The overall tone of Atomic Blonde was also really cool. I’d describe it as gritty glamor. The gritty part comes from the bloody action and the truthful depiction of the life of spies. The glamor could be seen in the costumes and the hairstyle of its lead – Charlize Theron had an impeccable look with her long, classic coats and platinum blonde hair. The cool color pallet added to the glamor too. The punk influences of 1989/1990s Berlin (the combo of grit and glamor) were also felt in the movie, from the locations of the underground clubs to the visuals of the graffiti on the wall. The soundtrack of the picture also emerged up from this general feel and tone. The composer of John Wick and Guardians of the Galaxy films, Tyler Bates, did a great job on the Atomic Blonde score, by mixing together 90s English and German songs as well as their more modern reworkings.

The director Leitch also did a brilliant job of filming the action in a variety of angles. Every trick in the book was used – from long panning shots and zoom ins/outs to close-ups to handheld shots with and without the cuts. That continuous action sequence in the apartment building was especially amazing. Genre wise, Atomic Blonde certainly felt more like a drama/thriller rather than just an action film. Its pacing wasn’t super fast – the movie didn’t really drag (except maybe the ending) but it never got as exciting as it could have been.

All in all, though I had some problems with the directing of the film, I enjoyed it overall and I still think that Leitch can nail Deadpool 2. We all know that he can deliver a magnificent action sequence, I just wonder whether he can do humor and comedy.

Acting

Atomic Blonde had quite a stellar cast. Charlize Theron (The Huntsman, Mad Max, FF8, Kubo) was front and center, demanding all the attention for the best reasons. She was amazing in the role, especially in its physical aspects (she did lots of stunts herself). James McAvoy (X-Men) was cool and creepy in his role. His persona in this film felt like just another personality of his character in SplitSofia Boutella (The Mummy, Star Trek, Kingsman) was also good, though her performance was brief. John Goodman (Kong, Trumbo), Eddie Marsan (Their Finest), and Toby Jones rounded out of the cast.

In short, Atomic Blonde is a very entertaining thriller that has a lot of cool aspects but also some minor flaws. Not a perfect film but definitely worth a watch.

Rate: 3.7/5

Trailer: Atomic Blonde trailer

abl-rtdadv1sheet-rgb-1-5938474674f1c-1.png

Movie review: Baby Driver

Movie reviews

Hello!

An original movie, in this day and age, is a rarity, and that makes Baby Driver ten times more special than it already is. Let see whether the film can live up to the hype, whether it can prove the worth of original material, and whether it can act as the comeback of Edgar Wright! Plus, can it just be a fun and enjoyable summer movie?

IMDb summary: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Edgar Wright

Baby Driver was both written and directed by the coveted auteur Edgar Wright (one of the few auteurs working in Hollywood). Wright is best known for creating The Three Flavours Cornetto trilogy and cult classic Scott Pilgrim vs. The World. He also worked on the Marvel project Ant-Man before parting ways with the studio. Even though he left Disney/Marvel, he did live to make another movie and Baby Driver very much proves that his career is far from over. So, on a side note, Lord and Miller situation (them being fired from the Han Solo movie) might also turn out fine.

Writing

I very much enjoyed the writing for Baby Driver. The story was tight and simple, but yet also complex and unique. Let’s begin with the main character of Baby – I don’t think I can name another recent character that was so extraordinary. His love for music and driving, his sense of style (those glasses – brilliant), his relationships with his mother, girlfriend, and the deaf foster dad, and a good heart made him not only a relatable but extremely likable lead. And yet, he also had unexpected qualities (like the idea for that brutal kill or just bravery enough to kill). Also, the fact that the movie acknowledged that there are different ways to enjoy music (by hearing AND feeling it) was so great.

The romantic plotline also actually worked, which it rarely does in an action film. I loved the ending shot in black and white: they looked like a couple of criminals from a 60s movie. All the main criminal characters were amazing too and I loved the fact that all of their arcs had a definitive ending and that they weren’t dropped halfway through the runtime. My only gripe was that I didn’t think that Kevin Spacey’s character’s change of heart fully worked. The film also had wonderful humor, some of my favorite parts were the kid in the post office and the butchery metaphor. Lastly, I loved how Wright paid dues to other movies, by either giving them a shout-out or just showing a clip from them on TV. Baby Driver was, truly, a film written by a movie lover for movie lovers.

Directing

From the trailers, Baby Driver seemed like a super fun movie but I didn’t feel that it had the signature flavor of Wright. I was kinda right – Baby Driver was his lowest energy project yet (although it did dial everything up for the finale) and his most mainstream film so far and that is not really a bad thing. It was basically something different yet familiar. I loved all the action sequences and enjoyed the irony of Baby also having to run rather than drive in one of them. I was also impressed by the long takes, especially the one that followed the opening car chase. The signature close-ups were also neat.

Plus, I liked the fact that they used normal looking cars, not super expensive and super fast ones. Thus, Baby Driver was a celebration of driving – a thing that The Fast and The Furious used to have but lost completely in the later installments. Lastly, I cannot write a review for Baby Driver without mentioning the editing and the soundtrack. This is how you edit the visuals into the music. King Arthur and Suicide Squad should watch and learn.

Acting

Baby Driver’s cast was marvelous: it consisted of both proven actors and some up-and-comers. Ansel Elgort (TFIOS, Divergent) was spectacular, they way he acted into the music/with the music was just thrilling to watch. Lily James (Cinderella) was good as his girlfriend: they looked cute together and had chemistry. The cinema veterans Kevin Spacey (House of Cards), Jon Hamm (Keeping Up With The Joneses was actually not bad), Jamie Foxx (Sleepless was the best movie of this January – not much but something), and Jon Bernthal (The Accountant) all brought their A-game and appeared to be having a ton of fun with this picture. Lastly, an unknown (to me) Mexican actress Eiza González was an amazing badass to watch as well.

In short, Baby Driver is the best version of Drive meets American Grafitti. It has great action, funny jokes, cool editing, spectatcular soundtrack and it’s Edgar Wright at his best, even if that ‘best’ is a bit different than we are used to.

Rate: 4.5/5

Trailer: Baby Driver trailer

baby-driver-poster

Movie review: Baywatch

Movie reviews

Hello!

Welcome to a review of one of the first comedies of this summer’s movie season – Baywatch! Even though the online discussion around this movie has died down before it even started (the film flopped at the US box office), I still decided to see it because of the cast and the brand-recognition! Also, I’m almost 3 weeks late to the aforementioned discussion cause the movie only came out today, where I’m currently staying (the joys of international release schedules!).

IMDb summary: Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit, as they uncover a criminal plot that threatens the future of the bay.

I vaguely remember watching some episodes of the original Baywatch TV series at least a decade ago. Besides, I have always wanted to be a lifeguard myself (especially during the summer), so seeing the shenanigans of the lifeguards had a personal appeal.

Writing

Baywatch’s screenplay was a mixed bag, like so many blockbuster scripts nowadays. What is for sure – the movie definitely did not need 6 screenwriters. The screenplay credits were awarded to Damian Shannon and Mark Swift, while Jay Scherick, David Ronn, Thomas Lennon, and Robert Ben Garant supposedly contributed to the story. Bear in mind, neither of these writers are proven or trustworthy (they haven’t had any big hits yet).

The narrative that these 6 gentlemen crafted for the film was fine. It didn’t make the most sense but I didn’t expect it too. The opening sequence worked (technically) – cause it set up the whole plot neatly (literally, every scene either introduced a character or a plotline – everything happened super mechanically and by the numbers – there was no breathing room) but it wasn’t the most interesting thing to watch. All the different plotlines – the drug smuggling, the lifeguard investigation, the lifeguard v police fight, Efron’s character’s redemption, Johnson’s character’s personal arc, the two (three?) romantic duos – did not really gel at times. The ending was also cheesy and illogical but since it was kinda entertaining and mostly funny rather than cringe-y, I could forget the storytelling flaws.

Another important aspect of the film, of course, this being a comedy, was the humour. Like the story, it was a mixed bag. Some jokes landed and seemed organic enough, while the others made the impression that the filmmakers were just trying too hard. My favourite moment, by far, was the scene where Johnson shouted to Efron: ‘Hey, High School Musical’. Actually, a lot of the nicknames by Johnson worked. The lunch table gag with the salad was good as well as the moment where Efron calls outs their plan for sounding like a plot of a TV show. Nice, 4th wall breaking wink, there. The pop culture references were mostly fine too. However, the whole arc of Ronnie (played by Jon Bass) was too awkwardly painful to watch. I really dislike cheap comic relief within a comedic movie.

The writing for characters was okay too, even if quite scarce. One thing that stuck out to me was the fact that Efron’s character – a swimmer – messed up in the Rio Olympics. That seemed like a jab at the actual real life US swimmer Ryan Lochte, who also got into a scandal in Rio. I might have been reading to much into it, though.

Directing

Horrible Bosses’ director and Pixels‘ executive producer (doesn’t sound too good, huh?) Seth Gordon directed Baywatch and was fine. The pacing was quite wonky – the film really slowed down before the third act, but the third act itself was entertaining enough. The other action sequences worked too – the nursery fight was fun and the lifeguard tryouts were cool – but the CGI could have been way better, the fire especially – it seemed so fake. The slow-mo – a staple of the Baywatch brand – was used extensively, but, in this case, I could let that slide. The final slow-mo shot with all of them running by the beach was actually quite cute, even if we have seen it in the trailers. The bloopers during the credits were also adorable – way more organic and fun than some of the actual jokes.

Acting

Baywatch had a really good cast. Dwayne Johnson (San Andres, Moana, Fast and Furious) basically played himself – a charming, likeable, and super fit man. Zac Efron also played a familiar role – he is always ‘less than clever but sweet guy that needs redemption’ in every comedy ever (Mike and Dave, Neighbours, We Are Your Friends). Efron’s and Johnson’s chemistry was okay but it was not as good as Johnson’s and Kevin Hart’s chemistry in Central Intelligence last year. Next for Johnson –  the Jumanji remake/sequel, while Efron is going back to his musical roots with The Greatest Showman.

Other supporting characters were played by Alexandra Daddario (also from San Andreas), a model Kelly Rohrbach (she was good as a replacement for Pamela Anderson – more natural looking too), Bollywood star Priyanka Chopra in one of her first Hollywood roles (she was fine but I could have done without so many lines stating that ‘oh, she is a woman’), Jon Bass (from Loving), Ilfenesh Hadera, and The Get Down’s Yahya Abdul-Mateen II (he is also gonna be in The Greatest Showman and also will have a role in Aquaman).

The two main cameos in 2017’s Baywatch were given to the two most important Baywatch TV series alumni – David Hasselhoff and Pamela Anderson. Hasselhoff’s cameo was better – he was written into the story, while Anderson’s appearance was just tacked on. Weirdly, Hasselhoff already had a cameo in a summer movie this year – he showed up in Guardians of the Galaxy Vol. 2.

In short, Baywatch is an okay summer comedy. It is not the funniest thing but not the worst either.

Rate: 2.75/5

Trailer: Baywatch trailer

baywatch_ver14.jpg

Movie review: Wonder Woman

Movie reviews

Hello!

Let me begin by saying that I don’t think I can name another recent movie that had so many external things riding on it. Wonder Woman has at least 3: 1. It has to save DCEU and finally unite the fans and the critics; 2. It has to prove that female-lead (behind and in front of the camera) superhero films and action pictures, in general, can be both of high quality and profitable; 3. It just has to be a good movie on its own.

IMDb summary: Before she was Wonder Woman she was Diana, Princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

SPOILER ALERT

Writing

The first big screen adaptation of the Wonder Woman comics was written by a TV and comic book writer Allan Heinberg, who previously tried bringing Wonder Woman to the small screen in 2011-2012. Batman v Superman’s Zack Snyder and a quite unknown writer Jason Fuchs also contributed to the story.

I really enjoyed the narrative that they crafted for this film and the character development that they managed to interweave into it. I loved how the story started in the modern day with Diana looking at the picture from WW1. The said image was actually one of the first pieces of the promotional material released for this film. The flashback to her childhood and younger years on Themyscira were also fascinating. I appreciated that the film did include both of her origin stories from the comics – the clay one and the one where Zeus is her father.

The whole explanation of the backstory for the Amazons and Aries from the Greek mythology was a bit overwhelming but informative and interesting too. The set-up of the world outside of Themyscyra also worked – the scene where Steve told the Amazons about The Great War not only set up the main conflict but also showcased one of the main tools of WW in action – The Lasso of Truth. In general, a lot of my favorite moments in the movie involved the lasso.

On top having a lot of great story elements from the comics and history, Wonder Woman’s script also had a plethora of comic relief moments which did actually work. While the culture shock, which kickstarted all the funny banter, was a bit cringy at times, it was also equally cute, and, most importantly, quite realistic.

All the comedy, as well as the more dramatic moments, worked because of the characters involved. We not only got to learn Diana’s whole backstory, but we also got to witness an amazing character arc of Steve Trevor. I was really afraid that he would be relegated to the background in this movie, but he was, thankfully, front and center – an equal of Diana’s. It was really nice to see him being efficient at his jobs as a spy and his journey from dismissing to believing Diana was also awesome. Plus, I really liked the fact that both he and Diana had separate things to accomplish in the third act. Their interactions – from comedic to romantic ones – worked too and didn’t seem like they were pushed. I was quite sad to see Trevor go, especially since he is such a crucial part of Wonder Woman’s mythos. Having said that, I still think that they did an amazing job with the character in this film. Other characters in the movie were also really interesting, especially Trevor’s friends. That was one weird group of characters you don’t see together on film often.

Thematically, Wonder Woman provided the commentary on humanity and her whole emotional arc was learning to take humans for what they are, flaws and all. And yet, her signature idea of fighting prejudice on all fronts was still present in the movie. Diana’s final realization – that love is the one thing that can save this world – wasn’t campy at all and actually quite emotional. I felt that the movie earned this type of a conclusion. The big reveal of the film – who was Aries – was actually surprising (for those who did not spoil it to themselves while researching the movie). I really liked how Ares attempt at an armistice was only a ploy for more war as well.

Lastly, Wonder Woman’s story ended the way it began – in a modern day with her writing a thank-you reply to Bruce Wayne for sending her the photo. I loved how this small scene gave a feeling of a bigger universe – DCEU – existing beyond this film. I thought that the scene of her sending the email was much more organic than the video attachments from the BvS.

Directing

Patty Jenkins, whose debut film was also her last one for over a decade, directed Wonder Woman and did a spectacular job. She didn’t lose an ounce of skill that she showcased with the fascinating 2003’s picture Monster, which I only watched yesterday for the first time and was absolutely blown away. Jenkins definitely should have received more praise for it in addition to Charlize Theron, instead of the latter just getting the majority of it. Anyways, after a series of failed movie projects and some highly-regarded and successful TV ones, Jenkins agreed to direct Wonder Woman and we all should be extremely happy and thankful that she did.

First of all, she succeeded in striking a balance of tone for the movie. While BvS was too dark and Suicide Squad was trying too hard to be funny, Wonder Woman had the right amount of seriousness, comedy, and romance. More importantly, this mixture was elevated by sophistication and a level of class. The movie was also edited in a way that was cohesive – the story flowed organically rather than the film just being a collection of sequences of no relation to one another.

Visually, the film was also stunning. The way that Themyscira was realized with a distinctly Greek feeling (architecture, costumes) was just absolutely amazing.  The shots of the island and the ocean were wonderful as well. In contrast to the glamourous yet strong Themyscira, the WW1 Europe was realized as broken and dirty – very realistic. The film had a number of amazing looking shots, like the one of Diana standing on the crashed plane from Steve’s POV from underneath the water or those few shots of Diana looking up at the sky in different locations.

The action was also astounding. The style of fighting of the Amazons – a lot of flips in mid-air while holding a bow and arrow (my weapon of choice alway and forever) – was super cool. Jenkins also used a lot of slow motion but actually did it tastefully and in a way that it enhanced the action. Another epic sequence was Wonder Woman fighting in the no-man’s-land and later on in the village. She looked absolutely brilliant while doing it and I also loved how Trevor and the other characters collaborated with her by making a ramp for her to jump on. The final action sequence was also amazing. My only gripe was that I wish Ares CGI costume would have had a different design, something more inventive. Nevertheless, I loved how in that fight (and in many others), Diana used the Lasso as a weapon and it wasn’t just a tool for truth-telling. Having said that, the way Trevor took the lasso and wrapped in around his hand to make her believe that he was taking her to the front was such a clever idea!

And the last note on the visuals of the film – now I get why all the posters for the film had an orange background – it was meant to symbolize the orange mustard gas. I actually haven’t realized that prior to seeing the movie. Nevertheless, it was nice to see a continuity between the ads and the final product. The soundtrack of the picture wasn’t bad either. I love the Wonder Woman theme and it was used several times. Sia’s song ‘To be human’ played during the credits and made me ask the question: is Sia’s music going to play over the credits of all the summer movies like it did last year? Probably.

Acting  

  • Gal Gadot as Diana Prince / Wonder Woman. Gadot was absolutely amazing in the role. Firstly, she looked like the character – the right mixture of model and fitness athlete. More importantly, she did not look oversexualized. Gadot was also not only marvelous in the action scenes but handled both the dramatic and the comedic moments very well. I can’t wait to see whether this role will give her career a boost. She first rose to prominence with the Fast and the Furious films, while last year she had minor roles in thrillers Triple 9 and Criminal in addition to appearing in BvS. She also showcased her comedic chops in the 2016’s action comedy Keeping Up With The Joneses. The youngest version of Diana was played by a child actress Lilly Aspel. She was also amazing in the few scenes she was in – both cute and fierce.
  • Chris Pine as Steve Trevor is an amazing casting if I ever saw one. Pine was charming yet efficient in the role. His chemistry with Gadot was also believable. While I’m sad that Pine won’t be able to continue playing this character, I hope that we can at least watch him on Star Trek for years to come.
  • Robin Wright delivered a short but powerful performance as General Antiope. I really should watch House of CardsConnie Nielsen also worked as Queen Hippolyta.
  • Danny Huston as General Erich Ludendorff and Elena Anaya as Doctor Isabel Maru / Doctor Poison were also well cast. Huston was threatening as the General (he is probably used to this type of a role), while it was nice to see Anaya playing a character from the comics that somehow really fit into the WW1 scenario.
  • David Thewlis as Ares. The only casting choice that I wish was different. Don’t get me wrong, I though that Thewlis did a good job in the role but I wish they would have done something more interesting with the role than having it played by an older white male.
  • Some ethnic diversity was brought to the movie by a band of Trevor’s friends, played by Saïd Taghmaoui, Trainspotting’s Ewen Bremner (Scottish sniper/singer – amazing), and Eugene Brave Rock. Lucy Davis was also good as the comedic relief secretary of Trevor’s.

In short, Wonder Woman is one the best comic book origin movies, the best female lead superhero film, the best DCEU movie, and one of my favorite pictures of this year already! I highly suggest you see it before continuing to follow Diana’s story in the Justice League. Moreover, if you are interested in the behind-the-scenes backstory of the character, the biographical drama about her creator is currently in the works, titled Professor Marston & the Wonder Women.

Rate: 4.5/5

Trailer: Wonder Woman trailer

MV5BNDFmZjgyMTEtYTk5MC00NmY0LWJhZjktOWY2MzI5YjkzODNlXkEyXkFqcGdeQXVyMDA4NzMyOA@@._V1_SY1000_SX675_AL_.jpg

 

Movie review: Guardians of the Galaxy Vol.2

Movie reviews

Hello!

The 15th MCU movie and a sequel to the 2014’s Marvel gamble – Guardians of the Galaxy Volume 2 – has premiered on my side of the world, so, I’m going to talk about it!

IMDb summary: Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

Before I review the actual film, here are the links to my previous Marvel reviews, starting with GOTG Vol.1Doctor Strange, Civil War, Avengers 2, Ant-Man, Captain America 1 + 2.

SPOILER WARNING

Writing

The writer and director of the first film – James Gunn – also penned the screenplay for the sequel. Overall, I very much enjoyed seeing the continuation of the Guardians story but I did feel that the first act of the film was a bit wonky. I thought that the set-up involving The Sovereign was choppy. In addition, The Sovereign were not utilized in a useful way throughout the rest of the movie (they just popped up in the third act because the film needed to have an even bigger space battle – they were basically the sequel’s Nova Corps). Plus, the fact that Aysha was interested in Peter’s heritage and, in the very next scene, Peter’s dad Ego suddenly appeared seemed as just too much of a coincidence.

The jokes and the banter at the beginning also seemed a bit forced. They were the bad kind of cheesy. However, as the picture progressed, the humor got way better and the narrative also found its footing and started to unfold quite cohesively. GOTG 2 just needed those first 30 minutes to get going and it could afford that, being a 2h+ movie.

I also really liked the character development in the film. I loved learning more about Peter, his past, and his dad. Ego was a wonderful addition to the cast and I also really enjoyed the fact that they turned him into a villain. And he actually was a good Marvel villain – menacing and threatening! I liked the fact that his and Yondu’s backstories fit together quite organically as well. I’m just worried that the filmmakers might have overpowered Ego – I can’t imagine what will Thanos be like?

A character which surprised me a lot was Yondu – I did not think much about him in the first film but the reveal of his backstory and true feelings towards Peter made him into a wonderful character. Sucks that he met his end as soon as I started to like him. The other new addition to the Guardians (well, sort of) was Nebula – I did enjoy learning more about her and thought that her and Gamora’s relationship progressed nicely. The definite newcomer – Mantis – was also a fun new inclusion. I loved the duo she and Drax made.

Lastly, I loved the thematical core of the film – the Guardians coming to terms with the fact that they care about each other and are a family. Yes, the family angle is cheesy and overdone (Fast and Furious in space) but it still works and has a universal appeal.

Directing

James Gunn, once again, directed the movie (and he also just recently announced that he will be back to helm Vol. 3). I believe that he did a great job. The visual design was just extraordinary, especially the visual realization of Ego in his various forms. I loved the landscapes of his planet as well as his appearance as a human. The visual sequence of Ego rebuilding his human body from a skeleton to being Kurt Russell was really impressive. The fact that they actually put a face on a planet was also really cool and a neat nod to the character’s representation in the comics. Another great visual sequence was Yondu’s ‘Ravager’s funeral’: it was so colorful and actually emotional. An extremely funny visual was the space travel facial distortion – it was such an unexpected but really brilliant gag.

The ‘money shot’ – the round shot of all the Guardians standing together was also just glorious. The camera work, in general, was very vibrant and elaborate – and it made the action look amazing. The opening shot was really great too – the focus on the Baby Groot with the action happening in the background was a really inventive and funny way to kickstart the film. Generally, Baby Groot was a complete scene-stealer. Huge props to the CGI department for realizing an animated (basically) character and adding so much personality (much more than the adult Groot had) to his movements and facial expressions. I also loved the fact that his size was an asset to the team and that Baby Groot was part of a final solution, not just the cuteness relief (a cute version of comic relief). Lastly, I loved the two visual gags and how they were both part of the story and fun references to the real life – I, of course, am talking about the cameos by David Hasselhoff and Pac-Man.

Music

The film’s soundtrack was also really good – equal to the soundtrack of its predecessor. Tyler Bates was responsible for the music but I think Gunn also had a hand in picking the songs. I also appreciated the fact that the music was half-diegetic and a part of the story.

Acting/Favorite Character Moments

  • Chris Pratt (Passengers, Jurassic World, The Magnificent Seven, The Lego Movie) as Peter Quill / Star-Lord. Pratt was really good in the role – he has that infinite charm of a leading man and I can’t wait for him to appear on screen with other MCU leading men, like Robert Downey Jr. I also though that Pratt’s and Kurt Russell’s/Ego’s (The Hateful Eight) chemistry was believable. I bought them as father and son for a while and that scene with the ball was really touching and a nice callback to Peter missing out on this type of activity during childhood because of a lack of father figure.
  • Zoe Saldana (Star Trek Beyond) was also good as Gamora, my favorite shot with her was when she picked up that oversized gun. Her and Karen Gillan’s/Nebula’s (The Big Short, The Circle (premiering this weekend in the US as well)) chemistry was good and the banter – really enjoyable.
  • Dave Bautista as Drax the Destroyer. Bautista’s acting abilities have improved since the first film and his unapologetic and unironic comic relief was amazing. His budding relationship with Pom Klementieff’s Mantis was also lovely. Their scene on the steps was really moving. Klementieff was a nice addition to the cast and her performance was appropriate for the character.
  • Michael Rooker as Yondu Udonta. The scene-stealer of the film. I loved the sequence where he used the arrow to escape from the Ravagers. It was just spectacular. I would have loved to see more of Rooker’s performance in subsequent films, but, oh well.
  • Vin Diesel (Fast&Furious) as the voice of Baby Groot  I have no idea why Diesel returned to voice Groot when Baby Groot sounds nothing like Vin Diesel. Well, at least they can put his name on the adverts and posters and that will get them a lot of money in China. 
  • Bradley Cooper (War Dogs, Joy) as the voice of Rocket. Cooper’s voice somehow fits Rocket’s appearance and behavior. I loved how the actor depicted the character’s dry sense of humor.
  • Elizabeth Debicki (The Man from U.N.C.L.E.) as Aysha. While Debicki did look cool with all that gold make-up on, I don’t think she took the role seriously enough. Her acting seemed a bit cheesy but I am excited to see where her character’s story goes next, cause my favorite moment with her, performance-wise, was her delivery of a few lines during the mid-credits scene. In that scene, she sounded way more ominous and authenticate than she did in before.
  • Sean Gunn as Kraglin. I really liked the fact that we got to see more of Sean Gunn’s on-screen character during the sequel. If you didn’t know, he also does the motion capture for Rocket.

5 CREDITS SCENES

As James Gunn promised, the film had 5 scenes during the credits (that has to be some kind of record). 2 scenes played before the credits, 2 in the middle and 1 after. They were very well dispersed and the credits themselves did not feel long at all. The scenes were mostly related to the predeceasing film but they also set up some minor but long awaited stuff.

  1. The first pre-credits scene depicted Sean Gunn’s character Kraglin learning to work with Yondu’s arrow and failing at it. It was both funny and developed the story further.
  2. The second pre-credits scene showed Sylvester Stallone’s (Creed) character reforming the Ravagers out of the characters who were the original Guardians of the Galaxy in the comics. Their inclusion during the credits probably means that they will have a role to play in MCU or at least in GOTG Vol.3. It was also nice to see another scene with Stallone as he only appeared in a handful of them during the main runtime of the movie. It was basically just a cameo and if the role would not have been played by a big name talent like Stallone, no one would talk about it.
  3. The first mid-credits scene was a conclusion to The Sovereign’s plotline and a potential set up for the arrival of the long anticipated character – Adam Warlock! I really hope he finally shows up in the next film!
  4. The second mid-credits scene was probably my favorite out of all of them: it showed the teenager Groot acting as a typical teenager, while Peter attempted to be the Dad. Groot is kinda the child of the Guardians. What a dysfunctional yet lovable family.
  5. The last scene which came at the end of the credits was another Stan Lee cameo. He had a cameo in the main part of the film but it was also nice to see him again. I read online that they film a lot more scenes with Lee than they actually use, so it was quite neat that they found a place to use some more of that material.

Rate: 4.5/5

Trailer: Guardians of the Galaxy Vol.2

9309ee7890499a5b4d7d825f02dbe80e

Movie review: Fast & Furious 8

Movie reviews

Hello!

The latest FF film – The Fate of the Furious or Fast & Furious 8 – has driven into theaters, so, let’s discuss it!

I can’t actually believe that I have never reviewed a Fast and Furious movie before as I have been a fan of them since I was a child. 2006’s Tokyo Drift was probably the first nonanimated movie that I saw at the cinema and have been hooked ever since. I and my dad would always watch these movies together and bond over the fast cars and the crazy action. And that’s what I have come to expect from these films: the amazing action and the funny jabs between the cast members (or a family, wink wink) that have real chemistry. I am not looking for Oscar-worthy performances or original stories. However, I have to give immense props to the 7th film for dealing with Paul Walker’s death in such a gracious and poised way. I don’t think anyone expected a Fast and Furious movie to show so much class but it did. Well, enough talking about the previous entries in the franchise, let’s see what the 8th picture can offer! Has anyone ever believed that this series would have eight installments with 9th and 10th ones already planned ???

IMDb summary: When a mysterious woman seduces Dom into the world of terrorism and a betrayal of those closest to him, the crew face trials that will test them as never before.

Writing

FF8‘s script was written by Chris Morgan, who penned all the previous films, except the first two. The narrative was exactly what one thinks it was: just a collection of expositional scenes to further the story and a sprinkling of funny jabs and interactions between the characters. The film’s plot referenced the events and the characters from the previous 3 films quite a lot too, which was really fun for longtime viewers of the franchise and not that surprising, knowing that all of the referenced entries were written by the same screenwriter. It was also nice that the said references didn’t seem pushed but happened quite organically. Thus, The Fate of the Furious seemed like a true continuation of the same story arc that more or less started with the 5th picture.

The interactions between the characters were brilliantly ridiculous as well. I wonder how much of that was written and how many jokes were just improvised on the spot by Dwayne Johnson and Jason Statham, Tyrese Gibson and Ludacris. The love triangle jokes were funny too. The attempt to give characters more development was also fine. The main theme of the series – family – was present in this film more than in any other entries before. Similarly to Dom having to make a choice between family and his criminal/car chasing past in this movie, the same choice now has to be made by this franchise when moving forward. And the picture did leave a few opportunities open for the same plotline to be continued.

Directing

Fast & Furious 8 was helmed by a newcomer director to the franchise – F. Gary Gray, best known for directing Straight Outta Compton. He did a good enough job with the movie and utilized the FF staples – the exotic locations and the butts. I appreciated the first, could have done without the second, but it looks like the two were a packaged deal. Speaking of the third staple of the series – the crazy action set pieces excecuted with the help of gorgeus and extremely expensve cars – they were not the best of the franchise but were still quite inventive and, most importantly, explosive, energetic, and entertaining. Yes, the technology was far-fetched and, yes, the explosions – unsurvivable and unbelievable. But you can’t argue that they didn’t look cool and absolutely kickass and that’s all I wanted. The visuals were nicely paired with a good soundtrack too, although I can’t pinpoint an iconic song that will be on the radio all summer, similarly how I See You Again was everywhere after the 7th film, We Own It after the 6th and Danza Kuduro after the 5th.

Acting

Fast and Furious was one of the first film series to have a truly diverse cast and the franchise is continuing the trend. While the 8th flick didn’t really introduce any new characters apart from revealing Charlize Theron (The Hunstman, Mad Max, Kubo) as the big bad behind the last few films, it had a ton of fun cameos and comebacks. Speaking of Theron – she was a great addition to the cast and a good villain, I would even dare to say the best of the franchise. I think her distinct look really helped her to stand out – those white dreads and V-neck T-shirts looked effortestly cool.

All of the familair faces, except Jordana Brewster, were back. Vin Diesel (Guardians), Michelle Rodriguez, Dwayne Johnson (San Andreas, Central Intelligence, Moana), Tyrese Gibson, Ludacris, and Nathaniel Emmanuel (Game of Thrones, The Maze Runner) appeared to be genuinely having fun on screen, both as their characters and as the actors themselves. The return of Jason Statham (Transporter films, Spy) was also actually appreciated by me, even though I have never been much of a fan of his. I never thought that I would want to see Dwayne Johnson and Jason Statham just absolutely dragging each other non-stop. Gibson’s, Ludacris’s and Emmanuel’s characters’ interactions were good too, I loved the rivalry and the shades of the love triangle. Gibson’s action moment was good too and a nice touch for the character, who usually ends up being a butt of a joke.

Kurt Russell (The Hateful Eight, Deepwater Horizon) also reprised his role and took Scott Eastwood along for a ride this time as his assistant/trainee. Eastwood’s character was a bit annoying at the beginning but he was supposed to be like that and actually turned out to be a not that bad addition to the cast. He certainly had more to do in this film than in a similar role in Suicide Squad.

In short, Fast and Furious 8 was exactly what I wanted it to be – a cheesy nonsensical fun. This franchise is certainly not done and still has some steam left.

Rate: 4/5

Trailer: Fast and Furious 8 trailer

fast-and-furious-8-poster-600x888

SPOILERS

The film unexpectedly had quite a few reveals and twists and turns in the story which I didn’t want to spoil in the main review but still wanted to mention. I expected the leverage that Cypher had on Dom to be Bryan’s and Mia’s child but the movie instead presented us with Dom’s and Elena’s (5th movie) son – a new family member for a character obsessed with having a family. The way the child was named at the end was also a cute and touching moment – I do love the fact that FF franchise remembers its roots and how much Paul Walker and his character Bryan did for the series.

The same topic of family was continued with the return of Jason Statham’s (7th film) character (that babysitting action scene was amazing), but this time around his mother made an apperance, played by Helen Mirren (Eye in the Sky, Collateral Beauty, Trumbo). Her inclusion was enjoyable and I loved the few scenes she was in. Staham’s character’s brother Owen (6th movie), played by Luke Evans, also cameod. Evans’s performance in Beauty and the Beast has really solidified me as a fan of his, so I was extremely happy to see his cameo.

Movie review: Collateral Beauty

Movie reviews

Hello!

Welcome to a review of a film that was advertised as a spiritual and uplifting story but turned out to be a movie about selfishness and scheming. This is Collateral Beauty.

IMDb summary: Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.

Writing

Collateral Beauty’s script was written by Allan Loeb, who has written a few so-so comedies and is writing the upcoming sci-fi flick The Space Between Us. I honestly don’t know if anyone even fully read his script before approving the film. Probably not, as the movie was advertised as something completely different.

The main story of the film made no sense. It didn’t have enough of a set-up (one scene is not enough!) and the main character was not developed properly. His one defining feature was the tragedy that occurred in his family. His co-workers’ attempts to help him had extremely conflicting goals: they wanted to make him look like he was crazy but also sort of actually help him? The worst part was, it worked. The one saving grace of the main plotline was that twist in the end when one person turned out to be somebody else. It was completely unrealistic but, after sitting through 1.5h of illogical writing, I was ready to suspend my disbelief and find at least some enjoyment in the film.

Collateral Beauty also had 3 side storylines that had a lot of potential but didn’t receive enough of screentime. Nevertheless, at times, these sidelines, even if underdeveloped, seemed more interesting than the main plotline.

The film also spent at least 10 minutes of its runtime trying to explain its titular concept. Sadly, even after sitting through it, I still have no idea what ‘Collateral Beauty’ is.

Directing

The director of The Devil Wears Prada (all-time personal favorite) David Frankel directed Collateral Beauty and did a somewhat passable job. He did create a few interesting scenes but even those weren’t super special (by this I mean the falling dominos sequences – they looked cool but you can also see them on youtube without going to the cinema). The shots of NY were good looking too, but that’s more of a complement to New York city than to this film. The pacing was okay too. Basically, the director did as good job as he could with the poorly written script. Nonetheless, where Frankel failed was at inspiring his cast.

Acting

The A-list cast was sleepwalking through this film. Will Smith delivered the best performance because this was obviously his Oscar bait movie. Last year’s Concussion was actually an interesting film that was snubbed. Well, Collateral Beauty was overlooked for a reason.

The supporting cast consisted of Edward NortonKeira KnightleyMichael PeñaNaomie HarrisJacob Latimore, Kate Winslet, and Helen Mirren. They did have some nice moments but mostly one could see the disbelief in the lines they were saying reflected in their eyes. The actors and actresses of their caliber should not have been in this film.

Music

The last saving grace for this movie was the song that played during the credits. It was OneRepublic’s (my favorite band) Let’s Hurt Together. Because this song was playing, I did not run out of the screening as fast I wanted to, after watching this snooze fest.

In short, Collateral Beauty was awfully written awards’ bait that crashed and burned. Not worth the money or a cinema trip.

Rate: 2.5/5

Trailer: Collateral Beauty trailer (no point in watching the trailer as it doesn’t represent the final product at all)

MV5BMTQ5ODE4MTY2NV5BMl5BanBnXkFtZTgwMzM2NzEzMDI@._V1_SY1000_CR0,0,674,1000_AL_.jpg