Movie review: Avengers: Infinity War

Movie reviews

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil WarAnthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

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Movie review: Unsane

Movie reviews

Hello!

Welcome to a review of a horror movie by a horror hater (also known as a scary cat). This is Unsane!

IMDb summary: A young woman is involuntarily committed to a mental institution, where she is confronted by her greatest fear–but is it real or a product of her delusion?

Writing

Unsane was written by Jonathan Bernstein (journalist) and James Greer (novelist and critic) and I thought that their script was really interesting. First of all, I loved how much information the movie provided about its characters and the story, and yet, how nothing was clear. It sprung the main topic of the film on the viewer in the first few scenes without any preparation. That main question, whether the character was actually insane or not, didn’t actually end up being answered but the ambiguity of it was so intriguing that I wasn’t even mad for not getting concrete answers. I also don’t feel that concrete answers are appropriate when looking at mental illness – a very complex, personal, and still not-fully-understood field.

The main character, aside from her existing (or not) psychological issues, was also super interesting. Her personality and actions weren’t the most sympathetic and yet, the viewer wanted to root for her. It was quite a confusing and frustrating state that the viewer was put in. I also got personally annoyed with the character because of her incapability to work the situation that she was in. That inability might be due to the mental illness? But did it start because of the stalking? Or was there an issue before? Was she ever telling the truth? Why would she play/provoke him? What about that ending? I really didn’t expect the movie to go there but I am sort of fascinated by the fact that it did.

Lastly, the setting of the movie was incredible too. That asylum was both old-school (because it reminded me of a mental institution one might see in old horror movies) but was also super contemporary (because it was just a front for insurance fraud (yey, capitalism?)).

Directing

Unsane was directed by Steven Soderbergh (Magic Mike XXL), who was also the cinematographer and the editor of the film. His involvement with this movie was the main reason while I actually subjected myself to watching a horror movie. And it wasn’t really a typical horror movie, but a very fascinating and creepy psychological thriller (and I’m somehow very into that genre, even though it is so closely related to the horror one).

Anyways, Soderbergh has made some bold chances, like breaking away from the big studios and handling the marketing himself with his last film Logan Lucky. He went one step further with Unsane by not even using any of the traditional filmmaking methods – the picture was shot entirely on an iPhone (Tangerinewas also shot on an iPhone, so Unsane isn’t the first ‘bigger’ movie to do that). Thus, the aspect ration of the movie was unusual. The cinematography was super unique too: the viewers had a very direct relationship with the image and seemed to be so close to it. The angles from which the film was shot also differed from the usual ones. That lack of distance between the viewer and the picture kinda made it feel like a documentary movie too. The not-perfect quality of the visuals also added to that feeling of realism. Since it appears that Soderbergh pretty much did everything himself on this picture, the credits of it were surprisingly short. I was halfway down the stairs in the screen and they were already over.

Acting

Unsane was mostly a one-woman show: Claire Foy (Breathe) played the lead and was really incredible. Love the fact that Netflix’s The Crown led to more cinematic roles for her. Joshua Leonard played the stalker and was uncomfortable to watch, both because of what type of character he was playing and because the actual performance was a bit stiff. SNL’s Jay Pharoah was one strand of positivity in the film and I did appreciate the breather/reassurance that the character provided both for the main character and the viewers. Juno Temple (Wonder Wheel) also had a small but quite explosive role. There is also a fun cameo by a big movie star, who has been popping up in all kinds of different projects, lately.

Unsane was an unhinged psychological thriller that left me with more questions than answers, like any good psycho-thriller should do.

Rate: 4/5

Trailer: Unsane trailer 

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Movie review: A Wrinkle in Time

Movie reviews

Hello!

Welcome to A Wrinkle in Time review overflowing with disappointment, written by a very sad Disney fangirl.

IMDb summary:  After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him.

Writing

2018’s A Wrinkle in Time is a cinematic adaptation of a beloved children’s book by the same name by Madeleine L’Engle. I have never read the book myself so the script by Frozen’s Jennifer Lee and a TV writer Jeff Stockwell was my first introduction to the story. And what a disappointment it was (I already would like to apologize for using the word ‘disappointment’ a lot in this review).

The movie started with an incredibly heavy-handed set-up that still failed to tell anything substantial about the world of this story. The whole first act was just a complete mess, full of hints to and half-assed attempts to explain the mythology of the world. Nothing made any sense: this was probably the movie with the vaguest rules of magic. Also, while I did appreciate its attempt to connect magic and science, that whole concept didn’t really end up going anywhere.

The actual story wasn’t great either because it was so choppy. The characters would move from one stage to another in their adventure without any cohesion or continuity. Speaking about the characters: they were not the best either: the three magical ladies were…well, magical and somehow connected to the universe and possessing some vaguely defined powers. The father character was fine but quite unsympathetic. The three children characters were okay: the main girl had the arc of a hesitant hero combined with the struggles of a preteen girl; her brother was an interesting character but the twists relating to his arc weren’t handled well; while their friend didn’t really have anything to do with the story – he was just there to be teased as a love interest.

The movie’s message, all relating to love, family, and being who you are, was nice but handled in both a confused and simplistic fashion. There was no clarity, sophistication, or originality in the story for that type of a typical message to be elevated. I also don’t think that the movie handled the idea of loss very well: it didn’t really show the family as going through the process of acceptance and healing but rather portrayed them as being underwhelmed and incapacitated by their loss. A Wrinkle in Time also tied the faults of humanity to an unknown evil entity, which was a questionable decision.

Lastly, to finish off the writing part, this movie reminded me of Interstellar of all things in two aspects. First, the idea that love is the key to the universe and how it extends through time and space. The second thing was the fact that a father-daughter relationship completely overpowered the father-son one. I guess favoritism in the case of multiple children is very true.

Directing

Ava DuVernay, a celebrated director of Selma and documentary 13th (soon New Gods movie too) had a lot riding on this movie and a lot to accomplish with it. She famously changed the race of the lead character, presented an interracial family and became the first female director of color to be trusted with such a gigantic budget. And, I, sadly, think that all these outside concerns kinda overtook the movie and the actual film turned out to be of a fairly poor quality. While the movie’s runtime was short, the picture itself felt incredibly long due to its slow pace. It also felt choppy and disjointed (mostly due to the faulty screenplay). The budget was probably mostly spent on the CGI which did look great: the colors were vibrant, the designs of the costumes and the sets – really beautiful (except that flying cabbage). The credits were also gorgeous. Overall, the movie looked imaginative. However, it is not enough for a movie to be pretty: if some of those millions of the budget were spent on better writers, the final product would have been much better. A Wrinkle in Time did have a nice pop soundtrack though, so that’s something.

Acting

A Wrinkle in Time featured three child actors in the lead and, while I don’t want to be harsh on them, I also don’t want to sugarcoat my thoughts. Basically, the young actors – Storm Reid, Levi Miller (he was Pan in the failed Pan reboot), and Deric McCabe  – weren’t bad but they did lack diversity in their facial expressions or general energy in their performances. Oprah WinfreyReese Witherspoon (Sing, Home Again), and Mindy Kaling were good, bit cartoonish but that fit their roles. Chris Pine (The Finest Hours, Wonder Woman, Hell or High Water, Star Trek Beyond) and Gugu Mbatha-Raw (Beauty and the Beast) had small roles too and were really great. Lastly, Zach Galifianakis (Tulip Fever) and Michael Peña (Ant-Man, The Martian, 12 Strong, Collateral Beauty) also cameoed and got to wear some weird costumes.

In short, A Wrinkle in Time tries to accomplish a lot of things both behind and in front of the camera but I don’t know whether it manages to succeed in either of its quests.

Rate: 2.7/5

Trailer: A Wrinkle in Time trailer

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Movie review: Pacific Rim: Uprising

Movie reviews

Hello!

Welcome to a review of Pacific Rim: Uprising – a sequel to a movie I liked but didn’t think warranted a sequel.

IMDb summary: Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat.

Writing

Pacific Rim: Uprising was written by Emily Carmichael (a writer of short movies and TV series, is also supposed to write Jurassic World 3), Kira Snyder (a TV writer and producer), T.S. Nowlin (the writer of The Maze Runner series), and the director Steven S. DeKnight. I thought that the film’s writing was a mixed bag, like in so many cases with action movies nowadays.

The movie opened on a promising note. I liked the short summary of the first film as well as the background set-up of the main character (though, he was a bit too similar to the main character of the first film – both were great but hesitant pilots because of personal reasons). Still, I liked the fact that the main character for this film had a connection to the characters in the first movie. I also appreciated how this picture expanded the mythos of the world by showcasing new possibilities relating to both Jaegers and Kaiju, aliens and humans. I mean, the mash-up of the two (in each of the pairs) was a kinda obvious but undeniably awesome next step. For the most part, I also didn’t mind the actual plot of this movie: I found the story engaging and unexpected. For a minute, I thought that the movie will go one way (maybe do something with abuse of capitalism and power) but it quickly pulled back and picked a monster-y villain to fight against.

While the movie didn’t have a post-credits scene, it did have a post-logo tease (like Tomb Raider did just last week) about the next movie, suggesting a trip to the alien dimension in Pacific Rim 3 (if or when it happens). I wouldn’t mind seeing that but I’m not holding my breath either.

Directing

Pacific Rim was directed by the now Oscar winner Guillermo del Toro (The Shape of Water) but he did not return to direct the sequel. Instead, the reins were passed over to Steven S. DeKnight – a TV producer and director, to whom Uprising was a directorial feature debut. He did quite a good job with the movie. The pace was a bit uneven but the action was pretty great. I liked the designs of all the monsters and robots as well as the actual fight sequences. I also appreciated the fact that they were set during the day and one could actually see stuff. I guess the often repeated line from the script – ‘Bigger the Better’ – was sort of true in the case of the action in this film. I only say ‘sort of’ the case because the final action sequence was a bit senseless and overblown, which leads me to my only gripe with this movie (and a lot of PG-13 action movies) – the bloodless destruction porn that the action sequences result in. The viewers have become desensitized to the destruction, so they don’t care much for it anymore: its entertaining to look at but there is no longer any emotional investment. On the believability side – the realism has been gone from action movies since probably the 80s. Massive injuries result in zero bloody wounds, while the aforementioned massive destruction kills nobody. Hmmm…How long will that be the thing? Probably forever.

Acting

Pacific Rim: Uprising assembled an international cast to pander to global audiences (especially China). I didn’t really mind that as I think inclusivity is fun and good for business (and Hollywood is, first and foremost, a business). I thought that John Boyega (SW7, SW8, The Circle, Detroit) was a charming lead and I’m really glad that he got a chance to showcase his comedic chops. Scott Eastwood was fine too, though, I feel like I have seen him in a straight-laced military person in supporting role in many movies before (like Fast and Furious 8, Suicide Squad). Newcomer Cailee Spaeny and Jing Tian (The Great Wall) was good too.

Rinko KikuchiCharlie Day, and Burn Gorman all returned from the first film and had arcs that actually made sense in this movie. Weirdly, Charlie Hunnam did not return – his character would have had a place in the story, so it was probably a behind the scenes issue that sealed his exclusion from the film (maybe the reason was the poor financial performance of King Arthur?).

In short, Pacific Rim: Uprising is, or less, up to par with the first film, so if you liked that one, you will probably enjoy this one. Also, if you like Transformers, Power Rangers, Godzilla/Kong, or all of the above, you will probably find some enjoyment out of this picture too.

Rate: 3.5/5

Trailer: Pacific Rim: Uprising trailer

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Movie review: Red Sparrow

Movie reviews

Hello!

Welcome to March – the new ‘it’ month for high-profile movie releases. And it opens with Red Sparrow!

IMDb summary: Ballerina Dominika Egorova is recruited to ‘Sparrow School,’ a Russian intelligence service where she is forced to use her body as a weapon. Her first mission, targeting a C.I.A. agent, threatens to unravel the security of both nations.

Writing

Red Sparrow was written by Justin Haythe (who wrote two previous Gore Verbinski’s films The Lone Rangerand A Cure For Wellness), based on the book of the same name by Jason Matthews. I found the writing to be quite uneven and I’m going to unpack my ideas more broadly by discussing the narrative and the themes. The film had two parts, each about an hour long. The first hour acted as an extensive set-up and developed the main character quite a lot. The viewers got to follow her life as an everyday citizen (though she was never just an everyday person – she was always special, first as a ballerina and later as a sparrow), then to witness the inciting incident and its consequences: the extensive training to be a tool of the state (more on that in the second part on themes). The set-up was quite long but it did work: the main character’s capacity for the horrific actions that she was going to commit as a sparrow was always present in the set-up.

In the second hour of the film (+20minutes), Red Sparrow’s actual plot unraveled, and sadly, it was quite uneven. The writers really tried crafting a complex and layered story, full of characters with constantly shifting allegiances. And while that sounds all good – actually it is quite fascinating – the mysterious and the secretive nature of the plot was not always realized compellingly. Also, looking back to the plot – not all the dots necessarily connect and make sense. Still, I have to applaud the ending of the story. For a while, it seemed like the movie was headings towards a typical romantic conclusion but then it broke away from all of that and delivered and strong finale with some great double-crosses and twists. Though, the reveal of the mole was a bit heavy-handed and surprising it a bad way a.k.a.it came out of nowhere.

Thematically, I’d like to touch upon two major things: the usage of sex in the film as well as the Russia vs. US standoff. Before going to see the film, I got the impression that the main weapon of the sparrow will be psychological manipulation but I feel like the ads and trailers lied to me. Red Sparrow, in my mind, was missing its promised psychological manipulation and was all about the pure physical manipulation a.k.a. manipulation through sex. And while physical and psychological manipulations are certainly connected, I really wish that the movie would have looked at that actual connection or the psychological side quite a lot more. Also, the usage of sex by a specifically female heroine of the film raised even more questions about the position of female sexuality on film. While it can certainly be seen/used as a strong creative choice, it has also been reduced to a cheap trick quite a few times. Also, there is but a fine line between female sexuality as a form of empowerment or a tool of exploitation. To my mind, Red Sparrow was leaning more towards the second option, as the female sparrows were taught and made to use sex as a weapon by a patriarchal system rather than having chosen it as a weapon out of their own agency.

On the US v Russia front, the picture was certainly successful at establishing the askew nationalistic ideas that were/are so prevalent in Russia and portraying the brainwashing politics accurately. Still, it had an overall message of American heroism as the better/ the winning option. The weird US/Russia antagonism also made the movie’s temporal setting feel rather vague: it could have been set during the Cold War, the early aftermath of it in the late 90s/early 2000s or even just last year.

Directing

Francis Lawrence (the director of the 3 last The Hunger Games films, including my two favorites – Catching Fire and Mockingjay 1) directed Red Sparrow and did an okay job. I highly appreciated the style of the picture: the raw and indie feeling of it as well as the cold and cool tone. However, the slowness of the pace and the length of the movie really minimized the enjoyment of the film. Moreover, the plot (the substance) wasn’t good enough to make up for the lacking pace. The graphic violence and graphic nudity were both present in Red Sparrow and I don’t really know whether they served the plot or were they just there for shock value. During the scenes of violence, Red Sparrow did feel like a more contemporary version of its predecessor Atomic Blonde, while the scenes of creepy nudity were more plentiful than in the whole Fifty Shades franchise.

Acting

Jennifer Lawrence (reunited with F. Lawrence after THG) played the lead of the film and did a good job but she wasn’t great or irreplaceable. Her Russian accent was fine, though, at times, she did sound like she was speaking with a clogged noise (as if she had a cold). Her decision to play this role is probably more interesting than the performance itself. The actress has vocally expressed how uncomfortable she was with the skin tight costume of Mystique in the X-Men movies and yet she was somehow fine with complete nudity in this film? Was this an act of bravery and growth as a performer or a desperate attempt to reclaim some fame? Her fan circle has been decreasing: The Hunger Gamesfinished a with whimper rather than a bang, she annoyed a lot of Marvel/X-Men fans because of her lack of enthusiasm about that series, her various comments on talk shows have also been reacted to quite badly online, and even her last two more serious awards films failed to connect with the audiences or the critics (Joyat least got her another Oscar nomination, while mother! turned out to be a complete disaster).

Some big-name talent was also involved with this film on the supporting front. Joel Edgerton (Bright, Midnight Special, Loving, Black Mass) and Matthias Schoenaerts (Far From The Madding Crowd, The Danish Girl) had two best-developed and most interesting male roles in the film. Jeremy Irons (BvS, High-Rise) and Game of Thrones’ Ciaran Hinds (Justice League) also both appeared but in much smaller, cameo-sized roles. Charlotte Rampling (45 Years, Assasin’s Creed) played the matriarch of the school of the sparrows and it was quite unexpected seeing her in a film with a, supposedly, strong female lead after her sort of anti-women comments a few awards seasons ago (that ran along the lines of ‘women in the West don’t have anything to complain about’).

In short, Red Sparrow was a mediocre thriller that betrayed its message and overstayed its welcome.

Rate: 3/5

Trailer: Red Sparrow trailer

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Movie review: Phantom Thread

Movie reviews

Hello!

Welcome to one the last awards’ movie reviews. This time around, we are discussing Phantom Thread!

IMDb summary: Set in 1950’s London, Reynolds Woodcock is a renowned dressmaker whose fastidious life is disrupted by a young, strong-willed woman, Alma, who becomes his muse and lover.

Paul Thomas Anderson

Phantom Thread was written and directed by Paul Thomas Anderson, known for such films as Magnolia, Boogie Nights, Inherent Vice (which I’ve finally watched and was confused by) and There Will Be Blood (my favorite picture of his). His direction for Phantom Thread was very particular (and, in a way, quite spectacular). The writing was also very specific and, while I, personally, found a lot of problems with its content, I could also see how other people might have been fascinated by it. Let’s begin!

Writing

Phantom Thread’s narrative was, at its core, a love story, albeit a twisted and toxic one. The portrayal of such a love story was my main problem with the film. I have seen this movie described as a true representation of what it is like being in a relationship with an artist. To me, this looked like a situation, in which the film’s supposed authenticity of representation was used as a poor justification for the toxic relationship of the characters. Also, the assertion of authenticity raised another problem in my mind: according to this film, artists are borderline divine deities, to be sheltered and protected. In my worldview, artists are humans: flawed individuals rather than godlike figures to be privileged and raised above everyone else.

Going back to the love story, I couldn’t buy its progression. The female character stared the film as timid and quiet and seemed to be perfectly happy to be in an abusive and strict relationship. However, then she changed into a femme fatale (went from 0 (every second word from her mouth in the first half was ‘yes’) to Christian Grey levels) and attempted to reassert some power/or even take full control of the relationship by using quite deadly means. Where did that change come from? I did not see any hints at it at the beginning of the film! Also, if deciding to play-up the female character as this quiet but deadly individual, why not have the whole tonne of the movie be a bit more cynical and sinister rather than romantical? The changes in tonne would have made the whole shift seem a bit more possible. Also, was her goal to lower his defense mechanism really the only thing driving her forward? Or did she just want to weasel herself into his business and was basically a gold digger?

The male character was equally awful. He was privileged, pedantic, ridden with mommy issues (which were never really explored, just mentioned), demanding, superior without any good reason, obsessive, pretentious and controlling workaholic. Was he like that because of a mental illness or was he just an awful human being? Did his eccentricities really make him remarkable? I found that assertion quite questionable. Also, what did he see in the female character? A person to love, a prize to desire or a great model for his clothes/a real life dressmaker’s dummy?

The two ideas of writing that I liked the most (or the only two I liked at all) were the assertions that clothing is powerful and transformative and the character of the sister. Her jealousy of the new girlfriend/wife was a bit weird but I did like the fact that she was done with her brother by the end of the film and experienced growth – escaped the cycle that the other two characters remained stuck in.

Directing

Phantom Thread looked like a 1950s movie with its blurry and grainy visuals and soft colors. The designs themselves were beautiful but they also seemed very much of their own time – old rather than classical (time-transcending). The picture was also really slow, and since the story was either angering or extremely unengaging for me, I felt that it dragged more than a few times.

Acting

The two lead actors – Daniel Day-Lewis and Vicky Krieps – did a good enough job portraying the character. But, as I found their characters atrocious, I couldn’t really enjoy the actors’ performances. The chemistry between the two actors was interesting. I didn’t see it as positive but rather more confrontational and sometimes awkward, uncomfortable to watch. I don’t think this was Day-Lewis best performance and I certainly don’t think he should retire after it. For Krieps, this was her English-language debut (or one of the first few roles in English) and it was not necessarily the most successful one.

 

 

In short, Phantom Thread was a beautifully shot film, whose writing left me confused and annoyed. Might just be a personal thing, though, as a lot of critics seemed to have loved it.

Rate: 3/5

Trailer: Phantom Thread trailer

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Movie review: Star Wars: The Last Jedi!

Movie reviews

Hello, my dear readers!

A film that needs no introduction has finally arrived. It’s the nerds’ Christmas also known as Star Wars Episode VIII: The Last Jedi!!!

IMDb summary: Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn, and Poe that unlocks mysteries of the Force and secrets of the past.

Just before we get into the review, I have done a few Star Wars related posts and I’ll link them all here, in case you want to check them out: my general thoughts on Star Wars, The Force Awakens review, Rogue One review.

Also, the majority of my review will be spoiler-free, while some spoiler-y ideas will be included down below (after the rating and the poster). However, I advise you to proceed with caution as the things that I deem unspoiler-y, might seem spoiler-y to you if you are trying to go into the film completely clueless.

Rian Johnson

Star Wars 8 was written and directed by Rian Johnson. The filmmakers previous writing and directing credits include Looper, The Brothers Bloom, Brick(his indie directorial debut) and some of the best episodes of Breaking Bad. While Johnson’s credits list is not extensive, its qualitative worth cannot be disputed. Moreover, Kathleen Kennedy and other producers at Lucasfilms seem to believe in his filmmaking talents, as it was recently announced that Johnson will be creating a new Star Wars trilogy. Anyways, let’s talk about the writing and the directing of The Last Jedi – both of which were excellent.

Writing: the story and the reveals

To begin with, I loved how the writing for The Last Jedi went for more: more humour (this was honestly the funniest Star Wars movie out of all of them), higher emotional stakes (I have never cared for the nameless background characters more in my movie watching experience), and more action (literal action and just stuff happening plot-wise). Speaking about the plot, it was quite saturated with twists and turns: the picture had 4 storylines all interwoven very nicely (the villains, Rey/Luke, Poe/Leia/Resistance, and Finn/Rose). Nevertheless, while I enjoyed all the points of the narrative, I’m not entirely sure whether the reveals of The Last Jedi will be impactful in the long run – more on that in spoilers.

Thematically, The Last Jedi, more than all Star Wars movies before it (again with the idea of ‘more is more’) traversed the line between the darkness and the light. It also had a varied portrayal of heroism which was quite refreshing. It also presented a never before seen side of the galaxy – the glamours one (Casino Royale in space), and, through it, The Last Jedi was able to explore the concepts of privilege and war benefit. I also liked the film’s idea that wars can be won ideologically as well as physically (more on it in spoilers). Lastly, while The Force Awakens was a narrative rehash of A New Hope, The Last Jedi was somewhat similar to The Empire Strikes Back thematically, in that, both the Resistance and the Rebels have taken heavy losses in their respective stories. However, Episode V did not even come close to the having a hopeful ending of Episode VIII. Although The Last Jedi was about loss, grief, and sacrifice, it also carried within itself an undying spark of hope.

Directing: the action and the visuals

The Last Jedi’s action was vastly entertaining and exciting. It was also varied: the epic space battles (at least 3) were accompanied by amazing hand-to-hand fights (at least 3 as well). The visuals of the settings as well as the designs of the new characters/animals were gorgeous and unique. Luke’s island and the white/red plane of Hoth, which both could be glimpsed at in the trailers, were magnificent to look at. Porges (or the pigeons of the Star Wars universe) were cute and not annoying (that was my worry).

The pacing was also very good – the movie was a bit long but it never dragged or got boring, again, mostly because so much was constantly happening. Lastly, John Williams’s score was as impactful as it has always been. My conclusion after watching The Last Jedi is that I completely trust in Rian Johnson to continue expanding the Star Wars canon with that new trilogy of his.

Acting

  • Mark Hamill delivered the best performance of his career as Luke Skywalker. I highly enjoyed the complex portrayal of the character. It was a bittersweet feeling seeing Carrie Fisher as General Leia Organa. She didn’t have the biggest role in the film but her presence was felt throughout it. Also, she had one incredible scene that made up for the lack of quantity of scenes with her. The dedication to her at the end of the picture was heartbreaking.
  • Adam Driver (Midnight Special, Logan Lucky) was absolutely brilliant as Kylo Ren – he owned the role and was a pure joy to watch. Daisy Ridley (Murder on the Orient Express) was equally brilliant as Rey – I feel like she grew more confident in her acting abilities and that definitely shined through in the character. Her personal confidence also fit the character’s arc really well as Rey herself has also grown bolder and braver.
  • John Boyega (The Circle, Detroit) reprised his role as Finn and was amazing. He got a chance to show off his comedic talents. I also loved his chemistry with the newcomer Rose, played by  Kelly Marie Tran (she has played a handful of minor characters on TV and in films before but hasn’t done anything even close to the scale of this franchise).
  • Oscar Isaac (The Promise, Suburbicon, X-Men: Apocalypse) was wonderful as Poe Dameron – a.k.a. a bundle of charisma. His and BB-8’s interactions were just great. Laura Dern (recently appeared in a limited TV series Big Little Lies for which she is receiving a lot of awards’ nominations) played quite an unexpected and a very unique character. Her character’s and Poe’s standoffs very superb.
  • Andy Serkis (War For The Planet Of The Apes, Avengers 2, directed Breathe) did his thing motion capturing Supreme Leader Snoke, while Domhnall Gleeson (Goodbye Christopher Robin, mother!, American Made, The Revenant, Brooklyn, Anna Karenina) was a bit caricaturish as General Hux but still somehow fitting – probably mostly because the characters around him were aware of his cartoonishness and enjoyed slapping him around.
  • Gwendoline Christie (Game of Thrones) appeared as Captain Phasma and, while she did have a great fight with Finn, I still think that the actress was wasted in this role. Lastly, Benicio del Toro (Sicario, soon the sequel Soldado) had a little but a very interesting role in the film – would love to see more of his character in the future.

In short, Star Wars: The Last Jedi was an immensely satisfying addition to the Star Wars franchise. May it continue for many years!…and May The Force Be With You!!!!

Rate: 4.7/5

Trailer: Star Wars: The Last Jedi trailer

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SPOILERS

Throughout my review, I mentioned a few times that I don’t know if The Last Jedi’s reveals will be impactful. Let’s go through them and I’ll explain what I mean.

  1. To begin with, the most speculated thing of the past two years – Rey’s parentage – was somewhat revealed. Kylo stated that she is a nobody and that her parents were nobodies and, even though Rey keeps looking for father figures in Han and Luke, she is definitely not related to either of them. I have few reservations about this: first of all, is Kylo a trustworthy source? Also, what about that idea that the main three trilogies are Skywalker-centric – how could one of them have a lead character who isn’t a Skywalker? And yet, I also sort of love the idea that Rey is a nobody – it’s quite an inspirational message to spread that everyone can become a hero.
  2. The trailers have been toying with the viewers, making it seem like Rey was turning to the dark side. However, Kylo is the one who ends up turning…but not really. His character’s arc is just brilliant – I feel like these past two movies have been his growth as a villain rather than redemption as a hero. I immensely enjoyed his and Rey’s back-to-back fight against the imperial guards – it was certainly my favorite smaller scale action scene of the film.
  3. Another great hand-to-hand dual occurred between Luke and Kylo. It wasn’t as visually pleasing as the Kylo/Rey one but it was highly enjoyable because of its meaning for the characters’ shared backstory – Kylo’s darkness scaring Luke into a shameful and regretful act.
  4. The aforementioned fight also resulted in a very interesting goodbye to one of the characters of the old cast – Luke. His way of passing – with peace and purpose – was just so deserved and fitting for the character. However, I don’t think that this film was the last time that we see Luke – I expect him to reappear in the next feature as a force ghost (like Yoda in this one – his cameo was a lovely surprise).
  5. The dual between Kylo and Luke was not only important for Luke but also significant for Kylo, who got a double defeat – physically and, more importantly, ideologically. Kylo has been on a quest to defeat the past, however, as The Last Jedi’s ending proved – the past cannot ever be defeated. It will be reborn and repeat itself, as evident in the closing shots with the force sensitive child.
  6. You know who else’s force sensitivity was finally shown on screen explicitly? Leia’s! It took this series a while to give Leia a great force related scene but the one in this picture was worth the wait. The bait-and-switch aspect of it only added to the emotional turmoil of watching that scene.
  7. Another significant death in the movie was that of Supreme Leader’s. The fans have been speculating online about who he actually was but we didn’t get a chance to find that out before his demise. It seems a bit cruel to play with the fans like that – hint at something in Episode 7 and not deliver on it in 8. I wonder whether he will somehow come back in 9 or whether he was truly just a stepping stone/a development point for Kylo?
  8. Lastly, I don’t know if I was reading into the characters’ interactions too much but I think we will get a love triangle in the next film. There appears to be something brewing between Finn and Rose; Finn and Rey also have a connection; and Poe, having finally met Rey, also seems to like her (I mean, who wouldn’t, she is awesome!).

Movie review: Justice League

Movie reviews

Hello!

Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.

SPOILER ALERT

Writing

Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).

Directing

Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).

Acting

The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer

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5 ideas about a movie: Only The Brave

Movie reviews

Hello!

A touching cinematic ode to the fallen firefighters – Only The Brave – has reached theatres, so, let’s review it.

IMDb summary: Based on the true story of the Granite Mountain Hotshots, a group of elite firefighters risk everything to protect a town from a historic wildfire.

  1. I haven’t seen a lot of movies focusing on firefighters before. There have been a fair few films telling the stories of the police officers or the doctors, so it was only right that the firefighters and their important work should also be spotlighted. And that’s exactly what Only The Brave did. The picture was directed by Joseph Kosinski (director of Tron: Legacy and writer/director of Oblivion, who is also set to direct Top Gun 2) and written by Ken Nolan (Black Hawk Down, Transformers 5) and Eric Warren Singer (American Hustle). The script was based on a GQ article “No Exit” by Sean Flynn.
  2. In general, Only The Brave’s writing was good and ticked off all the boxes of the biographical drama to do list. The set-up and the character development was present, the narrative unraveled smoothly, and the emotional punch was strong. The film’s 3 acts had distinct qualities. The first act/the set-up acted as the ‘origin’ story of the Grand Mountain Hot Shots, the middle part showed their career highs and strengthened the connection between the viewer and the characters, while the last act revolved around a game-changing event. The conclusion of the movie used that aforementioned connection to make its viewers teary-eyed during the third act. In addition, I found that idea of nature as fuel for fire very interesting and unique – never seen nature from that perspective myself.
  3. The character development was mostly given to two characters – Miles Teller’s Donut and Josh Brolin’s Supe. We got to see their struggles and their family lives. Jeff Bridges’s character was there to push the plot forward, while Taylor Kitsch’s character was used as the comedic relief (‘2 dads and a baby’ moment was so funny). The other guys were there for the atmosphere. The said atmosphere started out quite unappealing, especially for me as a female viewer. I do get that guys talk like that (by that, I mean borderline sexist) in an all-male environment, but that doesn’t mean that I’d like to see it. What I did enjoy seeing was the training of the group as well as their growth from bullying each other to legitimately caring for one another.
  4. The directing of the film was quite good. The pacing was okay and the intensity of the action sequences was fine too – the movie did succeed in conveying the risks that these people were taking. The southern rural US setting was well-realized too. The burning bear visual was neat, while the other scenes of fire looked realistic. The nice dedication at the end of the film and the photos of the real-life counterparts of the characters were both nice touches.
  5. The cast of the film was quite extensive, but, as I have said, only a handful of characters were focused on. Josh Brolin (Hail, Caesar!, MCU) played Supe and was good, though I have already seen him in a comparable role (Everest and Sicario both come to mind). Similarly, Jeff Bridges also played a role he has played before (in Hell or High Water or even in Kingsman 2). Miles Teller (War Dogs, Allegiant, FF) was good too and I kinda feel that his character, at least during the first act, was basically the person that everyone images Teller to be in real life (he doesn’t have the greatest image in the media). Taylor Kitsch (American Assasin) was okay as well, but I wanted to see something more out of him. Jennifer Connelly (Noah, she was also the voice of Karen (the suit’s AI) in Spider-Man: Homecoming) played Supe’s wife and she actually had more to do than the characters of wifes or girlfriends usually do in films like these.

In short, Only The Brave was a well-made and a heartfelt biographical drama, worthy of a watch but not necessarily at the cinema.

Rate: 4/5

Trailer: Only The Brave trailer

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Movie review: Breathe

Movie reviews

Hello!

Yesterday, I had a chance to attend a preview screening of Breathe as part of the BFI London Film Festival. Thus, my review of the film is coming out early. Hope you enjoy it!

IMDb summary: The inspiring true love story of Robin and Diana Cavendish, an adventurous couple who refuse to give up in the face of a devastating disease.

Writing

The novelist and awards’ nominated screenwriter William Nicholson (who wrote or co-wrote such movies as Elizabeth: The Golden AgeLes MisérablesMandela: Long Walk to FreedomUnbroken, and Everestpenned the script for Breathe and did a great job. The film’s story had to cover quite a wide time frame, so the movie mostly focused on the major events in the lead duos life and had quite a few time jumps. The opening sequence of Robin and Diana meeting and falling in love was very quick: with lesser actors in these roles, the romance would have seemed rushed, but, in the case of Breathe, I thought that the set-up was written and later realized on film effectively enough. That sequence also established the lifestyle that Robin and Diane led: adventurous, exciting, and active. It also neatly set-up their caste (middle/upper) and their friend group – both factors came into play in the plot a bit later.

Thematically, Breathe touched upon a variety of concepts, like the most unversal one of them all – love, but also sacrifice, survival, and bravery. It was also interesting to see how the family’s social class informed Robin’s survival (amongst other things). For one, his better than a lot of people’s financial situation allowed him to be relocated to a more convenient house and to have the funds for the medical machinery (the historical medicine was very well-realized in the picture). However, it was also really heartwarming and uplifting to see Robin taking his personal goal (to survive) and expanding it into a communal goal for the betterment of the whole community of the disabled.

Two other related concepts in Breathe were friendship and humour. Robin’s and Diana’s friends helped them a lot, both physically and emotionally. It was also just remarkable to see that, even though Robin had a condition that was a hinder to his life, that did not change the way his friends communicated with him: they were still joking around, partying, drinking. It was a different life, not a ‘normal’ one (whatever that means), but it was as valid as the life of any individual. Robin, Diana, their son, and their friends took the difficulties and made life into an adventure, with moments of both weakness and triumph. And Breathe not only told this story, but convinced its viewers of its remarkability and had a lovely message that life is always worth living, no matter the circumstances.

While the film generally was quite emotional (alongside being funny – tears would be replaced by a smile and vice versa), its ending was the peek emotional time. The jokes kind diminished it the last 15 minutes of Breathe and were replaced with a sense of sophistication. The last moments of romance were so pure and simple, which resulted in the line that defined this film – ‘My Love, My Life’. Lastly, the choice to die on one’s own terms was presented as a dignified and powerful action (I can hear all those against euthanasia scoffing while reading this sentence). It was A middle finger to faith and determinism rather than life itself.

Directing 

Breathe was directed by the king of motion capture Andy Serkis. This was his directorial debut and not a film one would expect him to direct, knowing his achievements with the CGI and motion capture technology (Serkis has already directed a film that is more in line with what he usually does: he has his own version of Jungle Book, but it keeps being pushed back in the release schedule so as to escape from Disney’s The Jungle Book’s shadow). I though that he did an incredible job with Breathe. The film was shot beautifully and the jumping around in time was handled as good as it could have been. I wish, however, that he would have made the film longer. Some of the scenes, especially at the beginning, felt like they were cut off too quickly, while the snapshot focus on the major events of the characters’ lives had a sense of urgency. Basically, I wanted Breathe to be allowed to breathe more (no pun intended or was it?). Having said that, the movie did slow down a bit as it was progressing: the shots were allowed to linger longer and the camera did not cut away as quickly.

Acting

Breathe has assembled a brilliant cast and it got especially lucky with its two leads, who had realistic and very sweet chemistry.

Andrew Garfield has become a new awards front runner, with last year’s Hacksaw Ridge and Silence (who knew that being replaced as Spider-Man will be the best thing that has happened to his career?). I’m positive that he will get a nomination this year, for that monologue at the conference alone. Maybe he even be rewarded to his technical difficulties of acting as a disabled person, similarly how Eddie Redmayne won for his transformative role of Stephen Hawking in The Theory of Everything.

Clare Foy has made the jump from the small screen to the silver one very successfully. Although, I don’t know if Netflix’s The Crown can really be seen as a TV show, knowing its production quality, budget, and amazing storytelling. I’d love if she got a few nominations for her performance too, I could definitely spot a few key scenes which can certainly be included in her awards’ reel.

The supporting cast of the film was good too. Tom Hollander (Tulip Fever, The Promise), in twin roles, was the most obvious comedic relief. Downton Abbey’s Hugh Bonneville starred as the inventor Teddy Hall, whose talents were crucial to the survival of Robin and I wish we would have seen more of him. Dean-Charles Chapman (GOT’s Tommen) and Ed Speelers (another Downton Abbey alumni) had small roles as well.

In short, Breathe was a great film that told an extraordinary, touching, and humorous real-life story, which was brought to life by a wonderful group of actors and a competent first-time director. Definitely a picture worth to be screened at the Opening Night Gala of the BFI London Film Festival

Rate: 4.2/5

Trailer: Breathe trailer

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