5 ideas about a movie: American Assasin

Movie reviews

Hello and welcome to the third and the last movie review of this weekend!

In this post, we are discussing American Assasin: one generic monstrosity of a film that was so basic that I couldn’t even come up with an interesting introduction for its review. I could have called it just ‘another movie in the line of films that all have the word ‘American’ plus a random noun in their titles’ (American MADE, BEAUTY, PSYCHO, GRAFITTI, etc.)

IMDb summary: A story centered on counterterrorism agent Mitch Rapp.

  1. American Assasin, as a story, first originated in a book format, written by Vince Flynn. 7 years and 4 screenwriters later (Stephen Schiff (writer of 1990s’ pictures like True Crime and Lolita, who now mostly works on the small screen), Michael Finch (wrote Hitman: Agent 47), Edward Zwick (TV writer), and Marshall Herskovitz (writer of The Great Wall and Jack Reacher 2), this narrative reached the silver screen. Now, I haven’t read the book, so I can’t comment on the similarities/differences between the version of the plot in the film and in the novel. However, I can tell you that, as a motion picture, American Assasin was completely unoriginal, predictable, bland, uninspiring, and, frankly, boring. It is also mind-boggling to see 4 scriptwriters credited for the writing of the movie. They seriously couldn’t come up with anything better?
  2. American Assasin didn’t bring anything new to the table when it comes to movies about terrorism (it even resulted in being just as the same old white male vs white male fight). It didn’t have anything new to say neither about the mentor-mentee relationship nor the world of the military/CIA/secret-ops and their rogue agents. It also didn’t practice what it preacher: everything was personal and nobody followed the rules. Lastly, the twists and turns could be seen a mile away, while the dialogue lines were super recycled, and, thus, cringe-y.
  3. A couple of compliments I could award the screenplay was that I liked seeing the transition of Dylan O’Brien’s character: from a millennial who would film his proposal (the acting made that moment sweet rather than eye-roll worthy) to an assassin with a personal (and almost justified) vendetta. I also loved the idea of the virtual training. The IRL training sequence (the one with the re-created shop) was also neat.
  4. Michael Cuesta, TV director and producer and the director of Kill the Messenger, helmed American Assasin and did as good of a job as he could. The script didn’t really give him much to work with but at least he made the hand-to-hand combat seem somewhat exciting. The pacing was fine too. The generic setting of the various European and non-European cities was well realized, but, still generic (Americans seem to enjoy wreaking havoc on the old continent).
  5. Inarguably, the best part about this film was the performances of its two leads. Dylan O’Brien has really begun his final transition from the YA-movies (a la The Maze Runner, which he still has one to promote and oversee the release of) and the young adult TV (Teen Wolf is also airing its last episodes, which he scarcely appears in). He has also had a small role in Deepwater Horizon. His performance here was believable and likable. Michael Keaton (Spider-Man: Homecoming, Spotlight) was also great: there were shades of ‘let’s get nuts’ level of craziness in his performance. Taylor Kitsch was fine as the villain too, though there wasn’t anything particularly interesting about his performance. The few female supporting characters were lazily written but performed well enough by Sanaa Lathan (who was, sadly, just the exposition machine) and Shiva Negar (or the film’s lazy attempt at the female empowerment and diversity).

In short, American Assasin is an action film that you have already seen numerous times. If you like the two leads (Keaton and O’Brien) you might watch it for them, other than that – I don’t recommend it. Maybe as a rental or a free TV rerun.

Rate: 2.5/5

Trailer: American Assasin trailer

American-Assassin-Official-Poster.jpg

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Movie review: It

Movie reviews

Hello!

Let me start this review by saying that I don’t do horror films, especially at the cinema. BUT, since I wanted to christen my new unlimited cinema card and there were no other new releases, I decided to give It a chance. Plus, I have seen all the great reviews and didn’t want to miss out on the movie event of September if not the whole fall.

IMDb summary: A group of bullied kids band together when a monster, taking the appearance of a clown, begins hunting children.

Writing

It belongs to a wave of new smart horror movies (other members being Get Out and Split, both of which I watched – again, not a horror fan here, but I can make an exception for a great film). It owes its smartness to the source material – the beloved novel by Stephen King. And yet, the screenwriters Chase PalmerCary Fukunaga (True Detective, Beasts of No Nation), and Gary Dauberman (Annabelle films) should also be praised for taking a well-known property and adapting it to the big screen (other writers, who have adapted King’s works, proved that it doesn’t always turn out great). While I haven’t read the book, I knew some of the plot details and really liked the bold move of the scriptwriters to focus on just one time period. Before we see the adult side of the story in chapter 2, I will definitely read the book.

While It had stellar moments of horror (2 layers: the supernatural horror of Pennywise and the real-life horror of the abusive parents and the school bullies), the film ultimately was a story about this group of children ‘coming of age’. The movie did an absolutely brilliant job of setting them all up and there were 7 characters to set up! Some films can’t even make me care about their single lead, while, here, I was invested in the lives of a whole bunch of unfamiliar (to me, personally) characters. I also liked how the backstory of the plot (the exposition) was given as a part of the character development (those scenes told the viewer more about Derry as a town AND Ben as a person).

Speaking more about the children – I adored their dialogue and how unfiltered it was. A lot of the film’s jokes also steamed from it and landed most of the time. The preteen/teenage concepts, such as the first love (and the first jealousy), friendship, bullying, puberty, were neatly depicted and never wore too far into being cheesy rather than cute and relatable.  The depiction of fear as subjective and relating to one’s inner demons was so interesting too!

Directing

Andy Muschietti, who first rose to prominence with his directorial debut Mama, did a wonderful job with It. He paced the movie so well and masterfully built its suspense. He also made sure that It earned all of its jump scares. The visuals (cinematography by Chung-hoon Chung) and the music (soundtrack by Benjamin Wallfisch) worked amazingly together to create an uncomfortable yet super engaging sensory experience.

Muschietti should also be given props for directing a group of child actors so well. His decision – to keep Pennywise partially hidden or obscured for some of the runtime – also paid off: the clown was ten times scarier when you could only see his face or one eye. While his whole appearance made for a terrifying sight, the more of It one saw, the more he/she could have gotten used to it.

Acting

It had a brilliant cast of unknown and known child actors, whose performances were a pure delight to watch. Front and center was Jaeden Lieberher, who audiences might already know from Midnight Special or The Book of Henry. He did such an amazing job bringing the character of Bill to live and made that stutter seem believable and natural. Jeremy Ray Taylor (as Ben) and Molly Ringwald of this generation – Sophia Lillis (as Beverly) were also great. Stranger Things’ fans could spot Finn Wolfhard (as Richie) in the picture too. Here, he played the funny, talkative one – a contrasting role to one he plays on the Netflix show. Wyatt Oleff brought a slightly mysterious quality to Stan, Chosen Jacobs made for an extremely likable Mike, while Jack Dylan Grazer contributed to the comedy of the film as Eddie. His mom seemed to be suffering from Munchausen syndrome by proxy (Everything Everything looked at that illness already this year) or she might have just been way too overprotective.

Nicholas Hamilton also did a good job as the bully Henry Bowers, while the youngest member of the cast Jackson Robert Scott was great as the symbol of innocence (Georgie) during the opening of the picture. Lastly, how can I not mention Bill Skarsgård as It/Pennywise the Dancing Clown? While the costume and the makeup departments helped a lot to make Pennywise scary looking, Skarsgård’s performance was the most unsettling thing about the character. The actor was recently in Atomic Blonde, while his next project is also Stephen King related – its the web series Castle Rock.

In short, It was both terrifying and engaging. I, as a viewer, wanted to look away and couldn’t. The script was top-notch, the direction – amazing, while the performances of the cast just a huge cherry on top.

Rate: 4.5/5

Trailer: It trailer

It_(2017)_logo.jpg

Movie review: Tulip Fever

Movie reviews

Hello!

After being pushed back a few years, Tulip Fever has finally reached theaters! Does it have any Oscar potential as its cast list suggests?

IMDb summary: An artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.

Writing

Tulip Fever was written by a playwright and occasional screenwriter Tom Stoppard. His most recent previous film script was the one for 2012’s Anna Karenina. The film’s story and the writing, in general, started out promising but quickly wasted all the said promise. The opening, which set the context of the tulip market and the 17th Amsterdam, as well as the initial details of the actual plot, was quite interesting. However, the more the narrative unraveled, the more unbelievable it became. The ending was especially unsatisfying because the movie didn’t commit to going the full on fantasy route and having a fairytale ending but also wasn’t grounded enough for a realistic conclusion, so it just had one that landed somewhere in the middle. All the characters in the picture were way too interconnected and the twists and turns in the story were mostly lucky coincidences. The drama and the emotional core felt really fake and manufactured as well. Basically, Tulip Fever felt as an old school literary adaptation, which it was exactly: a contemporary yet classical historical romance novel (by Deborah Moggach) with typical yet modernized characters that was turned into a film.

While the final product did not turn out well, as I have said, the promise was there in the details. It was really interesting to see the love and the lack of love juxtaposed through sex scenes. I also liked the exploration of the women’s roles in a patriarchal system and how cunning they had to be to survive, and yet, how they also felt bounded by their duty (Vikander’s character was never entirely sure about her actions) I also appreciated the portrayal of Christoph Waltz’s character – a clueless man, living in privilege, and not even understanding his privilege yet not being malevolent about it. I also liked the hints at the concept of friendship and the hardships it has to endure when spanning multiple caste levels. Lastly, I was really glad to see a historical drama focusing not on The British Empire but on the player that preceded it in the world domination – Holland/The Netherlands.

Directing

Justin Chadwick, who has received some recognition a few years back for Mandela: Long Walk to Freedom, directed Tulip Fever and did a fabulous job with a flawed script. While he went along with the over the top dramatization of the story, nothing bad can be said about his visuals. Tulip Fever was a gorgeous looking movie, with beautiful and rich shots, full of textures and colors. The costume department should also get a raise because their spectacular collars contributed a lot to the magnificence of the look and helped prove the point that Holland was a powerful country. The artistic close-ups of Vikander reminded me of a fashion film or a high-end makeup ad too. If a movie career doesn’t work out for Chadwick, he should check out the advertising business.

Acting

Tulip Fever had a stellar cast, full of Academy favorites, old (Judi Dench, Christoph Waltz) and new (Alicia Vikander). Vikander (The Man From U.N.C.L.E., The Danish Girl, Jason Bourne, The Testament of Youth, Anna Karenina) did a fabulous job and she and Waltz (Spectre, Tarzan) made an interesting pair. Their more formal scenes had a feeling of warmness and respect, while their more intimate scenes felt very uncomfortable (which was the goal). In turn, Vikander’s and Dane Deehan’s (Valerian) scenes felt realistically intimate (sexier than Fifty Shades, though, that’s a low bar to be aiming for). BTW, I bought Deehan much more as a struggling lovesick artist than an action hero.

Judi Dench had a fun, although highly fictional role, in the film. Jack O’Connell (Unbroken, Money Monster)and Holiday Grainger (Cinderella, The Finest Hours) delivered neat and likable performances (Grainger’s voice fit the role of the narrator very well). Glee’s Matthew Morrison, Tom Hollander (MI5, The Promise), and model-turned-actress Cara Delevigne (Paper Towns, Suicide Squad, Valerian) also appeared. Lastly, Zach Galifianakis (The Lego Batman) played his typical role, that wasn’t necessary for the movie at all.

In short, Tulip Fever was a beautiful looking but a poorly written picture that had some stellar and wasted acting performances too.

Rate: 3/5

Trailer: Tulip Fever trailer

Tulip_Fever_poster

2017 Summer Movies RANKED

Movie previews, Movie reviews

Good day!

Welcome to the fall/autumn and the post dedicated to the general overview of the 2017 Summer Movie Season. And bear in mind, I’m using the term ‘summer’ very loosely. Since a lot of blockbusters came during the early spring, I extended this movie season’s beginning from May to March, so the time frame we are now working with is March to August. Like in 2016 and 2015, when I ranked the movies of those respective seasons, I’m dividing the pictures into categories by genre as much as that is possible (a few of these films can fit into a couple of genres). Lastly, while the rank I gave these movies when I reviewed them does affect my thought process, it is not the only factor for ranking these films. Some of my ideas about the said films might have changed with time or with a second viewing. Enjoy and tell me your favorite movie of 2017 (so far) in the comments!

Comic Book Movies:

  1. Logan
  2. Wonder Woman
  3. Spider-Man: Homecoming
  4. Guardians of the Galaxy Vol.2
  5. Batman & Harley Quinn

Action Movies:

  1. Baby Driver
  2. Free Fire
  3. Atomic Blonde
  4. Fast & Furious 8

Animated Movies:

  1. Cars 3
  2. The Boss Baby
  3. Despicable Me 3
  4. The Emoji Movie

Sci-Fi Movies:

  1. War for the Planet of the Apes
  2. Okja
  3. Life
  4. Kong: Skull Island
  5. Power Rangers
  6. Valerian and the City of a Thousand Planets
  7. Alien: Covenant
  8. What Happened To Monday
  9. Ghost in the Shell
  10. Transformers: The Last Knight

Fantasy Movies:

  1. Beauty and the Beast
  2. King Arthur: The Legend of The Sword
  3. Death Note
  4. The Mummy
  5. Pirates of the Carribean: Dead Men Tell No Tales
  6. The Dark Tower

Action Comedy/Comedy Movies:

  1. Girls Trip
  2. The Hitman’s Bodyguard
  3. Baywatch
  4. War Machine
  5. Rough Night
  6. Snatched

Drama Movies:

  1. Wind River
  2. Dunkirk
  3. American Made
  4. To The Bone
  5. The Circle
  6. The Glass Castle
  7. Sand Castle

Romantic Drama Movies:

  1. The Big Sick
  2. Their Finest
  3. The Promise
  4. The Beguiled
  5. Everything Everything

I hope you enjoyed my list as well as the summer movies. Onto the awards’ season!

Movie review: Death Note

Movie reviews

Hello!

The latest of Netflix’s original films (and, arguably, the most interesting one) is streaming worldwide, so, let’s talk about it. This is the review of Death Note.

IMDb summary: Light Turner, a bright student, stumbles across a mystical notebook that has the power to kill any person whose name he writes in it. Light decides to launch a secret crusade to rid the streets of criminals. Soon, the student-turned-vigilante finds himself pursued by a famous detective known only by the alias L.

2017’s Death Note is a live-action adaptation of a beloved anime/manga franchise. The Netflix’s version of this IP has been called the ‘American adaptation’ with the hopes of stopping or minimizing the criticism on the topic of whitewashing. Weirdly, I haven’t seen the same argument being used to defend Ghost in the Shell. Also, I find it strange that, in this day and age, somebody would make a movie purely for the American audience, when it is definitely gonna be seen all over the globe.

Writing

Death Note’s script was written by Charles Parlapanides and Vlas Parlapanides (the duo behind 2011’s Immortals – a Henry Cavill pre-Superman film), and Jeremy Slater (who wrote, oh no, 2015’s Fantastic Four). Going in line with the idea of Americanization, the screenwriters efficiently grounded the film’s story in an American life by opening the movie with the sequence set in a stereotypical American high-school. This was a first and a very obvious change from the original material. As I’m not familiar with neither the original Death Note anime or manga, I’d be interested to find out what other changes occurred? How were the characters different (excluding the race switch)? How much of the original plot-points were retained? Were the changes made because of the Americanization or for some other reason? The picture still did have some Japanese elements (mainly two: the word ‘Kira’ and its meaning remained and a few minor Japanese characters were involved in the narrative).

Speaking about the fantasy part of the story – I found it very fascinating and now I get why every anime fan loves Death Note. I thought that the film set up the mystical side of its story very well, although Light’s transition into being the full-on Kira figure was a bit sudden. Nevertheless, I did like that the movie raised questions about the vigilante justice (on a massive scale) and questioned the limits that some people might be willing to push past. Other, more real-world-related topics, which were touched upon in the film, were bullying, anti-socialness, and the unproductive parent-child relationships.

As the narrative is usually made or broken by its characters, let’s discuss them. I very much enjoyed the writing for Light. I loved how smart he was and, yet, how he still made stupid mistakes appropriate for his age (like telling his girlfriend about the book, although, I’m quite happy that the scriptwriters allowed him to ‘show and tell’ rather than act like Iron Fist, who only tells his story without any proof and expects others to believe him). Light’s opposite and equal – L – was also quite nicely realized. I loved the fact that the stand-off between these two was happening on a whole other level of brilliance. Their genius-ness could be seen in 1)L’s initial detective skills and 2)Light’s ability to avoid culpability in the end. I also liked how the main difference – one’s readiness to kill and other’s refusal to, was highlighted in the movie.

Another important character in the film was Mia, Light’s girlfriend. The writing for her was the worst, mostly because the secrets and the reveals, related to her, were fairly obvious. However, I noticed an interesting parallel between Death Note’s notebook having an influence over Mia similarly to how Tom Ridley’s diary had a hold on Ginny in HP2.

Directing

Adam Wingard directed the 2017’s Death Note and did a good job. His previous work mostly belongs to the horror genre and it looks like he brought elements of it to Death Note too and turned the psychological thriller/detective thriller into more of a horror film. He did that by using plenty of jump scares and really gruesome and gory violence. The graphic content didn’t detract from the plot but it didn’t add to it either. The final product also definitely had a feeling of a Hollywood film, due to its soundtrack (by Atticus Ross and Leopold Ross) and all the slow motion (so the Americanization of the property continued from the script into the visuals and the sounds).

The character design of Ryuk was quite good. He looked terrifying enough and kinda reminded me of the clown in the new IT film. I applaud the filmmakers for using mostly practical effects – puppets and costumes -to bring this character to life (CGI was only used for the face). I’ll comment on the look of the other characters in the acting category.

Lastly, the 3rd act of the film was quite strong. The final chase (L going after Light) was neatly paced and I liked its instrumental score and the urban setting. The ferry’s wheel sequence was also exciting and entertainingly crazy, especially when all the characters came clean.

The director’s next project is Godzilla vs. Kong for Legendary’s MonsterVerse.

Acting

Nat Wolff was really good in the lead role of L. He played the lead character as a psychotic but vulnerable genius.Wolff is slowly building his career, he first popped on everyone’s radar with a small part in The Fault in Our Stars and later starred in the John Green follow-up movie Paper Towns.

L was played by Lakeith Stanfield. The actor had previous small roles in Selma, Straight Outta Compton and Get Out (which I’m going to review in a couple of days). The idea to cast an African American actor in the role added some diversity and accuracy for a US-based film. Still, I don’t think that this type of diversity can work as an apology for not casting Asian talent in any of the lead roles. And yet, while the character did not retain neither its original race nor the iconic hair, his sitting position remained the same, which was a nice. Also, if we take the character’s look on its own and don’t compare him to anyone else, I have to admit – L did look very cool .

Mia was played by Margaret Qualley (The Nice Guys). I thought that she was the weakest of the cast. Her character’s shadiness was very obvious, presumably because the actress performance lacked subtlety. Willem Dafoe voiced and did the facial expressions for Ryuk. His voice fit the character neatly and the facial expressions were sinister enough.

In brief, Death Note was an okay adaptation of a beloved anime (but honestly, the bar has been set pretty low by Ghost in the Shell). Whitewashing aside, the film had a couple of writing problems, but, in general, was enjoyable.

Rate: 3/5

Trailer: Death Note trailer 

220px-DeathNotePoster

BEST, WORST, and MISSED movies of 2016!

Movie previews, Movie reviews

Hello!

Yes, it’s that time of the year again for me to list my favorite and least favorite pictures. Like last year, I will also give you a top 5 of the films that you might have missed because of various reasons but which are worth a watch. 2015’s lists are here.

A short warning before we start: I have not seen all the pictures released this year, especially the majority of the awards contenders, so do not expect to find a lot of them here. Also, this is not an objective ranking of films – these are my subjective personal preferences. That means that the movie you hated might have been one of my favorites and vice versa. Similarly, a film that the critics bashed or a movie that bombed at the box office might also find itself on my best list. Without further ado, let’s begin:

Best:

  1. Captain America: Civil War
  2. Deadpool
  3. Rogue One: A Star Wars Story
  4. Fantastic Beasts and Where To Find Them
  5. Doctor Strange
  6. Hell or High Water
  7. Sully
  8. Arrival
  9. Zootopia
  10. Hacksaw Ridge

The first 5 places on my list are all occupied by big blockbusters. Not surprisingly, two Marvel movies managed to squeeze into the list at number 1 and 5, respectively. The fact that a Harry Potter and a Star Wars film made the list at 4th and 3rd place isn’t unexpected either. The biggest shocker of this year and the first half of my list finds itself at number 2. I was extremely worried about Deadpool but it totally blew my mind. Even though it came out back in February, I still cannot forget it and that’s why it is a runner-up on my favorite movie list.

The second half on the Top 10 spotlights a few ‘regular’ movies. Here we have my favorite indie picture at number 6, my favorite drama at number 7 and the best sci-fi I’ve seen in years at number 8. The list closes with my favorite animation of the year from none other than Disney at 9th place (it was so hard to pick the best animated picture – we had a few good ones in 2016) and the best historical film of the year at 10th place.

Worst:

  1. Jack Reacher: Never Go Back
  2. The Divergent Series: Allegiant
  3. Independence Day: Resurgence
  4. Assasin’s Creed
  5. Jason Bourne
  6. Mike and Dave Need Wedding Dates
  7. Alice Through The Looking Glass
  8. Miss Peregrine’s Home for Peculiar Children
  9. The BFG
  10. The Girl on the Train

I wouldn’t necessarily state that these films are the worst that I have seen this year but rather the most disappointing. The problem that I had with the majority of them was the fact that they wasted their potential and were extremely generic.

This list has a few sequels that nobody asked for (1st, 3rd, 7th). It also has a couple of YA adaptations that should not have been made the way they were at number 2 and number 8. It has a film that was basically destined to be bad at number 4. Plus, the list has my biggest disappointment of the year at number 5. Lastly, at the 6th place, we find a generic comedy that was not that funny; at number 9 – the worst Spielberg movie possibly ever and, in the last place, we have another bland thriller that was not that thrilling.

Missed Movies:

  1. Everybody Wants Some!! – the latest coming of age drama from Richard Linklater and the spiritual successor to Dazed and Confused, Everybody Want Some!! was a great film that not a lot of people saw. It came out in spring and had a neat story, nice directing, and great performances from a whole cast.
  2. Eye in the Sky – a modern and very topical thriller about contemporary warfare. It was suspenseful and intriguing. The film also featured the last on-screen performance by Alan Rickman.
  3. Eddie the Eagle – the feel-good film of the year. It had an inspiring story about a loveable underdog played by Taron Egerton. Wolverine himself provided the support.
  4. Nocturnal Animals – the second feature from the designer Tom Ford that had one of the most inventive and exciting narratives this year. The film was engaging, it asked questions, and was visually stunning.
  5. The Nice Guys – an actually funny comedy from this summer that nobody saw! It had both style and substance! The lead duo – Ryan Gosling and Russell Crowe – were amazing too!

So, these are my lists for the year! What movies did you love or hate in 2016? What is a film that you think I should watch that came out this year? Leave the answers in the comments bellow! I am looking forward to reviewing and discussing movies with you in 2017!

Bye!

My dorm room’s wardrobe

Movie review: Sully

Movie reviews

Hello!

Welcome to a review of a film, which the majority of the world saw in September, but here in the UK, we had to wait for it until December. It’s Sully!

IMDb summary: The story of Chesley Sullenberger, an American pilot who became a hero after landing his damaged plane on the Hudson River in order to save the flight’s passengers and crew.

Sully has already received and won some smaller awards and I also think that it will get nominated for a few of the bigger ones too (because of who is involved in front and behind the camera). This film might also be the most mainstream and the most financially successful awards contender this year. Also, one last note before I actually start reviewing the film – I don’t recommend watching it before a flight – I did that mistake and I’m now kinda nervous about my trip next week.

Writing

Sully’s script was written by Todd Komarnicki, based on the memoir book Highest Duty: My Search for What Really Matters by Chesley Sullenberger (Sully himself) and journalist Jeffrey Zaslow. I absolutely adored the writing for the film – I loved the not entirely linear narrative structure. All the flashbacks were not only interesting by themselves but super effective in raising the emotional stakes of the story.  I liked how the film focused more on the investigation rather than the actual event. The themes and commentary that sprung up from this incredible story were amazing too: the focus on the humanity or the human factor in the age of technology and computerization was refreshing and appealing to me as an anthropologists-in-training. In addition, the dichotomy between the facts and the context the was great too. The way the film showcased and explored the feeling of self-doubt was interesting as well.

Even though the event/the accident was not the main focus of the film, the picture still managed to represent it from a variety of both inside and outside perspectives. I enjoyed seeing the stories of some of the passengers (forming an emotional connection – raising the stakes). It was also cool to see the reactions of the flight attendants, the NY waterways workers, the policeman, and etc.

Lastly, I loved the dialogue of the film, particularly two clever and subtle lines. One of them came at the end, as a joke, when Eckhart’s character mentioned that he would do everything the same but in July rather than January. Other clever and much more serious mention was the one about the good news, New York, and airplanes – I took it as a reference to 9/11.

Directing

Clint Eastwood directed the picture and, not surprisingly, did an amazing job. I, personally, haven’t seen a lot of his films: I’m neither familiar with his work as an actor on a variety of highly regarded Westerns, nor have I seen his earliest films as a director. However, I did enjoy two of his recent award winners Million Dollar Baby and American Sniper. His newest film – Sully – might be my favorite out of the three, though. I loved how emotional and intense the drama was without being obvious. The pacing and the build-ups, as well as the sequences of the actual water-landing, were great. I enjoyed that scene so much and I’m super happy that they showed it twice. Plus, the hearing sequence was as intense as the accident. I also appreciated the accuracy with which this event was recreated – the film’s shots looked exactly like the real life photos which were displayed during the credits. I also liked the fact that the filmmakers managed to included the real life Sully, the crew, and the passengers in the videos during the credits. Sully was truly n emotional rollercoaster of a movie but at least it did have a sort of happy and satisfying ending.

Acting

  • Tom Hanks was brilliant in the role, which is not surprising. I think I already mentioned this but I will repeat it again – to me, Hanks seems like one of the greatest and the most reliable actors of our time. It would take me a whole separate post to list his movie recommendations, so I’m just gonna name a few: I’ve noticed that lately the majority of his films have been inspired by real events, so I suggest you watch them: Captain Phillips, Saving Mr. Banks, and Bridge of Spies (whose review I published exactly a year ago today). A Hologram for the King and Inferno, both based on books, weren’t bad either.
  • Aaron Eckhart was also really good in the picture, I especially liked his scenes with Hanks, as they had great chemistry. This is probably one of Eckhart’s best performances that I have seen, if we are not counting his work in The Dark Knight. He was quite good in the Olympus (and London) has(ve) Fallen franchise.
  • The supporting cast of the film was also really good, it included: Laura Linney (Genius, Nocturnal Animals), Anna Gunn (Breaking Bad), and Mike O’Malley (Concussion, Glee) among others.

In short, Sully was an emotional and entertaining drama, with great writing, good directing, and amazing acting. It is definitely my favorite non-franchise film of this year.

Rate: 4.5/5

Trailer: Sully trailer

sully

In preparation for Fantastic Beasts and Where To Find Them!!!

Movie previews

Hello!

Fantastic Beast and Where to Find Them is coming out in less than a month, so in order to get myself ready for its release, I decided to read the extra Harry Potter material that I missed or didn’t get a chance to read before now and I would like to share my thoughts on it.

I have always been a huge fan of the main HP series, I have re-read all the main books more times than I can count – they were literally my bible growing up and kinda still are now. Harry Potter fandom was also the first fandom that I’ve ever joined. The last movie of the main series – The Deathly Hallows Part 2 – marked the first time when I genuinely cried in the cinema because I didn’t want to leave that world behind. As a kid, I would also imagine myself in that world – I used to play pretend that I was a student at Hogwarts, even made a wand out of two pencils and some tape. My mom’s bathrobe worked well as the uniform robe too. Nowadays, I express my inner fan of HP more subtly – I have a Hogwarts Alumni t-shirt, a Fantastic Beasts t-shirt, a Ravenclaw pin on my bag and a Time-Turner necklace because a)I would love to turn back time (although, The Cursed Child kinda made me doubt that) and b)I’m basically a muggle reincarnation of Hermione Granger. Plus, I recently order a Golden Snitch bracelet. Last year, I have also visited a few outdoor filming locations – the bridge that was used as the Hogwarts Express viaduct (Glenfinnan Viaduct) and the lake that doubled as the Black Lake (Loch Shiel). I made a blog post about that trip, you can find it here. Next spring, I plan on going to the actual tour of the studios in London as well as the King’s Cross.

Okay, that’s enough of my personal story, let’s now discuss the textbook that the upcoming movie was inspired by as well as other extra books from the HP world.

Fantastic Beasts and Where To Find Them

Fantastic Beasts and Where To Find Them, written by Newt Scamander a.k.a. J.K.Rowling is an amusing little book. It was first published as a novella for the UK charity Comic Relief in 2001, so the number of the printed books was quite limited. I managed to get one copy from a local library because I didn’t want to spend a lot of money on it – the books from the first few printings are super expensive on eBay and their prices have been increasing steadily because of the upcoming movie. The book will be rereleased next year as a hardback but who wants to wait that long?

Recently, Warner Bross and J.K. Rowling announced that Fantastic Beasts franchise will have 5 movies in it. The original book consists of less than 100 tiny pages but I can see a lot of potential in it. You can basically just pick one beast that is described in it and come up with an adventure story revolving around it. I also imagine that the filmmakers and J.K. Rowling, who will be writing or at least overseeing the scripts, will pull some extra stuff from the Harry Potter lore on Pottermore or from the other 2 short novellas (which I will discuss bellow). Moreover, since J.K.Rowling is so involved in the creation process I don’t have any problems with her coming up with new stuff – all the fans were super happy when the HP 8th book was published.

Fantastic Beasts not only has a lot of cinematic potential but it is an extremely easy and enjoyable read by itself. The novella is funny, witty and has quite a few easter eggs in the form of Harry’s or Ron’s handwritten notes.

Quidditch Through The Ages

Another Comic Relief book from 2001, Quidditch Through The Ages also has a lot of cinematic possibilities just like Fantastic Beasts. I can definitely see this novella being adapted into a magical sports drama. I think a lot of people would be interested in this type of property, as the Quidditch scenes from the HP films have always been well-accepted. In addition, I think a lot of fans (I included) were quite disappointed when the filmmakers cut the majority of the Quidditch World Championship from the 4th film.

On a side note, Quidditch Throughs The Ages also did a very good job in adding a global aspect to the magical world, as it spotlighted the traditions of Quidditch around the world. I even found out that my native country of Lithuania has a Quidditch team in J.K.Rowling’s mind, called Gorodog Gargoyles. I was so excited after I read that paragraph that I’ll almost let it slide that Rowling used words with Russian language roots (‘gorodo‘ means ‘city‘) to name a Lithuanian team (my country’s and Russia’s common relations are not great due to history).

The Tales of Beedle The Bard

The newest of the charity books, The Tales of Beedle The Bard has been published in association with Children’s High-Level Group in 2008. This short story collection is J.K.Rowling’s magical take on the old-school fairytale genre. Among other stories, the book includes The Tale of the Three Brothers – a myth that played an important role in the final HP book. The short novella also contains Dumbledore’s notes on various tales: these writings not only give us more context and background regarding the magical world but also provide an insight into Dumbledore’s personality. These notes might be useful in kickstarting a Dumbledore-centric film plotline, as it has been speculated that the young version of the character will show up in the future Fantastic Beasts movies.

Finally, one last note on the charity books – I think that they are an amazing idea and that more authors should use their talents for writing to help others. J.K.Rowling not only created more stories for the fans of Harry Potter but actually did something good that will benefit people around the world. Basically, I hope more writers will try to cleverly utilize their fandom for philanthropy.

Harry Potter and The Cursed Child

The last of the books that I’m gonna talk about today is, of course, the new HP book. Written in a play format for the West End and released in a script form, The Cursed Child tells a story of Harry, his family, and friends 19 years after the demise of Voldemort.

I was super excited when I heard that the script of the play will be published as I knew that I wasn’t going to make it to London to see the theatrical production. I absolutely loved coming back to this world and catching up with the character that I grew up with. It was also really nice to see them as proper adults: while their characters as children acted as my personal examples on how to be a child, The Cursed Child can basically act as my guide into adulthood.

I also found it interesting how we got to see a few alternative futures of our beloved characters. In addition, I liked the fact that Rowling picked the Time-Turner from the 3rd book to be the focus of the 8th story – she has taken a supposed plot hole of a previous book and made it into a plot-point. Now, nobody can complain that they should have used the Time-Turner to kill Voldemort in the first place, as the consequences of that could have been even worse. Basically, the main message is DON’T MESS WITH TIME. Also, I liked how she took other familiar bits and pieces from the previous books and presented them in a new way, like the Triwizard Tournament from the 4th book.

The format of the play took some getting used to, as the narrative would jump around in time very quickly. However, that added a quickness and a non-stop pace to the plot, which was quite nice and different. Nevertheless, I did miss the extensive descriptions that would take up a lot of space in the previous novels. The main topics and values like family, friendship, the fight between good and evil, the sacrifice, and the prophecy – the staples of HP – were present and welcomed in The Cursed Child as well.

A few last notes of the book: I really liked how J.K. Rowling managed to resurrect popular characters for the 8th book, by that, I, of course, mean Snape. Reading his lines and imagining Alan Rickman in my mind made his passing even sadder and more heartbreaking. To end this short review on a happier note – I liked how in this book, Draco and Ginny were kinda included into the main trio. This reminded me a lot of the 5th book, which was my favorite because it had more of the main characters. Don’t get me wrong, I have always loved Harry, Hermione, and Ron together, but I also liked seeing them interact with other characters as well and The Cursed Child gave me more of that.


After reading a new HP story and 3 supplementary novellas, I feel quite prepared and in the mood for the new film. I loved the casting choices, especially Eddie Redmayne in the lead, I’m excited about the new U.S. setting and the trailers have also been promising. My review of the film will be coming out the same weekend as the movie hits theaters.

Bye, and Thank You for reading!

Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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Movie review: Miss Peregrine’s Home for Peculiar Children

Movie reviews

Good morning/day/evening!

Another YA adaptation from a once visionary director has hit theaters, so, let’s take it apart! This is the review of Miss Peregrine’s Home for Peculiar Children!

IMDb summary: When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

Allow me to begin by saying that I think that this movie (and the book) has one of the coolest names ever. Yes, it is quite long, weird, and hard to remember, but that’s what makes it special. Just the name alone tells you a lot about the story, but, at the same time, doesn’t give anything away. I wanted to start this review with a compliment because I imagine I will be quite hard on the film in the following paragraphs since I had a number of problem with it.

SPOILERS AHEAD

The narrative: the book, the changes, and the screenplay

The trilogy of books by Ransom Riggs that inspired this film was one of the two YA series that I checked out this year, other being the Engelsfors series by M.Strandberg and S.Bergmark Elfgren. I have always been a fan of fantasy, so I knew that I would enjoy the novels. I also really liked the role that the old vintage photographs played in the making of the books and how they were used in the final product. Those pictures really made the series stand out from the other numerous YA franchises out there.

However, before going to see this film, I questioned whether it can become a successful cinematic trilogy since YA adaptations have been going down both in quality and in the box office numbers. Mockingjay Part 2 was a disappointing finale that didn’t earn as much as expected, Allegiant absolutely crashed and burn – didn’t even earn enough to get the final entry in the franchise made into a film and the release of The Maze Runner‘s final movie had to be postponed due to Dylan O’Brien’s injury on set. Will the audiences still want to see The Death Cure a year later? Will they show up to support an altogether new franchise? I guess, we’ll have to wait and see.

The film’s script was written by Jane Goldman – a long time co-writing partner of Matthew Vaughn. Together, they have worked on movies such as Kingsmen: The Secret Service, X-Men: First Class, Stardust and Kick-Ass. Miss Peregrine Home for Peculiar Children was her second solo writing project, first being the period horror picture The Woman in Black.

As usual, when adapting a piece of literature to the big screen, some (or a lot) of details of the narrative are changed. Miss Peregrine’s Home for Peculiar Children was no exception. For the first two acts, the film followed the book pretty closely but it did create a completely new and different 3rd act. Concerning the smaller alterations, I’ll try to list as much of them as I could spot:

  1. Emma’s and Olive’s abilities were switched. Emma had the power of air instead of fire, while Olive controlled fire rather than being able to float.
  2. Bronwyn was aged down, while Olive aged up. I understand why they did this: Regarding Bronwyn –  it is more striking to see a little girl lift huge weight rather than a teenager, whereas Olive had to be a teenager for them to have a second romantic couple in the film.
  3. The underwater ship scene went down a different way in the book. They probably wanted to make it more visually interesting in the film and I also think that this scene was the reason they switched Emma’s and Olive’s peculiarities.
  4. Miss Avocet’s involvement in the main narrative was altered.
  5. Jacob’s only normal human friend was cut from the beginning of the story and, in general, in the picture, Jacob was made into an even more of a social outcast than he was in the book.
  6. The hollows were eating the eyes of the peculiars instead of their souls. Since eyes are the window to the soul, this might have been the filmmakers’ attempt to visualize a soul as something material.
  7. Miss Peregrine’s kidnapping was altered and basically, all the 3rd act, which followed the kidnapping, went completely away from the book. The film’s final act had different locations than the book’s (the action happened in the house, on a big ship and in the circus, rather than on a small boat on a sea) and it was also more action-y in the cliche Hollywood way. The decision to use the ship allowed Emma to do more stuff and was a cool effect, but everything that happened after that fell flat. Personally, I think that the modern setting and fantasy don’t mix well, so the whole sequence in the circus in 2016 just seemed ridiculous. It might have looked cool and clever on paper but it appeared childish and stupid on screen. I also get why some people complain that the plot was hard to follow during the 3rd act because it actually was a jumbled mess.

A few other points on the script of the feature. To begin with, the film had an awful amount of obvious exposition. The characters would just sit around listening to each other tell important points of the backstory. Half of that exposition could have been incorporated more organically. Secondly, the writing for Jacob was quite awful – he mostly stood around asking questions or reacting to stuff. He was quite a useless hero – it there will be a sequel, I want him to take charge of his situation much more. Actually, he kinda did that at the end of the film, although we didn’t see it because they just montaged through his individual travels. Thirdly, the writing for Jacob’s parents was paper-thin. They were super one dimensional – their one character trait was the fact that they don’t really care about their son. Lastly, gonna end on a positive note and praise the picture for adding a couple of interesting moments to the story: one, Peregrine shooting the hollow was a cool scene and, two, young Abraham’s call was a nice emotional detail.

Although I try my best to always allow the movie to stand on its own, this time, I’m just gonna come out and say that I liked the book’s story better. I’d love to see a sequel that is closer to the second book’s (Hollow City) plot but I doubt it’s possible since the narrative has gone into a way different direction.

Directing

Tim Burton used to be an imaginary and fantastic director but he seems to have run out of steam lately. I have even done a separate post on his filmography before Alice 2 came out earlier this year. Miss Peregrine’s Home for Peculiar Children and Tim Burton seemed like a match made in heaven between the source material and the director, however, the movie was just fine. Nothing spectacular or special. The visuals were great, I liked how the film opened with the photos and the letters – it was a nice optical callback to the photographs in the book. The CGI and the design of the monsters were cool too. The slight steampunk vibes were also appreciated. However, the decision to allow (or make) the actors overdramatize some line and scenes, the awkward and choppy editing and the pacing problems (rushing through the setup, dragging in the middle, rushing in the end) were just a few of the flaws of the flick that Burton should have fixed.

Acting

  • Eva Green (Casino Royale, Dark Shadows, 300: Rise of an Empire) as Miss Peregrine. Green is a fabulous actress and she should have been great as Peregrine but her whole performance seemed a bit off to me. She was younger than I imagined Peregrine to be in the book and she also portrayed the character more as a quirky but cool aunt, rather than strict but caring grandma. Nevertheless, she did seem more friendly and open in the movie, which I liked, though, her shaky introduction and the signature Tim Burton crazy/dead eyes weren’t great.
  • Asa Butterfield (Ender’s Game, Hugo, X+Y) as JacobButterfield is one of the most promising young actors working today but his performance here was a bit stiff and low energy. The writing for Jacob was problematic and the performance didn’t save the character either.
  • Ella Purnell (Maleficient) as Emma was good. She and Butterfield did have some chemistry, although, I still think that their love story was creepy and forced. Grandad and grandchild having the same girlfriend. Really!? It is kinda a Twilight type of a coupling, just with switched genders.
  • Lauren McCrostie as Olive was good. She didn’t have much to do, but I’d like to see more of her. Since they aged up the character, they should’ve used her more.
  • Finlay MacMillan as Enoch. Enoch was one of my favorite parts of the books. He could have been such a cool sarcastic character on screen but the actor just portrayed him as super annoying, which was a disappointment.
  • Samuel L. Jackson (Kingsman, The Hateful Eight, Marvel) as Mr. Barron. Jackson is a great actor but here he was kinda a caricature. He was funny and his portrayal of the character did work for the film, but, on its own, the performance would be considered a complete parody.

In summary, Miss Peregrine’s Home for Peculiar Children was promising but didn’t really fulfill any of the promises as much as it could have. The story started out good but fell flat in the 3rd act, the directing was disjointed and the acting – only so-so.

Rate: 2.7/5

Trailer: Miss Peregrine’s Home for Peculiar Children trailer

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