Movie review: Eight Grade

Movie reviews

Hello!

And welcome to the review of Eight Grade or the age I might be stuck in (spoiler, self-realization occurs in this review)!

IMDb summary: An introverted teenage girl tries to survive the last week of her disastrous eighth-grade year before leaving to start high school.

Eight Grade was written and directed by Bo Burnham – a creator that actually got his start on YouTube. Eight Grade is his first feature film. You might also know him from his stand-up work.

Writing

I thought that Eight Grade had a brilliant script and a lot of its success comes from the fact that it was just so real and relatable. I saw myself on that screen in more than one scene and it wasn’t a comfortable (actually, rather cringe-y) experience but it was absolutely necessary. Necessary in terms of making me realise that I’m actually quite happy with being an adult and shouldn’t really pine away after my own lost childhood. Putting some distance between all the versions of you is not a bad thing. It brings clarity and this clarity also leads to the film’s message. Eight Grade tells the viewer to move on from the past if it wasn’t great and to be okay about the uncertainty of the future.

Not only does the film have an appeal towards someone who isn’t in Eight Grade (like me), but it should also be a must watch for all those in middle school, more or less as an example of all the things you shouldn’t be doing. But I guess it’s hard to learn from others’ mistakes so go on forth children and make the wrong friends, say the wrong stuff,  and embarrass yourselves. And if it seems like the end of the world then, trust me, it isn’t. You are your own version of cool and no one else’s. Furthermore, don’t ever let anyone critique you for caring about your teen problems as they are highly important to you and should never be trivialised. Your anxieties are valid and should not be overlooked because of your age.

The film’s appeal doesn’t stop with someone who is in 8th grade or just a bit older. It should also be watched by parents. While parenting isn’t a very obvious topic within the film, it is always there, just like your parents (hopefully) are (so be nice to them!). The scene by the fire has some spectacular dialogue and some neat lessons too. The dialogue in general was really good because it wasn’t completely coherent and eloquent: it was sincere and real instead.

Directing

Eight Grade also has some stellar directing. The film’s usage of online video makes it feel contemporary. However, all the jokes (oooh the dabs) might make the film age quite badly and quickly. It’s a good thing that it has some timeless topics though, John Hughes-esque. However, where Eight Grade tops Hughes’s films is in its portrayal of a real school. There is no Hollywood glamour: there are awkwardness and acne. The clever ways Burnham decides to portray first crushes (with that fabricated tension and dramatic music) are spectacular too as they are both accurate and also funny.

Acting

Elsie Fisher is absolutely magnificent in the role. She looks the part and acts the part impeccably. I really hope she has a long and successful career ahead of her. Josh Hamilton is also really good as the single dad!

In short, Eight Grade is an incredible coming-of-age story for everyone, including but not limited to middle schoolers, new adults (me, an almost uni graduate), and parents!

Rate: 4.5/5

Trailer: Eight Grade trailer

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5 ideas about a movie: If Beale Street Could Talk

Movie reviews

Hello!

And welcome to back to my blog that I have neglected for another month. But I’m back (I think), so let’s discuss If Beale Street Could Talk!

IMDb summary: A woman in Harlem embraces her pregnancy while she and her family struggle to prove her fiancé innocent of a crime.

  1. If Beale Street Could Talk is Barry Jenkins’ follow-up to his Oscar-winner Moonlight (remember that La La Land debacle? What a time). The film is based on the book of the same name by James Baldwin. The film is also dedicated to the author. For once, I’m actually somewhat familiar with the source material: while I haven’t read the exact book the movie is adapting, I absolutely loved Baldwin’s novel Giovanni’s Room’. One of my all-time favourites.
  2. I really liked the writing for the movie. I loved how Jenkins managed to tell such a tragic story in such a heartwarming way. If Beale Sreet Could Talk was a romance above anything else: the tragedy and the drama came second and love was the message. Such an emotional response lent a lot to the structure of the film and the clever way Jenkins positioned the narrative non-linearly.
  3. I also loved the mixture of realism and poetics in his directing of the film. The two styles corresponded to the two topical concepts (poetics and love vs tragedy and realism).
  4. The movie was a bit slow but engaging. The slow-moving camera showcased the carefulness and care with which this movie was crafted.
  5. A lot of the film’s success is due to the performances by the cast: the two leads – KiKi Layne and Stephan James – portrayed their respective characters with such innocence and freshness and yet there was also an overlying feeling of sophistication. Regina King and Colman Domingo shined in supporting roles. Dave Franco, Diego Luna, Ed Skrein, and Pedro Pascal make cameo appearances.

In short, If Beale Street Could Talk is a realistically poetical or poetically realistic romantic drama that will break and glue your heart back together multiple times throughout the 2h runtime.

Rate: 4.5/5

Trailer: If Beale Street Could Talk trailer

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5 ideas about a movie: How To Train Your Dragon: The Hidden World

Movie reviews

Hello!

And welcome to another review that makes me aware of my own age. This is How to train your dragon: The Hidden World!

IMDb summary: When Hiccup discovers Toothless isn’t the only Night Fury, he must seek “The Hidden World”, a secret Dragon Utopia before a hired tyrant named Grimmel finds it first.

  1. How To Train Your Dragon: The Hidden World is the third and final (as final as anything is in Hollywood) instalment in DreamWorks’ Dragons series. I’ve followed this series for a while now: I’ve seen the first one while I was still in middle school, while the second one came out while I was in high-school (I distinctly remember skipping a few lessons at the end of the day to be able to go watch the film with my friends). (reviews of both are here). I’m about to graduate college. I guess it’s fitting that the series’s end is coinciding with the end of a very important and substantial part of my life. Also, 4-5 years between sequels is almost Pixar levels of waiting for a sequel (better than a decade though)
  2. Anyways, How To Train Your Dragon 3 was written and directed Dean DeBlois, who also directed and wrote all the previous films and has also worked on Lilo&Stitch projects before (makes sense: animal(ish) and human relationships seem to be his topic of interest). The film, as mentioned before, was also produced by DreamWorks – a heavyweight studio during my childhood that has fallen off its A-game in the past decade. The Dragons series was its last really successful property, so I hope they can find something else soon. Or is it just gonna be Captain Underpants and The Boss Baby moving forward?
  3. Okay, now onto the actual review of the film. The script was great. The movie mashed the action-adventure story with a romantic drama impeccably. The coupling up idea is not the most original (or one that I personally like), but it was done so well here, that I cannot even find any fault with it. The romantic relationship (both) were so well written. The human one felt so real especially: like it was lived in, similarly to the world of the story. The human-animal relations were brilliant too. And the ending was emotional and highly effective. I know I wasn’t alone in shedding a tear in a screening of only adults.
  4. The visuals of the film were magnificent too. The care and the effort that went into the animation were visible in every frame. The sequence with the lights and colours was a stand-out.
  5. The voice work was just the icing on a very delicious cake. Major props are due to all of the cast: Jay Baruchel, America Ferrera, F. Murray Abraham, Cate Blanchett, Gerard Butler, Craig Ferguson, and Jonah Hill among others.

In short, How To Train Your Dragon 3 is an amazing piece of animation for all ages.

Rate: 4.8/5

Trailer: How To Train Your Dragon 3 trailer

5 ideas about a movie: Green Book

Movie reviews

Hello!

And welcome to a peculiarly positive movie on race. This is Green Book!

IMDb summary: A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

  1. Green Book was written by Nick Vallelonga, Brian Hayes Currie, and Peter Farrelly, who also directed the film. Farrelly has directed some comedies of questionable quality, like Movie 43 and Dumb and Dumber To (he did the original too) just recently. Needless to say, Green Book – an awards movie – is a step-up for sure.
  2. The script of the film was built around the relationship between the two main characters. These two characters were the highlight of the writing as they were so far away from any assumptions that the viewer might have had. The focus on their relationship also made for some strong dialogue between them (some quality monologues towards the end too).
  3. Thematically, the film, not surprisingly, explored racism within the US in the 60s and within (at least at the beginning) a reversed power relationship. The racialization of culture and music were also major topics. Belonging, family, and home were also touched upon.
  4. Stylistically, the picture juggled sadness and seriousness with humour. The chucklesome moments really lightened the mood but, looking back, maybe they had a different purpose – to prove the point that the audience will laugh at a ‘black’ joke but will do nothing to alleviate the position and discrimination against the black people.
  5. Viggo Mortensen’s (Captain Fantastic) and Mahershala Ali’s (Moonlight) performances were brilliant. And the chemistry that they had was also impeccable. If that was Ali on the piano, then he should be lauded just as much as Gosling was for La La Land.

In short, Green Book was a stellar drama that is worthy of all those awards nominations. Can it take the big one though?

Rate: 4.2/5

Trailer: Green Book trailer

Movie review: Widows

Movie reviews

Hello!

And welcome to a review of another awards’ hopeful that didn’t look like an awards’ movie from the trailer but is one because of who is involved with it in front and behind the camera. This is Widows.

IMDb summary: Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands’ criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.

Writing

Gillian Flynn, best known as a novelist (Gone Girl) rather than scriptwriter, and the director Steve McQueen wrote the screenplay of Windows. The script was based on a TV show. And that could be felt while watching the film because the movie’s narrative was oversaturated with ideas and plotlines. The movie also felt a bit like a book-adaptation by how dense it was – or that may just be Flynn’s writing style.

I really liked how unique the characters were and how they felt like real, well-rounded people rather than cliches or archetypes. I also appreciated how all the plotlines were handled: the film was complex and clear at the same time. It was also engaging, though I wasn’t completely convinced by the twist. Thematically, the movie didn’t really focus on just a couple of concepts but rather it put a mirror to the contemporary world and portrayed an interplay of issues, including women’s position in society, betrayal, criminality, politics, family, marriage, relationships, and race among others.

Directing

Steve McQueen of 12 Years a Slave directed Widows and did a good job. I appreciated his visual style, the extreme close-ups and how he played with the frame (what was in or outside of it) and depth (front v back). I’m still not entirely sure whether the film was awarded’ material. It was definitely a solid film but was it revolutionary in any way? I don’t think so. I also think it was more thriller-y than drama-y, and the Academy still values dramas above everything else.

Acting

Widows had a diverse cast, and by diverse, I mean diverse in identities that were represented and in the quality or status of actors. Viola Davis (Fences), Daniel Kaluuya (Get Out) and Colin Farrell (The Beguiled) were there to boost the awards chances of the film. Elizabeth Debicki and Michele Rodriguez are both great actresses but they are still closer to the B than the A-list (they are not main stars of their respective franchises, Marvel and FF, respectively). Liam Neeson is an action star that usually has his movies come out in January (a.k.a. the worst month?), like The Commuter. Some quality TV actors were also part of the cast, and even though they were great, they are still associated more with the small rather than the silver screen, and while that isn’t a bad thing for the audiences, it might be a hard sell when it comes to awards?

In short, Widows was a solid thriller with an engaging story and great execution of it by both the director and the actors.

Rate: 4/5

Trailer: Widows trailer

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5 ideas about a movie: Suspiria

Movie reviews

Hello!

And welcome to the review of one of the weirdest films I’ve seen in a while. And I don’t think I’m using the word ‘weird’ as a compliment in this case. This is Suspiria!

IMDb summary: A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

  1. Suspiria was written by David Kajganich and directed by Luca Guadagnino (A Bigger Splash). It was a remake of a 1977 Italian film of the same name. To put this review shortly, Suspiria was an artsy, 3h long horror film with half of the dialogue in German. If that sounds like a hard sell, it is/was.
  2. The movie’s story was quite incomprehensible to me. Thematically, it tried doing something with ideas of motherhood and matriarchy. I feel like it also wanted to showcase female empowerment. Honestly, I don’t know what the movie’s message was. Is it because I’m stupid? Or that the movie was too pretentious?
  3. It also had a weird setting amidst political events that were not explained fully for a viewer to get. The movie should not assign its viewer’s homework but should be a full package! The ideas on Germany’s generational guilt were interesting but not given enough room to be explored.
  4. The movie was directed in quite an interesting way. It was slow and long. The visuals were disgusting and looked quite CGI-y at times. The focus on the diegetic noise made the movie into an uncomfortable sensory experience too (I swear 65% of the ‘score’ was just breathing noises). The dance sequences were visually pleasing and interesting, though.
  5. The movie had a good cast but I wasn’t really able to judge their performances as I was confused by the plot. Tilda Swinton played a couple of roles (don’t know why as one couldn’t really tell it was her playing one of the characters, thus, no ideas on doubling could be seen?). Dakota Johnson was also there: I guess arthouse films are better than Fifty Shades? I also feel like a lot of the cast mumbled through their dialogue which didn’t make an already confusing plot easier to understand. A film also had a lot of German actors and actual dancers in the cast.

In short, Suspiria was a trainwreck of confusion that reminded me a lot of mother! in a variety ways (thematically and visually).

Rate: ?/5 (confusion strikes again)

Trailer: Suspiria trailer

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5 ideas about a movie: BlacKkKlansman

Movie reviews

Hi!

Welcome to a review of the movie that I saw 2 months ago and can’t really stop thinking about unless I try to review it! This is BlacKkKlansman.

IMDb summary: Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.

  1. BlacKkKlansman was written by Charlie Wachtel, David Rabinowitz, and Kevin Willmott (based on a memoir of the same name by Ron Stallworth) and directed by Spike Lee (who also contributed to the script). As a film fan, I have always known of Spike Lee and how he impacted the modern cinema. However, I don’t think I’ve seen any of his previous films in full and I’m kicking myself for that as I absolutely loved BlacKkKlansman.
  2. The story of the film was just fascinating: it was so far out there that it had to be true. It was handled very well in the script, with an appropriate amount of sarcasm and humour but also seriousness and sophistication. Every chucklesome moment was followed by a harsh reality: the viewer paid dearly for laughing.
  3. It was also fascinating in that it seemed poignant and topical. Nothing has really changed in the world and while this type of realization is not an original, first time thing, it doesn’t make it any less effective or emotional.
  4. The film was also very well made from a directing point of view. It was paced well and was engaging. The cinematography was neat and clear. The near-perfect film was also rounded out with a great cast.
  5. The film’s cast consisted of some amazing talent, including Adam Driver, who has been popping up in a variety of arthouse films (Logan Lucky, Midnight Special) in addition to Star Wars and has been doing a stellar job in all of them. John David Washington was also great in the lead and I hope that he gets a lot of recognition for this film.

In short, BlacKkKlansman is an amazing feature that I recommend to everyone. Even though it came out a couple of months ago, I really hope it comes back during the proper awards season and makes some sort of splash.

Rate: 4.5/5

Trailer: BlacKkKlansman trailer

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5 ideas about a movie: Assassination Nation

Movie reviews

Hello!

And welcome to a review of the film that left me flabbergasted. This is Assassination Nation.

IMDb summary: After a malicious data hack exposes the secrets of the perpetually American town of Salem, chaos descends and four girls must fight to survive while coping with the hack themselves.

  1. Assassination Nation was written and directed by Sam Levinson as only his second feature film that he has directed and the third one that he has written. It was basically a feminist manifesto wrapped up in a Purge movie. Let’s unpack that:
  2. Assassination Nation featured some quite heavy-handed social commentary. It openly expressed the fact that women should not be silenced by society and that they should fight back. The message was realized within such a radical and extreme and hypocritical plot-line that it was a bit hard to take it seriously. And yet, with everything that is going around in today’s world and the current cultural/political climate, maybe the world of the movie wasn’t that hard to believe. Which makes the whole ordeal even scarier. And maybe then the message of the film should not be subtle either but direct as it was here.
  3. Assassination Nation was also a genre movie: a gory horror picture that both drew the viewers’ attention to the fact that cinema has helped to desensitize violence by simultaneously partaking in such desensitization of violence itself. And I don’t know whether that genre-outside helped the movie to strengthen its message or whether it just distracted from it.
  4. The four main characters were played by Odessa YoungSuki WaterhouseHari Nef, and Abra. I loved how the film had some diversity within this core 4, both in terms of race and gender identification, but how it also didn’t draw too much attention to it but rather presented it as a given fact, a reality that ought to be normalized. Bella ThorneBill Skarsgård (It), and Joel McHale also had supporting roles in the film.
  5. At first glance, Assassination Nation seemed like quite a unique picture to me. However, the more I thought about it, the more I realized that it is actually following in the footsteps of such films as Heathers and, more recently, Thoroughbreds. That is not to say that Assassination Nation wasn’t unique or great in its own right.

In short, Assassination Nation as either confused cringe fest or a brilliant masterpiece. I’m not sure I’ll ever know which one.

Rate: ?/5 (my confusion is refusing to give a number this time)

Trailer: Assassination Nation trailer

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5 ideas about a movie: First Man

Movie reviews

Hello!

And welcome to a review of a potential Oscar contender! This is First Man.

IMDb summary: A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.

  1. First Man was written by Josh Singer (writer of two Oscar winners/contenders The Post and Spotlight), based on a biography by James R. Hansen. The narrative spanned quite a long period of time and had a lot of time jumps (other movies could be made to fill in the gaps – that’s how rich this story is). And yet, even with all the jumping, the plot was still clear and cohesive. The film was also truly an Amstrong biopic because 1) it showcased both his personal life and professional career and 2) it didn’t paint Buzz Aldrin in any favorable light.
  2. First Man was directed by Damien Chazelle of Whiplash and La La Land. Going in to see this film, I wondered whether Chazelle will be able to make a quality non-music related film. And I think he showcased that he is, in fact, very much able to craft a film around any subject with First Man. Even though I knew the ending of the story, I was highly interested and emotionally invested in the progression of the said story. The pacing was also good for the most part – I just wish the film was a tad bit shorter.
  3. Visually, First Man was stunning. The intimate close-ups, especially of the eyes, were very effective. The shaky camera and the constantly mobile frame also made the viewer feel like they were in the cockpit with the astronauts. It’s not a pleasant viewing experience but it served a purpose.
  4. Ryan Gosling (Blade Runner 2049) played the lead in the film and did a great job. I smell another Oscar nomination for him but I don’t know if he’s necessarily worthy of a win. Maybe the Academy will decide that it is his time after all. Nevertheless, his performance was incredibly compelling in a subtle and subdued manner.
  5. The supporting cast of First Man consisted of The Crown’s Claire Foy, who has been popping on the big screen more and more (in Breathe and Unsane and soon in The Girl in a Spider’s Web), Jason Clarke (Terminator 5, Everest), Kyle Chandler (Manchester by the Sea, Game Night), and Corey Stoll (Ant-Man).

In short, First Man is a bit long but a compelling film from a director who still has a long career ahead of him. It’s 3/3 for Chazelle.

Rate: 4.2/5

Trailer: First Man trailer

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5 ideas about a movie: The Hate U Give

Movie reviews

Hello!

And welcome to the review of one of the most important YA/teen films you have ever seen: The Hate U Give!

IMDb summary: Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressure from all sides of the community, Starr must find her voice and stand up for what’s right.

  1. The Hate U Give is a cinematic adaptation of a bestselling book of the same name by Angie Thomas. The adapted screenplay was written by Audrey Wells, who, sadly, passed away days before the film’s release. I’ve read the book prior to seeing the film and really loved it. Thus, my expectations were quite high for the film and I’m glad to say the movie has met them.
  2. The importance of The Hate U Give’s story comes from the fact that it feels realistic and real. It doesn’t shy away from the hurtful truth but exposes it in a complex manner. The interplay of topics – friendship, family, community, identity, the system, brutality, violence, race – are all spotlighted and work to create a full picture of the situation. I also wouldn’t exaggerate by saying that this movie isn’t about human rights but rather about life and death.
  3. In addition to being such an important portrayal of a serious worldly issue, The Hate U Give also tries to be a teen movie. That’s where it falters a bit: I felt that the references at the beginning were a bit heavy-handed. I also wasn’t sure about the hopeful ending of the film and yet, I understood the need for it both as an inspirational note to end on and as a marketing ploy (happy endings sell better).
  4. The Hate U Give was directed by George Tillman Jr. and he did a great job with the lacing of the film, though a runtime was a bit long. The director also succeeded in the emotional core of the film: the scenes of the shootings and the riots were as effective as the authentic video of such real-life events, captured with phone cameras.
  5. The Hate U Give’s cast consisted of Amandla Stenberg in the lead (she was absolutely fantastic and hopefully will now be known for this role rather than as Rue from The Hunger Games); Regina Hall (Girls Trip), Russell Hornsby, and Common (I loved the fact that the parents and the uncle also had a function in the story rather than being sidelined); Riverdale’s KJ Apa who grew on me throughout the duration of the film, and Marvel’s Anthony Mackie (was surprised by his appearance in this picture).

In short, The Hate U Give is an angering but necessary watch. Highly recommend!

Rate: 4.5/5

Trailer: The Hate U Give trailer