BEST, WORST, and MISSED movies of 2017

Movie previews, Movie reviews

Hello!!

Happy New Years Eve!

For most people, it’s a day/night of celebration: partying and drinking. Well, I’m also celebrating but in my own way – by posting my cinema round-up of the year. Like in 2015 and 2016, I’m providing you with my personal list of best and worst films (and I’m linking all of their reviews). A new development for this year is the fact that my top 5 list of obscure, small, ‘missed’ movies/honorable mentions is expanding into a 10 just because I’ve seen too many pictures this year that I want to bring to your attention once again! As always, please don’t bear any hard feelings if our lists don’t match! This post was written in the name of fun and I’m really looking forward to reading your picks in the comments!

BEST Movies:

  1. Logan
  2. Star Wars: The Last Jedi
  3. Wonder Woman
  4. Blade Runner 2049
  5. Thor: Ragnarok
  6. Beauty and the Beast
  7. Spider-Man: Homecoming
  8. War For The Planet Of The Apes
  9. Wind River
  10. It

Those who read my blog somewhat regularly probably aren’t surprised by the fact that my list contains 4 comic book movies. As much as I love the genre in general, what I loved about these particular films was the fact that they expanded the status quo: Logan brought the sophistication that we haven’t seen since The Dark Knight, while Wonder Woman was a game-changer for the female characters. Thor 3 fixed the weakest MCU trilogy, while Homecoming achieved what was deemed impossible – told the first good Spidey story in a decade. Joining the comic book films, are the three sci-fi juggernauts: Star Wars 8 (no surprise here, though, maybe it is a surprise as I seem to be one of the few who truly enjoyed the picture), Blade Runner sequel (visual and narrative masterpiece), and Apes 3 (an underappreciated finale of a great trilogy). The last 3 pictures bring some more variety genre-wise. Wind River represents drama (as well as my anthropological interests), Beauty and the Beast symbolizes my love for live-action fairytales (and my choice to remain a kid inside), while It is the biggest surprise of the year – the first horror movie that I’ve ever enjoyed.

WORST Movies:

  1. Snatched
  2. Transformers: The Last Knight
  3. Rough Night
  4. The Emoji Movie
  5. Geostorm
  6. Tulip Fever
  7. Suburbicon
  8. The Snowman
  9. American Assasin
  10. The Dark Tower

My worst list has it all: awful comedies (Snatched and Rough Night), confused dramas (Tulip Fever and Suburbicon), and underwhelming action thrillers (American Assasin and The Snowman). It also showcases a genre that should die (disaster films – Geostorm) and a franchise that should do the same (Transformers). The infamous cash grab for the millennials (The Emoji Movie) and the bad kind of Stephen King adaptation (The Dark Tower) finish of the list!

Honorable mentions/Movies you’ve MISSED:

I’ve decided not to number these and divide them into 3 levels of obscurity, from the least known to almost mainstream (or even actually mainstream) films.

To begin with, in the most obscure category, I’ve put The Death of Stalin, The Party, and Free Fire. First is a British adaptation of a French graphic novel, which itself is a reimagining of Russian history; second is more of a character piece than a movie with the shortest runtime of a feature film I’ve seen; and the third is an action movie that builds its story around the main action sequence that last the whole picture.

The second trio of more well known movies consist of The Killing of a Sacred Deer, Their Finest, and T2: Trainspotting. The first is an extraordinary revenge story from a proven director, the second – a romantic take on war and the movie business, and the last is everything I love about my adoptive country of Scotland!

Lastly, the 4 final movies that the majority of moviegoers have heard about and which couldn’t necessarily make my top 10 list but were so unique that they deserved to be mentioned are Paddington 2(a bundle of joy in these dark times), John Wick 2 (a successful sequel in a not that big of a franchise), mother!(the picture that was more fun to analyze than watch), and The Big Sick (a romantic comedy like no other).

And that is it for 2017 cinema! I hope you enjoyed reading my lists! Every year, its gets harder and harder to decide on my picks because of the sheer amount of new movies I’m able to see. Please don’t be mad if your favorite/least favorite movies were not on my lists! Also, if you missed some awards contenders in this post, they might have been excluded because I haven’t seen them yet or because I expect to talk about them a lot during the next two months. Hence, they will get enough praise then, it’s what I’m saying.

Anyways, have a happy 2018 in the cinema and in life!

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Movie review: It

Movie reviews

Hello!

Let me start this review by saying that I don’t do horror films, especially at the cinema. BUT, since I wanted to christen my new unlimited cinema card and there were no other new releases, I decided to give It a chance. Plus, I have seen all the great reviews and didn’t want to miss out on the movie event of September if not the whole fall.

IMDb summary: A group of bullied kids band together when a monster, taking the appearance of a clown, begins hunting children.

Writing

It belongs to a wave of new smart horror movies (other members being Get Out and Split, both of which I watched – again, not a horror fan here, but I can make an exception for a great film). It owes its smartness to the source material – the beloved novel by Stephen King. And yet, the screenwriters Chase PalmerCary Fukunaga (True Detective, Beasts of No Nation), and Gary Dauberman (Annabelle films) should also be praised for taking a well-known property and adapting it to the big screen (other writers, who have adapted King’s works, proved that it doesn’t always turn out great). While I haven’t read the book, I knew some of the plot details and really liked the bold move of the scriptwriters to focus on just one time period. Before we see the adult side of the story in chapter 2, I will definitely read the book.

While It had stellar moments of horror (2 layers: the supernatural horror of Pennywise and the real-life horror of the abusive parents and the school bullies), the film ultimately was a story about this group of children ‘coming of age’. The movie did an absolutely brilliant job of setting them all up and there were 7 characters to set up! Some films can’t even make me care about their single lead, while, here, I was invested in the lives of a whole bunch of unfamiliar (to me, personally) characters. I also liked how the backstory of the plot (the exposition) was given as a part of the character development (those scenes told the viewer more about Derry as a town AND Ben as a person).

Speaking more about the children – I adored their dialogue and how unfiltered it was. A lot of the film’s jokes also steamed from it and landed most of the time. The preteen/teenage concepts, such as the first love (and the first jealousy), friendship, bullying, puberty, were neatly depicted and never wore too far into being cheesy rather than cute and relatable.  The depiction of fear as subjective and relating to one’s inner demons was so interesting too!

Directing

Andy Muschietti, who first rose to prominence with his directorial debut Mama, did a wonderful job with It. He paced the movie so well and masterfully built its suspense. He also made sure that It earned all of its jump scares. The visuals (cinematography by Chung-hoon Chung) and the music (soundtrack by Benjamin Wallfisch) worked amazingly together to create an uncomfortable yet super engaging sensory experience.

Muschietti should also be given props for directing a group of child actors so well. His decision – to keep Pennywise partially hidden or obscured for some of the runtime – also paid off: the clown was ten times scarier when you could only see his face or one eye. While his whole appearance made for a terrifying sight, the more of It one saw, the more he/she could have gotten used to it.

Acting

It had a brilliant cast of unknown and known child actors, whose performances were a pure delight to watch. Front and center was Jaeden Lieberher, who audiences might already know from Midnight Special or The Book of Henry. He did such an amazing job bringing the character of Bill to live and made that stutter seem believable and natural. Jeremy Ray Taylor (as Ben) and Molly Ringwald of this generation – Sophia Lillis (as Beverly) were also great. Stranger Things’ fans could spot Finn Wolfhard (as Richie) in the picture too. Here, he played the funny, talkative one – a contrasting role to one he plays on the Netflix show. Wyatt Oleff brought a slightly mysterious quality to Stan, Chosen Jacobs made for an extremely likable Mike, while Jack Dylan Grazer contributed to the comedy of the film as Eddie. His mom seemed to be suffering from Munchausen syndrome by proxy (Everything Everything looked at that illness already this year) or she might have just been way too overprotective.

Nicholas Hamilton also did a good job as the bully Henry Bowers, while the youngest member of the cast Jackson Robert Scott was great as the symbol of innocence (Georgie) during the opening of the picture. Lastly, how can I not mention Bill Skarsgård as It/Pennywise the Dancing Clown? While the costume and the makeup departments helped a lot to make Pennywise scary looking, Skarsgård’s performance was the most unsettling thing about the character. The actor was recently in Atomic Blonde, while his next project is also Stephen King related – its the web series Castle Rock.

In short, It was both terrifying and engaging. I, as a viewer, wanted to look away and couldn’t. The script was top-notch, the direction – amazing, while the performances of the cast just a huge cherry on top.

Rate: 4.5/5

Trailer: It trailer

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