Movie review: Call Me By Your Name

Movie reviews

Hello!

Another awards’ contender has landed in theatres! This is the review of Call Me By Your Name.

IMDb summary: In 1983, the son of an American professor is enamored by the graduate student who comes to study and live with his family in their northern Italian home.

Writing

Call Me By Your Name was written by James Ivory (a writer and director of mainly indie dramas), based on the book by Andre Aciman. To begin with, I’m sure that the LGBTQ+ focus of this film will automatically mean that it will be compared to the big awards winner of last year – Moonlight – especially since Call Me By Your Name is also supposed to get at least nominated. I believe that this comparison is quite unfair because, even though both movies tell coming-of-age stories of young men, exploring their sexuality, the circumstances and the details within a story are vastly different (race, class, time period, location, community – all these aspects of the two movies are on the opposite sides of the spectrum). Other topics of discussion, which will surely arise in the popular discourse, are the questions of consent and age of consent. I can already see the online fights brewing, with minimal productive arguments about legality and morality, and full of trolls who just want to see the world burn.

Anyways, I, personally, loved a lot of aspects of the writing. To begin with, I liked the settings of the movie quite a lot, both the spatial one (Italy) and temporal one (the 1980s). Both of these places/times posses a feeling of freedom and history mixed with timelessness – almost a fairytale-like setting, perfect for a story of first love. And the said romance at the center of the movie was written beautifully and richly. The film explored the interplay between masculinity and sexuality, sensuality and sexuality, innocence and maturity, and emotional love and physical love. It touched upon the ideas of art, creativity, and self-expression. It portrayed the teasing and flirting stages of the relationship so purely. Call Me By Your Name also examined both the development of its main character’s personality and sexuality, e.g. wanting to be with Oliver and/or wanting to be Oliver (copying his mannerisms (‘Later’) and style (sunglasses, shirts, the pendant of the star of David).

The movie also presented an unheard of example of accepting parents. It was so refreshing to see parents being so nonchalant about their child’s exploration of his sexuality. That final speech of the father was one of the best written fatherly wisdom scenes ever. My few criticisms regarding the picture were: 1) it was a bit too long. I know that it was made to be long so as to build up the stronger connection between the characters and the viewers but I also believe that this connection could have been created through a few quality scenes much better than through a bigger quantity of mediocre ones. 2) I also would have loved to see the film interrogate the role of women in this instance, whether as supportive friends or girlfriends for show a bit more.

In short, ultimately, Call Me By Your Name was a gorgeously written sad love story full of moments of hope and happiness and what can all of us ask more of life than brief moments to enjoy?

Directing

Call Me By Your Name by Luca Guadagnino – an Italian film director, best known to English-speaking audiences for his 2015 film A Bigger Splash with Tilda Swinton (a longtime collaborator of Guadagnino). He directed the film absolutely beautifully. Call Me By Your Name looked raw, rough, and unpolished – an example of natural beauty. The handheld camera brought the vibrancy to the film, while the close-ups helped to create an intimate and personal atmosphere. The lingering shots strengthened the emotional impact.

In addition, Call Me By Your Name explored the male sexuality by looking at the male physicality: the male bodies and their parts were at the center of the camera’s gaze. The topic of bodily physicality was continued with the inclusion of the sculptures into the movie. Some scenes were quite explicit and not the most comfortable to look at (*cough, cough*, peach). Other images were just beautiful and deserve to be framed in an art gallery. The closing image of Elio, looking at the fire and contemplating his experiences, was just so striking and a perfect visual to finish the film with.

 

Acting

  • Timothée Chalamet, who has previously appeared in Interstellar as well as some lesser-known indies, was absolutely brilliant as one-half of the main pair. The other half was equally brilliantly played by Armie Hammer, who is finally getting the recognition he deserves as an actor. He has experienced a relative level of success with The Social Network and J. Edgar and I also quite liked him in The Man from U.N.C.L.E., Nocturnal Animals, and Free Fire, however, I believe that Call Me By Your Name will be his ‘big break’ and maybe even get him an Oscar nomination. Chamalet absolutely deserves one too.
  • The supporting cast of the film was quite small and didn’t have much to do. However, the aforementioned moment of fatherly wisdom would not have been the same without Michael Stuhlbarg (Doctor Strange, Arrival) in the role of the father. It was also lovely to see some European actors joining the American talent on screen, namely Amira Casar (in the role of the mother) and Esther Garrel (who played Elio’s friend).

In short, Call Me By Your Name is an emotional, beautiful, and raw drama about love and finding oneself through it.

Rate: 4/5

Trailer: Call Me By Your Name trailer

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Movie review: The Snowman

Movie reviews

Hello!

Welcome to a review of a movie you have never heard about. This is The Snowman!

IMDb summary: Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous-looking snowman

Writing

The Snowman is a European crime thriller (I love thrillers!), written by Hossein Amini (Drive, Snow White and The Huntsman, Our Kind of Traitor), Peter Straughan (Tinker Tailor Soldier Spy, Frank, Our Brand is Crisis), and Søren Sveistrup (a Scandinavian TV writer), based on the book of the same name by Jo Nesbø – quite a well-known Norwegian crime novel writer. I’ve, personally, never read any of his books, but I definitely know that my dad has enjoyed quite a few of them. Sadly, I didn’t have the same experience with the movie adaptation of The Snowman. Mostly because of how illogical the plot was.

The opening set-up for a villain left me with so many questions, which were not really answered throughout the film. So, supposedly, the bad guy did nefarious things because he grew up abused by a man, who was probably his father, but somehow blamed his mother for everything and then decided to punish all less-than-perfect mothers las an adult? What kind of senseless self-styled heroism is this? I’m guessing you could make a case about his psychological damage pushing him to do that, but, even if we take his potential mental disorders into consideration, his actions still don’t make much sense!?

The other ‘hero’ characters were all similarly damaged. Additionally, the detective case was not just a job for them, but a personal vendetta. Their character development was minimal: the majority of the traits of the characters directly related to the plot. Or, on the opposite end of the spectrum, the character features appeared to be completely unnecessary and not relating to anything but then were forced into the main plotline. The supporting characters served no purpose in the movie, a few of them were dropped halfway through, with no explanation.

The narrative was predictable, typical, and full of plot-holes. The story was spread out all over the place – elabarote but not in a good way and convoluted rather than complex. All of the plotlines and the story strands were super loose. And yet, the movie somewhow managed to tie everything together. I guess the plot sort of made sense in the context of the film, but it would fall apart easily if one just dug a little deeper. The Snowman did very much feel like an adaptation of a book and I have a feeling that the story worked much better in the novel form.

Directing

Tinker Tailor Soldier Spy’s director Tomas Alfredson helmed this film and did a passable job. At the beginning, the film did have a slight David Fincher-esque vibe, but that quickly went away. The Norwegian setting and the visuals of the fjords and the snow were good. In general, the realistic, down-to-earth vibe of a very European thriller was refreshing (I’ve been watching a lot of Hollywood high-glamour thriller lately, so this one was a nice change). However, that same vibe also made the project seem less cinematic and more like a TV movie. The violence was quite brutal and explicit (so maybe don’t see the film if that bothers you or your stomach). Lastly, the pacing was super slow and the intensity wasn’t always there to make up for the lack of action.

Acting

The Snowman assembled quite a good cast. In the lead was Michael Fasssbender, who desperately needed a financial or a critical win after Assasin’s Creed and Alien: Covenant (in both of which he was actually good in). However, The Snowman won’t do his career any good. Can somebody get him another Steve Jobs-type of a role? Or are we betting everything on the next X-Men film?

Rebecca Ferguson (MI5, The Girl on The Train, Life) was the co-lead on the film. Her character arc started out promising but then turned into a stereotype, however, Ferguson still delivered a neat performance. The supporting cast included a French actress Charlotte Gainsbourg (whose English language films include Independence Day: Resurgence), Val Kilmer (who I haven’t seen in a movie for years), and J.K. Simmons (Renegades) who had no business being in this picture. Oh, Jarvis aka James D’Arcy (Dunkirk) was in it too!

In short, The Snowman is a thriller that is not worth anyone’s time. If you are interested in the story, maybe read the book instead of watching the film?

Rate: 2.7/5

Trailer: The Snowman trailer

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5 ideas about a movie: American Assasin

Movie reviews

Hello and welcome to the third and the last movie review of this weekend!

In this post, we are discussing American Assasin: one generic monstrosity of a film that was so basic that I couldn’t even come up with an interesting introduction for its review. I could have called it just ‘another movie in the line of films that all have the word ‘American’ plus a random noun in their titles’ (American MADE, BEAUTY, PSYCHO, GRAFITTI, etc.)

IMDb summary: A story centered on counterterrorism agent Mitch Rapp.

  1. American Assasin, as a story, first originated in a book format, written by Vince Flynn. 7 years and 4 screenwriters later (Stephen Schiff (writer of 1990s’ pictures like True Crime and Lolita, who now mostly works on the small screen), Michael Finch (wrote Hitman: Agent 47), Edward Zwick (TV writer), and Marshall Herskovitz (writer of The Great Wall and Jack Reacher 2), this narrative reached the silver screen. Now, I haven’t read the book, so I can’t comment on the similarities/differences between the version of the plot in the film and in the novel. However, I can tell you that, as a motion picture, American Assasin was completely unoriginal, predictable, bland, uninspiring, and, frankly, boring. It is also mind-boggling to see 4 scriptwriters credited for the writing of the movie. They seriously couldn’t come up with anything better?
  2. American Assasin didn’t bring anything new to the table when it comes to movies about terrorism (it even resulted in being just as the same old white male vs white male fight). It didn’t have anything new to say neither about the mentor-mentee relationship nor the world of the military/CIA/secret-ops and their rogue agents. It also didn’t practice what it preacher: everything was personal and nobody followed the rules. Lastly, the twists and turns could be seen a mile away, while the dialogue lines were super recycled, and, thus, cringe-y.
  3. A couple of compliments I could award the screenplay was that I liked seeing the transition of Dylan O’Brien’s character: from a millennial who would film his proposal (the acting made that moment sweet rather than eye-roll worthy) to an assassin with a personal (and almost justified) vendetta. I also loved the idea of the virtual training. The IRL training sequence (the one with the re-created shop) was also neat.
  4. Michael Cuesta, TV director and producer and the director of Kill the Messenger, helmed American Assasin and did as good of a job as he could. The script didn’t really give him much to work with but at least he made the hand-to-hand combat seem somewhat exciting. The pacing was fine too. The generic setting of the various European and non-European cities was well realized, but, still generic (Americans seem to enjoy wreaking havoc on the old continent).
  5. Inarguably, the best part about this film was the performances of its two leads. Dylan O’Brien has really begun his final transition from the YA-movies (a la The Maze Runner, which he still has one to promote and oversee the release of) and the young adult TV (Teen Wolf is also airing its last episodes, which he scarcely appears in). He has also had a small role in Deepwater Horizon. His performance here was believable and likable. Michael Keaton (Spider-Man: Homecoming, Spotlight) was also great: there were shades of ‘let’s get nuts’ level of craziness in his performance. Taylor Kitsch was fine as the villain too, though there wasn’t anything particularly interesting about his performance. The few female supporting characters were lazily written but performed well enough by Sanaa Lathan (who was, sadly, just the exposition machine) and Shiva Negar (or the film’s lazy attempt at the female empowerment and diversity).

In short, American Assasin is an action film that you have already seen numerous times. If you like the two leads (Keaton and O’Brien) you might watch it for them, other than that – I don’t recommend it. Maybe as a rental or a free TV rerun.

Rate: 2.5/5

Trailer: American Assasin trailer

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Movie review: Everything Everything 

Movie reviews

Hello!

Hiding behind all the summer blockbusters, are smaller drama films. This particular one is also on a mission to prove that YA movies are not dead yet. This is Everything Everything.

IMDb summary: A teenager who’s spent her whole life confined to her home falls for the boy next door.

While YA adaptations have been on a high a few years back, they have mostly fallen off the radar. Everything, Everything is the most similar to The Fault In Our Stars but no one expects it to replicate the latter’s success. And yet, it might still be a good movie on its own. As a disclaimer – I had no prior knowledge about the film, hadn’t even seen the trailer, so I’m judging it purely based on what I saw on screen.

Writing

Everything, Everything’s script was written by J. Mills Goodloe (she wrote Nicholas Sparks’s The Best of Me and another romantic drama – The Age of Adaline), based on a book of the same name by Nicola Yoon. I’ve never read the book (and do not plan to), so I can’t comment on any changes if there were any. However, I will say that the characters of the story were quite interesting and fairly realistic – at least I was able to identify with both the girl (she reads a lot and writes reviews, kinda an obvious similarity?) and the guy (me and him both have a cynical outlook on the surface). The dialogue between the two leads sounded realistic enough too. It wasn’t just cute but appropriately awkward and uncomfortable.

What annoyed me in the film the most, was the cliche of the overprotective and the abusive parents. Abuse within a family, accidental or deliberate, is a serious issue but it had been reduced to a young adult movie cliche by Hollywood. The actual concept has been long overdone but it has never been explored successfully or in a way that would elicit a change in the real world. This film just basically reduced the abuse from a guy’s dad into an inciting incident.

The girl’s side of the story was explored more widely but the movie did not delve deeper into the issue. If the legal and psychological backgrounds related to the illness that the girl’s mom has were explored, the movie would have been way more sophisticated and would have been elevated from the level of a YA romance. It would have also been interesting to see how her medical background had affected her sickness. Also, the picture should have said the name of the illness a loud –  Munchausen syndrome by proxy – cause a lot of viewers in my screening were confused by the ending. I don’t think they were entirely sure whether the mom was just malicious or whether she actually had a mental disability.

Directing

A relative newcomer to the filmmaking business, Stella Meghie directed Everything, Everything and did a fairly good job. While the cliches such as the pop songs in the soundtrack and the shots of beautiful locations during the ‘escape’ sequence (here they traveled to Hawai – really reminded me of TFIOS sequence in Amsterdam) were present in the film, it also had a couple of original-looking scenes. I especially loved the visualization of the online conversations through the prism of the girl’s architectural models – the dinner and the library. The recurring visual of the astronaut was also a nice Easter Egg within a movie. Overall, not a bad effort from a fresh director.

Acting

Amandla Stenberg, best known for her role as Rue in the first Hunger Games, played the female lead, while Jurassic World’s Nich Robinson played the male lead. He also has prior YA movie experience – he has previously starred in The Fifth Wave. While watching the film, I actually thought that he was a different actor – the one who played the oldest child in Captain Fantastic – George MacKay. Turns out, they are two different people. Weirdly enough, Stenberg, having just starred alongside Robinson, will now perform next to his doppelganger Mackay in Where Hands Touch.

A Disney Legend Anika Noni Rose (the voice of Tiana) played the role of the overprotective mother and did a good job. She did the best she could with a role that could have been rich but was really shallowly written.

In short, Everything, Everything is a good offering of the dying genre, which I doubt it will save. The cast is talented, the directing is inspiring, but the script is lacking.

Rate: 2.8/5

Trailer: Everything Everything trailer

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5 ideas about a movie: Love and Friendship

Movie reviews

Hello!

Today, we are reviewing the most surprisingly successful (both critically and financially) film of the year – Love & Friendship.

IMDb summary: Lady Susan Vernon takes up temporary residence at her in-laws’ estate and, while there, is determined to be a matchmaker for her daughter Frederica — and herself too, naturally.

  1. Love & Friendship’s script was written by Whit Stillman, who also directed the picture. The film’s narrative was an adaptation of Lady Susan by Jane Austen. I have read a few of Austen’s novels (will probably read more in the near future, as I study English Literature) and also seen a couple of cinematic adaptations. Most of the time, I did enjoy the stories but didn’t think of them as anything special, so I was extremely surprised to see that this movie did so well both with the critics and the mainstream audiences.
  2. Made for just $3 million – a tiny budget for a historical picture – Love & Friendship had great mise-en-scene: I really did not expect the sets or the costumes to look this good and to be historically appropriate. Stylewise, the film did, however, reminded of a TV movie, with all those character introductions. Genre-wise, it seemed to be both a parody and homage to Hallmark-type movies too.
  3. Love & Friendship was an entertaining film with the right amount of overdramatization and pretentious. It had a kind of Downton Abbey season 1 vibe. The aristocratic intrigues, which were explored in the film, were both cringe-y and annoying as well as interesting and exciting. The film was basically walking a line between charm and hilariousness. The treatment of women was also well-realized in the film: the strong female characters were not made into feministic cliches as usually tends to happen.
  4. For the most part, smaller and unknown actors brought these iconic characters of literature to life, however, the lead titular character was played by Kate Beckinsale – probably the biggest name of the whole cast. Beckinsale did a great job in the role – she made Lady Susan into a well-rounded character that would appear naive and ignorant in once scene and smart and scheming in another. She was also both venomous and kind, which is not a complimentary union.
  5. Chloë Sevigny and Stephen Fry played supporting roles in the movie and did a great job. However, my favorite actor (and character) from the supporting cast was Xavier Samuel as Reginald DeCource. His character seemed to be too innocent to exist in that world and was the only truly likable character. I knew that Samuel seemed familiar, as I have seen him in a Twilight movie (I was a teenager too:D), Fury, and Frankenstein.

In brief, Love & Friendship was a solid historical dramedy. It didn’t seem as anything particularly special to me personally, but I’m happy for its success.

Rate: 3.75/5

Trailer: Love & Friendship trailer

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In preparation for Fantastic Beasts and Where To Find Them!!!

Movie previews

Hello!

Fantastic Beast and Where to Find Them is coming out in less than a month, so in order to get myself ready for its release, I decided to read the extra Harry Potter material that I missed or didn’t get a chance to read before now and I would like to share my thoughts on it.

I have always been a huge fan of the main HP series, I have re-read all the main books more times than I can count – they were literally my bible growing up and kinda still are now. Harry Potter fandom was also the first fandom that I’ve ever joined. The last movie of the main series – The Deathly Hallows Part 2 – marked the first time when I genuinely cried in the cinema because I didn’t want to leave that world behind. As a kid, I would also imagine myself in that world – I used to play pretend that I was a student at Hogwarts, even made a wand out of two pencils and some tape. My mom’s bathrobe worked well as the uniform robe too. Nowadays, I express my inner fan of HP more subtly – I have a Hogwarts Alumni t-shirt, a Fantastic Beasts t-shirt, a Ravenclaw pin on my bag and a Time-Turner necklace because a)I would love to turn back time (although, The Cursed Child kinda made me doubt that) and b)I’m basically a muggle reincarnation of Hermione Granger. Plus, I recently order a Golden Snitch bracelet. Last year, I have also visited a few outdoor filming locations – the bridge that was used as the Hogwarts Express viaduct (Glenfinnan Viaduct) and the lake that doubled as the Black Lake (Loch Shiel). I made a blog post about that trip, you can find it here. Next spring, I plan on going to the actual tour of the studios in London as well as the King’s Cross.

Okay, that’s enough of my personal story, let’s now discuss the textbook that the upcoming movie was inspired by as well as other extra books from the HP world.

Fantastic Beasts and Where To Find Them

Fantastic Beasts and Where To Find Them, written by Newt Scamander a.k.a. J.K.Rowling is an amusing little book. It was first published as a novella for the UK charity Comic Relief in 2001, so the number of the printed books was quite limited. I managed to get one copy from a local library because I didn’t want to spend a lot of money on it – the books from the first few printings are super expensive on eBay and their prices have been increasing steadily because of the upcoming movie. The book will be rereleased next year as a hardback but who wants to wait that long?

Recently, Warner Bross and J.K. Rowling announced that Fantastic Beasts franchise will have 5 movies in it. The original book consists of less than 100 tiny pages but I can see a lot of potential in it. You can basically just pick one beast that is described in it and come up with an adventure story revolving around it. I also imagine that the filmmakers and J.K. Rowling, who will be writing or at least overseeing the scripts, will pull some extra stuff from the Harry Potter lore on Pottermore or from the other 2 short novellas (which I will discuss bellow). Moreover, since J.K.Rowling is so involved in the creation process I don’t have any problems with her coming up with new stuff – all the fans were super happy when the HP 8th book was published.

Fantastic Beasts not only has a lot of cinematic potential but it is an extremely easy and enjoyable read by itself. The novella is funny, witty and has quite a few easter eggs in the form of Harry’s or Ron’s handwritten notes.

Quidditch Through The Ages

Another Comic Relief book from 2001, Quidditch Through The Ages also has a lot of cinematic possibilities just like Fantastic Beasts. I can definitely see this novella being adapted into a magical sports drama. I think a lot of people would be interested in this type of property, as the Quidditch scenes from the HP films have always been well-accepted. In addition, I think a lot of fans (I included) were quite disappointed when the filmmakers cut the majority of the Quidditch World Championship from the 4th film.

On a side note, Quidditch Throughs The Ages also did a very good job in adding a global aspect to the magical world, as it spotlighted the traditions of Quidditch around the world. I even found out that my native country of Lithuania has a Quidditch team in J.K.Rowling’s mind, called Gorodog Gargoyles. I was so excited after I read that paragraph that I’ll almost let it slide that Rowling used words with Russian language roots (‘gorodo‘ means ‘city‘) to name a Lithuanian team (my country’s and Russia’s common relations are not great due to history).

The Tales of Beedle The Bard

The newest of the charity books, The Tales of Beedle The Bard has been published in association with Children’s High-Level Group in 2008. This short story collection is J.K.Rowling’s magical take on the old-school fairytale genre. Among other stories, the book includes The Tale of the Three Brothers – a myth that played an important role in the final HP book. The short novella also contains Dumbledore’s notes on various tales: these writings not only give us more context and background regarding the magical world but also provide an insight into Dumbledore’s personality. These notes might be useful in kickstarting a Dumbledore-centric film plotline, as it has been speculated that the young version of the character will show up in the future Fantastic Beasts movies.

Finally, one last note on the charity books – I think that they are an amazing idea and that more authors should use their talents for writing to help others. J.K.Rowling not only created more stories for the fans of Harry Potter but actually did something good that will benefit people around the world. Basically, I hope more writers will try to cleverly utilize their fandom for philanthropy.

Harry Potter and The Cursed Child

The last of the books that I’m gonna talk about today is, of course, the new HP book. Written in a play format for the West End and released in a script form, The Cursed Child tells a story of Harry, his family, and friends 19 years after the demise of Voldemort.

I was super excited when I heard that the script of the play will be published as I knew that I wasn’t going to make it to London to see the theatrical production. I absolutely loved coming back to this world and catching up with the character that I grew up with. It was also really nice to see them as proper adults: while their characters as children acted as my personal examples on how to be a child, The Cursed Child can basically act as my guide into adulthood.

I also found it interesting how we got to see a few alternative futures of our beloved characters. In addition, I liked the fact that Rowling picked the Time-Turner from the 3rd book to be the focus of the 8th story – she has taken a supposed plot hole of a previous book and made it into a plot-point. Now, nobody can complain that they should have used the Time-Turner to kill Voldemort in the first place, as the consequences of that could have been even worse. Basically, the main message is DON’T MESS WITH TIME. Also, I liked how she took other familiar bits and pieces from the previous books and presented them in a new way, like the Triwizard Tournament from the 4th book.

The format of the play took some getting used to, as the narrative would jump around in time very quickly. However, that added a quickness and a non-stop pace to the plot, which was quite nice and different. Nevertheless, I did miss the extensive descriptions that would take up a lot of space in the previous novels. The main topics and values like family, friendship, the fight between good and evil, the sacrifice, and the prophecy – the staples of HP – were present and welcomed in The Cursed Child as well.

A few last notes of the book: I really liked how J.K. Rowling managed to resurrect popular characters for the 8th book, by that, I, of course, mean Snape. Reading his lines and imagining Alan Rickman in my mind made his passing even sadder and more heartbreaking. To end this short review on a happier note – I liked how in this book, Draco and Ginny were kinda included into the main trio. This reminded me a lot of the 5th book, which was my favorite because it had more of the main characters. Don’t get me wrong, I have always loved Harry, Hermione, and Ron together, but I also liked seeing them interact with other characters as well and The Cursed Child gave me more of that.


After reading a new HP story and 3 supplementary novellas, I feel quite prepared and in the mood for the new film. I loved the casting choices, especially Eddie Redmayne in the lead, I’m excited about the new U.S. setting and the trailers have also been promising. My review of the film will be coming out the same weekend as the movie hits theaters.

Bye, and Thank You for reading!

Movie review: Inferno

Movie reviews

Hello, my dear readers!

The latest Dan Brown/Ron Howard/Tom Hanks collaboration – Inferno – has reached cinemas, so, let’s review it!

IMDb summary: When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot.

I have done a preview post for this film where I talked about all the books as well as the previous films of the franchise (you can find it here). As usual, I’ll try to list as many book-to-movie changes as I could spot, although it has been a few months since I’ve read the novel, so I might not have noticed everything. Once again, the critics are ripping this movie apart (like the earlier movies of the series), so I’ll also try to defend it from a fan’s perspective.

SPOILERS AHEAD

Writing

The screenwriter David Koepp adapted Dan Brown’s novel to the big screen and did a fairly good job. Koepp’s track record has been mixed. Although the movies he has written have been very financially profitable, not all of them were liked by the movie goers or the critics. He has contributed to such successes as Jurassic ParkMission: Impossible and Panic Room. However, he also co-wrote the horrible Indiana Jones 4 and directed one of the worst films of Johnny Depp’s career – Mordecai. Koepp has also written the second film of the Robert Landon franchise – Angels & Demons – it used to be my favorite, but I think Inferno has taken its place.

For the bigger part of the movie, narrative alterations have been minimal. Even the third act and the finale went down in a similar way in the book, however, the final end-game of the story was changed completely.

To begin with, the book started with Langdon already in the hospital, while the movie added an explanatory set-up (and yet ‘Would you press a button’ idea came from the book). The picture immersed the viewers into the film’s world first and then dropped Langdon in it, while the book used Langdon as the reader’s lens into the world of the story. The screenwriter also modernized the narrative by showing Zobrist giving a Ted talk like presentation and by using a drone to look for Langdon and Sienna.

The scriptwriter also added some shared history for Sienna and Langdon (met when she was a kid), introduced an idea that Langdon might be a carrier of the virus, and also added a new character of Christoph Bouchard – the inclusion of him allowed the film to explore the plot-line of a virus possibly being stolen and sold. Furthermore, Koepp cut Sinskey’s personal background and added some shared backstory for her and Langdon. He also streamlined the story and made it more linear, as usual for book-to-movie adaptations.

The film’s finale happened in the same location as did the book’s. The premise was also similar – Langdon + W.H.O. and Sienna were separately looking for the bag. However, that’s where the similarities ended. In the film, Sienna had mini bombs to break the bag – she didn’t have them in the book. However, the biggest change was the fact that the virus was actually contained in the movie, while the book explained that the bag has dissolved a week ago and that the virus was already out in the world. The film only talked about the virus killing half of the population, while, in the book, this was only a false facade to hide the fact that the virus would sterilize a third of world’s population. The book also had Sienna’s character surviving the whole thing and she even ends up working for World Health Organization to research the virus, though the book also made it explicit that the sterilization of some humans might be a good thing. The movie cut this kinda controversial ending and finished the picture with the good guys winning and Sienna dying for basically nothing. I wish the filmmakers would have had the courage to keep the novel’s ending.

The film had a lot of expositional dialogue and monolog – some of it worked well and seemed organic, some appeared forced and out-of-place. The character development through dialogue was good: e.g. Sienna mentioning her childhood and Langdon saying that he had a fear of tight spaces and a bad past relationship. However, before the 3rd act of the film began and all the characters had to get on the same page, that part of the exposition was a bit cliche and an extremely obvious plot device.

Directing

Ron Howard (Rush, In The Heart of The Sea) directed the picture, like the two previous features of the franchise and did a solid job. The pacing was really good for the majority of the film, but the movie did slow down during the Sienna/Zobrist flashback and before the 3rd act. The dream montages were effective and quite scary and Langdon’s disorientation was also portrayed well through the shaky cam, close-ups, and quick cuts. I also liked how the classical music was incorporated into the finale – it wasn’t just an outside soundtrack but an actual diegetic musical score. I also found it amusing that the 3rd act’s action happened in the water – fitting for Langdon’s swimming/water polo background.

Acting

  • Tom Hanks as Robert Langdon was good as always. I’m one of a few people who actually like Hanks as this character and I also cannot ever find anything wrong with his acting abilities – in my opinion, he is one of the best and most reliable actors (quality-wise) of today. I don’t think that I would be able to pick my favorite movie of his because I have seen so many and all of them have been great, so I’m just gonna list his latest and upcoming performances. Hanks recently starred in Bridge of Spies, A Hologram for the King, and Sully (which will only premiere in the UK in December – so annoying). Going forward, he will star and produce The Circle and will also come back to voicing Woody in Toy Story 4
  • Felicity Jones as Dr. Sienna Brooks was great as well. Since I knew the big twist of her character, I think I noticed a few hints at it in Jones’s performance. She had a weird look here and a strange expression there, so I was expecting the reveal and was mostly sure that it wouldn’t be cut. I was first introduced to Jones in The Theory of Everything, since then she has moved to way bigger things. On top of being in Inferno and another possible awards’ contender for this year – A Monster Calls – she will also play the lead in Rogue One: A Star Wars Story.
  • Ben Foster as Bertrand Zobrist was good. He didn’t get a lot of screen-time – he actually mostly appeared in flashbacks or in videos. Nevertheless, he played a solid mad genius. Foster’s recent performances include The ProgramThe Finest HoursWarcraft and one of my favorite movies from this year Hell or High Water.
  • Omar Sy (The IntouchablesJurassic Worldas Christoph BouchardSidse Babett Knudsen (A Hologram for the King) as Elizabeth Sinskey and Irrfan Khan (Life of Pi, Jurassic World, The Jungle Book Hindi version) as Harry Sims were also great in their supporting roles. Khan probably stood out the most out of the three of them just because his character was so interesting – wish we could have explored his backstory and his company more.

In short, Inferno was a solid action adventure film with some art history sprinkled on top. It had an okay writing, good directing and nice performances. It wasn’t a special or groundbreaking movie, but I still had fun with it and definitely do not understand why critics hate it so much.

Rate: 3.5/5

Trailer: Inferno trailer

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Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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Movie review: Miss Peregrine’s Home for Peculiar Children

Movie reviews

Good morning/day/evening!

Another YA adaptation from a once visionary director has hit theaters, so, let’s take it apart! This is the review of Miss Peregrine’s Home for Peculiar Children!

IMDb summary: When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

Allow me to begin by saying that I think that this movie (and the book) has one of the coolest names ever. Yes, it is quite long, weird, and hard to remember, but that’s what makes it special. Just the name alone tells you a lot about the story, but, at the same time, doesn’t give anything away. I wanted to start this review with a compliment because I imagine I will be quite hard on the film in the following paragraphs since I had a number of problem with it.

SPOILERS AHEAD

The narrative: the book, the changes, and the screenplay

The trilogy of books by Ransom Riggs that inspired this film was one of the two YA series that I checked out this year, other being the Engelsfors series by M.Strandberg and S.Bergmark Elfgren. I have always been a fan of fantasy, so I knew that I would enjoy the novels. I also really liked the role that the old vintage photographs played in the making of the books and how they were used in the final product. Those pictures really made the series stand out from the other numerous YA franchises out there.

However, before going to see this film, I questioned whether it can become a successful cinematic trilogy since YA adaptations have been going down both in quality and in the box office numbers. Mockingjay Part 2 was a disappointing finale that didn’t earn as much as expected, Allegiant absolutely crashed and burn – didn’t even earn enough to get the final entry in the franchise made into a film and the release of The Maze Runner‘s final movie had to be postponed due to Dylan O’Brien’s injury on set. Will the audiences still want to see The Death Cure a year later? Will they show up to support an altogether new franchise? I guess, we’ll have to wait and see.

The film’s script was written by Jane Goldman – a long time co-writing partner of Matthew Vaughn. Together, they have worked on movies such as Kingsmen: The Secret Service, X-Men: First Class, Stardust and Kick-Ass. Miss Peregrine Home for Peculiar Children was her second solo writing project, first being the period horror picture The Woman in Black.

As usual, when adapting a piece of literature to the big screen, some (or a lot) of details of the narrative are changed. Miss Peregrine’s Home for Peculiar Children was no exception. For the first two acts, the film followed the book pretty closely but it did create a completely new and different 3rd act. Concerning the smaller alterations, I’ll try to list as much of them as I could spot:

  1. Emma’s and Olive’s abilities were switched. Emma had the power of air instead of fire, while Olive controlled fire rather than being able to float.
  2. Bronwyn was aged down, while Olive aged up. I understand why they did this: Regarding Bronwyn –  it is more striking to see a little girl lift huge weight rather than a teenager, whereas Olive had to be a teenager for them to have a second romantic couple in the film.
  3. The underwater ship scene went down a different way in the book. They probably wanted to make it more visually interesting in the film and I also think that this scene was the reason they switched Emma’s and Olive’s peculiarities.
  4. Miss Avocet’s involvement in the main narrative was altered.
  5. Jacob’s only normal human friend was cut from the beginning of the story and, in general, in the picture, Jacob was made into an even more of a social outcast than he was in the book.
  6. The hollows were eating the eyes of the peculiars instead of their souls. Since eyes are the window to the soul, this might have been the filmmakers’ attempt to visualize a soul as something material.
  7. Miss Peregrine’s kidnapping was altered and basically, all the 3rd act, which followed the kidnapping, went completely away from the book. The film’s final act had different locations than the book’s (the action happened in the house, on a big ship and in the circus, rather than on a small boat on a sea) and it was also more action-y in the cliche Hollywood way. The decision to use the ship allowed Emma to do more stuff and was a cool effect, but everything that happened after that fell flat. Personally, I think that the modern setting and fantasy don’t mix well, so the whole sequence in the circus in 2016 just seemed ridiculous. It might have looked cool and clever on paper but it appeared childish and stupid on screen. I also get why some people complain that the plot was hard to follow during the 3rd act because it actually was a jumbled mess.

A few other points on the script of the feature. To begin with, the film had an awful amount of obvious exposition. The characters would just sit around listening to each other tell important points of the backstory. Half of that exposition could have been incorporated more organically. Secondly, the writing for Jacob was quite awful – he mostly stood around asking questions or reacting to stuff. He was quite a useless hero – it there will be a sequel, I want him to take charge of his situation much more. Actually, he kinda did that at the end of the film, although we didn’t see it because they just montaged through his individual travels. Thirdly, the writing for Jacob’s parents was paper-thin. They were super one dimensional – their one character trait was the fact that they don’t really care about their son. Lastly, gonna end on a positive note and praise the picture for adding a couple of interesting moments to the story: one, Peregrine shooting the hollow was a cool scene and, two, young Abraham’s call was a nice emotional detail.

Although I try my best to always allow the movie to stand on its own, this time, I’m just gonna come out and say that I liked the book’s story better. I’d love to see a sequel that is closer to the second book’s (Hollow City) plot but I doubt it’s possible since the narrative has gone into a way different direction.

Directing

Tim Burton used to be an imaginary and fantastic director but he seems to have run out of steam lately. I have even done a separate post on his filmography before Alice 2 came out earlier this year. Miss Peregrine’s Home for Peculiar Children and Tim Burton seemed like a match made in heaven between the source material and the director, however, the movie was just fine. Nothing spectacular or special. The visuals were great, I liked how the film opened with the photos and the letters – it was a nice optical callback to the photographs in the book. The CGI and the design of the monsters were cool too. The slight steampunk vibes were also appreciated. However, the decision to allow (or make) the actors overdramatize some line and scenes, the awkward and choppy editing and the pacing problems (rushing through the setup, dragging in the middle, rushing in the end) were just a few of the flaws of the flick that Burton should have fixed.

Acting

  • Eva Green (Casino Royale, Dark Shadows, 300: Rise of an Empire) as Miss Peregrine. Green is a fabulous actress and she should have been great as Peregrine but her whole performance seemed a bit off to me. She was younger than I imagined Peregrine to be in the book and she also portrayed the character more as a quirky but cool aunt, rather than strict but caring grandma. Nevertheless, she did seem more friendly and open in the movie, which I liked, though, her shaky introduction and the signature Tim Burton crazy/dead eyes weren’t great.
  • Asa Butterfield (Ender’s Game, Hugo, X+Y) as JacobButterfield is one of the most promising young actors working today but his performance here was a bit stiff and low energy. The writing for Jacob was problematic and the performance didn’t save the character either.
  • Ella Purnell (Maleficient) as Emma was good. She and Butterfield did have some chemistry, although, I still think that their love story was creepy and forced. Grandad and grandchild having the same girlfriend. Really!? It is kinda a Twilight type of a coupling, just with switched genders.
  • Lauren McCrostie as Olive was good. She didn’t have much to do, but I’d like to see more of her. Since they aged up the character, they should’ve used her more.
  • Finlay MacMillan as Enoch. Enoch was one of my favorite parts of the books. He could have been such a cool sarcastic character on screen but the actor just portrayed him as super annoying, which was a disappointment.
  • Samuel L. Jackson (Kingsman, The Hateful Eight, Marvel) as Mr. Barron. Jackson is a great actor but here he was kinda a caricature. He was funny and his portrayal of the character did work for the film, but, on its own, the performance would be considered a complete parody.

In summary, Miss Peregrine’s Home for Peculiar Children was promising but didn’t really fulfill any of the promises as much as it could have. The story started out good but fell flat in the 3rd act, the directing was disjointed and the acting – only so-so.

Rate: 2.7/5

Trailer: Miss Peregrine’s Home for Peculiar Children trailer

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Dan Brown’s Books and Ron Howard’s Movies (Inferno Preview)

Movie previews

Hello!

In the middle of October, the latest Ron Howard and Tom Hanks collaboration – Inferno – will hit theaters. So, I decided to educate myself on the source material – the amazing bestsellers by Dan Brown as well as the 2 previous films of the franchise – and want to tell you all about my educational and entertaining journey into the world of Robert Langdon.

Dan Brown’s Books

While all of the books in the Robert Langdon series are stand-alone novels, I decided to read them in the order that they were published. My dad used to a big fan of this author’s work, so I had all the novels in my home library. I truly enjoyed reading this series that blends history and modernity beautifully; unravels the whole narrative in such a limited time frame (the stories span maximum of 2 days) and finds real facts to prove conspiracy theories (sort of). A few ideas about the 4 different accounts of the exciting adventures:

  • Angels & Demons – the first and my favorite book of the series. It was the freshest and the most original (because it came first) and it also had the biggest amount of action, mystery, and suspense. I loved the religion v science debate. I also liked the realism of the novel but had a few problems with the ending – it just seemed a bit over-the-top and unbelievable for such a grounded story.  The setting of Rome and Vatican was brilliant, though.
  • The Da Vinci Code – probably the most famous book of the series that explored the topic of art v religion and had quite an open ending that I still don’t know if I liked it or hated it. Either way, I loved learning about Paris.
  • The Lost Symbol – the most philosophical book of the series that dealt with science and spirituality and even magic. I really liked that Brown moved the action to the new world instead of focusing on Europe once again.
  • Inferno – with this book, the writer moved the plot back to Italy, where everything started (Angels & Demons was also set in Italy). The mixture of themes such as literature, art, medicine, religion, and humanism was really cool. The amnesia aspect was a great story device to kick-start the narrative. The idea of The Consortium as an underground organization with a lot of power was impressive too.

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In general, as I’ve said, I loved all of the works by Dan Brown. This series is like a virtual tour of historical cities that I desire to visit in real life as well. My only gripes with the books were 1. the repetition of story devices and 2. a slight overdramatization. After reading all of the volumes of the series, I started noticing that all of the female characters were kinda similar – they all were either daughters/granddaughters/sisters/lovers of the other important characters of the books. All of the 4 leading ladies were also used as the love interests for the main character but they never resurfaced a second time. Robert Langdon’s position was also always pretty much the same – he would be sucked into the action by accident and would usually become a temporary outlaw. The villains tended to be people from the outskirts of society that don’t fully fit in – they were either the assassins, the crazy monks, the revengeful family members or the misunderstood geniuses. Lastly, the author really seemed to like his ending twists – all novels revealed a lot of stuff during the last 20 pages and these ‘exposures’ totally turned things around and changed the stories almost completely.

The 2nd and 3rd books shared an idea that ‘people are not ready to find out some historical truth’, while the 1st and 4th novels focused on some kind of modern technologies that were used in the attempted destruction of the world for religious reasons. The 1st book was my favorite, while the following 3 all shared the runner’s up position.

Ron Howard’s films

The Da Vinci Code was the first book to be adapted into the film in 2006. 3 years later, the big screen adaptation of Angels & Demons was released. I don’t know why they decided to switch the order of the first two books when adapting them, especially, since I felt that Angels & Demons was the stronger novel and might have been a better starting feature of the franchise. I also have no idea why they skipped the 3rd book and decided to adapt Inferno instead. Also, why wait 7 years to adapt the next movie? I think that the audiences might have already forgotten the character of Robert Langdon, particularly, in the market oversaturated with thrillers, adventure films, crime dramas and superhero movies (Ron Howard’s adaptations have various aspects in common with all of these genres).

I also don’t understand why the two films have been panned by critics this much. The few reasons that I can spot in common between all the reviews is the fact that the movies have a lot of narration and that they critique the church – all the reviewers seem to be personally offended by this commentary. I also can not comprehend how the Catholic Church feels threatened by a piece of fictional entertainment/commercial art. Is the church really this weak to see a slightly diverging idea as a serious menace to its thousand year old history and a thousand year long world domination?

A few ideas about the two movies purely from the cinematic perspective:

The Da Vinci Code: 

  • The movie had a smaller amount of explanations and less backstory than the book, Langdon seemed to break the codes way more easily and without the key, and the family relations were altered too.
  • Small moments, like difficulties with the code at the bank and the second cryptex, were cut, but, in general, the picture was quite true to the book.
  • The narrative was more straightforward and streamlined for the film, so as to make in easy to follow to viewers not familiar with the book.
  • The filmmakers added more action in the literal sense of the word, although, they kept the quite underwhelming ending – I expected the film to finish with some big original action sequence since it was made in Hollywood.
  • The movie also had a lot of dialogue in French which is quite unusual for a Hollywood picture, which is primarily aimed at the English-speaking audiences.
  • The visuals of the past/explanatory flashbacks were really nice and interesting. They also served as a nice visual explanation to accompany the narration.
  • The supporting cast was full of big name talent. Ian McKellen and Paul Bettany both were really good and the lesser know (at least to me) French actors Audrey Tautou and Jean Reno were great as well.

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Angels & Demons:

  • This film was less faithful to the book and it had a variety of changes and things being cut.
  • Changes: Vetra’s father was replaced with a different scientist. Olivetti was not part of the Swiss Guard and the Vatican contacted Langdon, not CERN. The last cardinal was saved in the film, while he died in the book. The assassin was way less sadistic and eccentric and died differently. Lastly, the final suicide was public in the novel, but it happened in private in the picture and Langdon also received a different ‘thank-you’ gift.
  • Cuts: the director of CERN didn’t appear in the film. Vittoria wasn’t kidnapped at all. The biological son plotline was left out and Robert also didn’t go into the helicopter in the film, while he did that in the book.
  • However, the film kept the main thematical idea of the book – the whole tradition vs. modernity discussion. It also retained the little details, like Langdon’s passion for water sports and his Mickey Mouse watch.
  • The feature also had a way faster set-up than the book – it took the novel at least a hundred pages to start on the quest of looking for the Path of Illumination, while the film started to look for it after the first 15-20 minutes.
  • A few cool shots that I particularly enjoyed were: the whole sequence in the particle accelerator and the shot of the cardinals leaving their cell phones behind when entering the conclave.
  • The film had a nice supporting cast, although, the characters could have been fleshed out more. Ewan McGregor’s character seemed shady from the start, while Stellan Skarsgård’s character was unlikeable and hostile without any real explanation. Ayelet Zurer’s character also needed a lot of screen time before she grew on me as a likable protagonist.

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I hope you enjoyed this review of a franchise that spans a few mediums, both the cinematic and the textual one. I would really like to do more post like these. My Inferno review will come out as soon as I get a chance to see the film!

Have a great day!