Movie review: Geostorm

Movie reviews

Hello!

A film from the producers of Independence Day (yeah?) and Independence Day: Resurgence (oh). This is Geostorm!

IMDb summary: When the network of satellites designed to control the global climate start to attack Earth, it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything and everyone.

Writing

Geostorm was written by the director of the film Dean Devlin (he is a longtime producer) and Paul Guyot (a TV writer). Usually, movies like this one have a whole army of writers, so I was actually quite surprised to see only 2 writing credits for this one). The picture’s writing was exactly of the quality that I expected it to be, while the story was predictable, typical, and full of far-fetched science (again, as it was supposed to be). It also had the most cliched lead – a family man with a broken family (father-daughter AND sibling issues).

The best part about the writing was the interplay between the movie’s messages and the current political climate.  To begin with, the whole movie was basically an awareness campaign for climate change – a development that some (you know who) still think is a hoax. Like all disaster films, the movie also showed the people trying to control or fight nature, while we should have left it alone long ago.

The more obvious political message, or the anti-political one, was the portrayal of the film’s villain (who had that ‘Make America Great Again’ attitude) and the anti-weaponization idea (I suppose that by the anti-political tone I also kinda mean if not ‘anti’ then at least un-American tone too). And yet, even though the film was made for an international market and had an international cast, it still had a typical American hero front and center. China, being the box office power it is, also was spotlighted a bit. Basically, Geostorm seemed like an old school/90s very typically American (but also somewhat un-American) film disguised as a ‘dumb’ actioner for the foreign audiences.

Speaking of the ‘happy’ (millions died, don’t mention it) ending of the film: I, as a realist and a cynic, generally have a hard time stomaching the positivistic happy endings, which are all about the single humanity, solidarity, peace and bright future. I, honestly, stopped believing in that dream long ago and nothing that’s happening in the world today is work towards persuading me otherwise. Well, at least the movies try.

Directing

Independence Day films’ producer Dean Devlin had his directorial debut with Geostorm. I guess he did as good of a job as this genre requires of him. The action was fine, the story made sense in the context of the film (suspension of disbelief is key). The effects were okay. Some of them looked like they belonged in the 1990s, the others in the 2010s. The space stuff looked best, but the weather catastrophes looked kinda awful and very obviously CGI. It was basically a remake of 2012 movie for 2017.

Acting

Gerard Butler starred as the lead and did an okay job. This is the type of movie that he usually makes but I don’t really know why executives still cast him because he is no longer a box office draw. Also, even though I buy him as an action hero, don’t push your luck and make him a scientist too. That’s a bit harder to comprehend. Lastly, why is he always made into an American (or an Egyptian character)? Can’t we hear his actual Scottish accent just once?

The supporting cast of the film included Jim Sturgess (whose performance I did enjoy. I’m also more inclined to give him a pass as he has starred in one of my favorites movies of all time – Cloud Atlas – and also had a role in Stonehearst Asylum); Abbie Cornish; Ed Harris (mother!, also, please, shoot more Westworld ASAP), and Andy García (a Cuban-American actor in the role of the President: should I read into this?). The film also had a bunch of international actors whose character’s only character trait was their nationality (that’s not how you do diversity, Geostorm). The film starred Germany’s Alexandra Maria Lara, Ireland’s Robert Sheehan, Hong Kong’s Daniel Wu (Warcraft), Mexico’s Eugenio Derbez, Adepero Oduye of Nigerian ancestry and Egypt’s Amr Waked in a role of a Frenchman. Also, Zazie Beetz, who will play Domino in Deadpool 2, had a minor role.

In short, Geostorm was exactly what you would expect it to be. I didn’t expect nothing, so the movie was also nothing.

Rate: 2,7/5

Trailer: Geostorm trailer

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Movie review: Blade Runner 2049

Movie reviews

Hello!

The long-awaited (by some) sequel to another 1980s hit – Blade Runner 2049 – has reached theaters, so, let’s see whether it was worth the wait and all the hype.

IMDb summary: A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

The original Blade Runner has been a cult classic for years but I’ve never expected it to get a sequel 3 decades later because of the lack of mainstream success. Undoubtedly, it has aged well: the story is still solid and is open to as many different interpretations as there are versions of the film. The pacing is a bit slow but that can be seen as a feature of the time. The effects are great too even if you can tell that they have that particular 1980s futuristic style. Even though I did like the original film, I wouldn’t have been as excited about its sequel if they hadn’t gotten Dennis Villeneuve to direct it. His attachment to the project was the factor that immensely increased my interest the movie! Besides, the marketing shorts, which filled in the 30-year-old gap between the two feature films – the anime Black Out 2022, and the live action shorts 2036: Nexus Dawn and 2048: Nowhere to Run – have acted as great tasters for the sequel and doubled the hype as well!

SPOILER ALERT

Writing

Blade Runner 2049 was written by Hampton Fancher (the writer of the original) and Michael Green (the writer of Logan, Alien: Covenant, and the upcoming Murder on the Orient Express, the co-creator of American Gods). This duo of scriptwriters did an amazing job: they paid homage to the original (both the plot and the thematic concepts) and expanded upon it/them extremely successfully.

The first two acts of the sequel were structured as a mystery: a smart yet straightforward one man’s quest for answers. The third act upped the complexity: it had a tonne of exciting reveals and a bunch of sidelines converging with the main one. The writing for the lead character was just brilliant too. Every act of the film had some kind of twist relating to him: either the fact that he was a replicant at the beginning, a potential offspring of a replicant in the second act and just a decoy for the actual child in the end. It was amazing to see a character go from not knowing who he was to finding actual answers but quickly realizing that he was asking the wrong questions in the first place. He both found and lost an identity before our eyes in the time span of two hours. It was such a great and different character arc.

Two huge thematic concepts that 2049 introduced were the virtual/holographic humans and the procreation ability of the replicants. These two ideas pushed the question of ‘what is humanity ?’ so much farther than I ever dream it could go. I still can’t wrap my head around these two concepts.

Directing

Denis Villeneuve, who has quickly become one of the most critically acclaimed directors of our time with films like Prisoners, Sicario, and especially last year’s Arrival, directed the Blade Runner sequel and did a spectacular job. To begin with, he stayed faithful to the original with the pacing and the style of the visuals. Having said that, Villeneuve also built upon what was already there. 2049 was a really long and quite a slow film, however, it never dragged. It was always intense, intriguing, and exciting – way more than the original ever was.

When it comes to visuals, they were just breathtaking. The set design (by Alessandra Querzola + production design by Dennis Gassner), the costume design (by Renée April), the lighting and the cinematography (by Roger Deakins) – all these different departments just brought their A-game and created such a cohesive masterpiece. The scope was epic and awe-inspiring. The shots were composed so beautifully, you could just freeze them and frame every single image. The colors were so vibrant and just popped off the screen. The shots also lingered a lot (that’s why the movie was so long) but the combination of the visuals and the amazing score made them so impactful, powerful, and effective. In general, the soundtrack (by Benjamin Wallfisch and none other than Hans Zimmer) was so cool and that new instrumental theme was so heart wrenching.

A lot of films have tried to emulate a similar style but none of them have come close to Blade Runner 2049 (Ghost in the Shell looked good but wasted the visuals on an awful story). A few of noteworthy sequences in this picture were: 1. the interplay between the shadows and the light in the pyramid; 2. the memory-construction scene – such a brilliant example of storytelling within a bigger story; 3. the zoom/enhance effect carried over from the first film; 4. a very unique sex scene (not an adjective I’ve ever thought I’d use to describe a sex scene; and 5. an impeccable looking de-aging moment – that technology has never looked better.

Acting

Blade Runner 2049 had quite an extensive cast, full of fan-favorite actors in roles of varying sizes. At the centre of it was Ryan Gosling, who has lent his talents to a variety of genres throughout his career, including but not limited to musicals (La La Land), art films (Only God Forgives), indies with mainstream appeal (Drive), mainstream romantic dramas (The Notebook), arty romantic dramas (Blue Valentine), comedies (Crazy,Stupid,Love), political dramas (The Ides of March), action comedies (The Nice Guys), biopics (The Big Short), and crime dramas (Gangster Squad). Finally, he has added sci-fi to this extensive list with the lead role in Blade Runner 2049, which he was just absolutely brilliant in: powerful, vulnerable, dramatic, emotional. Totally marvelous.

Harrison Ford has come back to another role from his younger days. He has already retired Han Solo and will be back as Indiana Jones in 2020. In Blade Runner 2049, he only appeared in the third act but that was enough to make an impression.

The film also had quite a few female characters. Ana de Armas (War Dogs) was amazing as the virtual girlfriend, Sylvia Hoeks (Renegades) was wonderful as the warrior replicant, Robin Wright (Wonder Woman) was a badass police chief,
Mackenzie Davis (Black Mirror’s ‘San Junipero’ episode) had a fun appearance and, lastly, Carla Juri had a surprisingly important role. Guardians of the Galaxy’s Dave Bautista appeared in a short but the most dramatically challenging role of his career so far, while Captain Phillips’s and Eye in the Sky’s Barkhad Abdi also had a cameo (wish he got more roles). Lastly, Jared Leto (Suicide Squad) played the main antagonist and, although his role was unsettling and quite creepy, it seemed quite normal by Leto’s standards. He was great in it, though.

In short, Blade Runner 2049 was one of those wow pictures that stays with you, long after you are done watching it. Gorgeously looking, carefully written, brilliantly acted sequel that is *gasp* better than the original.

Rate: 4.8/5

Trailer: Blade Runner 2049

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Movie review: Kingsman: The Golden Circle

Movie reviews

Hello!

Kingsman: The Secret Service came out of nowhere and blew everyone away back in 2014. 3 years later and the expectations are high for the sequel. Can Kingsman: The Golden Circle deliver?

IMDb summary: When their headquarters are destroyed and the world is held hostage, the Kingsman’s journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.

Writing

The Kingsman sequel was written by the same duo who wrote the first film – Jane Goldman and the director Matthew Vaughn, based the characters by the comic book royalty – Mark Millar and Dave Gibbons (the said screenwriting duo has also written Stardust, Kick-Ass, X-Men: First Class, and X-Men: DOFP together, while Goldman’s solo writing credits also include Miss Peregrine’s Home For Peculiar Children). I thought that they did a great job on writing The Golden Circle. They ticked off all the necessary boxes for a sequel: took away everything familiar from the heroes (destroyed their home and comrades), made it personal (involved significant others and long lost friends), introduced new characters and locations (Statesman, Poppy’s Land), and had plenty of callbacks to the first film (returning characters, familiar scenes recreated with a twist).

The most interesting new addition was the aforementioned Statesman organization as well as the general feeling of Americana, especially potent in the villain’s layer. This expansion of the Kingsman world to the other side of the Atlantic really worked for me. I loved seeing the differences between UK and US expressed in a fun and comic-book-y way. The obviously American aura of the film also reminded me of Logan Lucky (who also shares a song – ‘Take Me Home, Country Roads’ and an actor – Channing Tatum with The Golden Circle). Lastly, I loved how, even though the American side of the story/ characters were introduced, the British roots were not forgotten either and remained the focus of the movie.

Speaking about those British roots, I appreciated all the commentary on honor and the right kind of masculinity that this picture had. Its attempt to say something about the drug usage, law, and innocence wasn’t bad either. The villain for this film was just as campy and just as appropriate tonally as Valentine was in/for the last one.

Directing

Matthew Vaughn was back in his element with Kingsman 2. While I have been disappointed by some of his producing efforts (Fantastic Four and Kick-Ass 2), he has never let me down, when he was in a role of the director. The action was just spectacular: highly stylized, explicit, campy, and not at all realistic but just so fun and entertaining! All the gadgets were magnificent and a great parody/homage of the 007/other spy films. The filming style (cinematography by George Richmond) – handheld and smooth rather than shaky with just the right amount of slow-mo – was highly appreciated too and so dynamic (it was so fun I could forgive some wonky CGI)! The British glamour, as well as American ruggedness, were both well realized too. The score (music by Henry Jackman and Matthew Margeson) was great as well, I especially loved the instrumental version of the already mentioned ‘Take Me Home, Country Roads’ song. The only criticism that I have for this highly entertaining live-action cartoon was the fact that it’s a bit long – over two hours. If it was chopped down to 2h, the narrative might have been tighter and the criticism would not exist.

Acting

Taron Egerton (Eddie The Eagle, Testament of Youth, Legend, Sing) was great as the lead Eggsy. He had both the coolness and the vulnerability needed for the character. Colin Firth (Magic in the Moonlight, Genius) also came back (wish that wasn’t spoiled in the trailer) – his performance seemed a bit off but his character also acted a bit off. Mark Strong had a lovely arc in the film and one of the best exists of the character I have seen in a while. Hanna Alström also came back as her character. I really did not expect her to stick around for a sequel but the filmmakers kinda took that explicit ending of the first film (and the introduction of her…character) and sort of made into a cute side plotline.

Newcomers included Channing Tatum (Logan Lucky, Hail, Caesar!, The Hateful Eight, Magic Mike XXL, Jupiter Ascending), who had some fun scenes but wasn’t in the movie much. However, the conclusion of The Golden Circle promised that we will see more of him in the 3rd picture. Pedro Pascal (The Great Wall) gave a wonderful performance too: he had the coolest weapon and an awesome death scene (on par with the one on GOT). Halle Berry (DOFP) played kinda a typical role of the behind-the-scenes/tech personnel but I’m excited to follow her journey further. Jeff Bridges (Hell or High Water) also had a very minor role in the picture. He was the only actor who just seemed to be included in order to raise the profile of the film rather than to actually have him do something cool. Lastly, Julianne Moore (Mockingjay) made for a great villain. It was so fun seeing her let loose in a role!

In short, I really enjoyed Kingsman: The Golden Circle. It was as good as The Secret Service, so if you liked the first one, the sequel should also please you. Plus, if you enjoy comic book movies that truly feel like a comic book that has come to life, Kingsman 2 is the film for you!

Rate: 4/5

Trailer: Kingsman: The Golden Circle trailer

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5 ideas about a movie: American Assasin

Movie reviews

Hello and welcome to the third and the last movie review of this weekend!

In this post, we are discussing American Assasin: one generic monstrosity of a film that was so basic that I couldn’t even come up with an interesting introduction for its review. I could have called it just ‘another movie in the line of films that all have the word ‘American’ plus a random noun in their titles’ (American MADE, BEAUTY, PSYCHO, GRAFITTI, etc.)

IMDb summary: A story centered on counterterrorism agent Mitch Rapp.

  1. American Assasin, as a story, first originated in a book format, written by Vince Flynn. 7 years and 4 screenwriters later (Stephen Schiff (writer of 1990s’ pictures like True Crime and Lolita, who now mostly works on the small screen), Michael Finch (wrote Hitman: Agent 47), Edward Zwick (TV writer), and Marshall Herskovitz (writer of The Great Wall and Jack Reacher 2), this narrative reached the silver screen. Now, I haven’t read the book, so I can’t comment on the similarities/differences between the version of the plot in the film and in the novel. However, I can tell you that, as a motion picture, American Assasin was completely unoriginal, predictable, bland, uninspiring, and, frankly, boring. It is also mind-boggling to see 4 scriptwriters credited for the writing of the movie. They seriously couldn’t come up with anything better?
  2. American Assasin didn’t bring anything new to the table when it comes to movies about terrorism (it even resulted in being just as the same old white male vs white male fight). It didn’t have anything new to say neither about the mentor-mentee relationship nor the world of the military/CIA/secret-ops and their rogue agents. It also didn’t practice what it preacher: everything was personal and nobody followed the rules. Lastly, the twists and turns could be seen a mile away, while the dialogue lines were super recycled, and, thus, cringe-y.
  3. A couple of compliments I could award the screenplay was that I liked seeing the transition of Dylan O’Brien’s character: from a millennial who would film his proposal (the acting made that moment sweet rather than eye-roll worthy) to an assassin with a personal (and almost justified) vendetta. I also loved the idea of the virtual training. The IRL training sequence (the one with the re-created shop) was also neat.
  4. Michael Cuesta, TV director and producer and the director of Kill the Messenger, helmed American Assasin and did as good of a job as he could. The script didn’t really give him much to work with but at least he made the hand-to-hand combat seem somewhat exciting. The pacing was fine too. The generic setting of the various European and non-European cities was well realized, but, still generic (Americans seem to enjoy wreaking havoc on the old continent).
  5. Inarguably, the best part about this film was the performances of its two leads. Dylan O’Brien has really begun his final transition from the YA-movies (a la The Maze Runner, which he still has one to promote and oversee the release of) and the young adult TV (Teen Wolf is also airing its last episodes, which he scarcely appears in). He has also had a small role in Deepwater Horizon. His performance here was believable and likable. Michael Keaton (Spider-Man: Homecoming, Spotlight) was also great: there were shades of ‘let’s get nuts’ level of craziness in his performance. Taylor Kitsch was fine as the villain too, though there wasn’t anything particularly interesting about his performance. The few female supporting characters were lazily written but performed well enough by Sanaa Lathan (who was, sadly, just the exposition machine) and Shiva Negar (or the film’s lazy attempt at the female empowerment and diversity).

In short, American Assasin is an action film that you have already seen numerous times. If you like the two leads (Keaton and O’Brien) you might watch it for them, other than that – I don’t recommend it. Maybe as a rental or a free TV rerun.

Rate: 2.5/5

Trailer: American Assasin trailer

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Movie review: Logan Lucky

Movie reviews

Hello!

Steven Soderbergh is back from retirement but the audiences don;t care much. This is Logan Lucky!

IMDb summary: Two brothers attempt to pull off a heist during a NASCAR race in North Carolina.

Writing

Logan Lucky was written by Rebecca Blunt – either a newcomer writer or somebody, working under a pseudonym. There has been speculation online that Blunt lives the UK, while some critics thought that Soderberg himself is hiding underneath that name (because he does that when crediting himself as a cinematographer (as Peter Andrews) and editor (as Mary Ann Bernard). Anyways, whoever this Blunt person is/was, they did a good job on the script. While the core narrative was quite familiar (Hell or High Water-esque – stealing for one’s family), its execution in details was brilliant.

The movie opened with a good set-up of the mundane lives of its characters and established them as people, whose lives did not turn out the way they planned (one of them peaked in high school, the other was suffering from the little brother inferiority complex).

Then, Logan Lucky moved on to showcasing the American culture (the kind that foreign people wouldn’t even dare to call culture), which consisted of children beauty pageants and rural county fairs. However, the star of the said culture and the film was NASCAR – a very American brand of motor-racing. The cherry on top was the prolonged anthem scene. Logan Lucky seemed to be driving home a message, that stuff like this, for better or for worse, happens only in the USA. This type of portrayal could have easily come across as annoying but the underlying sense of irony and satire made it work.

Speaking about the comedic side of Logan Lucky – it was great if not as extensive as I hoped, after watching the trailer. I loved the different pairings of the criminals (The Hitman’s Bodyguardesque) as well as the jokes that were central to the characters (one-handed bartender, the dumb brothers of Joe Bang). Logan Lucky also had a really funny sequence with Sebastian Stan’s driver character (who didn’t seem like he had much to do with the actual plot of the film). Another magnificent and hilarious sequence was the prison riot and the prisoners demanding all GRRM books, getting frustrated that ‘The Winds of Winter’ has yet to be released, and hating the fact that the TV show is going off books. The ‘explosive device’ sequence and the decision to stop midway and explain the chemistry were extremely funny too.

Logan Lucky also had a surprising and really heartfelt scene involving the main character’s daughter’s beauty pageant and the song ‘Take Me Home, Country Roads’ (by John Denver). That scene should have been the closing images of the picture. However, Logan Lucky did continue and had a concluding detective story that felt like an afterthought. The investigation itself was not that interesting or neccesary. However, that closing sequence did provide some revelations about the main character’s secret dealings and did have a nice ending (well, for now) with all of them sitting in a bar.

Directing

Steven Soderbergh (The Ocean’s trilogy, Magic Mike series, Haywire) did a good job with Logan Lucky but I don’t think that this was his best film. The pacing at the start was a bit slow, however, the movie did pick up its pace, when the action began. However, it started dragging again with that detective-story afterthought. What I appreciated the most about Logan Lucky (and the other films by Soderbergh) was that it felt real. Not necessarily realistic but real, grounded, self-aware, and sprinkled with irony. While the scripts that he directs (or even writes) are usually mainstream, Soderbergh addresses them with unique auteur/indie perspective.

This time around, Soderbergh also approached the distribution of the film uniquely and decided not to partner with any of the big studios. Well, that backfired. Big time. Logan Lucky didn’t win its weekend, nor it showed any staying power by dipping lower and lower in the TOP 10. I really want to know who/what is to blame. Are the audiences just not interested in Soderbergh’s work anymore? Was it the lack of advertisement? Where were all the NASCAR fans? Where were all the grown-up Pixar’s Cars fan (the ones who saw the 2006 film as children and are now adults)? Where were the fans of movies, involving cars, a la Baby Driver?

Acting

Logan Lucky had a really strong cast, lead by a new favorite of Soderbergh’sChanging Tatum (they worked together on Magic Mike, while the other recent Tatum’s films include Hail, Caesar!, The Hateful Eight, Jupiter Ascending, Jump Street). His brother was played by Adam Driver, who is constantly working on smaller, more art-house pictures in between his Star Wars gigs, like Midnight Special, Silence, and Paterson. Daniel Craig (Spectre) also had a very fun role in the film that he seemed to be having a blast while playing. He never appeared to enjoy being Bond that much and, yet, he still signed on to continue being the 007.

The supporting cast included Riley Keough (Mad Max), Katie HolmesKatherine Waterston (Fantastic Beasts), and Hilary Swank (would love to see her going back to the Million Dollar Baby type of projects and the level of success). The majority of them didn’t really play real characters but were used as devices for world-building or the lead’s character development. Seth MacFarlane (Ted, Sing) and Sebastian Stan (Marvel stuff, The Martian) also had cameo roles and their whole separate thing going on in the background.

In short, Logan Lucky was an enjoyable mixture of mainstream and indie, but it didn’t offer anything too special. Neither a disappointment nor really a win for Soderbergh.

Rate: 3.5/5

Trailer: Logan Lucky trailer

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5 ideas about a movie: Renegades

Movie reviews

Hello!

Welcome to a review of a film that I had no intentions of seeing but somehow ended up actually entertained by. This is the review of Renegades!

IMDb summary: A team of Navy SEALs discover an underwater treasure in a Bosnian lake.

  1. If you have never heard about this movie, I’m not surprised. It comes from the Luc Besson’s EuropaCorp company that has been struggling a lot with the release of its films, both in its native Europe but especially in the US (Renegades has even been taken off the release schedule in the USA, but it did already premiere in some European countries and will expand the market throughout September). Not only has this film been made by Besson’s company but he actually produced it and penned its script, together with Richard Wenk (who wrote The Expendables 2, The Equalizer, Jack Reacher 2, and The Magnificient Seven). Besson has already lost a ton of money on Valerian and I don’t really see Renegades being super profitable either.
  2. In general, the writing for the film wasn’t bad: it also wasn’t the most original, smart or believable but it was still somewhat entertaining. The jokes and the funny banter between the soldiers were funny, while the details of their plan to get the gold out of the lake were actually quite interesting. I also liked how the movie incorporated the idea that some people, during the times of war, would rather destroy their home than see it fall into the enemy’s hands. Lastly, Renegades also had a surprising philanthropic message, although, it was advertised as, more or less, a selfish robbery story.
  3. Steven Quale directed Renegades and did an okay job. This might actually be his best movie to date, as his previous films include Final Destination 5 and Into the Storm. Before his solo directing projects, he was a second unit director on James Cameron’s pictures. The pacing of Renegades was fine, while the action – okay too. The underwater sequences were a bit hard to follow, though.
  4. The 5 leads of the movie were played by mostly unknown actors. They were basically The Expendables without the years of glory, consisting of: Sullivan Stapleton (300: Rise of an Empire is probably his best known previous film), Charlie Bewley (has worked on mostly young adult TV shows and movies), Diarmaid Murtagh (TV actor), Joshua Henry (Broadway actor), and Dimitri Leonidas (a few small roles in indie films). They had good enough chemistry and were believable as crazy Americans, wrecking havoc in Europe (though the majority of them are not actually Americans).
  5. The supporting cast of the picture had a few recognizable stars, like J.K. Simmons (La La Land, Patriot’s Day, The Accountant, Terminator Genisys), whose reaction faces were hilarious (still, I’m not sure how he wandered onto the set of this movie), and Ewen Bremmer, who played a combined version of his two previous characters from Trainspotting 2 and Wonder Woman. A Dutch actress Sylvia Hoeks was the lone female in the film and she did a good job. Still, since she played a Bosnian local, I’d have loved to see a native of the region taking on the role and being exposed to a wider audience. Hoeks’s career is also on a rise, as she is next appearing in Blade Runner 2049

In short, Renegades is a perfectly forgettable and expendable actioner that isn’t worth the full cinema ticket price but is absolutely serviceable as a rental or a TV rerun.

Rate: 2.75/5

Trailer: Renegades trailer

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2017 Summer Movies RANKED

Movie previews, Movie reviews

Good day!

Welcome to the fall/autumn and the post dedicated to the general overview of the 2017 Summer Movie Season. And bear in mind, I’m using the term ‘summer’ very loosely. Since a lot of blockbusters came during the early spring, I extended this movie season’s beginning from May to March, so the time frame we are now working with is March to August. Like in 2016 and 2015, when I ranked the movies of those respective seasons, I’m dividing the pictures into categories by genre as much as that is possible (a few of these films can fit into a couple of genres). Lastly, while the rank I gave these movies when I reviewed them does affect my thought process, it is not the only factor for ranking these films. Some of my ideas about the said films might have changed with time or with a second viewing. Enjoy and tell me your favorite movie of 2017 (so far) in the comments!

Comic Book Movies:

  1. Logan
  2. Wonder Woman
  3. Spider-Man: Homecoming
  4. Guardians of the Galaxy Vol.2
  5. Batman & Harley Quinn

Action Movies:

  1. Baby Driver
  2. Free Fire
  3. Atomic Blonde
  4. Fast & Furious 8

Animated Movies:

  1. Cars 3
  2. The Boss Baby
  3. Despicable Me 3
  4. The Emoji Movie

Sci-Fi Movies:

  1. War for the Planet of the Apes
  2. Okja
  3. Life
  4. Kong: Skull Island
  5. Power Rangers
  6. Valerian and the City of a Thousand Planets
  7. Alien: Covenant
  8. What Happened To Monday
  9. Ghost in the Shell
  10. Transformers: The Last Knight

Fantasy Movies:

  1. Beauty and the Beast
  2. King Arthur: The Legend of The Sword
  3. Death Note
  4. The Mummy
  5. Pirates of the Carribean: Dead Men Tell No Tales
  6. The Dark Tower

Action Comedy/Comedy Movies:

  1. Girls Trip
  2. The Hitman’s Bodyguard
  3. Baywatch
  4. War Machine
  5. Rough Night
  6. Snatched

Drama Movies:

  1. Wind River
  2. Dunkirk
  3. American Made
  4. To The Bone
  5. The Circle
  6. The Glass Castle
  7. Sand Castle

Romantic Drama Movies:

  1. The Big Sick
  2. Their Finest
  3. The Promise
  4. The Beguiled
  5. Everything Everything

I hope you enjoyed my list as well as the summer movies. Onto the awards’ season!

Movie review: The Hitman’s Bodyguard 

Movie reviews

Hello!

With the summer movie season coming to a close, let’s discuss one of its last offerings – The Hitman’s Bodyguard!

IMDb summary: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Writing

The Hitman’s Bodyguard was written by Tom O’Connor and this picture was only his second screenplay to be produced. The script had both fun and dumb moments. The set-up, as well as the shared backstory of the protagonists, was good, while the dialogue and the banter were actually quite funny. The movie also had way more emotional depth than I expected it to. However, the antagonist was quite awfully written. I’m really over Eastern European politicians or mob bosses as villains in Hollywood films, mostly because I’m from that region but also because American screenwriters tend to reduce them to cinematic caricatures instead of portraying them as actual real-life threats. The fact that the writers (or somebody behind the scenes) thought that they needed to clarify that Belarus used to be a part of the Soviet Union with that sub-heading was kinda sad too.

Directing

The Hitman’s Bodyguard was directed by Patrick Hughes, who also did The Expendables 3. The influences of his previous picture could certainly be felt in his current one: while the last of The Expendables films was an intentional homage to the 80s actioners, the critics can’t really pinpoint the exact decade Hughes was referencing with The Hitman’s Bodyguard. I saw it being called ‘a love letter’ to both the 80s and 90s, but to me, it felt like an early 2000s action film, especially because of the split-screen opening sequence. The hand-to-hand combat was choreographed quite well, while the car chases were also entertaining and exciting enough. The soundtrack by Atli Örvarsson, full of well-known old-school pop songs, was a fun addition to the film too. The movie actually had two very enjoyably-cringy musical moments – the sing-off between Reynolds and Jackson and the nun bus scene. Another humorous sequence was Reynolds’s monologue to the bartender with action happening in the background (it wasn’t the most original but still a well-executed sequence).

Acting

The best part about The Hitman’s Bodyguard was its two leads – Ryan Reynolds (Life, Deadpool) and Samuel L. Jackson (Avengers, The Hateful Eight, Kong, Tarzan, Miss Peregrine) and their amazing chemistry. It was interesting seeing Reynolds trying to play ‘the straight man’, while it was also fun to see Jackson going absolutely crazy, even though he has done that before, for example, in Kingsman. Jackson has appeared in a tonne of films lately, I wonder whether the audiences will get bored of him or whether he is actually priceless in a supporting role.

Elodie Young played Reynolds’s love interest and did a nice job. She had a very good weekend, with not only The Hitman’s Bodyguard hitting theatres, but The Defenders (where she stars as Elektra) landing on Netflix. Salma Hayek (Sausage Party) had a tiny but hilarious role as Jackson’s love interest, while Gary Oldman (Dawn), for whatever reason, played the main caricature of a villain. Joaquim de Almeida also had a cameo role and an important plot-point was kinda spoiled by his involvement in the film (he just usually plays two-sided characters so I was fairly certain that he will be shady in this movie too).

In short, The Hitman’s Bodyguard is predictable but an entertaining enough action comedy that has a very expendable villain but is elevated by its two leads.

Rate: 3.5/5

Trailer: The Hitman’s Bodyguard

Movie review: The Dark Tower

Movie reviews

Hello!

Recently, there has been a resurgence in the popularity of westerns with both remakes (The Magnificient Seven) and reinventions of the genre (Westworld) hitting the big and the small screens alike. Let’s see whether The Dark Tower can continue the trend.

IMDb summary: The last Gunslinger, Roland Deschain, has been locked in an eternal battle with Walter O’Dim, also known as the Man in Black, determined to prevent him from toppling the Dark Tower, which holds the universe together. With the fate of the worlds at stake, good and evil will collide in the ultimate battle as only Roland can defend the Tower from the Man in Black.

Writing

The Dark Tower film is both an adaptation and a continuation of the Stephen King’s book series by the same name. Sony has tasked Akiva GoldsmanJeff PinknerAnders Thomas Jensen, and the director of the picture Nikolaj Arcel with the honor and the burden of crafting the narrative that can equal as well as complement King’s. And, as most of you already know if you read any of the earlier reviews, this group of screenwriters utterly failed. However, I can’t say I’m that surprised. Goldsman has written a lot of bad movies in his day (Batman&Robin, Insurgent, Transformers 5) and the only reasons why he is still working is the fact that he has an Oscar for A Beautiful Mind. Pinkner has already murdered one franchise before it even started by writing The Amazing Spider-Man 2 and, for some reason, he is writing the Venom solo film too. I don’t know much about Jensen’s work because he has mostly worked on Danish films before now. Arcel is also a Danish filmmaker, however, he might actually be known to the English speaking audiences more for a film A Royal Affair, which stars Alicia Vikander and Mads Mikkelsen – two Danish actors who have fully transitioned into Hollywood.

Speaking of the writing for The Dark Tower, I don’t even know where to begin. The whole screenplay just seemed so lazy and uninspired. There was no interesting set-up for a story or any attempt to build an engaging and fascinating world. Maybe the scriptwriters were hoping that all movie goers have read King’s novels and would already know all the mythology so they didn’t bother putting it in the film. The plot itself was so basic. The characters acted in a certain way just because the screenwriters wanted them to and neither their reasons nor motivations could be found in the picture. The character development wasn’t the best either. The gunslinger was reduced to a stereotypical tired hero, back from retirement for one last fight, while the child lead was a walking cliche too – a tragic figure with a heart of gold (the film even had the super overdone cliche of the parents not trusting their child). The villain – the man in black – was fine but he also could have been so much better: more ominous or well explained or explored.

Directing

Nikolaj Arcel didn’t impress anyone, I included, with his directing. The visuals were boring: there was zero originality in the location design – a couple of industrial warehouses, a bunch of disposable huts, and some fake looking and grim CGI exteriors. The action itself wasn’t that exciting either. For one, there wasn’t enough of it. The man in black should have been allowed to do more with his immense powers, while the gunslinger should have shot stuff more. Also, when you have a character whose main trait is his gun shotting skills, create some inventive and fresh gun action scenes rather than just doing the same thing that every movie does. The only cool parts involving the gunslinger were the shots of him reloading the gun as well as the final diversion bullet thing. I wanted to see more of that! The other part of the film that I can sort of compliment was/were the costumes – they looked neat but mostly because they were worn by good looking Hollywood A-listers than can pull off an outfit consisting of both a low-V shirt and a vest. Lastly, the pacing of the movie was super problematic too. The Dark Tower was only around 90 minutes long – one of the shortest blockbusters in recent years – but it dragged all the time and still felt like it was too long.

Acting

I kinda feel bad for Idris Elba (Zootopia, The Jungle Book, Bastille Day, Star Trek Beyond, Finding Dory, Beasts of No Nation) and Matthew McConaughey (Interstellar, Free State of Jones, Kubo and The Two Strings, Sing): they deserve to act in a better movie than this – but I also don’t think that they delivered their best performances that might have saved the film. McConaughey was cool as the man in black. As I have said, he looked good, he was charismatic but his energy was at an all time low. Elba was fine too but he didn’t make a big impression. Tom Taylor played the young boy and did an okay job but he wasn’t a revelation.

In short, The Dark Tower was a huge disappointment that bored me to the death. I really doubt that this franchise will continue, neither on the silver screen nor at everyone’s homes.

Rate: 2.5/5

Trailer: The Dark Tower trailer

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Movie review: Atomic Blonde

Movie reviews

Hello!

Accidentally, this week my blog has a theme – alternative (not DC or Marvel) comic book movies. On Tuesday, I reviewed Valerian (based on a French comic book) and today, we are talking about Atomic Blonde!

IMDb summary: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

Writing

The movie Atomic Blonde is based on a 2012 graphic novel ‘The Coldest City’ by Antony Johnston and Sam Hart. The screenwriter Kurt Johnstad (writer of the 300 movies) was the one who adapted this property. It was actually quite refreshing to see a film written by a single person rather than a group of screenwriters of varying experiences. And yet, the writing was still a mixed bag. I loved the main narrative and its structure – the story was presented in a flashback with the verbal exposition being given in an interrogation room. So, the plot was both told and shown. The set-up for the story and the decision to start it from almost the very end also helped to establish the main character. In the first seconds of her appearance, we realized her occupation, her relationships, and her vulnerabilities.

The spy-world was also well realized, with some of its details being quite fascinating. I loved how the film spotlighted the way spies deal with their lives, both physically and emotionally (ice baths, drinking, smoking). The historical tie-ins – the TV announcements about the state of Berlin Wall – were cool too and help to ground the movie. The ideas of spies deceiving each other and always having multiple ulterior motives were quite neat as well.

My few gripes with the film were a single logical flaw and the conclusion of the story. The thing that didn’t make much sense was the fact that James McAvoy’s character was trusted by others when he was obviously acting shady. Plus, the picture’s motto was ‘Never Trust Anyone’, so the fact that the characters turned a blind eye to his deceptions was kinda dumb. Secondly, the film’s story had a lot of twists and turns at the end, which were really heavily piled one on top of another. I wish that these reveals would have been given earlier or handled in different a way because it felt like the movie had multiple endings and didn’t know when to stop.

Directing

The longtime stunt coordinator, stuntman, and fight choreographer who recently transitioned into directing – David Leitch – helmed Atomic Blonde. His previous directing credits include the first John Wick (with Chad Stahelski), while his upcoming project is the Deadpool sequel. Not surprisingly, Atomic Blonde has been nicknamed online as the female version of John Wick and, while the comparison is valid, Atomic Blonde is also very much its own thing. It has its own cool action scenes, which were choreographed superbly and showcased fighters using a lot of everyday props rather than guns. The way these fight scenes were modified for someone, who is physically weaker (a female body) was interesting too. I also loved the car chases with all the old, now vintage, cars (no yellow Fast&Furious Lamborghinis here). 

The overall tone of Atomic Blonde was also really cool. I’d describe it as gritty glamor. The gritty part comes from the bloody action and the truthful depiction of the life of spies. The glamor could be seen in the costumes and the hairstyle of its lead – Charlize Theron had an impeccable look with her long, classic coats and platinum blonde hair. The cool color pallet added to the glamor too. The punk influences of 1989/1990s Berlin (the combo of grit and glamor) were also felt in the movie, from the locations of the underground clubs to the visuals of the graffiti on the wall. The soundtrack of the picture also emerged up from this general feel and tone. The composer of John Wick and Guardians of the Galaxy films, Tyler Bates, did a great job on the Atomic Blonde score, by mixing together 90s English and German songs as well as their more modern reworkings.

The director Leitch also did a brilliant job of filming the action in a variety of angles. Every trick in the book was used – from long panning shots and zoom ins/outs to close-ups to handheld shots with and without the cuts. That continuous action sequence in the apartment building was especially amazing. Genre wise, Atomic Blonde certainly felt more like a drama/thriller rather than just an action film. Its pacing wasn’t super fast – the movie didn’t really drag (except maybe the ending) but it never got as exciting as it could have been.

All in all, though I had some problems with the directing of the film, I enjoyed it overall and I still think that Leitch can nail Deadpool 2. We all know that he can deliver a magnificent action sequence, I just wonder whether he can do humor and comedy.

Acting

Atomic Blonde had quite a stellar cast. Charlize Theron (The Huntsman, Mad Max, FF8, Kubo) was front and center, demanding all the attention for the best reasons. She was amazing in the role, especially in its physical aspects (she did lots of stunts herself). James McAvoy (X-Men) was cool and creepy in his role. His persona in this film felt like just another personality of his character in SplitSofia Boutella (The Mummy, Star Trek, Kingsman) was also good, though her performance was brief. John Goodman (Kong, Trumbo), Eddie Marsan (Their Finest), and Toby Jones rounded out of the cast.

In short, Atomic Blonde is a very entertaining thriller that has a lot of cool aspects but also some minor flaws. Not a perfect film but definitely worth a watch.

Rate: 3.7/5

Trailer: Atomic Blonde trailer

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