Movie review: Joker

Movie reviews

Hello!

And welcome to review of Joker or my ramblings about the dangerous appeal of anti-heroes and the limits of empathy!

IMDb summary: In Gotham City, mentally-troubled comedian Arthur Fleck is disregarded and mistreated by society. He then embarks on a downward spiral of revolution and bloody crime. This path brings him face-to-face with his alter-ego: “The Joker”.

Writing

Joker was written by the director of the film Todd Phillips and Scott Silver. Phillips is best known for writing and directing The Hangover trilogy as well as dark comedy War Dogs – however, Joker seems to be his darkest and most dramatic comedy yet. Silver has previously written the movie 8 Mile as well as sports dramas The Fighter and Bleed For This. Looking at the previous works of both of the screenwriters, it really seems that their collaboration should be the best of both worlds for Joker – comedic and dramatic in equal measure whilst grounded in gritty reality (though in the streets rather than a boxing ring). And there is certainly a lot to love in the writing for this film – if not to love than to hotly debate about.

I believe that the crucial topic of Joker is empathy, both within and outside the movie. The film seems to be suggesting that the lack of empathy from the people around him was the main reason for Joker’s turn to the dark side. Moreover, the film invites the viewers to be empathetic towards its main character. Should the viewer feel in such a way? Do we correct the mistake of the people within the film’s world by empathising with Joker? Or are we making a new mistake by doing so? Does Joker deserve empathy at any point of this movie? What is the breaking point after which empathy is no longer the desired response?

Related to the idea of empathy is the concept of agency. A lot has been said in the media about worry-some copycat behaviour that this movie might inspire. My initial thought was that such a narrative is problematic as I do believe that people have the agency as well as the cognitive tools to recognise right from wrong. And yet Joker seems to suggest that one cannot escape the environment one is exposed to: if Joker became Joker by seeing the world of abuse and hatred, it not might be that far-fetched to be fearing the effects that Joker might have on some people. Or maybe Joker is wrong by suggesting that one cannot escape a cycle of abuse and violence – maybe it underestimates the agency of individuals.

Not only does Joker have some interesting thematic concepts that raise a lot of questions (and this review is mostly just that – questions), it also has a fascinating relationship to the Batman mythos. While the film certainly does not feel like a comic-book movie in the typical sense, it is nevertheless rooted in a world of comic book origin. Joker’s father is positioned as a key issue for the character and the reveals and twists surrounding it will certainly get a response from comic book fans.

SPOILER in the next paragraph

Is there a familial relationship between Joker and Batman? Or was Joker truly adopted and abandoned? Neither of the sources in the film are really trustworthy, thus, leaving the question quite ambiguous. The movie’s decision to relate Joker to Batman’s parents’ murder is also interesting. While in the comics, Joker has sometimes been responsible for the murders of Thomas and Martha, the more accepted version is that the criminal Joe Chill did it. I feel like by positioning Joker as the one who created the conditions of chaos which inevitably led to the murders, the movie does justice to both versions of the story: it keeps Joker as separate yet involved with the inciting incident of his main enemy.

Not only are the sources within the story not trustworthy, but the way the whole narrative is framed by its ending scene calls into question the reliability of the entire thing. Was the whole movie and the sympathetic storyline just an imagined version by Joker himself? Is his origin story truly multiple choice? That would go in-line with Alan Moore’s as well as Christopher Nolan’s takes on the character.

Does this film have the potential for a sequel? It certainly does but I fear that a sequel would have to pit Batman against Joker and we have seen that done a l o t. And yet, I don’t really see how this franchise could move forward by not doing that, as, I have mentioned, even though Joker doesn’t feel like a comic book movie, it is still enmeshed in the comic book lore.

Directing

Todd Phillips showcases some great directing talent with Joker. The movie is gorgeously shot and feels very appropriately 80s. The pacing is lacking in some respect – the movie is a bit slow and doesn’t really have a strong third act – it builds to a very predictable moment. The usage of gory violence is also present in the film but not to the extent I was led to believe by a lot of the critics. It may be a personal thing, but I have seen films with way less justified usage of gory violence – and too way lesser effect too. The soundtrack is great though – it adds a lot to the feel of the picture.

Acting

Joaquin Phoenix is the undeniable star of this film. Everyone else truly fades into the background, including Deadpool’s Zazie Beetz and even Robert De Niro. Phoenix’s performance is praise-worthy though some of the media coverage regarding his preparations for the role leaves a lot to be desired. I guess it is easy to create clickbait stories about someone’s preparation to play such a psychologically challenged character. It’s Jared Leto-esque debacle all over again.

In short, Joker raises a plethora of questions and answers none of them. It might be one of those movies that is interesting to talk about rather than to watch.

Rate: 3.2/5

Trailer: Joker trailer

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Movie review: It Chapter 2

Movie reviews

Hello!

And welcome to the review of a sequel to a movie that got me into horror movies (somewhat). This is It Chapter 2!

IMDb summary: Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away until a devastating phone call brings them back.

Writing

Gary Dauberman, the writer of the first It from 2017, penned the script for the sequel, once again, using the original material by Stephen King. After watching the first It, I went out and got myself a copy of It, the book. Even though it took me a solid 4 months to finish the 1000 page long novel, I did enjoy a lot of it (minus some weird and now infamous sex scenes). Thus, going into this film, I could predict a lot of the story beats, yet so much of the plot was also changed and, dare I say, for the better.

Stephen King’s cameo in the film, as well as his stand-in character’s demeanor (Bill’s) towards the critique of the story’s endings, tells me that King himself might be salty about fans’ complaints aimed at his ending. Yet, while I do think that his extremely supernatural ending to It (the turtle) is an interesting choice, I feel like it kinda betrays the psychological concepts of the whole novel. Thus, I quite enjoyed the film’s ending where it’s the characters’ strength of will and personal overcoming of fear that defeats Pennywise. At the same time, while these psychological concepts are present throughout the film, I do think that the first It did more in exploring them. Chapter 2 seemed to be more plot rather than idea-focused. While the ultimate topic of the film remained the same as in the first one – friendship and human connection – the movie did have a lot of narratives to cover. Not only did it have to tell the story of the adult characters but connect it to the arcs’ of the younger counterparts of the first movie. This seems like an insurmountable task and I feel like Chapter 2 (and the writer) did the best they could with the task. Yes, the movie was quite long and full off sidetracks involving separate characters reliving their memories. But could it have done without them? I don’t think so. The characters needed their solo times and to be developed further, especially when the cast of the movie was so stellar. You just kinda naturally want to give them a lot to do.

Directing

Andy Muschietti directed a follow-up to his own movie and did a good job. I don’t think he managed to create as tight of a final product like last time, but once again, like with the writing, I don’t think he ever could have topped the first film. Chapter 2 was quite long (almost 3h) and while it did start out really strong and had a nicely paced second act, I felt like the different stages (like in a video game) of the third act were quite obvious and made the finale feel a bit formulaic, less like it flowed naturally. The film as a whole did have a nice flow to it, though – I quite enjoyed the visual transitions between the different characters as well as timelines. On the horror side, It 2 had everything: some psychological suspense, some gore, and some jump scares. For horror purists, this might be too much of blend of all the different things, but for me as someone who appreciates horror movies at a distance, the mix of the different horror techniques was cool and just what I needed to feel both uneasy yet comfortable watching the film.

Acting

Both the child and adult casts were stellar. I don’t know whether the filmmakers originally planned on including the children actors in the second film but I’m glad that they did: the child-actors have proven themselves so much in the first film and have only gotten better in the second one, even if they had less to do. Jaeden Martell, Sophia Lillis, Jeremy Ray Taylor, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer, and Wyatt Oleff all did a great job. The adult cast – both the big names like James McAvoy, Jessica Chastain, and Bill Hader and the lesser-knowns – Jay Ryan, Isaiah Mustafa, James Ransone, and Andy Bean (and this is a very subjective categorication btw) – did brilliantly. Not only did they look like the grown-up versions of the child actors but they truly acted like them too. My personal favorites were McAvoy and Hader. Bill Skarsgård came back as Pennywise and was amazing once again even though this time around he seemed to have fewer scenes. I feel like It Chapter 2 featured more of CGI Pennywise, with some of Skarsgård’s features (face or voice). The acting was truly the best part of the movie and saved or enhanced its other parts (mostly carried the writing).

In short, while not as good as the first film, It Chapter 2 carries the emotional weight of the first film that is sometimes lost in all the plot but found in abundance in the cast’s performances.

Rate: 3.8/5

Trailer: It Chapter 2 trailer

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Movie review: Eight Grade

Movie reviews

Hello!

And welcome to the review of Eight Grade or the age I might be stuck in (spoiler, self-realization occurs in this review)!

IMDb summary: An introverted teenage girl tries to survive the last week of her disastrous eighth-grade year before leaving to start high school.

Eight Grade was written and directed by Bo Burnham – a creator that actually got his start on YouTube. Eight Grade is his first feature film. You might also know him from his stand-up work.

Writing

I thought that Eight Grade had a brilliant script and a lot of its success comes from the fact that it was just so real and relatable. I saw myself on that screen in more than one scene and it wasn’t a comfortable (actually, rather cringe-y) experience but it was absolutely necessary. Necessary in terms of making me realise that I’m actually quite happy with being an adult and shouldn’t really pine away after my own lost childhood. Putting some distance between all the versions of you is not a bad thing. It brings clarity and this clarity also leads to the film’s message. Eight Grade tells the viewer to move on from the past if it wasn’t great and to be okay about the uncertainty of the future.

Not only does the film have an appeal towards someone who isn’t in Eight Grade (like me), but it should also be a must watch for all those in middle school, more or less as an example of all the things you shouldn’t be doing. But I guess it’s hard to learn from others’ mistakes so go on forth children and make the wrong friends, say the wrong stuff,  and embarrass yourselves. And if it seems like the end of the world then, trust me, it isn’t. You are your own version of cool and no one else’s. Furthermore, don’t ever let anyone critique you for caring about your teen problems as they are highly important to you and should never be trivialised. Your anxieties are valid and should not be overlooked because of your age.

The film’s appeal doesn’t stop with someone who is in 8th grade or just a bit older. It should also be watched by parents. While parenting isn’t a very obvious topic within the film, it is always there, just like your parents (hopefully) are (so be nice to them!). The scene by the fire has some spectacular dialogue and some neat lessons too. The dialogue in general was really good because it wasn’t completely coherent and eloquent: it was sincere and real instead.

Directing

Eight Grade also has some stellar directing. The film’s usage of online video makes it feel contemporary. However, all the jokes (oooh the dabs) might make the film age quite badly and quickly. It’s a good thing that it has some timeless topics though, John Hughes-esque. However, where Eight Grade tops Hughes’s films is in its portrayal of a real school. There is no Hollywood glamour: there are awkwardness and acne. The clever ways Burnham decides to portray first crushes (with that fabricated tension and dramatic music) are spectacular too as they are both accurate and also funny.

Acting

Elsie Fisher is absolutely magnificent in the role. She looks the part and acts the part impeccably. I really hope she has a long and successful career ahead of her. Josh Hamilton is also really good as the single dad!

In short, Eight Grade is an incredible coming-of-age story for everyone, including but not limited to middle schoolers, new adults (me, an almost uni graduate), and parents!

Rate: 4.5/5

Trailer: Eight Grade trailer

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5 ideas about a movie: Five Feet Apart

Movie reviews

Hello!

And welcome to my comeback no.3 at this point. This is Five Feet Apart!

IMDb summary: A pair of teenagers with cystic fibrosis meet in a hospital and fall in love.

  1. Five Feet Apart was written by Mikki Daughtry and Tobias Iaconis and directed by Justin Baldoni (the actor from Jane the Virgin). The film follows in the vein of such movies as The Fault in Our Stars (probably one of the most famous pictures of the genre), but also Midnight Sun and Everything, Everything (or A Walk to Remember if you want to go more old-school). The aforementioned films as well as countless unnamed others all tend to be cringe-y in some capacity. They also sometimes are very sincere and sweet. This one, to my surprise, leaned more towards the second option.
  2. Instead of cancer (the usual illness of YA romances), this time the main characters suffered from cystic fibrosis. I am no medical professional, thus, I cannot vouch for the accuracy of the information portrayed on screen. Nevertheless, I felt like I did learn something about the disease. The response from the cystic fibrosis community towards this movie has been mixed like the response in general. I have to admit, I cannot understand those arguing that the film idealizes illness: I have a hard time seeing how a portrayal is automatically an idealization or promotion. Isn’t it up the viewer to critically engage with a story?
  3. On the romance side, the film was both cute and cliched. It undeniably appeals to its target demographic by walking the line between the two. The ending was also both uplifting and heartbreaking.
  4. Directing wise, the script was handled well. The cinematography was clear and the editing – cohesive and concise. I also enjoyed how the production design of hospital rooms was used to enhance and develop the characters. My one gripe with the film was its length – it could have been a tad bit shorter.
  5. The appeal to the demographic also very much depended on the cast of the film. Yup, I’m talking about Cole Sprouse – he was really good in the role and fit the requirements of that particular character perfectly. However, the lead of the film – Haley Lu Richardson – was the main reason why the film felt sincere. You might remember her from Split as one of the cheerleaders James McAvoy tortured. Moises Arias, who I still remember from his Hannah Montana days, was also good in the supporting role.

In short, Five Feet Apart was a surprise of a movie. A quality YA offering rather than a cringe-fest.

Rate: 4/5

Trailer: Five Feet Apart trailer

5 ideas about a movie: If Beale Street Could Talk

Movie reviews

Hello!

And welcome to back to my blog that I have neglected for another month. But I’m back (I think), so let’s discuss If Beale Street Could Talk!

IMDb summary: A woman in Harlem embraces her pregnancy while she and her family struggle to prove her fiancé innocent of a crime.

  1. If Beale Street Could Talk is Barry Jenkins’ follow-up to his Oscar-winner Moonlight (remember that La La Land debacle? What a time). The film is based on the book of the same name by James Baldwin. The film is also dedicated to the author. For once, I’m actually somewhat familiar with the source material: while I haven’t read the exact book the movie is adapting, I absolutely loved Baldwin’s novel Giovanni’s Room’. One of my all-time favourites.
  2. I really liked the writing for the movie. I loved how Jenkins managed to tell such a tragic story in such a heartwarming way. If Beale Sreet Could Talk was a romance above anything else: the tragedy and the drama came second and love was the message. Such an emotional response lent a lot to the structure of the film and the clever way Jenkins positioned the narrative non-linearly.
  3. I also loved the mixture of realism and poetics in his directing of the film. The two styles corresponded to the two topical concepts (poetics and love vs tragedy and realism).
  4. The movie was a bit slow but engaging. The slow-moving camera showcased the carefulness and care with which this movie was crafted.
  5. A lot of the film’s success is due to the performances by the cast: the two leads – KiKi Layne and Stephan James – portrayed their respective characters with such innocence and freshness and yet there was also an overlying feeling of sophistication. Regina King and Colman Domingo shined in supporting roles. Dave Franco, Diego Luna, Ed Skrein, and Pedro Pascal make cameo appearances.

In short, If Beale Street Could Talk is a realistically poetical or poetically realistic romantic drama that will break and glue your heart back together multiple times throughout the 2h runtime.

Rate: 4.5/5

Trailer: If Beale Street Could Talk trailer

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5 ideas about a movie: Green Book

Movie reviews

Hello!

And welcome to a peculiarly positive movie on race. This is Green Book!

IMDb summary: A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.

  1. Green Book was written by Nick Vallelonga, Brian Hayes Currie, and Peter Farrelly, who also directed the film. Farrelly has directed some comedies of questionable quality, like Movie 43 and Dumb and Dumber To (he did the original too) just recently. Needless to say, Green Book – an awards movie – is a step-up for sure.
  2. The script of the film was built around the relationship between the two main characters. These two characters were the highlight of the writing as they were so far away from any assumptions that the viewer might have had. The focus on their relationship also made for some strong dialogue between them (some quality monologues towards the end too).
  3. Thematically, the film, not surprisingly, explored racism within the US in the 60s and within (at least at the beginning) a reversed power relationship. The racialization of culture and music were also major topics. Belonging, family, and home were also touched upon.
  4. Stylistically, the picture juggled sadness and seriousness with humour. The chucklesome moments really lightened the mood but, looking back, maybe they had a different purpose – to prove the point that the audience will laugh at a ‘black’ joke but will do nothing to alleviate the position and discrimination against the black people.
  5. Viggo Mortensen’s (Captain Fantastic) and Mahershala Ali’s (Moonlight) performances were brilliant. And the chemistry that they had was also impeccable. If that was Ali on the piano, then he should be lauded just as much as Gosling was for La La Land.

In short, Green Book was a stellar drama that is worthy of all those awards nominations. Can it take the big one though?

Rate: 4.2/5

Trailer: Green Book trailer

Movie review: Widows

Movie reviews

Hello!

And welcome to a review of another awards’ hopeful that didn’t look like an awards’ movie from the trailer but is one because of who is involved with it in front and behind the camera. This is Widows.

IMDb summary: Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands’ criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.

Writing

Gillian Flynn, best known as a novelist (Gone Girl) rather than scriptwriter, and the director Steve McQueen wrote the screenplay of Windows. The script was based on a TV show. And that could be felt while watching the film because the movie’s narrative was oversaturated with ideas and plotlines. The movie also felt a bit like a book-adaptation by how dense it was – or that may just be Flynn’s writing style.

I really liked how unique the characters were and how they felt like real, well-rounded people rather than cliches or archetypes. I also appreciated how all the plotlines were handled: the film was complex and clear at the same time. It was also engaging, though I wasn’t completely convinced by the twist. Thematically, the movie didn’t really focus on just a couple of concepts but rather it put a mirror to the contemporary world and portrayed an interplay of issues, including women’s position in society, betrayal, criminality, politics, family, marriage, relationships, and race among others.

Directing

Steve McQueen of 12 Years a Slave directed Widows and did a good job. I appreciated his visual style, the extreme close-ups and how he played with the frame (what was in or outside of it) and depth (front v back). I’m still not entirely sure whether the film was awarded’ material. It was definitely a solid film but was it revolutionary in any way? I don’t think so. I also think it was more thriller-y than drama-y, and the Academy still values dramas above everything else.

Acting

Widows had a diverse cast, and by diverse, I mean diverse in identities that were represented and in the quality or status of actors. Viola Davis (Fences), Daniel Kaluuya (Get Out) and Colin Farrell (The Beguiled) were there to boost the awards chances of the film. Elizabeth Debicki and Michele Rodriguez are both great actresses but they are still closer to the B than the A-list (they are not main stars of their respective franchises, Marvel and FF, respectively). Liam Neeson is an action star that usually has his movies come out in January (a.k.a. the worst month?), like The Commuter. Some quality TV actors were also part of the cast, and even though they were great, they are still associated more with the small rather than the silver screen, and while that isn’t a bad thing for the audiences, it might be a hard sell when it comes to awards?

In short, Widows was a solid thriller with an engaging story and great execution of it by both the director and the actors.

Rate: 4/5

Trailer: Widows trailer

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5 ideas about a movie: Suspiria

Movie reviews

Hello!

And welcome to the review of one of the weirdest films I’ve seen in a while. And I don’t think I’m using the word ‘weird’ as a compliment in this case. This is Suspiria!

IMDb summary: A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

  1. Suspiria was written by David Kajganich and directed by Luca Guadagnino (A Bigger Splash). It was a remake of a 1977 Italian film of the same name. To put this review shortly, Suspiria was an artsy, 3h long horror film with half of the dialogue in German. If that sounds like a hard sell, it is/was.
  2. The movie’s story was quite incomprehensible to me. Thematically, it tried doing something with ideas of motherhood and matriarchy. I feel like it also wanted to showcase female empowerment. Honestly, I don’t know what the movie’s message was. Is it because I’m stupid? Or that the movie was too pretentious?
  3. It also had a weird setting amidst political events that were not explained fully for a viewer to get. The movie should not assign its viewer’s homework but should be a full package! The ideas on Germany’s generational guilt were interesting but not given enough room to be explored.
  4. The movie was directed in quite an interesting way. It was slow and long. The visuals were disgusting and looked quite CGI-y at times. The focus on the diegetic noise made the movie into an uncomfortable sensory experience too (I swear 65% of the ‘score’ was just breathing noises). The dance sequences were visually pleasing and interesting, though.
  5. The movie had a good cast but I wasn’t really able to judge their performances as I was confused by the plot. Tilda Swinton played a couple of roles (don’t know why as one couldn’t really tell it was her playing one of the characters, thus, no ideas on doubling could be seen?). Dakota Johnson was also there: I guess arthouse films are better than Fifty Shades? I also feel like a lot of the cast mumbled through their dialogue which didn’t make an already confusing plot easier to understand. A film also had a lot of German actors and actual dancers in the cast.

In short, Suspiria was a trainwreck of confusion that reminded me a lot of mother! in a variety ways (thematically and visually).

Rate: ?/5 (confusion strikes again)

Trailer: Suspiria trailer

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5 ideas about a movie: BlacKkKlansman

Movie reviews

Hi!

Welcome to a review of the movie that I saw 2 months ago and can’t really stop thinking about unless I try to review it! This is BlacKkKlansman.

IMDb summary: Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.

  1. BlacKkKlansman was written by Charlie Wachtel, David Rabinowitz, and Kevin Willmott (based on a memoir of the same name by Ron Stallworth) and directed by Spike Lee (who also contributed to the script). As a film fan, I have always known of Spike Lee and how he impacted the modern cinema. However, I don’t think I’ve seen any of his previous films in full and I’m kicking myself for that as I absolutely loved BlacKkKlansman.
  2. The story of the film was just fascinating: it was so far out there that it had to be true. It was handled very well in the script, with an appropriate amount of sarcasm and humour but also seriousness and sophistication. Every chucklesome moment was followed by a harsh reality: the viewer paid dearly for laughing.
  3. It was also fascinating in that it seemed poignant and topical. Nothing has really changed in the world and while this type of realization is not an original, first time thing, it doesn’t make it any less effective or emotional.
  4. The film was also very well made from a directing point of view. It was paced well and was engaging. The cinematography was neat and clear. The near-perfect film was also rounded out with a great cast.
  5. The film’s cast consisted of some amazing talent, including Adam Driver, who has been popping up in a variety of arthouse films (Logan Lucky, Midnight Special) in addition to Star Wars and has been doing a stellar job in all of them. John David Washington was also great in the lead and I hope that he gets a lot of recognition for this film.

In short, BlacKkKlansman is an amazing feature that I recommend to everyone. Even though it came out a couple of months ago, I really hope it comes back during the proper awards season and makes some sort of splash.

Rate: 4.5/5

Trailer: BlacKkKlansman trailer

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5 ideas about a movie: Assassination Nation

Movie reviews

Hello!

And welcome to a review of the film that left me flabbergasted. This is Assassination Nation.

IMDb summary: After a malicious data hack exposes the secrets of the perpetually American town of Salem, chaos descends and four girls must fight to survive while coping with the hack themselves.

  1. Assassination Nation was written and directed by Sam Levinson as only his second feature film that he has directed and the third one that he has written. It was basically a feminist manifesto wrapped up in a Purge movie. Let’s unpack that:
  2. Assassination Nation featured some quite heavy-handed social commentary. It openly expressed the fact that women should not be silenced by society and that they should fight back. The message was realized within such a radical and extreme and hypocritical plot-line that it was a bit hard to take it seriously. And yet, with everything that is going around in today’s world and the current cultural/political climate, maybe the world of the movie wasn’t that hard to believe. Which makes the whole ordeal even scarier. And maybe then the message of the film should not be subtle either but direct as it was here.
  3. Assassination Nation was also a genre movie: a gory horror picture that both drew the viewers’ attention to the fact that cinema has helped to desensitize violence by simultaneously partaking in such desensitization of violence itself. And I don’t know whether that genre-outside helped the movie to strengthen its message or whether it just distracted from it.
  4. The four main characters were played by Odessa YoungSuki WaterhouseHari Nef, and Abra. I loved how the film had some diversity within this core 4, both in terms of race and gender identification, but how it also didn’t draw too much attention to it but rather presented it as a given fact, a reality that ought to be normalized. Bella ThorneBill Skarsgård (It), and Joel McHale also had supporting roles in the film.
  5. At first glance, Assassination Nation seemed like quite a unique picture to me. However, the more I thought about it, the more I realized that it is actually following in the footsteps of such films as Heathers and, more recently, Thoroughbreds. That is not to say that Assassination Nation wasn’t unique or great in its own right.

In short, Assassination Nation as either confused cringe fest or a brilliant masterpiece. I’m not sure I’ll ever know which one.

Rate: ?/5 (my confusion is refusing to give a number this time)

Trailer: Assassination Nation trailer

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