5 ideas about a movie: If Beale Street Could Talk

Movie reviews

Hello!

And welcome to back to my blog that I have neglected for another month. But I’m back (I think), so let’s discuss If Beale Street Could Talk!

IMDb summary: A woman in Harlem embraces her pregnancy while she and her family struggle to prove her fiancé innocent of a crime.

  1. If Beale Street Could Talk is Barry Jenkins’ follow-up to his Oscar-winner Moonlight (remember that La La Land debacle? What a time). The film is based on the book of the same name by James Baldwin. The film is also dedicated to the author. For once, I’m actually somewhat familiar with the source material: while I haven’t read the exact book the movie is adapting, I absolutely loved Baldwin’s novel Giovanni’s Room’. One of my all-time favourites.
  2. I really liked the writing for the movie. I loved how Jenkins managed to tell such a tragic story in such a heartwarming way. If Beale Sreet Could Talk was a romance above anything else: the tragedy and the drama came second and love was the message. Such an emotional response lent a lot to the structure of the film and the clever way Jenkins positioned the narrative non-linearly.
  3. I also loved the mixture of realism and poetics in his directing of the film. The two styles corresponded to the two topical concepts (poetics and love vs tragedy and realism).
  4. The movie was a bit slow but engaging. The slow-moving camera showcased the carefulness and care with which this movie was crafted.
  5. A lot of the film’s success is due to the performances by the cast: the two leads – KiKi Layne and Stephan James – portrayed their respective characters with such innocence and freshness and yet there was also an overlying feeling of sophistication. Regina King and Colman Domingo shined in supporting roles. Dave Franco, Diego Luna, Ed Skrein, and Pedro Pascal make cameo appearances.

In short, If Beale Street Could Talk is a realistically poetical or poetically realistic romantic drama that will break and glue your heart back together multiple times throughout the 2h runtime.

Rate: 4.5/5

Trailer: If Beale Street Could Talk trailer

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Movie review: Flatliners 

Movie reviews

Hello!

The 90s are back in theatres with the remake of Flatliners. Let’s see how dead this movie about the near-death experiences is. Disclaimer: I haven’t seen the original, so I’m giving this movie as fair of a shot as they get.

IMDb summary: Five medical students, obsessed by what lies beyond the confines of life, embark on a daring experiment: by stopping their hearts for short periods, each triggers a near-death experience – giving them a firsthand account of the afterlife.

Writing

2017’s Flatliners was written by Ben Ripley (a newcomer screenwriter) and he did a very good job for the first half of the film. I really liked the set-up of the med school and how the movie showcased the strains of it. The science (barely?) parts of the actual procedures that the characters undertook were interesting too (the question is, how accurate were they?).

Speaking of the characters – they were not the best. The 5 leads were just stereotypes: the lead, the smart one, the wannabe smart one, the party-boy, and the good girl. Their afterlife visions could be seen as an attempt to develop their characters more deeply, but then again, those sequences only added a single extra feature – a sin from the past – to embellish the pre-existing stereotype. The personal arcs of all the character ended exactly how they always do. The lead was the ‘inciting incident’ (twice), the competitive intellectuals realized they love each other, the good girl went rogue and the party-boy grew up. Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

Also, on a side note, all of them were more or less damaged in some way because of their actions in the past and they all decided to become doctors? Why? To fix others as they are not able to fix themselves? I feel like I’m digging way deeper than the scriptwriter ever did.

The second part of the film was where Flatliners fell flat. The supernatural/subconscious horror went unexplained and the movie never committed to an answer of who/what was happening to the characters. That whole borderline-magical second part also seemed jarring after the more sci-fi (and quite solid) opening. Additionally, that ‘inner demons’ concept, could be comparable to a similar idea in It (which, BTW, is gonna murder this film at the weekend box office). Lastly, the conclusion that one should forgive oneself and take up responsibility was a nice message but it was also an extremely typical one.

Directing

Niels Arden Oplev, a Danish TV director (he helmed Mr.Robot’s pilot episode), was responsible for the Flatliners remake and did an okay job. The set-up and the first part of the film (the sci-fi) one were well realized and exciting enough but the second half’s jump scares and the unexplained horror cheapened and undermined the overall product. The opening title sequence felt very 90s, which, I guess, was an appropriate choice for a remake of a 90s film (an homage?). The scenes of the students partying/having fun seemed like they belonged to The Hangover remake, though. Basically, the movie was fine and somewhat enjoyable. If it weren’t a remake and were an original property, I’d praise it.

Acting

The main reason why I went to see 2017’s Flatliners was its cast. I was really interested to see whether Diego Luna’s English-speaking career will go anywhere after Rogue One and I guess it is, even if it’s not soaring high as I wanted it to. He has a Woody Allen project lined up as well as that Scarface remake (bummer, that it is another remake).

Another actor who drew me into the cinema was Nina Dobrev. I watched her on The Vampire Diaries for years as a teenager and was a bit disappointed when she decided to leave the show to start a movie career, which did not get off the ground quickly or even at all. This was probably her best big-screen work to date, as her appearance on the third XXX movie was atrocious. Weirdly, her med-student character here reminded me a lot of her TVD’s Elena character, who wanted to be a doctor at one point of the show. Also, another side note, her character in this movie was supposed to be a swimmer (at least I got that impression) and, as somebody who practices this sport IRL, I could not take her seriously because of that super-sexy and not at all training appropriate swimming suit and that cap, that elderly women wear to the water aerobics.

Other cast members of the film were: Ellen Page (X-Men) – the biggest name-talent attached to this film, who also had the best performance; British TV actor James Norton, and Kiersey Clemons (DCEU’S Iris West). Kiefer Sutherland had a few scenes (he played the lead in the original), while Awkward’s Beau Mirchoff also cameoed as basically his character from that MTV show.

In short, Flatliners was fun but unexceptional film, that started out quite promising but fell apart in the end.

Rate: 3/5

Trailer: Flatliners trailer

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Movie review: Rogue One: A Star Wars Story

Movie reviews

Hello!

Do I even need to introduce this movie?! ‘It’s RogueRogue One‘. Let’s review it!

IMDb summary: The Rebellion makes a risky move to steal the plans for the Death Star, setting up the epic saga to follow.

Before we start, if you are interested, this is my The Force Awakens review from last year and this is my more personal post regarding Star Wars. Also, I should probably give you a Spoiler warning, although, if you have seen the original trilogy, you know what was/is the end game for the characters of this story.

Even though the hype for Rogue One was much smaller than for The Force Awakens, I was still excited for it. So, let’s get the short version of the judgment out of the way first: Rogue One is not only the best Star Wars prequel but also might be my favorite movie of this year. It also makes me rethink the top spots on my personal Star Wars preference list.

Writing

Rogue One’s script was written by a duo of screenwriters: Chris Weitz and Tony Gilroy. Weitz has mostly worked on comedies and YA adaptations, like The Golden Compass and the Twilight franchise. He also wrote last year’s Cinderella. Gilroy wrote the majority of the Bourne films, Armageddon, and the critically acclaimed Michael Clayton. Judging Rogue’s One’s narrative, in relation to the scriptwriters’ previous work, I think that this film had the best writing I have seen from both of them.

The story

I immensely enjoyed the story of the film: the plot was cohesive and clear and yet the narrative was complex.  All of the 3 acts blended seamlessly – the movie never slowed down. It had the perfect mixture of action and quieter character moments. The picture was also suspenseful and exciting, it compelled me both emotionally and intellectually. I loved the lines about how rebellions are built on hope and the one about taking all the chances. I also adored the world building: the screenwriters respected the canon but also expanded it.

The characters

Rogue One begun as a story of Jyn Erso, but it soon blossomed into a more of an ensemble based movie. I believe that all the characters received a chance to shine and that their presence in the film was more than justified. I also appreciated the fact that the rebel characters were not portrayed as pure heroes but as realistic individuals, who have been through a lot and sometimes had to make the tough decisions, which were not always good. The fact that the alliance was presented as divisive also added more intrigue and realism into the story. Lastly, as we all predicted, the main rebel characters of the film all died. They were basically the real Suicide Squad of this year. The characters were really well developed through small and seemingly unimportant interactions in just one movie that their passing was quite emotional. I was invested in their lives and in their story and I’m quite sad that we only got to spent a few hours with them. All of them were unique and interesting in their own way and I don’t actually think that I can name another recent film with such rich (with potential) characters.

Directing

Godzilla’s director  Gareth Edwards helmed Rogue One and did not disappoint. I loved the scope of the film and all the exciting action in space. I also enjoyed the fact that this film visually looked like a Star Wars movie but had its own unique setting and locations – the fight on the beach and in the water was so cool. I also liked the fact that this movie was grittier and more sophisticated than the other recent fantasy films. The grit was appropriate, effective, and well balanced with funny moments (not like in BvS). The way the new characters were realized visually was super cool too: Ben Mendelsohn’s Krennic’s white cape was impeccable, Donnie Yen’s character’s look was amazing and Forest Whitaker’s Gerrera‘s appearance added so much to the character.

The film also had a few familiar faces popping up in cameos and small roles. At first, I thought that the inclusion of Darth Vader was not necessary as he did not have much to do. However, a couple of scenes with him at the end were so amazing that they made me change my mind. Grand Moff Tarkin also appeared with the help of CGI. The effects looked okay but I, since I knew that the original actor who portrayed the character sadly passed away 20 years ago, I instantly noticed the computer imagery. Leia also cameoed in the film and I think that her CGI face looked better, maybe because we only saw it for a couple of seconds. Lastly, the new droid K-2SO was a really nice addition too. He finally seemed like a fully rounded up character, because all the previous droids would mostly have one purpose. C-3PO is mostly in the films to be an annoying comedic relief, while BB-8’s main job is to be cute. R2-D2 is probably the one who is closest to being a full character, but since the audience can’t understand its speech, it is quite hard to connect with him. K-2SO, on the other hand, seemed like a real person with a distinct personality and yet he was still efficient as a droid.

Music

Michael Giacchino scored the film but my favorite aural parts of the film were, of course, the original soundtrack and the empire’s theme. Hearing that music didn’t make me as emotional as it did last year when The Force Awakens came out, though. Last December, I could not believe that I got to see a Star Wars movie in the cinema. This time around I was just enjoying the experience of watching the film, without paying much attention to the brand under which it was made.

Acting

  • Felicity Jones as Jyn Erso was fabulous. I wasn’t entirely sure how she will do in an action film but she blew me away. She was likable and inspiring but still had the level of darkness inside. I loved Jones’s and Luna’s chemistry and all their scenes together as well.
  • Diego Luna as Cassian Andor. Andor was my favorite character of the film, and Luna’s performance – my favorite performance of the whole cast. He was just so compelling and intriguing. Would love to read a book or a comic with his character’s background. I absolutely loved how damaged and tortured he was inside, but how he still managed to make the right choice. Cassian Andor as character reminded me a bit of Poe Dameron too. I wonder if I’m the only one who saw the resemblance. 
  • Ben Mendelsohn as Orson Krennic was superb. Not only his appearance was cool, but his behavior as the nonchalant bad-ass villain was amazing as well. His whiny brat moments also added a lot of vulnerability to the character. 
  • Donnie Yen as Chirrut Îmwe was so amazing. I loved that we got to see the force from a different perspective though his character and I also loved his action scenes. Yen’s back and forth scenes with Wen Jiang’s character  Baze Malbus were fun too.
  • Mads Mikkelsen played Galen Erso and was really good. I liked him in this film way more than in Doctor Strange. I just think that he got to show more of his dramatic acting skills in this film. 
  • Riz Ahmed as Bodhi Rook was also a marvelous addition to the cast. I loved his character’s arc and the transition.
  • Forest Whitaker as Saw Gerrera was spectacular too. His look and behavior were interesting both visually and from the narrative standpoint.
  • Alan Tudyk as K-2SO. Tudyk did a magnificent job with the motion capture as well as with his voice work: he made K-2SO’s dry sense of humor immensely entertaining. 

In short, Rogue One: A Star Wars Story was/is another strong addition to the brand. The story was engaging, the characters unique and original, and the space action – spectacular as usual.

Rate: 4.8/5

Trailer: Rogue One trailer

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