5 ideas about a movie: Halloween!

Movie reviews

Hello!

And welcome to a review of a horror film by a horror-hater. This is Halloween!

IMDb summary: Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago

  1. Me being a horror-hater, I have never actually seen of the previous numerous Halloween films. Thus, I went into this one knowing the premise and having decent expectations because of all the great reviews. And the expectations were met, in that Halloween was a food film. I’m not sure it was an effective horror film, though.
  2. This may just be a personal thing, but the things that terrify me the most are jump scars and psychological horror. Halloween didn’t have a lot of either of those things. It did look at psychological issues (Mindhunter-like) but didn’t really use them for scarces. The horror of the film was that of a gorry, disgusting kind – and I feel like I have become desensitized to it after watching plenty of R-rated action films.
  3. Halloween was written Jeff FradleyDanny McBride (actor-writer), and David Gordon Green (Stronger) who also directed the film. I enjoyed how the movie reversed some horror tropes and how it explored parenting. I also liked the cohesiveness of the writing as well as the runtime of the film. In a day when I watched two other 2+ hour films, this one felt like an episode of prime TV. I also appreciated how realistic the movie’s writing was and how the teenagers in the movie felt real (similarly to It’s realistic youngsters).
  4. John Carpenter – the director of the original film – was involved with this sequel and mostly worked on the music. It was actually quite a great experience hearing his iconic Halloween theme in a theatre cause, even though I haven’t seen the original or any other films, I did know the theme music cause of how iconic it was/still is.
  5. Halloween’s cast consisted of Jamie Lee Curtis, Judy Greer, and Andi Matichak: I absolutely loved how the 3 main characters of the film were 3 strong women of different ages!

In short, Halloween was a well-constructed film with some neat themes and some moments of disgusting horror.

Rate: 3.5/5

Trailer: Haloween trailer

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Movie review: Bohemian Rhapsody

Movie reviews

Hello!

And welcome to a review of a film that somehow ended up being my most looked forward to movie of the year. This is the perfect blend of music and movies also knows as Bohemian Rhapsody!

IMDb summary: A chronicle of the years leading up to Queen’s legendary appearance at the Live Aid (1985) concert.

Writing

Bohemian Rhapsody was written by Darkest Hour’s Anthony McCarten and The Crown’s Peter Morgan. I actually enjoyed the writing for the film despite spotting some flaws within it. The main complaint I’ve seen against the writing for this film was its historical inaccuracy. As someone who wouldn’t call herself a fan of Queen (I’m more of an appreciative observer), I couldn’t really spot the inaccuracies so they didn’t bother me.

The second critique that I’ve seen and that I agreed with was the fact that the movie felt choppy and like a collection of snapshots of someone’s life rather than a cohesive plot. However, how can a writer fit a larger than life story into an actual narrative? I think one can make numerous films on the different parts of Queen’s existence but if this film was going for a broad, all-encompassing introduction, I think it was quite successful.

Another interesting think about Bohemian Rhapsody was that I wasn’t sure whether it was a Queen biopic or a Freddie Mercury one. This goes back to the whole discussion whether Mercury was the only important member of Queen (that’s crap, in my mind). I do wish that other members were spotlighted a bit more cause I did enjoy seeing the small bits of their lives too.

Speaking of Mercury, I really liked how he was portrayed on film. The movie did a good job of both celebrating the legendary performer but also showing his flaws. He was never idolized by the movie and that made him seem more real and even more fascinating.

Directing

Bryan Singer (yes, the X-Men director) directed some portion of the film before getting fired. Dexter Fletcher (he did Eddie the Eagle and is currently working on Rocketman – an Elton John biopic) finished the film but, sadly, won’t be getting a director’s credit. I thought that they both did a good job. Yes, the film was a bit choppy but it was still compelling. The scenes of the concerts (especially Live Aid) were highly effective and emotional (I cried more than once during them because of their effectiveness and my current personal state (of going to my favorite band’s gig fee days prior)). Hearing Queen’s song in the theatre was the second best thing to having the opportunity to hear them live. It was also interesting to see so many older people at my screening: my guess was that they grew up with Queen’s music or may have even been fans when they were younger.

Acting

I was sure that Rami Malek will get an Oscar nomination for this role after only seeing the trailer. Having seen the film, I’m now even more sure that he deserves the nomination but I’m more dubious about that happening due to the poor critic reception of the film in general. It would be a shame if this iconic performance of an icon would be paid dust.

Lucy Boynton of Sing Street (another amazing music-related film) was also great. Gwilym Lee, Ben Hardy, and Joseph Mazzello were amazing as the other members of Queen and I do wish that they would have been given more to do with by the script. Game of Thrones’ Aidan Gillen, The Night Manager’s Tom Hollander, and Downton Abbey’s Allen Leech rounded out the cast playing the managers.

In short, Bohemian Rhapsody was a highly entertaining and enjoyable film. See it if you are a fan and see it if you are not a fan – you’ll be one by the time the credits roll.

Rate: 4/5

Trailer: Bohemian Rhapsody trailer

Movie review: A Star Is Born

Movie reviews

Hello!

And welcome to a review of a potential Oscar movie. In October. I swear the classical awards season stars earlier and earlier every year and I don’t think I can keep up. Anyways, this is A Star is Born!

IMDb summary: A musician helps a young singer and actress find fame, even as age and alcoholism send his own career into a downward spiral.

Writing

A Star Is Born was written by Eric Roth, Bradley Cooper (who also directed and starred), and Will Fetters. The 2018 film was the 4th iteration of this story and the 3rd reboot of the original 1937 movie. All the films have differed slightly by having either movie or music stars in the lead roles. I really enjoyed the fact that this time around the focus was on singers and songwriters as when I’ve recently got pretty burned out with movies and their reviews, music became my new main hobby. Thus, this film was kinda the perfect combo of my old and new hobby.

While the characters have shifted between different areas of entertainment throughout the reboots, the stories themselves have always been pretty similar. The same 3 plotlines were also used in the latest version: one’s career going up, the other’s career going down, and a simultaneous romantic involvement of the two stars, the up-and-coming one and the one whose career is in decline. I thought that the interplay between the 3 storylines was really good. However, I had some problems with the pacing of the story. The first and the seconds acts felt like they unraveled organically, however, the third one seemed rushed. The breaking points in both character’s career seemed quite sudden. Why did he completely fell off the wagon that suddenly when he had managed to maintain a steady-ish career up until that point? How did she break through that quickly and at that exact point? I guess that showbiz? One can never predict it?

Directing

Bradley Cooper directed A Star Is Born as his directorial debut and impressed me immensely. The pacing, as I have mentioned before, was a bit strange, but the world-building and the visuals were great. I loved how the viewer got to be onstage with the stars and see an unseen side of a concert. The film could have been a tad bit shorter though. The soundtrack was good, ‘The Shallows’ was my favorite song and I could see it being nominated for an Oscar.

Acting

  • In addition to directing and writing (and producing), Bradley Cooper (Joy) also played the lead and was great! I was also so surprised how good he was at singing!
  • Lady Gaga had her first big screen role in this film. She has previously cameoed or had supporting roles and films and has worked on TV (on American Horror Story). I was lucky enough to see her live 6 years ago, in my first ever big concert which was part of the Born This Way Ball tour. She sounded splendid live back then and was equally as amazing (in both the singing and the acting) in this film! I could see an Oscar nomination in her future.
  • A couple of important supporting roles were played by Sam Elliott, Andrew Dice Clay, Anthony Ramos, and Rafi Gavron. A few celebrity cameos could also be spotted but this was no Entourage.

In short, A Star Is Born was a bit long but a neat musical romance with some stellar acting and singing performances!

Rate: 4.2/5

Trailer: A Star Is Born trailer

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Movie review: Skate Kitchen

Movie reviews

Hello!

And welcome to the review of a film you probably haven’t heard of before but really should watch! This is Skate Kitchen!

IMDb summary: A teenaged skateboarder makes friends with a bunch of other skateboarding girls in New York City.

Writing

Skate Kitchen was written by the director of the film Crystal Moselle, Jen Silverman, and Aslihan Unaldi. It told a story of a group of skateboarding girls but was so much more than just that.

First, it explored a subculture that I haven’t seen put to film before (I remember really wanting to learn skateboarding at around 12-13, even bought a board and everything. Never ended up learning it. Oh well, I still have time). It also showcased, celebrated and explores female friendship and female development that happens with one’s friends help (learning from friends, talking openly about explicit topics, questioning one’s beliefs). While 18 seemed like a bot of later than usual time for parents problems and teenage angst, it also drove home the point that development is personal and can happen at a variety of ages. Also, Skate Kitchen had a sweet message about parents – if you actually talk to them, they might be accepting (communication is key). By putting skateboarding culture and female friendship together, the movie also tackled gender roles and broke them with pleasure. Absolutely loved that part.

The main conflict in the film had to do with the idea of a ‘girl code’ or certain rules that govern female (or any) friendships. Another problem that the movie tackled was the youthful hypocrisy of the main character: complaining about to somebody about their friends being bad people while being a bad friend to her own friends.  The ending of the film, where the conflict and the problems were resolved by simply saying sorry seemed a bit weak. In my personal experience, a simple apology does not necessarily work.

Directing

Skate Kitchen was directed by Crystal Moselle, who has mostly done documentaries and short films prior to this. It reminded me a lot of Ingrid Goes West – another colorful, youthful, contemporary, Sundance darling of a film. It was also partially similar to Tangerine and The Florida Project in its focus on a specific underrepresented thing (transgenders and single mothers, respectively) and also with its visual style. Those two films and Skate Kitchen all felt like documentaries. They felt (were) real and intimate, captured with a mobile camera by using a lot of close-ups. The skating (tricks) shots were magnificent too. It was also interesting to see a film, which focused on a ground culture – skating – have so much of its setting be elevated, upon the roofs of new york’s skyscrapers.

Acting

Skate Kitchen’s cast consisted of real skateboarding girls, that the director met on the streets of New York: Rachelle Vinberg, Jules Lorenzo, Ardelia Lovelace, Nina Moran, and Kabrina Adams among others. As they were all previous/real skateboarders, the physical stuff and the stunts were impeccable. The more challenging acting parts – dramatic dialogue and monologue – were a bit stiff but that’s understandable as they were all non-professional actors. The one professional actor of the ensemble was Jaden Smith and he was actually good in the film and not annoying as his real-life persona is.

In short, Skate Kitchen was a fascinating and grounded exploration of female friendship and skateboarding subculture worthy of everyone’s attention.

Rate: 4.3/5

Trailer: Skate Kitchen trailer

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Movie reviews: Crazy Rich Asians and Searching

Movie reviews

Hello!

And welcome to the reviews of TWO films that are equally just important as Black Panther was/is! Today, we are discussing Asian representation in Crazy Rich Asians and Searching.

IMDb summaries:

Crazy Rich Asians: This contemporary romantic comedy, based on a global bestseller, follows native New Yorker Rachel Chu to Singapore to meet her boyfriend’s family.

Searching: After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her.

Acting

Even though I usually start my reviews by discussing the writing of the film(s), I thought that these two movies warranted that we discuss the acting and the casting first. While Black Panther was a first big-brand film with a predominately black cast, Crazy Rich Asians was the first American mainstream film with an overall Asian cast (as the title suggests). More importantly, the film showcased the diversity within the Asian community by casting actors that were from or descendant from a plethora of countries: Taiwan, Malaysia, China, South Korea, Hong Kong, The Phillippines, and Singapore. The cast consisted of Constance Wu and Henry Golding (A Simple Favor) as the superb lead couple, and Michelle Yeoh, Gemma Chan, Lisa Lu, Awkwafina (who was also recently in Ocean’s 8), Ken Jeong, Sonoya Mizuno, Chris Pang, Jimmy O. Yang, and Ronny Chieng among others in the supporting roles. Could more Asian identities/actors have been included? Yes. Did they have space for that in the film? Maybe. Did Crazy Rich Asians begin a process of change in Hollywood through which more Asian identities could be portrayed by Asian actors? I really hope so!

Searching didn’t have an Asian-only cast – it had a better thing – a blindly casted Asian lead – a lead that was Asian but his race never once came into play, played superbly by John Cho (of American Pie and Star Trek films).

What I loved even more than these two film’s (and their casts’) separately was the fact that the actors from the two films were so supportive of one another, especially Henry Golding and John Cho. Their mutual cross-promotion was one of the reasons why I put these two reviews together!

Writing

Crazy Rich Asians was a book adaptation of Kevin Kwan’s novel of the same name by screenwriters Peter Chiarelli and Adele Lim. Searching was an original screenplay by Aneesh Chaganty (who also directed) and Sev Ohanian. Both of these films took well known Hollywood tropes and genres – romcom and thriller, respectively – and made them feel brand new!

In Crazy Rich Asians, the romantic plotlines and the Cinderella-like tale were not as cliche as I was expecting them to be. The story also had more depth and sophistication than I was expecting. Some great ideas about the differences between Asian experiences (as a native and an immigrant/old culture vs new culture) were also expressed and added layers to the story.

Searching had a great showcase of father’s love and determination. On the flip side, it also showed the negative side of a parent’s love and how that love and ‘everything for one’s child’ attitude might be quite damaging. The end reveal of the plot was quite surprising and I don’t know if it worked completely. Nevertheless, it allowed the movie to look at a couple of more issues – toxic masculinity and obsessive relationships.

Directing

John M.Chu (of Step Up and Now You See Me 2) directed Crazy Rich Asians, while Aneesh Chaganty helmed Searching (both directors are also of Asian descent!). Chu handled the world building of Singapore beautifully (the glamour of the culture itself + rich setting made for a neat world to vicariously live in for the audiences a.k.a. me) and also nailed the pacing and the comedic timing of the film. My one critique was that the movie might have been a touch too long.

Chaganty and cinematographer Juan Sebastian Baron made Searching unique by having so much of that film be portrayed with screens on the cinema screen: the opening montage was just brilliant. I never thought that the movie portrayed through social media and technology (screens within the screen) could be so compelling and intense.

In short, Crazy Rich Asians and Searching were two films that not only did a lot in terms of representing an underappreciated group of actors and audiences but were just great movies in general!

Rate: both at 4.5/5

Trailers: Crazy Rich Asians trailer | Searching trailer

5 ideas about 5 movies

Movie reviews

Hello!

And welcome to a slightly different type of a movie review. Long story short: I have been feeling a bit burned out after writing 2-3 movie reviews per week while also writing a lot of essays for my studies. Thus, as soon as the summer started, I almost stopped writing completely and missed out on reviewing quite a few films. In order to get myself back to writing without pushing myself too much and in order to catch up on the missed reviews ASAP, I decided to review all the 5 films together in 1 post. Thankfully, these movies easily lend themselves to this type of format, as they all have a similar message and some shared ideas.

The movies that I will be discussing are: I Feel Pretty, Life of the Party, Book Club, Eddie, and Tully. You might have heard about some or all of these films. If you know anything about them, then you know what’s their connection: they are all female-driven films that encourage women to live at ever age (yes, even after 30) and however they want (as mothers, as career women, as both or neither, or as whoever they want to be). Let’s go over all the pictures one by one in a bit more detail and see what exactly they were doing with the overarching topic of female empowerment.

I Feel Pretty is the latest Amy Schumer comedy (joining Trainwreck and Snatched), written and directed by Abby Kohn and Marc Silverstein (who did How To Be Single recently). I have always appreciated Schumer’s ‘zero f*cks given’ attitude but never found her jokes particularly funny or original. I had similarly mixed feelings about this film. I wasn’t sure and I’m still not sure whether this movie portrayed character growth or was confused about its message. Was the movie trying to portray body positivity or body shaming? Was it condoning or celebrating egoism and privilege? Were we laughing with or at Schumer’s character? It’s been like 3 months since I saw the film and I’m still not sure. Rate: 3/5

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The second comedy out of the five films, Life of the Party is less raunchy than I Feel Pretty and has a clearer message. Mellisa McCarthy starred and wrote the film, while her husband Ben Falcone directed it (the duo previously worked on Tammy and The Boss together). The main idea of the movie was the female empowerment through higher education, specifically. The film also promoted female friendship and solidarity, which both are super important. On the entertainment side, the movie was funny but a bit cringe-y too. Rate: 3.3/5

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The third comedy of the bunch, Book Club stars the creme de la creme of Hollywood: Diane KeatonJane FondaCandice Bergen, and Mary SteenburgenBill Holderman directed the film (in a directorial debut) from a script written by him and Erin Simms (TV actress). Book Club was my favorite of the three comedies because it had the best-written dialogue and banter and also promoted female friendship not only in college (like Life of the Party) but throughout one’s whole life. It also showcased 4 successful women with different career and life choices (variety is important as any life choice is valid!). Lastly, Book Club, even though inspired by Fifty Shades of Grey, somehow felt the most profound out of all the comedies. Rate: 4/5

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The indie version of Book Club, Eddie is small British drama about not being afraid to live and follow one’s dream at any age. While Book Club gets to the same message through a raunchy book, Edie gets there through hiking in Scotland. Sheila Hancock stars as the frustrating and sympathetic lead, while Elizabeth O’Halloran writes and Simon Hunter directs. In addition to Book Club, this film also reminded me of other indie dramas like The Leisure Seeker and Finding Your Feet! Rate: 3.7/5

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The last of the films and the second drama of the five, Tully was the film that surprised me the most. Starring Charlize Theron (in another, Monster-esque de-glamourized role) and Mackenzie Davis, written by Diablo Cody and directed by Jason Reitman (the duo behind Juno), Tully tells the not sugar coated at all story of a tired mother. It has a Bad Moms set-up but doesn’t go the comedy route. Instead, its story goes into an unexpected direction in order to present a message that a simple family life is as valid of a life choice as any other, even if it is no longer promoted as much in the media (‘a career woman’ is the desired ideal these days and my personal ideal too. And yet, this ode to motherhood of a movie states, moms should be celebrated and idolized just as much). Rate: 4/5

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To conclude, I hope you enjoyed reading my slightly rushed and probably confused take on 5 movies that I’ve seen recently and somehow managed to connect in my own head!

 

Movie review: Mamma Mia! Here We Go Again

Movie reviews

Hello!

And welcome to a review of a film that I was looking forward to for a decade! This is Mamma Mia! Here We Go Again!

IMDb summary: Five years after the events of Mamma Mia! (2008), Sophie learns about her mother’s past while pregnant herself.

Writing

Mamma Mia 2 was written by Catherine Johnson (the playwright who wrote the first film as well as the original theatre production), Richard Curtis (the writer of some classic romantic movies, like the Bridget Jones series), Ol Parker (the director of the film). I highly enjoyed the story of the second film. I loved the fact that it was a prequel and a sequel hybrid that took the narrative both forward and backward. I thought that the blend of the two timelines was really neat and the connections that were drawn between the characters in the past and the present allowed the movie to explore some great themes. The multigenerational family dynamics (mother-daughter bonds), family, friendship, love, adventure were all touched upon to some extent. The movie also had some weird accidental meetings that were only there to allow the film to include more musical numbers. I would have been mad about that if they weren’t ABBA songs, which I love unconditionally.

Additionally, it was also interesting to see the tonne difference between this film and the original. While Here We Go Again! was still a fun comedy, it did have a more somber tone than the first film. There was an overwhelming feeling of mourning even if the healthy kind (by ‘healthy’ I mean mourning that is hopeful and has a foreseeable ending). Plus, the majority if not all of the romantic plotlines included a lot of heartbreak and wasted opportunities type of ideas.

Directing

Ol Parker of The Best Exotic Marigold Hotel movies directed Mamma Mia! Here We Go Again! directed the second film and did a great job. Still, I wonder why Phyllida Lloyd, the director of the first film, didn’t helm the sequel. Was she asked and declined? Wasn’t she asked at all? Up until just last year, her original film was the highest grossing movie directed by a woman. It was also the highest grossing musical. (Wonder Woman and Beauty and the Beast dethroned it from the two top spots).

Anyways, I thought that the second film was crafted beautifully. The transitions between the two timelines and between the different locations in the musical numbers were seamless and beautiful. It was nice to hear some ‘new’ ABBA songs as well as some new takes on the songs used in the first film. The 70s setting of the past timeline was also very fun because it was true to ABBA’s roots. I also loved how self-aware the movie was and how it had a carefree attitude too. My one gripe was the fact that it had some fake looking backgrounds in a few musical numbers.

Acting

Mamma Mia 2 had a great cast. The favorites from the original returned, including Amanda Seyfried (who was recently in Gringo), Meryl Streep (in a cameo appearance / The Post, Florence Foster Jenkins), Dominic Cooper (not gonna lie, was a bit weird to see him as Sky after seeing him on Preacher; he was also in Warcraft not that long ago), Christine Baranski and Julie Walters (the best (and most relatable) duo of friends that I wish to have when I’m older), and Pierce BrosnanColin Firth (Kingsman), and Stellan Skarsgård (all of who have barely aged in 10 years).

Joining them was Lily James (whose film career has been blossoming with Cinderella, Baby Driver, Darkest Hour, Guernsey), Jessica Keenan WynnAlexa DaviesJeremy IrvineHugh Skinner, and Josh Dylan. The younger counterparts were very respectful of the beloved characters that they got to play but also made them their own and were charming in their own right. Lastly, Cher (who should really cover all ABBA songs) and Andy García rounded out the already perfect cast!

In short, Mamma Mia! Here We Go Again! is a fun but slightly sad summer musical, certainly worthy of the original!

Rate: 4.5/5

Trailer: Mamma Mia! Here We Go Again! trailer

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Movie review: Sicario: Day of the Soldado

Movie reviews

Hello!

And welcome to a review of a sequel that I did not think Hollywood would make but I’m so glad they did. This is Sicario 2 or Sicario: Day of the Soldado.

IMDb summary: The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.

Writing

Sicario 2 was written by Taylor Sheridan – the same screenwriter who wrote the first Sicario as well as such great pictures as Hell or High Water and Wind River. I thought that the writing for the sequel was quite spectacular for the most part. I highly appreciated how topical the movie was, tackling topics that one sees on the news daily. I also loved the ambiguity in the script: the film didn’t have the clear ‘good side’ and it also did not have a conclusion or a clear ‘winning side’. No real happy ending in the film as in life.

The narrative was a bit convoluted and murky at times but I thought that was an accurate representation of the modern warfare. Plans rarely go as planned, layers of authority make decisions impossible to make, and various actors have their own agendas I also really loved how the movie touched upon the ideas of performance within warfare. It was also interesting to see the movie trying to deal with more personal stuff within a context of war.

My only gripe with the film was that I did not think its 3rd act was as strong as the first two. The intensity dropped, the story stopped, and the movie finished a bit of an underwhelming fashion. It tried setting up a sequel which is never an easy way to finish a picture.

Directing

Stefano Sollima, an Italian director, took over the reins of the now-franchise from Denis Villeneuve and crafted an intense and cohesive film, definitely worthy of the first one. The sequel was violent but maybe not as shocking as the first picture. The intensity was still palpable, though. The instrumental score, full of deep and low sounds could be felt in one’s body (if your cinema has a good sound system). The cinematography was great too – static continuous shots of Mexico’s landscape made nature seem both gorgeous and threatening/mysterious.

Acting

Soldado’s cast consisted of Benicio del ToroJosh Brolin, and Jeffrey Donovan reprising their roles, with Isabela MonerManuel Garcia-Rulfo, Elijah Rodriguez and Catherine Keener joining the film. I feel kinda bad for Emily Blunt, as she was sort of the star of the previous film but didn’t/couldn’t return (wasn’t asked to return?) for the sequel. Del Toro killed it in the role again and Brolin (Only the Brave, Hail, Caesar!, Everest) was amazing too (I loved the last shot of him in the hellicopter and just that tiny hint of emotion in his eyes due to the loss of his comrade). I do love the range of the two actors – from The Collector/a smuggler in the Star Wars Universe and Thanos/Cable to the characters in Soldado! Moner was able to showcase her acting abilities so much better in this film than in Transformers 6. It was also nice to see the movie showcasing some Mexican talent – another group of performers that goes underappreciated and underexposed so often in Hollywood.

In short, Sicario 2: Day of the Soldado is a great-looking and smart sequel that will definitely keep you glued to the edge of your seat for at least 2/3 of the film.

Rate: 3.9/5

Trailer: Sicario: Day of the Soldado

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Movie review: Ocean’s 8

Movie reviews

Hello!

And welcome back to the sporadic AF movie reviews. Ocean’s 8 is the topic for today.

IMDb summary: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

Writing

Ocean’s 8 – a spin-off of the original trilogy rather than its reboot (this is no Ghostbusters) – was written by the director of the film Gary Ross and Olivia Milch (she is writing a Barbie movie next, don’t know how to react to that). There was a lot to like in the script. To begin with, I liked how this action film was kept feminine with the focus on the MetGala and diamonds. A decision to make women steal diamonds might be seen as playing into stereotypes. However, I’d argue that by keeping a feminine focus, Ocean’s 8 fights the stereotype that strong women, especially female action stars, have to be masculine. Some of them might be masculine, while others might prefer femininity (or a mixture of the two). And Ocean’s 8 showcases that by having a variety of women of different colors/shapes/sizes/styles as the core characters. While the character development isn’t plentiful, there is enough of it to make each character necessary and at least a tiny bit interesting.

Additionally, while Ocean’s 8 stands on the shoulders of the original Ocean’s trilogy, it doesn’t lean on them too hard, meaning that one can go into this movie not knowing anything of the first 3 films and completely get the plot of this one. As I wasn’t a fan of the original films, I also didn’t mind some of the developments/reveals about the original characters in this film (some fans might actually be legitimately annoyed by them). Personally, my main problem with this movie was its structure. I loved the first two acts – the pre-heist set-up and the actual heist. However, I feel like the whole 3rd act, rather than being a big finale, was a boring wrap-up that dragged immensely. The investigation and the reveals felt both rushed and like the movie was overstaying its welcome.

Directing

Gary Ross (of the first Hunger Games film and Free State of Jonesdirected Ocean’s 8, while Steven Soderbergh – the director behind Ocean’s 11,12, and 13 – stayed on as a producer. I thought that Ross handled the material well, the narrative made sense and was intense for the most part. Pacing had some issues, especially the pacing of the aforementioned third act. The glitz and the glamours of the MetGala were realized accurately.

Acting

Undeniably, the best part about Ocean’s 8 was its cast: Sandra BullockCate BlanchettAnne HathawayMindy KalingSarah PaulsonAwkwafinaRihanna, and Helena Bonham Carter. I adored the female solidarity and friendship on display. Cate Blanchett (Thor 3, Cinderella, Carol) was my absolute favorite – I loved her character’s outfits, charisma, and just effortless coolness. I also enjoyed seeing Hathaway (Alice 2) playing the gossip sites’ version of herself. I also loved seeing Bullock, back on screen in a lead role as I feel I haven’t seen her in a big movie in ages (since Gravity). Kaling (A Wrinkle in Time) and Paulson (The Post) were also really fun to see. I loved the uber contemporary vibes that Awkwafina brought to the film and I loved seeing Rihanna actually having a character to play rather than just being there to look pretty (*cough, cough*, Valerian. BTW, I’ve been to her concert some years before and wrote about that). Bonham Carter (Suffragette) was also good in the film, though I feel like she played her typical, slightly awkward and over-the-top type of a personality.

Ocean’s 8 also featured some cool celebrity cameos, some neat cameos by the original cast, and a short appearance by James Corden (Peter Rabbit), who is always a delight to see.

In short, Ocean’s 8 was a great all-female thriller. It might not please everyone, but then again, why does it have too?

Rate: 4/5

Trailer: Ocean’s 8 trailer

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5 ideas about a movie: Beast

Movie reviews

Hello!

The only movie that is daring to play as counterprogramming to Avengers: Infinity War in the UK cinemas is a small British movie Beast. As it will certainly be overlooked by a lot of people, I decided to give it a chance.

IMDb summary: A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.

  1. Beast was written and directed by Michael Pearce, who has mostly directed short films before, making this movie his feature debut. Beast was certainly a peculiar story but in the best way possible. I have seen some describing it as a modern fairytale. I guess that’s the case if we are replacing princes and princesses with criminals and psychopaths?
  2. Beast’s writing was really great. The set-up of an oppressive, damaging, and not very loving family was very clear and made the viewers instantly feel for the character. The will they/won’t they romance (more like is he the killer or isn’t he?) mystery also worked. I wasn’t entirely sure about the ending, whether the blind love was in any way a good message or whether that finale was a celebration of female empowerment or a celebration of a psychopath as bad as the initial murderer? Is she the titular Beast or was he? Or was it both of them? Or is it all humans, as we are, in one way or the other, deeply flawed creatures?
  3. The closed off island and a tight-knit privileged community made for a great setting for this mystery thriller (recently, another English Channel island got spotlighted – Guernsey – but in a completely different type of a film). Just the views of the island itself were really pretty and calming in contrast to the story. It was also interesting to see movie constructing the class difference as a defining factor in how one is going to be perceived a.k.a. painted as the villain. But as it turned out to be the truth, doesn’t that make the movie’s message that lower class individuals more likely to be criminals?
  4. From the directing point of view, the movie was slowish but suspenseful and I did like very real and raw visuals. The diegetic noises – the breathing sounds or the sound of crunching grass/dirt – added a lot of ambiance to the movie. The camera work was neat too.
  5. The two leads were played by Jessie Buckley (British TV and theatre actress) and Johnny Flynn (TV actor and musician). I was completely unfamiliar with both of the actors but I thought that they did a spectacular job. The performances were believable, relatable, but also slightly off to always keep the viewer on edge.

In short, Beast was a great psychological thriller that left me with a lot of questions to ponder over.

Rate: 4/5

Trailer: Beast trailer

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