Movie review: The Killing of a Sacred Deer

Movie reviews

Hello!

The reviews of the awards’ hopefuls continue. Today, we are discussing The Killing of a Sacred Deer.

IMDb summary: Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart when the behavior of a teenage boy he has taken under his wing turns sinister.

The Killing of a Sacred Deer is director’s Yorgos Lanthimos’s and writer’s Efthymis Filippou’s follow-up movie to The Lobstera smart, sophisticated, and artistic dystopia, which I really enjoyed. Thus, I was looking forward to this film.

Writing

The Killing of a Sacred Deer’s writing was extraordinary. At the basest level, the film told a revenge story, inspired by the ancient Greek literature, especially the tragedies. However, so many unique details and topics were used to embellish this revenge story. A lot of them left me flabbergasted and puzzled, but in a good way.

The characters in the film were so peculiar. Their ‘prim and proper’ facade was very obviously just a facade. In truth, they were all deeply disturbed individuals, some more than others. They all had a weird aura of emotionlessness and eagerness about them. They blurted out sentences that ‘normal’ people don’t say. This all added up to a warped reality feeling of the film’s world.

The lead character, from the very beginning, was an unsettling one to watch. His relationship with the teenage boy also seemed inappropriate from the start, even if for different potential reasons that it ultimately turned out to be. Additionally, it was interesting to see how the movie explored the immense responsibility and the burden of doctors, even if taken to the farthest extreme.

Sticking with the theme of medicine, The Killing also commented on human psychology and introduced me to an idea of psychosomatic disorders, which I had never heard of before. Having said that, I wish that the movie had a more explicit explanation for the illnesses of the children – was it certainly related to psychology? Or was there a supernatural element? A symbolic explanation? Who knows. Maybe that’s also sorta the point, not to know completely.

The film also investigated the concept of family and family relationships. This was no positive representation of a family, but the example of parental favoritism and sacrifice (not like self-sacrifice, though, not even close). The questions of morality also sprung up from the family concept.

While I thought that the narrative, on the whole, was really strong, I also got a feeling that the writers weren’t sure how to end it. The 3rd act seemed to be winding down rather than building up to something and I’m not entirely sure that the conclusion we got was fully satisfying. Then again, when the entire movie was unsettling, why should it have a satisfying ending? Isn’t it more appropriate to carry the signature feeling till the very last frame?

Directing

I’ve seen this picture being describe as a modern take on Hitchcock and I do see some similarities to the thrillers of the beloved filmmaker.  What stood out to me the most, was how the director Lanthimos was able to take an already disturbing textual story and make it feel 10 times more creepy in a film form. The Killing of a Sacred Deer had a few very graphic and shocking images, like its opening frame, which popped out of the darkness and completely startled me. The sacral music that accompanied the image only strengthened the effect. That score, full of high pitched string orchestra sounds, deep drum noises, and a sacral/choral elements, was, in general, employed very effectively throughout the film. The long tracking shots, the zoom ins/outs, and the steady frame also contributed to that feeling that something was off or not what it seemed.

Acting

The whole cast delivered great performances, that combined the aforementioned qualities of eagerness and emotionless. Colin Farrell (Fantastic Beasts) was reunited with Lanthimos whom he worked with on The Lobster, and was just amazing to watch. Nicole Kidman (Lion, Genius), who was recently in The Beguiled with Farrell, was equally brilliant. Barry Keoghan (Dunkirk) was deeply disturbing, troubling, and just perfect for the role. Raffey Cassidy and Sunny Suljic starred as the children of Farrell’s and Kidman’s characters and were also really good. Lastly, Alicia Silverstone had a minor role and I did not even recognize her on screen. To me, she will always be stuck in a Clueless era.

 

 

In short, if mother! was the queen of creepiness than The Killing of a Sacred Deer is the king of unsettledness.

 

Rate: 4/5

Trailer: The Killing of a Sacred Deer trailer

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2017 Summer Movies RANKED

Movie previews, Movie reviews

Good day!

Welcome to the fall/autumn and the post dedicated to the general overview of the 2017 Summer Movie Season. And bear in mind, I’m using the term ‘summer’ very loosely. Since a lot of blockbusters came during the early spring, I extended this movie season’s beginning from May to March, so the time frame we are now working with is March to August. Like in 2016 and 2015, when I ranked the movies of those respective seasons, I’m dividing the pictures into categories by genre as much as that is possible (a few of these films can fit into a couple of genres). Lastly, while the rank I gave these movies when I reviewed them does affect my thought process, it is not the only factor for ranking these films. Some of my ideas about the said films might have changed with time or with a second viewing. Enjoy and tell me your favorite movie of 2017 (so far) in the comments!

Comic Book Movies:

  1. Logan
  2. Wonder Woman
  3. Spider-Man: Homecoming
  4. Guardians of the Galaxy Vol.2
  5. Batman & Harley Quinn

Action Movies:

  1. Baby Driver
  2. Free Fire
  3. Atomic Blonde
  4. Fast & Furious 8

Animated Movies:

  1. Cars 3
  2. The Boss Baby
  3. Despicable Me 3
  4. The Emoji Movie

Sci-Fi Movies:

  1. War for the Planet of the Apes
  2. Okja
  3. Life
  4. Kong: Skull Island
  5. Power Rangers
  6. Valerian and the City of a Thousand Planets
  7. Alien: Covenant
  8. What Happened To Monday
  9. Ghost in the Shell
  10. Transformers: The Last Knight

Fantasy Movies:

  1. Beauty and the Beast
  2. King Arthur: The Legend of The Sword
  3. Death Note
  4. The Mummy
  5. Pirates of the Carribean: Dead Men Tell No Tales
  6. The Dark Tower

Action Comedy/Comedy Movies:

  1. Girls Trip
  2. The Hitman’s Bodyguard
  3. Baywatch
  4. War Machine
  5. Rough Night
  6. Snatched

Drama Movies:

  1. Wind River
  2. Dunkirk
  3. American Made
  4. To The Bone
  5. The Circle
  6. The Glass Castle
  7. Sand Castle

Romantic Drama Movies:

  1. The Big Sick
  2. Their Finest
  3. The Promise
  4. The Beguiled
  5. Everything Everything

I hope you enjoyed my list as well as the summer movies. Onto the awards’ season!

5 ideas about a movie: The Beguiled

Movie reviews

Hello!

A festival favorite and one of the strongest summer contenders for the awards season – The Beguiled – has premiered, so, let’s review it!

IMDb summary: The unexpected arrival of a wounded Union soldier at a girls’ school in Virginia during the American Civil War leads to jealousy and betrayal.

  1. The Beguiled was both written and directed by Sofia Coppola, latter of which was awarded at the Cannes Film Festival – she became the second woman ever to the Best Director Award. I’ve seen some of her films (The Bling Ring and Lost in Translation), but I’ve always had her other pictures on my ‘To watch’ list. I really need to do a movie marathon consisting of not just hers but of The Coppola’s family tree films.
  2. The movie’s script was based on a book A Painted Devil by Thomas P. Cullinan and the main topic being explored was the taboo issue of female sexuality and, especially, the repressed female sexuality and its dangers. Thus, all the character development mostly revolved around this issue, with not much attention being paid to anything else. The actions of the women did not make them into likable characters, while their choices at the end of the film were really quite shocking, which, I guess, was the intention. I did like the jab at the ‘Southern Comfort’, though – it’s the food that kills you. Literally.
  3. The writing for the lone male character was the best and he was the most well-rounded individual. His slay manipulations could really be seen in Colin Farrel’s (The Lobster, Fantastic Beasts) performance: he knew what each of the ladies wanted him to be and fulfilled that role. He was the older brother and an adult of the world to talk to, he was someone to impress and a potential suitor. Mostly, though, he was the personification of the budding sexual fantasies. These type of manipulations in his demeanor and the bursts of anger made me kinda see his demise as weirdly justified.
  4. Coppola’s directing was full of classical elements, like the steady camera, the old school ratio, and the long shots. These long shots really dictated the pacing of the film. The Beguiled was slow but carefully crafted, however, I did feel that, on a few occasions, some shots were lingering for too long without any intensity in them to make up for the lack of literal action. Nevertheless, I did enjoy the way Coppola realized the setting of the Civil War, with the noises of the battle going off in the background, but never allowed it to overpower the romantic drama happening within the house. The Beguiled wasn’t a Civil War film but a romantic thriller set during it. For the first hour, it was quite innocent (flirty and cute), while the last half hour was full of unforeseen cruelty and insane choices (all those repressed feelings were just bubbling over).
  5. I’ve already briefly touched upon Farrel’s smooth performance, so, now let’s look at the female cast. Nicole Kidman (Genius, Lion), Coppola’s usual partner Kirsten Dunst (Hidden Figures, Midnight Special), Elle Fanning (Trumbo, The Neon Demon), Angourie Rice (The Nice Guys, Spider-Man), and Oona Laurence (Southpaw, Bad Moms, Pete’s Dragon) all starred in the picture. The sexual tensions and frustrations were palpable in all of their performances with the exception of the youngest cast member Laurence.

In short, The Beguiled is a beautiful and slow art-house cinema offering that focuses on a theme that is still not as widely discussed as it should be, in the year 2017.

Rate: 4/5

Trailer: The Beguiled trailer

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