5 ideas about a movie: Assassination Nation

Movie reviews

Hello!

And welcome to a review of the film that left me flabbergasted. This is Assassination Nation.

IMDb summary: After a malicious data hack exposes the secrets of the perpetually American town of Salem, chaos descends and four girls must fight to survive while coping with the hack themselves.

  1. Assassination Nation was written and directed by Sam Levinson as only his second feature film that he has directed and the third one that he has written. It was basically a feminist manifesto wrapped up in a Purge movie. Let’s unpack that:
  2. Assassination Nation featured some quite heavy-handed social commentary. It openly expressed the fact that women should not be silenced by society and that they should fight back. The message was realized within such a radical and extreme and hypocritical plot-line that it was a bit hard to take it seriously. And yet, with everything that is going around in today’s world and the current cultural/political climate, maybe the world of the movie wasn’t that hard to believe. Which makes the whole ordeal even scarier. And maybe then the message of the film should not be subtle either but direct as it was here.
  3. Assassination Nation was also a genre movie: a gory horror picture that both drew the viewers’ attention to the fact that cinema has helped to desensitize violence by simultaneously partaking in such desensitization of violence itself. And I don’t know whether that genre-outside helped the movie to strengthen its message or whether it just distracted from it.
  4. The four main characters were played by Odessa YoungSuki WaterhouseHari Nef, and Abra. I loved how the film had some diversity within this core 4, both in terms of race and gender identification, but how it also didn’t draw too much attention to it but rather presented it as a given fact, a reality that ought to be normalized. Bella ThorneBill Skarsgård (It), and Joel McHale also had supporting roles in the film.
  5. At first glance, Assassination Nation seemed like quite a unique picture to me. However, the more I thought about it, the more I realized that it is actually following in the footsteps of such films as Heathers and, more recently, Thoroughbreds. That is not to say that Assassination Nation wasn’t unique or great in its own right.

In short, Assassination Nation as either confused cringe fest or a brilliant masterpiece. I’m not sure I’ll ever know which one.

Rate: ?/5 (my confusion is refusing to give a number this time)

Trailer: Assassination Nation trailer

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5 ideas about a movie: The Hate U Give

Movie reviews

Hello!

And welcome to the review of one of the most important YA/teen films you have ever seen: The Hate U Give!

IMDb summary: Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressure from all sides of the community, Starr must find her voice and stand up for what’s right.

  1. The Hate U Give is a cinematic adaptation of a bestselling book of the same name by Angie Thomas. The adapted screenplay was written by Audrey Wells, who, sadly, passed away days before the film’s release. I’ve read the book prior to seeing the film and really loved it. Thus, my expectations were quite high for the film and I’m glad to say the movie has met them.
  2. The importance of The Hate U Give’s story comes from the fact that it feels realistic and real. It doesn’t shy away from the hurtful truth but exposes it in a complex manner. The interplay of topics – friendship, family, community, identity, the system, brutality, violence, race – are all spotlighted and work to create a full picture of the situation. I also wouldn’t exaggerate by saying that this movie isn’t about human rights but rather about life and death.
  3. In addition to being such an important portrayal of a serious worldly issue, The Hate U Give also tries to be a teen movie. That’s where it falters a bit: I felt that the references at the beginning were a bit heavy-handed. I also wasn’t sure about the hopeful ending of the film and yet, I understood the need for it both as an inspirational note to end on and as a marketing ploy (happy endings sell better).
  4. The Hate U Give was directed by George Tillman Jr. and he did a great job with the lacing of the film, though a runtime was a bit long. The director also succeeded in the emotional core of the film: the scenes of the shootings and the riots were as effective as the authentic video of such real-life events, captured with phone cameras.
  5. The Hate U Give’s cast consisted of Amandla Stenberg in the lead (she was absolutely fantastic and hopefully will now be known for this role rather than as Rue from The Hunger Games); Regina Hall (Girls Trip), Russell Hornsby, and Common (I loved the fact that the parents and the uncle also had a function in the story rather than being sidelined); Riverdale’s KJ Apa who grew on me throughout the duration of the film, and Marvel’s Anthony Mackie (was surprised by his appearance in this picture).

In short, The Hate U Give is an angering but necessary watch. Highly recommend!

Rate: 4.5/5

Trailer: The Hate U Give trailer

5 ideas about a movie: Halloween!

Movie reviews

Hello!

And welcome to a review of a horror film by a horror-hater. This is Halloween!

IMDb summary: Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago

  1. Me being a horror-hater, I have never actually seen of the previous numerous Halloween films. Thus, I went into this one knowing the premise and having decent expectations because of all the great reviews. And the expectations were met, in that Halloween was a food film. I’m not sure it was an effective horror film, though.
  2. This may just be a personal thing, but the things that terrify me the most are jump scars and psychological horror. Halloween didn’t have a lot of either of those things. It did look at psychological issues (Mindhunter-like) but didn’t really use them for scarces. The horror of the film was that of a gorry, disgusting kind – and I feel like I have become desensitized to it after watching plenty of R-rated action films.
  3. Halloween was written Jeff FradleyDanny McBride (actor-writer), and David Gordon Green (Stronger) who also directed the film. I enjoyed how the movie reversed some horror tropes and how it explored parenting. I also liked the cohesiveness of the writing as well as the runtime of the film. In a day when I watched two other 2+ hour films, this one felt like an episode of prime TV. I also appreciated how realistic the movie’s writing was and how the teenagers in the movie felt real (similarly to It’s realistic youngsters).
  4. John Carpenter – the director of the original film – was involved with this sequel and mostly worked on the music. It was actually quite a great experience hearing his iconic Halloween theme in a theatre cause, even though I haven’t seen the original or any other films, I did know the theme music cause of how iconic it was/still is.
  5. Halloween’s cast consisted of Jamie Lee Curtis, Judy Greer, and Andi Matichak: I absolutely loved how the 3 main characters of the film were 3 strong women of different ages!

In short, Halloween was a well-constructed film with some neat themes and some moments of disgusting horror.

Rate: 3.5/5

Trailer: Haloween trailer

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5 ideas about a movie: Smallfoot

Movie reviews

Hello!

And welcome to my once-in-a-blue-moon review of an animated film. This time, we are discussing Smallfoot!

IMDb summary: A Yeti is convinced that the elusive creatures known as “humans” really do exist.

  1. Smallfoot was written by Karey Kirkpatrick, Clare Sera, John Requa, and Glenn Ficarra. I actually quite enjoyed the film’s story and how it took a popular myth – that of the bigfoot – and reversed it. The actual story was also well written: it was quite similar to the story’s of a lot of children’s film but it was executed really nicely.
  2. Thematically, Smallfoot wasn’t breaking any grounds either. On the other hand, a big part of the world still can’t make these themes into a reality (looking at you, US), so maybe they are not that common. Smallfoot highlighted the importance of integrity and called for a complex truth rather a simple lie. It invited us to question everything rather than ignore stuff and had an ultimate message that the old way might not necessarily be the right way.
  3. Smallfoot was directed by Karey Kirkpatrick. I didn’t know that going in but this film was actually a musical. I guess its kinda fitting then that a song – Niall Horan’s ‘Finally Free’ that was released as a promo for this movie – was the thing that got me to see the movie. I actually quite enjoyed the rest of the soundtrack too, as I unironically enjoy pop music.
  4. The animation of the movie was really beautiful. It was also used effectively in all the slapstick humor of the film. I wasn’t the biggest fan of that part of the film but all the physical jokes got a great reaction from the audience at my screening. And it wasn’t just the kids who were laughing.
  5. Smallfoot had quite a star-studded voice cast, led by Channing Tatum (Kingsman 2), James Corden (I loved his voice work both here and in Peter Rabbit. His voice is instantly recognizable!), and Zendaya (The Greatest Showman). Common, Gina Rodriguez and even LeBron James also had supporting roles.

In short, Smallfoot was a pleasant all ages film with some neat messages and catchy songs!

Rate: 4/5

Trailer: Smallfoot trailer

Movie review: Bohemian Rhapsody

Movie reviews

Hello!

And welcome to a review of a film that somehow ended up being my most looked forward to movie of the year. This is the perfect blend of music and movies also knows as Bohemian Rhapsody!

IMDb summary: A chronicle of the years leading up to Queen’s legendary appearance at the Live Aid (1985) concert.

Writing

Bohemian Rhapsody was written by Darkest Hour’s Anthony McCarten and The Crown’s Peter Morgan. I actually enjoyed the writing for the film despite spotting some flaws within it. The main complaint I’ve seen against the writing for this film was its historical inaccuracy. As someone who wouldn’t call herself a fan of Queen (I’m more of an appreciative observer), I couldn’t really spot the inaccuracies so they didn’t bother me.

The second critique that I’ve seen and that I agreed with was the fact that the movie felt choppy and like a collection of snapshots of someone’s life rather than a cohesive plot. However, how can a writer fit a larger than life story into an actual narrative? I think one can make numerous films on the different parts of Queen’s existence but if this film was going for a broad, all-encompassing introduction, I think it was quite successful.

Another interesting think about Bohemian Rhapsody was that I wasn’t sure whether it was a Queen biopic or a Freddie Mercury one. This goes back to the whole discussion whether Mercury was the only important member of Queen (that’s crap, in my mind). I do wish that other members were spotlighted a bit more cause I did enjoy seeing the small bits of their lives too.

Speaking of Mercury, I really liked how he was portrayed on film. The movie did a good job of both celebrating the legendary performer but also showing his flaws. He was never idolized by the movie and that made him seem more real and even more fascinating.

Directing

Bryan Singer (yes, the X-Men director) directed some portion of the film before getting fired. Dexter Fletcher (he did Eddie the Eagle and is currently working on Rocketman – an Elton John biopic) finished the film but, sadly, won’t be getting a director’s credit. I thought that they both did a good job. Yes, the film was a bit choppy but it was still compelling. The scenes of the concerts (especially Live Aid) were highly effective and emotional (I cried more than once during them because of their effectiveness and my current personal state (of going to my favorite band’s gig fee days prior)). Hearing Queen’s song in the theatre was the second best thing to having the opportunity to hear them live. It was also interesting to see so many older people at my screening: my guess was that they grew up with Queen’s music or may have even been fans when they were younger.

Acting

I was sure that Rami Malek will get an Oscar nomination for this role after only seeing the trailer. Having seen the film, I’m now even more sure that he deserves the nomination but I’m more dubious about that happening due to the poor critic reception of the film in general. It would be a shame if this iconic performance of an icon would be paid dust.

Lucy Boynton of Sing Street (another amazing music-related film) was also great. Gwilym Lee, Ben Hardy, and Joseph Mazzello were amazing as the other members of Queen and I do wish that they would have been given more to do with by the script. Game of Thrones’ Aidan Gillen, The Night Manager’s Tom Hollander, and Downton Abbey’s Allen Leech rounded out the cast playing the managers.

In short, Bohemian Rhapsody was a highly entertaining and enjoyable film. See it if you are a fan and see it if you are not a fan – you’ll be one by the time the credits roll.

Rate: 4/5

Trailer: Bohemian Rhapsody trailer

Movie review: A Star Is Born

Movie reviews

Hello!

And welcome to a review of a potential Oscar movie. In October. I swear the classical awards season stars earlier and earlier every year and I don’t think I can keep up. Anyways, this is A Star is Born!

IMDb summary: A musician helps a young singer and actress find fame, even as age and alcoholism send his own career into a downward spiral.

Writing

A Star Is Born was written by Eric Roth, Bradley Cooper (who also directed and starred), and Will Fetters. The 2018 film was the 4th iteration of this story and the 3rd reboot of the original 1937 movie. All the films have differed slightly by having either movie or music stars in the lead roles. I really enjoyed the fact that this time around the focus was on singers and songwriters as when I’ve recently got pretty burned out with movies and their reviews, music became my new main hobby. Thus, this film was kinda the perfect combo of my old and new hobby.

While the characters have shifted between different areas of entertainment throughout the reboots, the stories themselves have always been pretty similar. The same 3 plotlines were also used in the latest version: one’s career going up, the other’s career going down, and a simultaneous romantic involvement of the two stars, the up-and-coming one and the one whose career is in decline. I thought that the interplay between the 3 storylines was really good. However, I had some problems with the pacing of the story. The first and the seconds acts felt like they unraveled organically, however, the third one seemed rushed. The breaking points in both character’s career seemed quite sudden. Why did he completely fell off the wagon that suddenly when he had managed to maintain a steady-ish career up until that point? How did she break through that quickly and at that exact point? I guess that showbiz? One can never predict it?

Directing

Bradley Cooper directed A Star Is Born as his directorial debut and impressed me immensely. The pacing, as I have mentioned before, was a bit strange, but the world-building and the visuals were great. I loved how the viewer got to be onstage with the stars and see an unseen side of a concert. The film could have been a tad bit shorter though. The soundtrack was good, ‘The Shallows’ was my favorite song and I could see it being nominated for an Oscar.

Acting

  • In addition to directing and writing (and producing), Bradley Cooper (Joy) also played the lead and was great! I was also so surprised how good he was at singing!
  • Lady Gaga had her first big screen role in this film. She has previously cameoed or had supporting roles and films and has worked on TV (on American Horror Story). I was lucky enough to see her live 6 years ago, in my first ever big concert which was part of the Born This Way Ball tour. She sounded splendid live back then and was equally as amazing (in both the singing and the acting) in this film! I could see an Oscar nomination in her future.
  • A couple of important supporting roles were played by Sam Elliott, Andrew Dice Clay, Anthony Ramos, and Rafi Gavron. A few celebrity cameos could also be spotted but this was no Entourage.

In short, A Star Is Born was a bit long but a neat musical romance with some stellar acting and singing performances!

Rate: 4.2/5

Trailer: A Star Is Born trailer

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Movie review: Skate Kitchen

Movie reviews

Hello!

And welcome to the review of a film you probably haven’t heard of before but really should watch! This is Skate Kitchen!

IMDb summary: A teenaged skateboarder makes friends with a bunch of other skateboarding girls in New York City.

Writing

Skate Kitchen was written by the director of the film Crystal Moselle, Jen Silverman, and Aslihan Unaldi. It told a story of a group of skateboarding girls but was so much more than just that.

First, it explored a subculture that I haven’t seen put to film before (I remember really wanting to learn skateboarding at around 12-13, even bought a board and everything. Never ended up learning it. Oh well, I still have time). It also showcased, celebrated and explores female friendship and female development that happens with one’s friends help (learning from friends, talking openly about explicit topics, questioning one’s beliefs). While 18 seemed like a bot of later than usual time for parents problems and teenage angst, it also drove home the point that development is personal and can happen at a variety of ages. Also, Skate Kitchen had a sweet message about parents – if you actually talk to them, they might be accepting (communication is key). By putting skateboarding culture and female friendship together, the movie also tackled gender roles and broke them with pleasure. Absolutely loved that part.

The main conflict in the film had to do with the idea of a ‘girl code’ or certain rules that govern female (or any) friendships. Another problem that the movie tackled was the youthful hypocrisy of the main character: complaining about to somebody about their friends being bad people while being a bad friend to her own friends.  The ending of the film, where the conflict and the problems were resolved by simply saying sorry seemed a bit weak. In my personal experience, a simple apology does not necessarily work.

Directing

Skate Kitchen was directed by Crystal Moselle, who has mostly done documentaries and short films prior to this. It reminded me a lot of Ingrid Goes West – another colorful, youthful, contemporary, Sundance darling of a film. It was also partially similar to Tangerine and The Florida Project in its focus on a specific underrepresented thing (transgenders and single mothers, respectively) and also with its visual style. Those two films and Skate Kitchen all felt like documentaries. They felt (were) real and intimate, captured with a mobile camera by using a lot of close-ups. The skating (tricks) shots were magnificent too. It was also interesting to see a film, which focused on a ground culture – skating – have so much of its setting be elevated, upon the roofs of new york’s skyscrapers.

Acting

Skate Kitchen’s cast consisted of real skateboarding girls, that the director met on the streets of New York: Rachelle Vinberg, Jules Lorenzo, Ardelia Lovelace, Nina Moran, and Kabrina Adams among others. As they were all previous/real skateboarders, the physical stuff and the stunts were impeccable. The more challenging acting parts – dramatic dialogue and monologue – were a bit stiff but that’s understandable as they were all non-professional actors. The one professional actor of the ensemble was Jaden Smith and he was actually good in the film and not annoying as his real-life persona is.

In short, Skate Kitchen was a fascinating and grounded exploration of female friendship and skateboarding subculture worthy of everyone’s attention.

Rate: 4.3/5

Trailer: Skate Kitchen trailer

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Movie reviews: Crazy Rich Asians and Searching

Movie reviews

Hello!

And welcome to the reviews of TWO films that are equally just important as Black Panther was/is! Today, we are discussing Asian representation in Crazy Rich Asians and Searching.

IMDb summaries:

Crazy Rich Asians: This contemporary romantic comedy, based on a global bestseller, follows native New Yorker Rachel Chu to Singapore to meet her boyfriend’s family.

Searching: After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her.

Acting

Even though I usually start my reviews by discussing the writing of the film(s), I thought that these two movies warranted that we discuss the acting and the casting first. While Black Panther was a first big-brand film with a predominately black cast, Crazy Rich Asians was the first American mainstream film with an overall Asian cast (as the title suggests). More importantly, the film showcased the diversity within the Asian community by casting actors that were from or descendant from a plethora of countries: Taiwan, Malaysia, China, South Korea, Hong Kong, The Phillippines, and Singapore. The cast consisted of Constance Wu and Henry Golding (A Simple Favor) as the superb lead couple, and Michelle Yeoh, Gemma Chan, Lisa Lu, Awkwafina (who was also recently in Ocean’s 8), Ken Jeong, Sonoya Mizuno, Chris Pang, Jimmy O. Yang, and Ronny Chieng among others in the supporting roles. Could more Asian identities/actors have been included? Yes. Did they have space for that in the film? Maybe. Did Crazy Rich Asians begin a process of change in Hollywood through which more Asian identities could be portrayed by Asian actors? I really hope so!

Searching didn’t have an Asian-only cast – it had a better thing – a blindly casted Asian lead – a lead that was Asian but his race never once came into play, played superbly by John Cho (of American Pie and Star Trek films).

What I loved even more than these two film’s (and their casts’) separately was the fact that the actors from the two films were so supportive of one another, especially Henry Golding and John Cho. Their mutual cross-promotion was one of the reasons why I put these two reviews together!

Writing

Crazy Rich Asians was a book adaptation of Kevin Kwan’s novel of the same name by screenwriters Peter Chiarelli and Adele Lim. Searching was an original screenplay by Aneesh Chaganty (who also directed) and Sev Ohanian. Both of these films took well known Hollywood tropes and genres – romcom and thriller, respectively – and made them feel brand new!

In Crazy Rich Asians, the romantic plotlines and the Cinderella-like tale were not as cliche as I was expecting them to be. The story also had more depth and sophistication than I was expecting. Some great ideas about the differences between Asian experiences (as a native and an immigrant/old culture vs new culture) were also expressed and added layers to the story.

Searching had a great showcase of father’s love and determination. On the flip side, it also showed the negative side of a parent’s love and how that love and ‘everything for one’s child’ attitude might be quite damaging. The end reveal of the plot was quite surprising and I don’t know if it worked completely. Nevertheless, it allowed the movie to look at a couple of more issues – toxic masculinity and obsessive relationships.

Directing

John M.Chu (of Step Up and Now You See Me 2) directed Crazy Rich Asians, while Aneesh Chaganty helmed Searching (both directors are also of Asian descent!). Chu handled the world building of Singapore beautifully (the glamour of the culture itself + rich setting made for a neat world to vicariously live in for the audiences a.k.a. me) and also nailed the pacing and the comedic timing of the film. My one critique was that the movie might have been a touch too long.

Chaganty and cinematographer Juan Sebastian Baron made Searching unique by having so much of that film be portrayed with screens on the cinema screen: the opening montage was just brilliant. I never thought that the movie portrayed through social media and technology (screens within the screen) could be so compelling and intense.

In short, Crazy Rich Asians and Searching were two films that not only did a lot in terms of representing an underappreciated group of actors and audiences but were just great movies in general!

Rate: both at 4.5/5

Trailers: Crazy Rich Asians trailer | Searching trailer

Movie review: A Simple Favor

Movie reviews

Hello!

And welcome to a review of the film that critics love but I was confused by! This is A Simple Favor!

IMDb summary: A woman seeks to uncover the truth behind the disappearance of her best friend.

Writing

A Simple Favor was written by Jessica Sharzer (writer of Nerve and American Horror Story), based on the book of the same name by Darcey Bell. This film a successor of earlier female-centric book-to-movie thrillers like Gone Girl and The Girl on The Train. I have always loved the thriller genre so I was quite excited about the film. I haven’t read the book prior to watching so I had no idea about the plot. And the plot left me speechless and I still don’t know whether in a good or bad way.

I thought that the movie’s set-up was successful and intriguing. However, the complete 180 that the main character did (going from a good friend to a certainty shady person) confused me. I wish we would have seen more of her past ‘darker’ side than just a couple of scenes – maybe I would have believed her transition more. I also thought that the first half of the film felt a bit rushed and then the third act dragged on, with reveals being pilled on top of each other and not allowed to make an impact. The reveals were messy and even laughable at times, and yet, sort of interesting – I was hoping that one final reveal might make everything make sense but I never really got that.

I appreciated the movie’s attempts to explore a variety of adult relationships: friendships, family relationships, romantic or sexual relationships. However, all of them were portrayed as quite toxic and I don’t think that that is quite true to life. Due to these toxic relationships, the characters involved in them did not seem that likable. However, that wasn’t my main issue with them – it’s the fact that they did not appear to think at all or consider the consequences of their actions that annoyed me.

Directing

Paul Feig, quite a well-known director of female-centric comedies, like Bridesmaids and Ghostbusters, left his usual genre but took his skills with him. While A Simple Favor was supposed to be a mystery thriller, it had a plethora of comedic moments, some of which fit and some of which felt completely jarring and out of place. Those 3 parents that were sort of there in the background and would sometimes pop-up to comment on something felt very Bad Moms-esque and annoyed me with their awkwardness.

Acting

Anna Kendrick and Blake Lively – two amazing and under-appreciated actresses – played the leads and were ready great even if I didn’t think that the movie itself was so great. Lively (The Shallows, Cafe Society) fabulous in all those suits and the mysterious character really suited her. It was quite weird seeing Kendrick in a mother’s role as I still have her stuck in my mind as a student or an intern from Pitch Perfect and The Accountant, respectively, and she just seems so young in real life. Henry Golding (of Crazy Rich Asians whose review is coming soon) also had a role in this film and was really good. Hope to see more of him in mainstream films!

In short, A Simple Favor, while a complex and mysterious thriller according to some people, was a messy and awkward film in my view.

Rate: 3.4/5

Trailer: A Simple Favor trailer

5 ideas about 5 movies

Movie reviews

Hello!

And welcome to a slightly different type of a movie review. Long story short: I have been feeling a bit burned out after writing 2-3 movie reviews per week while also writing a lot of essays for my studies. Thus, as soon as the summer started, I almost stopped writing completely and missed out on reviewing quite a few films. In order to get myself back to writing without pushing myself too much and in order to catch up on the missed reviews ASAP, I decided to review all the 5 films together in 1 post. Thankfully, these movies easily lend themselves to this type of format, as they all have a similar message and some shared ideas.

The movies that I will be discussing are: I Feel Pretty, Life of the Party, Book Club, Eddie, and Tully. You might have heard about some or all of these films. If you know anything about them, then you know what’s their connection: they are all female-driven films that encourage women to live at ever age (yes, even after 30) and however they want (as mothers, as career women, as both or neither, or as whoever they want to be). Let’s go over all the pictures one by one in a bit more detail and see what exactly they were doing with the overarching topic of female empowerment.

I Feel Pretty is the latest Amy Schumer comedy (joining Trainwreck and Snatched), written and directed by Abby Kohn and Marc Silverstein (who did How To Be Single recently). I have always appreciated Schumer’s ‘zero f*cks given’ attitude but never found her jokes particularly funny or original. I had similarly mixed feelings about this film. I wasn’t sure and I’m still not sure whether this movie portrayed character growth or was confused about its message. Was the movie trying to portray body positivity or body shaming? Was it condoning or celebrating egoism and privilege? Were we laughing with or at Schumer’s character? It’s been like 3 months since I saw the film and I’m still not sure. Rate: 3/5

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The second comedy out of the five films, Life of the Party is less raunchy than I Feel Pretty and has a clearer message. Mellisa McCarthy starred and wrote the film, while her husband Ben Falcone directed it (the duo previously worked on Tammy and The Boss together). The main idea of the movie was the female empowerment through higher education, specifically. The film also promoted female friendship and solidarity, which both are super important. On the entertainment side, the movie was funny but a bit cringe-y too. Rate: 3.3/5

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The third comedy of the bunch, Book Club stars the creme de la creme of Hollywood: Diane KeatonJane FondaCandice Bergen, and Mary SteenburgenBill Holderman directed the film (in a directorial debut) from a script written by him and Erin Simms (TV actress). Book Club was my favorite of the three comedies because it had the best-written dialogue and banter and also promoted female friendship not only in college (like Life of the Party) but throughout one’s whole life. It also showcased 4 successful women with different career and life choices (variety is important as any life choice is valid!). Lastly, Book Club, even though inspired by Fifty Shades of Grey, somehow felt the most profound out of all the comedies. Rate: 4/5

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The indie version of Book Club, Eddie is small British drama about not being afraid to live and follow one’s dream at any age. While Book Club gets to the same message through a raunchy book, Edie gets there through hiking in Scotland. Sheila Hancock stars as the frustrating and sympathetic lead, while Elizabeth O’Halloran writes and Simon Hunter directs. In addition to Book Club, this film also reminded me of other indie dramas like The Leisure Seeker and Finding Your Feet! Rate: 3.7/5

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The last of the films and the second drama of the five, Tully was the film that surprised me the most. Starring Charlize Theron (in another, Monster-esque de-glamourized role) and Mackenzie Davis, written by Diablo Cody and directed by Jason Reitman (the duo behind Juno), Tully tells the not sugar coated at all story of a tired mother. It has a Bad Moms set-up but doesn’t go the comedy route. Instead, its story goes into an unexpected direction in order to present a message that a simple family life is as valid of a life choice as any other, even if it is no longer promoted as much in the media (‘a career woman’ is the desired ideal these days and my personal ideal too. And yet, this ode to motherhood of a movie states, moms should be celebrated and idolized just as much). Rate: 4/5

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To conclude, I hope you enjoyed reading my slightly rushed and probably confused take on 5 movies that I’ve seen recently and somehow managed to connect in my own head!