Movie review: Ant-Man and the Wasp

Movie reviews

Hello!

And welcome to a review of a film that is supposed to sustain MCU fans till Avengers 4. This is Ant-Man and the Wasp!

IMDb summary: As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Age of Ultron, Guardians 1and 2, Infinity War, and, of course, the original Ant-Man.

Writing

Ant-Man and the Wasp was written by a whole bunch of writers: Chris McKenna and Erik Sommers (who both have worked on The Lego Batman, Spider-Man and Jumanji before), the star of the film – Paul Rudd, and Andrew Barrer and Gabriel Ferrari (another writing duo that doesn’t have a lot of credits on IMDb yet ). I thought that they did a good job with the script. The film had a good opening to catch the viewer up on the previous events and this film’s place in the timeline. It was also rooted in MCU lore but accessible enough for the newcomers. It was also a good sequel as it took Scott Lang’s story further and forwards.

It was also nice to see a female character getting at least half of a solo movie in MCU (finally!). The superhero-couple idea was also neat and was probably the best romantic plotline in MCU (Hulk/Black Widow didn’t really work, Gamora/Starlord always felt rushed, and only Vision/Wanda is/was a neat pairing, just wish it had more screen time). It was also nice to see the idea of the generations of superheroes in the film and the passing of the mantle between the heroes – that happens in the comics all the time but hasn’t really been touched upon in the movies before. The picture’s villain wasn’t the best but also wasn’t bad. Her intentions seemed valid and believable. The movie was also quite chucklesome if not laugh out loud funny. Overall, while I didn’t think that Ant-Man and the Wasp was one of the staple/must-watch MCU films, it was thoroughly enjoyable and a well-written summer actioner.

Directing

Peyton Reed, who directed some amount of the first film (remember that Edgar Wright debacle?), helmed the second film and did a neat job. The pacing was good and the narrative was translated to the screen cohesively. The shrinking action was also inventive and fun to watch.

Mid/Post-credits scenes

The film had two scenes at the end. The mid-credits scene acted as a follow-up to Avengers: Infinity Warand was a continuation of that heartbreak. It also raised some questions about the character’s potential comeback in the 4th Avengersfilm. The post-credits scene was fun but kinda a let-down and not really necessary.

Acting

Paul Rudd as Scott Lang / Ant-Man and Evangeline Lilly as Hope van Dyne / Wasp were both great – likable and believable. Their chemistry worked too. Michael Peña (The Martian, Collateral Beauty, 12 Strong, A Wrinkle in Time) had a couple of great scenes that have become signature of his character’s Luis. Walton Goggins (The Death Cure, The Hateful Eight, Tomb Raider) was good as another slightly off-putting and potentially crazy villain Sonny BurchHannah John-Kamen was also good as Ava Starr / Ghost. It was nice to see Michelle Pfeiffer (mother!) as Janet van Dyne, though she wasn’t in the movie much. Laurence Fishburne (John Wick 2) jumped shipped from DCEU to MCU to portray Bill Foster, a former colleague of Hank Pym’s, played superbly, once again, by Michael Douglas.

In short, Ant-Man and the Wasp was a tasty treat for all MCU fans, broken after Infinity War.

Rate: 4.3/5

Trailer: Ant-Man and the Wasp trailer

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Movie review: Sicario: Day of the Soldado

Movie reviews

Hello!

And welcome to a review of a sequel that I did not think Hollywood would make but I’m so glad they did. This is Sicario 2 or Sicario: Day of the Soldado.

IMDb summary: The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.

Writing

Sicario 2 was written by Taylor Sheridan – the same screenwriter who wrote the first Sicario as well as such great pictures as Hell or High Water and Wind River. I thought that the writing for the sequel was quite spectacular for the most part. I highly appreciated how topical the movie was, tackling topics that one sees on the news daily. I also loved the ambiguity in the script: the film didn’t have the clear ‘good side’ and it also did not have a conclusion or a clear ‘winning side’. No real happy ending in the film as in life.

The narrative was a bit convoluted and murky at times but I thought that was an accurate representation of the modern warfare. Plans rarely go as planned, layers of authority make decisions impossible to make, and various actors have their own agendas I also really loved how the movie touched upon the ideas of performance within warfare. It was also interesting to see the movie trying to deal with more personal stuff within a context of war.

My only gripe with the film was that I did not think its 3rd act was as strong as the first two. The intensity dropped, the story stopped, and the movie finished a bit of an underwhelming fashion. It tried setting up a sequel which is never an easy way to finish a picture.

Directing

Stefano Sollima, an Italian director, took over the reins of the now-franchise from Denis Villeneuve and crafted an intense and cohesive film, definitely worthy of the first one. The sequel was violent but maybe not as shocking as the first picture. The intensity was still palpable, though. The instrumental score, full of deep and low sounds could be felt in one’s body (if your cinema has a good sound system). The cinematography was great too – static continuous shots of Mexico’s landscape made nature seem both gorgeous and threatening/mysterious.

Acting

Soldado’s cast consisted of Benicio del ToroJosh Brolin, and Jeffrey Donovan reprising their roles, with Isabela MonerManuel Garcia-Rulfo, Elijah Rodriguez and Catherine Keener joining the film. I feel kinda bad for Emily Blunt, as she was sort of the star of the previous film but didn’t/couldn’t return (wasn’t asked to return?) for the sequel. Del Toro killed it in the role again and Brolin (Only the Brave, Hail, Caesar!, Everest) was amazing too (I loved the last shot of him in the hellicopter and just that tiny hint of emotion in his eyes due to the loss of his comrade). I do love the range of the two actors – from The Collector/a smuggler in the Star Wars Universe and Thanos/Cable to the characters in Soldado! Moner was able to showcase her acting abilities so much better in this film than in Transformers 6. It was also nice to see the movie showcasing some Mexican talent – another group of performers that goes underappreciated and underexposed so often in Hollywood.

In short, Sicario 2: Day of the Soldado is a great-looking and smart sequel that will definitely keep you glued to the edge of your seat for at least 2/3 of the film.

Rate: 3.9/5

Trailer: Sicario: Day of the Soldado

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Movie review: Ocean’s 8

Movie reviews

Hello!

And welcome back to the sporadic AF movie reviews. Ocean’s 8 is the topic for today.

IMDb summary: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

Writing

Ocean’s 8 – a spin-off of the original trilogy rather than its reboot (this is no Ghostbusters) – was written by the director of the film Gary Ross and Olivia Milch (she is writing a Barbie movie next, don’t know how to react to that). There was a lot to like in the script. To begin with, I liked how this action film was kept feminine with the focus on the MetGala and diamonds. A decision to make women steal diamonds might be seen as playing into stereotypes. However, I’d argue that by keeping a feminine focus, Ocean’s 8 fights the stereotype that strong women, especially female action stars, have to be masculine. Some of them might be masculine, while others might prefer femininity (or a mixture of the two). And Ocean’s 8 showcases that by having a variety of women of different colors/shapes/sizes/styles as the core characters. While the character development isn’t plentiful, there is enough of it to make each character necessary and at least a tiny bit interesting.

Additionally, while Ocean’s 8 stands on the shoulders of the original Ocean’s trilogy, it doesn’t lean on them too hard, meaning that one can go into this movie not knowing anything of the first 3 films and completely get the plot of this one. As I wasn’t a fan of the original films, I also didn’t mind some of the developments/reveals about the original characters in this film (some fans might actually be legitimately annoyed by them). Personally, my main problem with this movie was its structure. I loved the first two acts – the pre-heist set-up and the actual heist. However, I feel like the whole 3rd act, rather than being a big finale, was a boring wrap-up that dragged immensely. The investigation and the reveals felt both rushed and like the movie was overstaying its welcome.

Directing

Gary Ross (of the first Hunger Games film and Free State of Jonesdirected Ocean’s 8, while Steven Soderbergh – the director behind Ocean’s 11,12, and 13 – stayed on as a producer. I thought that Ross handled the material well, the narrative made sense and was intense for the most part. Pacing had some issues, especially the pacing of the aforementioned third act. The glitz and the glamours of the MetGala were realized accurately.

Acting

Undeniably, the best part about Ocean’s 8 was its cast: Sandra BullockCate BlanchettAnne HathawayMindy KalingSarah PaulsonAwkwafinaRihanna, and Helena Bonham Carter. I adored the female solidarity and friendship on display. Cate Blanchett (Thor 3, Cinderella, Carol) was my absolute favorite – I loved her character’s outfits, charisma, and just effortless coolness. I also enjoyed seeing Hathaway (Alice 2) playing the gossip sites’ version of herself. I also loved seeing Bullock, back on screen in a lead role as I feel I haven’t seen her in a big movie in ages (since Gravity). Kaling (A Wrinkle in Time) and Paulson (The Post) were also really fun to see. I loved the uber contemporary vibes that Awkwafina brought to the film and I loved seeing Rihanna actually having a character to play rather than just being there to look pretty (*cough, cough*, Valerian. BTW, I’ve been to her concert some years before and wrote about that). Bonham Carter (Suffragette) was also good in the film, though I feel like she played her typical, slightly awkward and over-the-top type of a personality.

Ocean’s 8 also featured some cool celebrity cameos, some neat cameos by the original cast, and a short appearance by James Corden (Peter Rabbit), who is always a delight to see.

In short, Ocean’s 8 was a great all-female thriller. It might not please everyone, but then again, why does it have too?

Rate: 4/5

Trailer: Ocean’s 8 trailer

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Movie review: Deadpool 2

Movie reviews

Hello!

Welcome to a review of Deadpool 2. Took me absolutely forever (4 weeks and 3 screenings) to finally write it.

IMDb summary: Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.

Writing

The Deadpool sequel was written by the same duo that wrote the first film – Rhett Reese and Paul Wernick, however, this time around, the star of the movie – Ryan Reynolds – also got a writing credit. I thought that the second film’s writing was fairly similar to the first one’s writing in that, the screenwriters took a familiar plot and packaged it in new and exciting ways. While the first film was an origin story of sorts, the sequel did the typical superhero sequel thing and took away the familiar things from the hero, taught him a lesson, and expanded the universe. And yet, while we all have seen these elements before, they still felt fresh because they were accompanied by that unique to Deadpool tone: humor, references to the real world, the 4th wall breaks, etc. The Easter Eggs were plentiful and I don’t know if any one person can actually get all of them, I certainly didn’t. The Mid-Credits scenes contained the best jokes so make sure you wait for them! (Although you have probably already seen the movie as I’m so late with this review).

And yet, while Deadpool 2 was similar to the first film in a lot of ways, it also felt different because it came across as more sincere – seriously emotional (this come from the loss and the lesson elements in the picture). It also felt very comic-book and had an ending that combined Logan’s and Doctor Strange’s 3rd acts (save a kid + play with time). Cable worked well in the story, though his first appearance felt a bit out of nowhere. In general, this picture engrained itself more into the X-Men lore but in true Deadpool fashion, did not fully commit.

Directing

David Leitch – the one half of the directing duo behind John Wick and the director of Atomic Blonde – helmed Deadpool 2 and did a spectacular job. The hand to hand combat was good and the bigger budget was well utilized on the bigger explosive action scenes. The pacing worked well too and the emotional core of the movie was also handled well. The soundtrack was fun too (what’s dubstep tho?:D).

Acting

Ryan Reynolds pulled double duty as both Wade Wilson / Deadpool and Juggernaut and was absolutely incredible. Nobody can deny that he was born to be Deadpool, not just play the role but fully embody it. Josh Brolin was amazing as Cable and topped his very recent performance as ThanosMorena Baccarin returned as Vanessa and had some neat scenes. Hunt for the Wilderpeople’s Julian Dennison joined the cast as Russell Collins / Firefist alongside another newcomer Zazie Beetz as Domino. Both of them were great and I can’t wait to see more of them in X-Force (potentially/probably). T.J. Miller (Ready Player One) also appeared in a film and in a significantly reduced role, probably because of all the legal issues that surround him. Brianna Hildebrand returned as Negasonic Teenage Warhead, while Deadpool’s BFF Colossus was again voiced by Stefan Kapičić. The movie also featured some fun cameos by Terry CrewsBill Skarsgård, Rob DelaneyBrad PittAlan Tudyk, and Matt Damon.

In short, Deadpool 2 is similar to the first film but also tops it with a stronger emotional core and more expensive action!

Rate: 4.5/5

Trailer: Deadpool 2 trailer

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5 ideas about a movie: Every Day

Movie reviews

Hello!

Before watching Avengers: Infinity War, I checked out a smaller YA movie, so that my series of recent YA reviews could continue. This is Every Day!

IMDb summary: A shy teenager falls for someone who transforms into another person every day.

Previous recent YA movies I’ve discussed are linked here: Status Update, Love, Simon, Midnight Sun, Blockers.

  1. After watching a fair few of YA movies recently, I’ve sort of realized that they don’t deserve all of the bad-ish rap that they are getting. Not all YA movies are created equal, similarly to how all other films, which aren’t overtly targeted to a specific demographic, are not all good. And while Every Day isn’t the best picture out there, it is certainly not bad and has some new and modern concepts to offer.
  2. Every Day was written by Jesse Andrews (the author of Me and Earl and the Dying Girl), based on the book of the same name by a well known YA writer David Levithan, and directed by Michael Sucsy (who did 2012’s Rachel McAdams romantic drama The Vow). Its premise was either stupid or genius: stupid in that one needed a lot of suspension of disbelief to take the movie seriously but genius because it led to some neat and very 21st-century topics.
  3. I adored Every Day’s take on the trope of the romantic lead and how they could be literally anyone in this movie. Flipped the genre on its head (do any of my readers listen to The Weekly Planet? If yes, I sincerely hope you got that reference). Anyways, I loved how the movie portrayed both identity and sexuality as fluid and asked whether one falls in love with the inner or outer identity.
  4. From the directing standpoint, the movie was fine. It was slow like the majority of romantic dramas and had some neat pop songs like a lot of young adult teen movies do.
  5. The lead of the film was played by Angourie Rice, who some of you may know from an underappreciated comedy The Nice Guys or Sofia Coppola’s The Beguiled. The different romantic interests were played by a whole bunch of actors, some better known than others, like Spider-Man Homecoming’s Jacob Batalon and Paper Towns’ Justice Smith. Debby Ryan also appeared as a sister of the main character – haven’t seen that actress in a project since forever.

In short, Every Day is a very contemporary YA picture that should be given at least a chance.

Rate: 3.5/5

Trailer: Every Day trailer

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Movie review: Avengers: Infinity War

Movie reviews

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil WarAnthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

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5 ideas about a movie: Ghost Stories

Uncategorized

Hello!

I started last week with some American horror, so it’s only right that I start this one with some British horror. This is Ghost Stories!

IMDb summary: Arch sceptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.

  1. Ghost Stories was written and directed by Andy Nyman (who also played the lead) and Jeremy Dyson. Nyman has worked quite a lot alongside psychological illusionist Derren Brown and that collaboration has influenced a lot of projects, including Ghost Stories, which actually started as a play on West End (co-written by both Nyman and Dyson) and was adapted to film this year.
  2. For the first 70minutes of the movie, I thought that the writing for it was good but not particularly original. The psychic detective character was an interesting one to focus on and his family’s background was also quite fascinating and obviously important. The three cases themselves had some nice themes within (violence, psychosis, family drama) but they seemed quite typical for a horror movie. However, the reveals which occurred in the last 20 minutes completely changed my mind on the wiring: the rapid-fire reveals and explanations made the whole script way more genius than it seemed before. Basically, Ghost Stories had great ‘bigger picture’ writing with some good and some just okay details.
  3. Thematically, Ghost Stories asked whether the supernatural was real and I sort of think that it answered the question by saying that the psychological is the supernatural – inner demons result in outer ones. The second big thematic idea was the statement that things are not what they always seem and that was both true within each individual case and for a whole movie overall, as its story was not what it seemed at first. The finale with the main character being trapt in his own mind was the spookiest idea of the whole film.
  4. The direction of the movie was good too. The documentary-like style opening was cool and I wish that the whole picture continued to be filmed like that. The horror sequences were scary, disturbing and intense but not something one hasn’t seen (especially if you watch a lot of horror movies – I only see a few horror movies per year and I still didn’t found the horror in this one to be particularly original). I feel that the sequences were scarier when the actual supernatural figure wasn’t directly seen: I, personally, fear the unseen way more.
  5. Ghost Stories’ cast consisted of a writer/director Andy Nyman (with whose previous work I was unfamiliar with seeing this movie), Black Mirror’s and The End of a F***ing World’s Alex Lawther (he is amazing at playing characters on the cusp of a mental breakdown, like the ones in the aforementioned TV shows and this film), Martin Freeman (also known as a Tolkien white guy on Black Panther and my main drawn to this film), and Paul Whitehouse (The Death of Stalin). No female characters were present in the film.

In short, Ghost Stories is a spooky ride with some original packaging of familair (but still cool) ideas.

Rate: 3.7/5

Trailer: Ghost Stories

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Movie review: Rampage

Movie reviews

Hello!

And welcome to a review of another Dwayne Johnson movie. I swear his filmography is becoming a whole separate genre of cinema. This is Rampage.

IMDb summary: When three different animals become infected with a dangerous pathogen, a primatologist and a geneticist team up to stop them from destroying Chicago.

 

Writing

Rampage was written by Ryan Engle (writer of The Commuter), Carlton Cuse (Lost’s showrunner, writer of San Andreas), Ryan J. Condal (writer of Hercules), and Adam Sztykiel (a comedy writer). Quite a few previous connections to Dwayne Johnson on the part of the writing staff. This makes my introductory point sound even more truthful.

Rampage’s script is a very loose adaptation of a video game of the same name but it feels like any generic monster movie. It has some monster v. monster fights that both Godzilla and Kong: Skull Island had (and Godzilla v. Kong will definitely have) and a lot of bloodless destruction (the same amount as another very recent monster movie Pacific Rim: Uprising had). Rampage also features a brief moment of Johnson having fun in a jungle-like environment, reminding the viewer of Jumanji. His character, undoubtfully, has a family to care for but this time around it’s an animal family cause human families are just so 2015 (and so San Andreas). The film’s story also has a genetic engineering plotline, like Jurassic World. In addition to all these moments and details from other pictures, Rampage also has quite a few laughable and cheesy moments that are either incredibly far-fetched or cringe-y. The dialogue isn’t really great either and some of those one-liners and jokes fall so so flat in the movie.  Well, at least it doesn’t have a plug for a franchise at the end, like the other video game movie of 2018 – Tomb Raider.

While this is quite a harsh critique on my part, I still would not like to say that Rampage is a bad movie. It knows what it is (for the most part) and is entertaining (for the most part). Still, it is also very familiar and forgettable.

Directing

Brad Peyton, the director of San Andreas, directed Rampage and I swear these two movies have to be connected somehow. Same writer, same director, same star?! Anyways, the film’s direction was fine. The story was visualized on screen clearly and cohesively. The pacing was okay too. The action was quite enjoyable as well, though, by the end of the third act, I did sort of check out from the movie. The CGI was also fine for the most part, but some wider shots did look pretty fake.

Acting

Rampage’s cast consisted of Dwayne Johnson (Baywatch, FF8, Moana, Central Intelligence + all other movies of his that I’ve already linked to in this review) and some B-listers. Johnson was fine in the action hero type of a typical role, though, I had a hard time buying the fact that one of the most charismatic people on the planet could play a character who can’t connect/communicate with people.

On the supporting front, the movie features a lot of B-listers and even the most well known of them cannot really be seen as big move stars. They all do a good or serviceable job in the film. Naomie Harris is probably the biggest star out of the supporting cast due to her involvement with Moonlight. However, on the mainstream front, while she does have 007 franchise, she is only like a 3rd female lead in those films (behind M/Judi Dench and a revolving door of Bond girls/love interests). Malin Åkerman also stars the film – I don’t think I saw her in a movie since 2012’s Rock of AgesJeffrey Dean Morgan is big on TV with The Walking Dead but isn’t really a movie star either. Joe Manganiello has a cameo-sized role in this film too and he is Deathstroke but nobody really knows when he will get a chance to play that character, as DCEU’s future is so unclear. Jake Lacy also has a role here and, looking through his IMDb, I can notice quite a few films of his that I’ve seen, like Carol and Their Finest. The problem is that I don’t remember him in them.

In short, Rampage is a perfectly serviceable, forgivable, and forgettable action/video game movie. The video game curse is back in full force if you thought that Tomb Raider lifted it at least a bit.

Rate: 2.8/5

Trailer: Rampage trailer 

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5 ideas about a movie: A Quiet Place

Movie reviews

Hello!

I start every review of a horror movie by saying that I don’t watch horror movies, which is not only a paradox but a lie too. Anyways, this is A Quiet Place!

IMDb summary: A family is forced to live in silence while hiding from creatures that hunt by sound.

  1. A Quiet Place was written by Bryan Woods, Scott Beck, and John Krasinski, who also directed the picture. Krasinski has been acting, writing, producing, and directing films/TV shows in Hollywood for the past decade but this movie is definitely his biggest project to date and also a film that he has probably been the most invested in. I haven’t been really familiar with Krasinski’s previous work. I really liked him in 13 Hours but I have never (brace yourselves, people) seen a single episode of The Office. Yup, I know, you can throw virtual rocks at me, I’m ashamed too. Anyways, onto the review.
  2. The premise of this movie was absolutely genius and I’m so glad that it was also executed really well in the story. The rules of this world were clear enough, but the mystery element also always remained (e.g. the origin of the aliens). I also loved the fact that the story had real consequences and that not all the characters made it through – that added so much more weight to the narrative and required more emotional investment from the viewers. Lastly, I loved the ending and how it was kept small and intimate with only a hint at a bigger, over-the-top battle to come.
  3. While A Quiet Place is not a family movie, it is certainly a movie about family. The love within and the sacrifice for a family were beautifully portrayed on screen. The concept of blame also came up and was touched upon. The fact that movie had a serious thematic under structure elevated it from a simple horror movie somewhere closer to the levels of Get Out and smart genre filmmaking.
  4. The film was also not only well-written but well-directed too. The raw visuals made the movie seem grounded, while the close-ups helped it feel intimate, personal. The levels of intensity and suspense were also always pretty high. A Quiet Place also earned the right to use jump scares because they weren’t the typical visual jump scares (a couple of those were used too) but more of a sound scares which fit so well with the story. The design of monsters themselves wasn’t the most original but I loved the visualization of their main strength and weakness – hearing/the ear.
  5. John Krasinski and Emily Blunt (Edge of Tomorrow, Sicario, The Huntsman, The Girl on The Train) were the perfect leads. They had that quiet chemistry (obviously, they are, after all, married) and their individual performances were great too. I completely bought Krasinski as the grieving and loving father who would do anything for his family. I also loved Blunt’s almost sensual performance in the pregnancy scenes. The children were played by Millicent Simmonds and Noah Jupe (Wonder, Suburbicon). It was so nice to see some diversity and inclusivity with the casting of Simmonds (a deaf actress playing a deaf character), while Jupe’s performance was really powerful and realistic.

In short, A Quiet Place was scary, smart, and heartwarming. An unlikely combination but it works, I swear.

Rate: 4.5/5

Trailer: A Quiet Place trailer

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Movie review: Thoroughbreds

Movie reviews

Hello!

And welcome to a review of a movie that enthralled me just with its name. This is Thoroughbreds.

IMDb summary: Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.

Writing

Thoroughbreds was written by the director Cory Finley. I have seen this movie described as an ‘update on the teen thriller genre’. Even though that sounds like a positive description, I would like to completely bypass the teen genre denomination, as, while the movie is about two teens, its writing is so much more than the writing for just a teen movie. It’s entirely something else.

Thoroughbreds plot revolves around two girls that set off on a mission. But these girls are not just random teenagers: they come from a privileged background that has damaged them. One of them has no emotions, the other controls hers until she doesn’t. And their mission is not a fun adventure but a quest that showcases human capacity and will for violence. It really doesn’t paint the best picture of humanity, especially the supposed best of the best of humanity, also known as the rich upper class. It also doesn’t paint the best picture of people’s understanding of human emotion, as lack of it is always seen as an issue, a deficiency, a mental illness. On the other hand, it does portray the idea of sympathy as a rare phenomenon in modern society very accurately.

Hints (or more than just hints) to the characters being psychopaths are also in the film, as they don’t seem to process human relationships in a healthy way. While the stepfather does appear abusive and not the nicest man, the killing of him is far from justified. It’s only justified in the character’s mind as the reclaiming of control. Finley’s script doesn’t need to reclaim controls as it never lets it go. The narrative is tight and doesn’t have any unnecessary details, while no line of the dialogue feels out of place. All the statements are sharp and to the point but still somewhat natural and realistic sounding. And that name, the thing that first peaked my interest, is perfect. Not only does it captures the privileged nature of the characters (horseriding is a stereotypically popular activity among the upper class), but also showcases how that privilege damages them (children are bred like animals rather than cared for through human connection).

Directing

Thoroughbreds was a directorial debut by Cory Finley and want a brilliant one it was. He took the idea of control from the script and applied it to the whole story, making it tight and controlled. It was brought to life through forceful but contained visuals and cinematography. Restrain was, most likely, encouraged in the actors’ performances too. One part of the movie that is allowed to be a bit less controlled but is still incredibly focused and powerful is the score. It’s unsettling and keeps the tension and suspension all throughout the runtime. Finley’s debut thriller-drama was just so damn good. I have no idea why it is being billed as comedy as there is nothing particularly funny about it, maybe only in ‘this is so morbid, I have to laugh’ kinda way.

Acting

Olivia Cooke (Ready Player One) and Anya Taylor-Joy (Split, soon The New Mutants) were absolutely brilliant in the picture. Their performances were top notch and extremely strong in a subtle way. Cooke’s character’s emotionlessness and Taylor-Joy’s characters privilege and porcelain-like stature were portrayed with such sophistication. Can’t wait to see more from them!

This movie also featured one of the final performances by Anton Yelchin (Star Trek Beyond). Seeing him on screen was a bittersweet moment. It’s such a shame that we have lost an incredibly talented actor at such a young age. His role here was really interesting: his drug dealer character unexpectedly became the one nice person in the film, who received all of the viewers, at least all of my, sympathy.

In short, Thoroughbreds is a fantastic thriller about control (the concept permeates all aspects of the film) and an incredibly promising directorial debut from a new voice in Tinseltown.

Rate: 4.25/5

Trailer: Thoroughbreds trailer

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