5 ideas about a movie: Sand Castle

Movie reviews

Hello!

Since no new movies that interest me are premiering this week in the UK, I decided to seek out other new films that did not reach cinemas. The first one that I could find was Sand Castle.

IMDb summary: Set during the occupation of Iraq, a squad of U.S. soldiers try to protect a small village.

  1. Sand Castle is a Netflix original film. While the beloved streaming platform is known for having amazing TV shows (Orange is the New Black, Stranger Things, House of Cards, 13 Reason Why just to name a few), their movie game has not been that strong. Some of the pictures received more attention than others, but the majority of them did not leave a lasting impact. A few of the Netflix movies that I’ve seen were perfectly fine, including Crouching Tiger, Hidden Dragon: Sword of DestinyThe Fundamentals of Caring, XOXO, ARQ, The Siege of Jadotville. Let’s see whether Sand Castle is the film that turns things around and is more than just fine.
  2. The movie’s screenplay was written by Chris Roessner and this was his first feature length script. For a debut work, it’s certainly not bad. I appreciated all the thematic concepts that the picture attempted to explore, like masculinity, patriotism (or even chauvinism) and the American culture in general. The moral questions, including why does an individual choose to join the military, were appropriately asked as well. However, although the various ideas were introduced, they didn’t go anywhere and were basically forgotten by the 2nd act, which was the weakest part of the film. The third act and the conclusion were fine, even though an attempt to go back to the film’s message in the last few scenes seemed like an afterthought.
  3. Sand Castle was directed by a Brazilian filmmaker Fernando Coimbra. He succeeded at crafting gorgeous visuals of the surroundings and the long continuous shots during the action sequences were impressive. However, the random jumps in time and the uneven pacing did damage the final product. I also thought that the idea to always keep the camera on the American soldiers, rather than to go back and forth between them and the terrorists, was an interesting, even if a bit one-sided, decision.
  4. The lead of the movie was played by Nicholas Hoult and he did a good job portraying a soldier, affected by the horrors of the war. Hoult is one of my favorite actors, so I try to follow his career pretty closely. Most people know him from the X-Men movies or Mad Max: Fury Road. I’d also suggest you check out his smaller films: Dark Places, Equals, and especially Kill Your Friends.
  5. The supporting cast included Henry Cavill (The Man from U.N.C.L.E.), Logan Marshall-Green (soon will appear in Spider-Man: Homecoming), and Glen Powell (Everybody Wants Some!!, Hidden Figures). Cavill had a pretty small role but he seemed to have more fun with it than he ever had with the role of Superman. It’s quite sad to see that his involvement with the DCEU did not result in more high-brow roles. Well, he is appearing in Mission Impossible 6, so that’s something. Marshall-Green and Powell also delivered fine performances.

In short, Sand Castle was an okay war drama that could have been so much better if it just explored the themes it introduced. It’s not the most original film about war and I probably would not have gone to see it at the cinema, but if you already have a Netflix account, it is definitely worth a watch.

Rate: 3/5

Trailer: Sand Castle trailer

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Movie review: The Lego Batman Movie

Movie reviews

Hi!

With the DCEU films being critical nightmares, which do not earn as much as they should do, Ben Affleck stepping out as director of the Batman solo movie and The Flash film being completely rewritten, the Warner Bros desperately needs a win concerning its DC properties. Might The Lego Batman Movie be the win? Let’s find out!

IMDb summary: Bruce Wayne must not only deal with the criminals of Gotham City but also the responsibility of raising a boy he adopted.

Writing

The Lego Batman Movie was written by Seth Grahame-Smith (who wrote Dark Shadows, Abraham Lincoln: Vampire Hunter, and the novel version of Pride and Prejudice and Zombies), Chris McKenna (a TV comedy writer), Erik Sommers (Spider-Man: Homecoming writer), Jared Stern (who provided additional story material for Wreck-It Ralph), and John Whittington (a newcomer writer who doesn’t have any significant credits on his IMDb page). The duo of writers/directors behind the uber-successful The Lego Movie – the film that started The Lego franchise – Phil Lord and Christopher Miller – helped to produce this spinoff flick as well. I, personally, absolutely loved the writing for this movie.

Let’s star with the on the nose humor as it was such a huge part of the picture. The Lego Batman was basically Deadpool for kids. Like Deadpool, this film didn’t waste its credits and began mocking the studios and the executives in the first few seconds of its runtime. It then moved on to making fun of the comic book movies cliches, such as ‘the unnecessarily complicated bombs’, ‘the villains who explain their plan aloud’ and other plot conveniences.  Plus, I laughed out loud several times when the characters would start making the shooting noise – ‘pew pew’. I also loved the funny inclusion of the comic book sound effect balloons which showed the origins of Batman. Lastly, the movie also poked fun at merchandise with that merch gun scene (I’m definitely guilty of owning some items myself – I was actually wearing my batman sweatshirt at the screening).

The narrative wise, The Lego Batman Movie didn’t bother with neither the setup nor the basic development and origins of the character and I’m actually really glad that they skipped all of that, cause everybody already knows Batman’s background. Nevertheless, the film still did some cool stuff with its main character, for example, portraying him more as an anti-hero and raising the questions of accountability and legitimacy (basically, Captain America: Civil War storyline). The movie also teased and parodied the Batman’s Rogues Gallery and also mocked his gadgets (while at the same time, showing them on screen just so that they could turn them into toys and merch, which they have also made fun of already).

In addition, this film attempted to do something with the Batman and Batgirl relationship, which was very similar to what The Killing Joke movie did. That development really angered the fans and The Killing Joke really suffered from that addition, so I was worried that this idea might damage The Lego Batman too. However, this film dragged the ship more than pushed it, so everything turned out fine in the end. On the other hand, I really liked the relationship that was created for Batman and The Joker. The were literally like an old married couple. The other little details, like Batman’s password (‘Iron Man sucks), the Hugh Hefner-like dressing gown, and his obsessions with romcoms (shout out to Jerry Maguire) were just amazing. I also loved the fact that they managed to include a Nightwing easter egg and actually used the fact that lego figurines can join together as a plot point in the film.

From the thematical standpoint, the movie explored relationships within a family and between friends as well as narcissism. It looked at the fear of human connection which arose from the possibility of being left alone. The final message of the film – that one has to let people in even if they might hurt you by leaving and disappearing – was a neat one.

Directing

Chris McKay, who worked as an animator and editor on The Lego Movie, directed The Lego Batman and did a spectacular job. I just loved the fact that he took the grimmest property from the dark and sophisticated DC and made it work as a comedy. The Lego Batman Movie was, truly, one of the best action comedies I’ve seen. It had the non-stop jokes and the fast action (the film was unbelievably energetic) but it still found time for quieter, more heartfelt moments (every animated movie needs ‘the feels’). The only few moments in the picture, which annoyed me a bit, were all the singing and rapping scenes. They juts seemed of a lower level of humor than all the wonderful meta-references and jokes.

Additionally, the animation was just striking. Every shot looked so densely animated and complex – you could just see how much work it has taken to bring this story to life in this format. The Lego Batman Movie was definitely a perfect match between the material and the format, cause I doubt that this narrative could have worked in live action. It would have just come across as stupid (mostly because of all the rapping), but now it blended the right amount of stupidity and cleverness and was, overall,  extremely fun and very enjoyable.

Speaking more about the visuals of the film, I loved seeing the recreations of all the previous Batman films in the lego form. I also really appreciated the lego versions of all the other DC and non-DC villains that cameoed in the film – crossover all the way! We got to see Voldemort, Sauron, King-Kong, The Wicked Witch, and Doctor Who’s Daleks – basically all properties that belong to WB.

I have also noticed, that the majority of DC films (both live-action and animated) are now team-ups. It also seems that one cannot have a Batman movie without Superman or the other Justice League members (that short scene was a neat surprise and maybe it was there to set-up a sort of solo Lego movies for other DC characters?).

Music

Lorne Balfe was responsible for the soundtrack and he picked some very appropriate, witty, and catchy songs for the film. While I didn’t really like the actual Batman song, I loved the updated version of ‘Man in the Mirror’ and felt that it was a more clever jab at Batman rather than the on the nose Batman song.

Voice Cast

The film had an amazing voice cast. Will Arnett (a long time voice actor and narrator) just killed it as Bruce Wayne / Batman, while Zach Galifianakis (who has also had some experience with voicing) was an equally amazing JokerMichael Cera (Sausage Party) brought a sense of innocence to Dick Grayson / Robin, while Rosario Dawson’s (who voices Wonder Woman in most of the direct to video JL films) voice really fit Barbara Gordon / Batgirl – she sounded as and actually was an efficient go-getter. Ralph Fiennes (Kubo and the Two Strings) oozed class as Alfred PennyworthJenny Slate (Zootopia, The Secret Life of Pets) was the voice of Harley Quinn. It might be the Margot Robbie effect, but I wanted Harley to sound sassier.  The filmmakers also managed to get the big name talent – Channing Tatum and Jonah Hill –  to record a few lines as Superman and Green Lantern, respectively (they voiced these characters in The Lego Movie), while Adam DeVine joined them as The Flash.

In short, The Lego Batman Movie was both a successful spin-off of The Lego Movie as well as a great parody of all the comic book movies. Extremely funny and highly enjoyable!

Rate: 4.7/5

Trailer: The Lego Batman trailer

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2016: 100 Book Challenge

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Hello!

The end of the year usually means a lot of looking-back/reflection/summary posts. This one is no exception. Also, if you ever needed more proof that I am a gigantic nerd, this is it.

At the beginning of the year, I raised myself a challenge – to read 100 books and to keep track of them. I mainly did that because 1. I wanted to read more – I used to read a lot during childhood but couldn’t find time for books in later years, due to watching a lot of films and 2. since I read/watch/hear so many stories, I wanted to have a list of them so that I would not start reading a book which I have read before.

I’m glad to announce that I did achieve my goal and did finish 100 books in 12 months. I covered a variety of genres, authors, and languages.

Some statistics before I give you the list: out of the 100 books:

  • 23 were in my native Lithuanian language and 77 were in English.
  • 20 of them were for study purposes, 80 – for leisure.
  • 60 authors were covered: I read only one book by 44 authors and a few books by 16 authors. W. Shakespeare came in first with 8 repeats, T. Morrison followed second with 6 and J.K.Rowling with 5. D. Brown had 4, while A. Moore, R. Riggs, M. Strandberg and S.B. Elfrgen and Sir A. Conan Doyle all had 3. Lastly, I read 2 books by each of the following authors: A. Miller, H. Ibsen, A. Spiegelman, S. Plath, J. Conrad, J. Moyes, G. Flynn, and H. Lee.
  • 30 writers were American, 15British, 5French, 2 (each) were Lithuanian, Irish, Japanese, and Scandinavian and 1 (each) – Russian, Polish, Nigerian, and Pakistani.
  • 72 were stand-alone books, while 28 belonged to 11 series.
  • 53 were modern books, while 47 were classics.
  • 56 were prose and 2poetry books. 15 were plays, 18graphic novels, and 9memoirs.
  • 8 was my monthly average.

Before I give you the long list by genre, here is my TOP 10 in no particular order:

  • A. Spiegelman – ‘Maus’
  • A.Moore and D.Gibbons – ‘Watchmen’
  • J.K.Rowling – ‘Harry Potter and the Cursed Child’
  • S. Plath – ‘The Bell Jar’
  • H. Lee – ‘Go Set a Watchman’
  • A. Weir – ‘The Martian’
  • G. Flynn – ‘Sharp Objects’
  • E. Cline – ‘Ready Player One’
  • L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  • C. McDougall – ‘Born to Run’

Now the actual list by genre:

Prose:

  1. E. A. Poe – collection of short stories titled ‘The Gold-Bug’
  2. A. de Saint-Exupéry – two storiesSouthern Mail’ and ‘Night Flight’ in one novel.
  3. M. Shelley – ‘Frankenstein’
  4. J.M.Barie – ‘Peter Pan’
  5. W. Golding – ‘Lord of the Flies’
  6. V. Nabokov – ‘Lolita’
  7. K. Ishiguro – ‘Never Let Me Go’
  8. S. Plath – ‘The Bell Jar’
  9. J. Conrad – ‘Hearth of Darkness’
  10. J. Conrad – a trio of short stories ‘An Outpost of Progress’, ‘Karan’, ‘Youth’.
  11. J. Baldwin –  ‘Giovanni’s Room’
  12. C. Achebe – ‘Things Fall Apart’
  13. T. Morrison – ‘Beloved’
  14. T. Morrison – ‘Sula’
  15. T. Morrison – ‘Song of Solomon’
  16. T. Morrison – ‘A Mercy’
  17. T. Morrison – ‘The Bluest Eye’
  18. T. Morrison – ‘Home’
  19. M. Mauss – ‘The Gift’
  20. H. Melville – ‘Moby Dick’
  21. J. Austen – ‘Sense and Sensibility’
  22. J. Moyes – ‘Me Before You’
  23. J. Moyes – ‘After You’
  24. H. Lee – ‘To Kill a Mockingbird’
  25. H. Lee – ‘Go Set a Watchman’
  26. A. Weir – ‘The Martian’
  27. G. Flynn – ‘Sharp Objects’
  28. G. Flynn – ‘Dark Places’
  29. M. Strandberg and S.B.Elfgren – ‘The Circle’
  30. M. Strandberg and S.B.Elfgren – ‘Fire’
  31. M. Strandberg and S.B.Elfgren – ‘The Key’
  32. K. Vonnegut – ‘The Breakfast of Champions’
  33. I. Fleming – ‘Casino Royale’
  34. D. Brown – ‘Angels and Demons’
  35. D. Brown – ‘The Da Vinci Code’
  36. D. Brown – ‘The Lost Symbol’
  37. D. Brown – ‘Inferno’
  38. G. DeWeese – ‘Into the Nebula (Star Trek: The Next Generation #36)’
  39. R. Riggs – ‘Miss Peregrine’s Home for the Peculiar Children’
  40. R. Riggs – ‘Hollow City’
  41. R. Riggs – ‘The Library of Souls’
  42. E. Blyton – ‘The Famous Five: Five Go Down to the Sea’
  43. E. Blyton – ‘The Famous Five: Five Go to Mystery Moor’
  44. E. Blyton – ‘The Famous Five: Five Have Plenty of Fun’
  45. E. Blyton – ‘The Famous Five: Five on a Secret Trail’
  46. K. Keplinger – ‘The Duff’
  47. P. Hawkins – ‘The Girl on the Train’
  48. J.K.Rowling – ‘The Casual Vacancy’
  49. J.K.Rowling – ‘Fantastic Beast and Where To Find Them’
  50. J.K.Rowling – ‘Quidditch Through The Ages’
  51. J.K.Rowling – ‘Tale of Beedle The Bard’
  52. Sir A. Conan Doyle – ‘The Adventures of Sherlock Holmes’
  53. Sir A. Conan Doyle – ‘The Memoirs of Sherlock Holmes’
  54. Sir A. Conan Doyle – ‘The Return of Sherlock Holmes’
  55. E. Cline – ‘Ready Player One’
  56. G.R.R.Martin – ‘The World of Ice and Fire’
  57. D.Grayson – ‘Doctor Strange: The Fate of Dreams’

Poetry:

  1. S. Heaney – ‘North’
  2. S. Plath – ‘Ariel’

Plays:

  1. J.M.Synge – ‘The Playboy of the Western World’
  2. A. Miller – ‘The Crucible’
  3. A. Miller – ‘Death of a Salesman’
  4. H. Ibsen – ‘A Doll’s House’
  5. H. Ibsen – ‘Hedda Gabler’
  6. J. Lyly – ‘Galatea’
  7. W. Shakespeare – ‘The Taming of the Shrew’
  8. W. Shakespeare – ‘A Midsummer Night’s Dream’
  9. W. Shakespeare – ‘Twelfth Night’
  10. W. Shakespeare – ‘The Merchant ofVenice’
  11. W. Shakespeare – ‘The Tempest’
  12. W. Shakespeare – ‘Coriolanus’
  13. W. Shakespeare – ‘Hamlet’
  14. W. Shakespeare – ‘Troilus and Cressida’
  15. J.K.Rowling – ‘Harry Potter and the Cursed Child’

Graphic Novels:

  1. A. Spiegelman – ‘Maus’
  2. A. Spiegelman – ‘In The Shadow of No Towers’
  3. M. Satrapi – ‘Persepolis’
  4. J. Maroh – ‘Blue is the Warmest Colour’
  5. C. Burns – ‘Black Hole’
  6. M.Millar and S.McNiven – ‘Civil War’
  7. Various authors – ‘Marvel’s Mightiest Heroes: Wolverine’
  8. A.Moore and D.Gibbons – ‘Watchmen’
  9. A.Moore and D.Lloyd – ‘V for Vendetta’
  10. A.Moore and B.Bolland – ‘Batman: The Killing Joke’
  11. M.Anusauskaite and G.Jord – ’10 litu’
  12. Various authors – ‘The Greatest Batman Stories Ever Told’
  13. Various authors – ‘Marvel Platinum: The Definitive Iron Man’
  14. J. Sacco – ‘Palestine’
  15. C.Thompson – ‘Blankets’
  16. M.Wolfman and G.Perez – ‘Crisis on Infinite Earths’
  17. E. Brubaker – ‘The Death of Captain America’

Memoirs:

  1. D. Howell and P. Lester – ‘The Amazing Book Is Not On Fire’
  2. T. Oakley – ‘Binge’
  3. C. Franta – ‘A Work in Progress’
  4. G. Helbig – ‘Grace’s Guide: The Art of Pretending to be a Grown-Up’
  5. L. Wacquant – ‘Body and Soul: The Notebooks of an Apprentice Boxer’
  6. M.Youafzai and C.Lamb – ‘I am Malala’
  7. I.Staskevicius – ‘Maratono laukas’ (‘Marathon running’)
  8. H. Murakami – ‘What I talk about when I talk about running’
  9. C.McDougall – ‘Born to Run’

I hope you enjoyed flicking through my 2016 reading list. I really want to start writing more book-centric posts next year, so this was like a taster-post. Have a great New Year and tell me in the comments your favorite book from last year!

A snapshot of my collection

5 ideas about a movie: The Accountant 

Movie reviews

Hello!

An original thriller – The Accountant – finally premiered in the UK, so, let’s review it!

IMDb summary: As a math savant uncooks the books for a new client, the Treasury Department closes in on his activities and the body count starts to rise.

  1. The Accountant is an original thriller, written by Bill Dubuque, who has previously penned the script for RDJ’s The Judge. I absolutely loved the narrative of this film from a thematical point of view. The movie felt fresh because it had a unique character – an accountant – in the lead (usually, thrillers tends to focus on ex-military personnel, former spies, even politicians). Moreover, the personal background of the character was out of the ordinary and new. The story also had a good mix of personal and professional narrative ideas. Plus, I loved the fact that they made accounting seem interesting, similar like The Big Short made the housing crisis exciting rather than dull. The twists and turns were also unexpected but much appreciated. My only gripe with the screenplay is that I wish the movie would have explained some stuff sooner. There was around 10 min of expositional dialogue full of information just before the 3rd act started and I think that if the scriptwriter would have dispersed that info into a few scenes, the plot would have flowed a bit better.
  2. Gavin O’Connor, whose last two films were Warrior (one of my favorite sports films ever) and Jane Got a Gun, directed The Accountant and did a magnificent job. I loved how subtle his directing was and how he found a good balance between drama and action in a thriller. The visuals, as well as the handling of the mise-en-scene (props and setting used for the purposes of the narrative ) were nice and neat as well. The picture unraveled slowly but was extremely engaging.
  3. Ben Affleck (BvS, Gone Girl) played the lead character and did a spectacular job. I believed that he had the highly-functioning autism and I also appreciated the fact that they spotlighted this type of an individual in a movie. I also applaud the film for trying to show that autistic people are not lesser than everyone else – they are just different and special in their own way. Huge props to the movie and to Ben Affleck for attempting to break social stigmas associated with this supposed illness/condition. I, personally, could also relate to the character, because even though I’m not autistic, I’m quite shy and anti-social, so seeing all the problems that the characters had while communicating with people made me cringe a bit as well as sympathize since it hit so close to home.
  4. Anna Kendrick (Pitch Perfect, Mike and Dave, Trolls) and Jon Bernthal (WAYF, Sicario) played two supporting characters that had relations to the main character. Kendrick did a nice job with the few scenes she had and I did love her optimism in contrast to Affleck’s calmness and serenity. Bernthal was also great – I did not predict his character’s twist. His character shared some similarities with The Punisher, so I could see why Bernthal wanted to play this role, as I think he really enjoyed playing The Punisher. His solo series is coming out next year.
  5. J.K. Simmons and Cynthia Addai-Robinson played the government personnel and brought a different perspective into the movie. For Simmons, this is one of his 10 movies this year. Two other notable pictures which have premiered at festivals, but haven’t had wide releases are La La Land and Patriot’s Day. I’m also excited for Simmons’s role in next year’s Justice League.  Addai-Robinson was also really good in her role – I was excited to see her on a big screen, as she has mostly done TV until now. I first became a fan of her after she appeared as Amanda Waller on Arrow before Suicide Squad‘s storylines had to be scratched from the small screen.

In short, The Accountant was a great original film that didn’t deserve to be panned by the critics as much. It had good directing, amazing acting and a thematically strong and important story.

Rate: 4/5 

Trailer: The Accountant trailer

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Movie review: Miss Peregrine’s Home for Peculiar Children

Movie reviews

Good morning/day/evening!

Another YA adaptation from a once visionary director has hit theaters, so, let’s take it apart! This is the review of Miss Peregrine’s Home for Peculiar Children!

IMDb summary: When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine’s Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.

Allow me to begin by saying that I think that this movie (and the book) has one of the coolest names ever. Yes, it is quite long, weird, and hard to remember, but that’s what makes it special. Just the name alone tells you a lot about the story, but, at the same time, doesn’t give anything away. I wanted to start this review with a compliment because I imagine I will be quite hard on the film in the following paragraphs since I had a number of problem with it.

SPOILERS AHEAD

The narrative: the book, the changes, and the screenplay

The trilogy of books by Ransom Riggs that inspired this film was one of the two YA series that I checked out this year, other being the Engelsfors series by M.Strandberg and S.Bergmark Elfgren. I have always been a fan of fantasy, so I knew that I would enjoy the novels. I also really liked the role that the old vintage photographs played in the making of the books and how they were used in the final product. Those pictures really made the series stand out from the other numerous YA franchises out there.

However, before going to see this film, I questioned whether it can become a successful cinematic trilogy since YA adaptations have been going down both in quality and in the box office numbers. Mockingjay Part 2 was a disappointing finale that didn’t earn as much as expected, Allegiant absolutely crashed and burn – didn’t even earn enough to get the final entry in the franchise made into a film and the release of The Maze Runner‘s final movie had to be postponed due to Dylan O’Brien’s injury on set. Will the audiences still want to see The Death Cure a year later? Will they show up to support an altogether new franchise? I guess, we’ll have to wait and see.

The film’s script was written by Jane Goldman – a long time co-writing partner of Matthew Vaughn. Together, they have worked on movies such as Kingsmen: The Secret Service, X-Men: First Class, Stardust and Kick-Ass. Miss Peregrine Home for Peculiar Children was her second solo writing project, first being the period horror picture The Woman in Black.

As usual, when adapting a piece of literature to the big screen, some (or a lot) of details of the narrative are changed. Miss Peregrine’s Home for Peculiar Children was no exception. For the first two acts, the film followed the book pretty closely but it did create a completely new and different 3rd act. Concerning the smaller alterations, I’ll try to list as much of them as I could spot:

  1. Emma’s and Olive’s abilities were switched. Emma had the power of air instead of fire, while Olive controlled fire rather than being able to float.
  2. Bronwyn was aged down, while Olive aged up. I understand why they did this: Regarding Bronwyn –  it is more striking to see a little girl lift huge weight rather than a teenager, whereas Olive had to be a teenager for them to have a second romantic couple in the film.
  3. The underwater ship scene went down a different way in the book. They probably wanted to make it more visually interesting in the film and I also think that this scene was the reason they switched Emma’s and Olive’s peculiarities.
  4. Miss Avocet’s involvement in the main narrative was altered.
  5. Jacob’s only normal human friend was cut from the beginning of the story and, in general, in the picture, Jacob was made into an even more of a social outcast than he was in the book.
  6. The hollows were eating the eyes of the peculiars instead of their souls. Since eyes are the window to the soul, this might have been the filmmakers’ attempt to visualize a soul as something material.
  7. Miss Peregrine’s kidnapping was altered and basically, all the 3rd act, which followed the kidnapping, went completely away from the book. The film’s final act had different locations than the book’s (the action happened in the house, on a big ship and in the circus, rather than on a small boat on a sea) and it was also more action-y in the cliche Hollywood way. The decision to use the ship allowed Emma to do more stuff and was a cool effect, but everything that happened after that fell flat. Personally, I think that the modern setting and fantasy don’t mix well, so the whole sequence in the circus in 2016 just seemed ridiculous. It might have looked cool and clever on paper but it appeared childish and stupid on screen. I also get why some people complain that the plot was hard to follow during the 3rd act because it actually was a jumbled mess.

A few other points on the script of the feature. To begin with, the film had an awful amount of obvious exposition. The characters would just sit around listening to each other tell important points of the backstory. Half of that exposition could have been incorporated more organically. Secondly, the writing for Jacob was quite awful – he mostly stood around asking questions or reacting to stuff. He was quite a useless hero – it there will be a sequel, I want him to take charge of his situation much more. Actually, he kinda did that at the end of the film, although we didn’t see it because they just montaged through his individual travels. Thirdly, the writing for Jacob’s parents was paper-thin. They were super one dimensional – their one character trait was the fact that they don’t really care about their son. Lastly, gonna end on a positive note and praise the picture for adding a couple of interesting moments to the story: one, Peregrine shooting the hollow was a cool scene and, two, young Abraham’s call was a nice emotional detail.

Although I try my best to always allow the movie to stand on its own, this time, I’m just gonna come out and say that I liked the book’s story better. I’d love to see a sequel that is closer to the second book’s (Hollow City) plot but I doubt it’s possible since the narrative has gone into a way different direction.

Directing

Tim Burton used to be an imaginary and fantastic director but he seems to have run out of steam lately. I have even done a separate post on his filmography before Alice 2 came out earlier this year. Miss Peregrine’s Home for Peculiar Children and Tim Burton seemed like a match made in heaven between the source material and the director, however, the movie was just fine. Nothing spectacular or special. The visuals were great, I liked how the film opened with the photos and the letters – it was a nice optical callback to the photographs in the book. The CGI and the design of the monsters were cool too. The slight steampunk vibes were also appreciated. However, the decision to allow (or make) the actors overdramatize some line and scenes, the awkward and choppy editing and the pacing problems (rushing through the setup, dragging in the middle, rushing in the end) were just a few of the flaws of the flick that Burton should have fixed.

Acting

  • Eva Green (Casino Royale, Dark Shadows, 300: Rise of an Empire) as Miss Peregrine. Green is a fabulous actress and she should have been great as Peregrine but her whole performance seemed a bit off to me. She was younger than I imagined Peregrine to be in the book and she also portrayed the character more as a quirky but cool aunt, rather than strict but caring grandma. Nevertheless, she did seem more friendly and open in the movie, which I liked, though, her shaky introduction and the signature Tim Burton crazy/dead eyes weren’t great.
  • Asa Butterfield (Ender’s Game, Hugo, X+Y) as JacobButterfield is one of the most promising young actors working today but his performance here was a bit stiff and low energy. The writing for Jacob was problematic and the performance didn’t save the character either.
  • Ella Purnell (Maleficient) as Emma was good. She and Butterfield did have some chemistry, although, I still think that their love story was creepy and forced. Grandad and grandchild having the same girlfriend. Really!? It is kinda a Twilight type of a coupling, just with switched genders.
  • Lauren McCrostie as Olive was good. She didn’t have much to do, but I’d like to see more of her. Since they aged up the character, they should’ve used her more.
  • Finlay MacMillan as Enoch. Enoch was one of my favorite parts of the books. He could have been such a cool sarcastic character on screen but the actor just portrayed him as super annoying, which was a disappointment.
  • Samuel L. Jackson (Kingsman, The Hateful Eight, Marvel) as Mr. Barron. Jackson is a great actor but here he was kinda a caricature. He was funny and his portrayal of the character did work for the film, but, on its own, the performance would be considered a complete parody.

In summary, Miss Peregrine’s Home for Peculiar Children was promising but didn’t really fulfill any of the promises as much as it could have. The story started out good but fell flat in the 3rd act, the directing was disjointed and the acting – only so-so.

Rate: 2.7/5

Trailer: Miss Peregrine’s Home for Peculiar Children trailer

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Movie review: Suicide Squad

Movie reviews

Hi!

In 2014, on my birthday, I went to the Guardians of the Galaxy premiere. A year later, I celebrated my entry into adulthood (18th birthday) with Ant-Man. Well, today, I’m continuing this tradition and watching a comic book movie – Suicide Squad – on/around my birthday.

The majority of my knowledge about the actual Task Force X comes from the TV series Arrow. I was really disappointed when WB stop allowing Suicide Squad characters to be featured in the Arrowverse because they were making a movie, so all of these iconic characters were killed off like Red Shirts. If you want something to watch to prepare yourself for the film, I suggest Batman: Assault on Arkham animated movie and the Mad Love episode of the Batman TV series. Also, Gotham TV show has a few nice moments involving these characters. Lastly, I’ve read a few issues of the Suicide Squad comics but definitely would love to read some more, so leave your suggestions in the comments.

IMDb summary: A secret government agency recruits imprisoned supervillains to execute dangerous black ops missions in exchange for clemency.

The reviews, that have been coming in, have been pretty terrible and made me actually terrified to see the film because I desperately wanted it to be good. Sadly, I think we have another BvS situation on our hands. I didn’t hate Batman v Superman when I first saw it but had a lot of problems with it. Since I loved the concept of that film so much I didn’t want to give up on it, so I watched the Ultimate Edition and absolutely loved it. Suicide Squad feels like a BvS theatrical version – it is missing a ton of stuff that has been cut, including a lot of scenes showed in the trailers, so we will probably see another version of this film released in a near future.

David Ayer

David Ayer has only directed 5 feature-length pictures before he undertook the Suicide Squad project. For the most part, his films have been both critically and commercially successful, except the flop of Sabotage. Nevertheless, Ayer has shown that he can create intense action sequences in limited spaces (Fury and End of Watch). He has also demonstrated his writing skills – just listen to the Training Day’s dialogue – it’s snappy, funny and has a message. Until now, Ayer has made small-scale, more intimate, character-driven films (e.g. Fury – a group of soldiers stuck in a tank, End of Watch – 2 police officers in a car). Suicide Squad is his biggest film to date both cast-wise, story-wise, and budget-wise.

Sadly, I really think that David Ayer should have brought in an additional screenwriter or a co-director because I believe that he bit off more than he could chew. The actual writing on the film was fine but its execution and presentation on screen lacked quality. Moreover, the editing was all over the place again, like with the Batman v Superman.

SPOILER ALERT

The characters

The picture had way too many characters and didn’t give all of them enough of backstory or if it did give the characters some development, it did it in a rushed and really tacked-on way. Deadshot and Harley received the majority of development – Waller just basically told the viewer about them and there were also a few montages of flashbacks. The same happened with Rick Flag and June Moone, the only difference was that they received even less of any actual development. Captain’s Boomerang’s and Killer Croc’s backstories were mostly skipped. Slipknot was only there to be killed off, so no one even bothered to introduce him in any interesting way. Katana felt like an after-thought and didn’t have anything significant to do either, but at least she wasn’t an actual member of the squad, so at least that allowed her to stand out. The only character, whose development seemed to be organic and came out of the story, was El Diablo – he had an emotional monolog in the middle of the story.  I was also surprised by how quickly the Squad became friends or maybe they were just acting that way?

We also had two cameos: Batman appeared in Deadshot’s and Harley’s backstories, while The Flash – in Captain Boomerang’s. The Joker was also in a film – I really liked him as an updated modern gangsta, with a great fashion sense and a lot of sex appeal – and felt that he had a place in Harley’s backstory. However, his appearance in the present day was so-so. He showed up, did some stuff and went away again. And then popped up at the end, again. Didn’t make much sense.

I think that the main character of the Suicide Squad film was probably Amanda Waller – she had the most scenes and an actual place in the plot. The picture also had another soldier character, played by a sort-of well-known actor, but, given that that character’s part in the narrative was minimal, I think the role could have been played by anyone.

I was kinda worried that the movie wouldn’t be able to handle all of its characters, but really hoped that it would find a way to do it, but, sadly, my worries came true. Don’t get me wrong, I loved Harley’s and Joker’s scenes, I loved Rick’s and June’s scenes, I liked seeing Deadshot with his daughter – all of these elements were brilliant separately, but their organization and the way they were put together was just off. The whole first act felt like a big rushed montage, consisting of non-related 10 seconds long scenes, that was just cramming information left and right, without having any cohesion or flow.

So, let’s talk more about those character moments I liked:

Firstly, Joker’s and Harley’s relationship – I loved how it was changed during its transition from the comics to the big screen. Yes, their relationship was still abusive, obsessive and just plain crazy. But, it was not longer one sided – Joker actually seemed to care about Harley, as he should, since he was the one who made her crazy. I loved their moment in the helicopter but, unfortunately, it was cut short. The subtle hints at a possible Harley’s, Joker’s and Deadshot’s love triangle were also there. I would actually love to see this idea portrayed on the big screen. I usually hate love triangles in films because they tend to be extremely cliche, however, when the people involved in the love triangle are a nutjob, a crazy former psychiatrist and a criminal who can’t miss – I’m on board.

Secondly, June Moone’s and Rick Flag’s relationship was nice and I also liked the fact that, when June turned into Enchantress, who became the big bad of the film, at least one member of the squad had personal reasons to go after her/the villain. This made the final fight more emotional. However, Enchantress’s brother seemed like a weird addition. I don’t really know how I feel about him. He did look very cool visually (Enchantress also looked magnificent) but he kinda appeared out of nowhere. Is he a character from the comic books or an original creation?

Thirdly, I loved the back and forth between Deadshot and Rick Flag. Their inside competition and moments of one-liners were extremely entertaining. Captain Boomerang was also a nice addition because his comic relief was on-point.

Finally, I loved that almost all the characters’ reason to fight was their loved ones: Harley had Joker, Deadshot – his daughter, Rick – June, Katana – her husband, and El Diablo – his dead family

The narrative

The actual ‘quest’ of the movie or the mission that the Suicide Squad had to complete was fine. It wasn’t the most inventive but it did kinda work. However, I didn’t understand while the villain had to use a beam of light to destroy the world AGAIN. I just complained about this in my Ghostbusters review.

The visuals and the action

The action of the picture was fine – there were some nice sequences in the 2nd act and the final fight was cool looking, but there wasn’t anything special. I don’t feel like I have to go see the film again just because that one part was amazing. Also, in addition to investigating the editing choices and their negative effects on the story, I question some of the editing arrangements purely from a visual perspective. The slow-motion to fast-motion thing was fine in a few scenes, but got boring real quick. The color filter was also an interesting choice that didn’t necessarily work .

The character costumes were nice. I loved the look of Enchantress, as I’ve said. Her transition shot with the hand as well as that mirror shot were amazing.  The ‘money shot’ where the whole Squad was walking in the street at the end of the second act was also cool. The bar scene was nice and emotional, although it was missing a few intro shots that we’ve seen in the trailer. The darker tone also worked for the benefit of the film because it was paired with humor.

Lastly, I saw the movie in 3D – it was the first film I saw in 3D in a long time – and didn’t think that it added anything. I never was a fan of 3D, always felt that it was a financial gimmick. Are any of you fans of 3D? Can you recommend me a film that has to be watched with 3D because this effect makes it better?

The music

Suicide Squad’s soundtrack was created by Steven Price (Fury, Gravity). All of the song choices were nice but I don’t think that, on the whole, this collection of songs worked as a soundtrack. In some scenes, the music really added something special, in others – it was just distracting. I feel like they tried to make the soundtrack of the film  a character in its own right, similarly to what Guardians of the Galaxy did. However, I think that the music in Guardians was used more subtly and it at least fit the theme, while Suicide Squad’s songs were from all over the place.

The mid-credits scene

Suicide Squad had one mid-credits scene that involved Bruce Wayne, obtaining information from Waller. This was a nice Justice League set-up: now we know how Batman will able to find other meta-humans. We can see him doing just that in the first trailer for the feature, released during comic-con.

Acting

The whoel cast did a good job portraying their characters. Viola Davis (The Help) slay-ed the role of Amanda Waller. Will Smith (The Pursuit of Happyness, Focus, Concussion) was Deadshot – a badass with a heart of gold underneath the mask of a villain. Margot Robbie (Wolf of Wall Street, Whiskey Tango Foxtrot, Focus, Legend of Tarzan) was Harley Quinn – the crazy, funny but intelligent psychatrist/psychopath. Jared Leto (Dallas Buyers Club, Requiem for a Dream, Mr. Nobody) was a great Joker. It took me a second to get used to him, but now I really want to see more of him as the character. There probably isn’t another actor like Leto. He just completely loses himself in the role and tranfroms both physically and psychologically or at least performs in that way.

Joel Kinnaman (Child 44) was also great as Rick Flag. I didn’t know anything about the actor before, so didn’t really know what to expect, but he blew me away. Cara Delevingne (Paper Towns, upcoming Valerian) also worked as Enchantress. While she isn’t the most experienced actress, I can see why they cast her for this role – Enchantress’s had to be portrayed through bodily movements and eyes and that’s what models do every day in their field of work. Jai Courtney (Divergent, Terminator Genisys) as Captain Boomerang was amazing. This is the best work I’ve seen from Courtney. Jay Hernandez (upcoming Bad Moms) as El Diablo and Adewale Akinnuoye-Agbaje (Trumbo) as Killer Croc were both really good too. I liked Hernandez’s performance in that emotional scene and Akinnuoye-Agbaje did a fine job acting through all that makeup and face paint. Scott Eastwood (Fury, The Longest Ride, upcoming Snowden and Fast 8) was also fine in the pictue – he didn’t have much to do but did okay with what he was given.

In short, I was a bit disappointed by Suicide Squad. Maybe it is my fault – I had too high expectations. I wanted to love this picture completely but couldn’t not notice its flaws. I did love the characters, I liked the story, I appreciated the action and some of the music. However, the way that this whole movie was put together a.k.a edited flabbergasted me – it was missing a lot of connective tissue and a few montages definitely could have been changed into more organic storytelling methods.

Rate: 3.5/5

Trailer: Suicide Squad trailer

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5 ideas about a movie: Batman: The Killing Joke

Movie reviews

Hello!

I have been reviewing movies for almost 3 years and, throughout that time, I tried to branch out as much as possible – I wrote about big blockbusters and small indie films, Hollywood flicks and foreign pictures. All of the movies had one thing in common – they all have been theatrical releases. Well, this time, I’m widening the spectrum and reviewing an animated movie that was released on streaming and had only a limited theatrical run – Batman: The Killing Joke.

IMDb summary: As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.

  1. The Killing Joke is the newest addition to the DC Animated Universe. Lately, I have been watching a lot films of that franchise – I’m done with Justice League films and I’ve also checked out the Wonder Woman animated feature. All of the DC Animated films are beloved by the fans, so The Killing Joke was also highly anticipated. The original graphic novel was written by the genius Alan Moore and drawn by Brian Bolland, so that’s also a few of the reasons why the nerds couldn’t wait for it. I haven’t read the original comic book  but really want to and will do in a near future.
  2. Writing: the comic book writer Brian Azzarello penned the script for the film and did quite a good job. However, the story did seem uneven. The first half an hour of original material, regarding Batgirl and her relationship with Batman, did not have any connections to the actual narrative of The Killing Joke, so the feature seemed like 2 different shorts in one. I understand why they wanted to add more backstory and development for Barbara, but I think they could have found a more cohesive way to do so. Nevertheless, I really liked the ending of her story – The Joker might have broken Batgirl, but Barbara survived and moved on to better (?) things. I also liked that they kept the ambiguous ending and that they also played fast and loose with The Joker’s backstory: even though the visual flashbacks told one story, the lines of dialogue sorta contradicted it.
  3. The theme of insanity and loneliness during madness was explored in the film. I have a weird interest in insanity as a concept for creative cinematic stories (that’s why I love Gotham’s Arkham Asylum episodes), even though I understand what a serious, awful, and important real-world issue it is. Nevertheless, the dark portrayal of insanity in The Killing Joke was respectful and sophisticated – the film wasn’t just dark and crazy for entertainment sake. I also really liked the deeper dive into Batman’ and Joker’s relationship and the similarities they share. The Joker has always been my and a lot of people’s favorite comic book villain and it is quite easy to see why. He is so iconic and well-rounded, both physically and psychologically: his distinct look is instantly recognizable, despite the plethora of variations throughout the years, and his emotional stance as a villain is amazing: he is frightening, yet humorous; efficient, relentless and threatening; unreliable yet still scarily charming.
  4. Sam Liu directed the picture – he has a lot of experience with animated comic book properties and didn’t disappoint this time either. The animation was good, it was done in the same style as the majority of DC Animated Universe films. I don’t know if would look good on the big screen but it definitively worked on a small one. The action scenes were also realized nicely and I appreciated the recreation of the comic book panels – even though I have yet to read the original material, its graphics are familiar to me due to how iconic they are.
  5. The voice cast did an amazing job, but it is no surprise when you see who actually voiced the characters. Kevin Conroy returned to voice Bruce Wayne / Batman and did a perfect job, as expected. Mark Hamill shined as The Joker once again. I just love that slight crack and the edge in Hamill’s voice – it is so appropriate for The Joker and I cannot imagine a different actor who could do this job. He performed the infamous memory monolog perfectly: it wasn’t too flashy but just the right amount of terror and intimidation. Tara Strong, who has plenty of voice work experience did a nice job bringing Barbara Gordon / Batgirl to life, while Ray Wise was also good Commissioner James Gordon, even though it is his only second voice role.

In short, Batman: The Killing Joke was a nice addition to the magnificent DC Animated Universe. It might not be the best feature of the franchise but it is definitely enjoyable. I would love to hear the thoughts of those who have read the comic – how does the film compare to it?

Rate: 3.5/5

Trailer: Batman: The Killing Joke

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Movie PREVIEW: Alice Through The Looking Glass

Movie previews

Hello!

Welcome to another movie preview, this time for a live-action fairytale sequel – Alice Through The Looking Glass. At first, I conceived the following passages as parts of the film review but then the draft became too long, so I decided to publish it separately. So, let’s discuss Tim Burton’s previous work as well as Alice’s story in various mediums.

Burton’s filmography

Tim Burton is known for working with certain actors again and again, including Helena Bonham Carter, Sacha Baron Coen, Alan Rickman and, of course, Johnny Depp (all of these actors will also be part of Alice 2). He is also one of the most distinct filmmakers/auteurs when it comes to style (which can only be described as cartoonish yet dark, cook-y, theatrical, over-the-top and plain weird). Let’s do single sentence reviews of his previous films:

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Edward Scissorhands (1990): a sweet love story (+), that explores people’s differences and our need for home (++), and stars Anthony Michael Hall in his most annoying role (-).

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Batman (1989) and Batman Returns (1992): Burton’s Batman and its sequel paved the way for the modern superhero movies (+). Although both films are full of 90s cliches, they are still enjoyable and fun to watch (-/+). Their mise-en-scene and style resemble the Gotham TV series, which, most likely, was inspired by Burton’s films (+). Speaking about acting, the role of Batman helped Keaton a lot and is still positively affecting his career to this day – Birdman would not have been that successful of a film without the real life similarities between the character and the actor (+).

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The Nightmare Before Christmas (1993) : Halloween/Christmas classic and a musical (+), a stop-motion animation – the hardest to create but the most spectacular to watch (++). I can’t believe that it wasn’t directed by Burton, only produced by him (!).
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Planet of the Apes (2001) : I watched this movie way too young and had a lot of nightmares afterwards (same with 1997’s Mars Attacks!) (-), nowadays, it doesn’t really stand up to rewatching (-), but at least this film’s lack of success inspired a great reboot franchise (+).

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Charlie and The Chocolate Factory (2005): childhood favorite (+), has a wide appeal –  who doesn’t love sweets? (++), and one of more colorful films by Burton (+++).

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Sweeney Todd: The Demon Barber of Fleet Street (2007): bloody musical – literally (+), Victorian gothic/steampunk-ish (++) and stars Jamie Campbell Bower – one of my favorite musicians/actors (+++).

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Big Eyes (2014): one of the most interesting biographical films when it comes to the subject matter (+), features amazing performances by Amy Adams and Christoph Waltz (++), and is also the most ‘normal’ film by Burton (+/-).

Alice in Wonderland: 1951 and 2010

1951’s Alice in Wonderland is a classic example of old school Disney: the movie has a simple story, runtime of a little over an hour, colorful hand-drawn graphics, catchy songs, talking animals (and plants) and tons of pure childish wonder.

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The 2010 version is way darker and much more adult. It’s also more modern in that the visuals were created with CGI. The story also received an update in a form of additional plotlines. Sadly, this did not make the movie better or more original. I can’t believe that the feature premiered 6 years ago and I also don’t understand how the Hollywood took so long to make the 2nd film, especially when the sequel’s sole purpose was/is to capitalize on the first film’s success a.k.a. the box office haul of 1 billion dollars. The only thing that I remember from the first movie is actually the theme song by Avril Lavigne. Don’t think that that’s a good thing.Alice_in_wonderland_poster_2_1_original1

Alice Through The Looking Glass

From the trailer, the movie seems fine – more of the same stuff that we saw in the first film, although the sequel seems even darker. I, once again, like the theme song from the trailer – White Rabbit by Pink. The inclusion of Sascha Baron Cohen is also an interesting choice – it reminds me of Scorsese’s Hugo. I really like Baron Cohen in theatrical roles like this one, but I can’t stand him in comedies like Bruno or Borat. Burton will only be producing Alice’s sequel, but his creative influences will definitely be felt. In September, Burton’s directorial work for 2016 – Miss Peregrine’s Home for Peculiar Children – will premiere

Books

Back in the 19th century, Lewis Carroll published two books about Alice:  Alice’s Adventures in Wonderland, its sequel Through the Looking-Glass. Although the movies share their names with the books, the motion pictures are not direct adaptations of these stories. Both films have taken bits and pieces from the two books while also adding some original material. As a child, I remember reading Carroll’s first story and I still have my edition of Alice in Wonderland.

What are your hopes for the film? Are you even going to see it? Is the market over-saturated with live-action fairytales?

Bye!

Movie PREVIEW: Batman v. Superman: Dawn of Justice 

Movie previews

Hello!

Nowadays, getting a new comic book movie every month is seen as normal development. Deadpool blew everyone’s minds back in February and March’s Batman v. Superman: Dawn of Justice hopefully has a lot to offer before Civil War starts in April and before Apocalypse rolls into theaters in May! Yeah, this is real life.

As with Star Wars, the hype for BvS is huge in the digital world. So, I decided to dedicate my 2nd ever movie PREVIEW to the long-awaited DC showdown. I will discuss the advertising campaign, the behind-the-scenes people, Man of Steel and DCCU. I will also tell you my hopes and expectations for the movie. Let’s go!

Marketing

While BvS’s marketing campaign is not as cool or unique as Deadpool’s, it is definitely equal to Deadpool’s in the quantity. I, personally, have seen way too many different teasers and trailers for this film. Some of them were very repetitive, while others – unnecessarily spoiler-y. I do wish that they would have given us more of footage of Wonder Woman, though.

Zack Snyder

Prior to the release of BvS, I spent a week familiarizing myself with Snyder’s previous filmography, especially the films that were based on the graphic novels. I started with 2009’s Watchmen– the film that divided and polarized the fandom. I quite enjoyed the film – it was a different and unique take on the superhero genre. It was simultaneously very realistic and extremely absurd and, also, dark and disturbing. In addition, I love stories that are set in alternative historical times/parallel universes, so Watchmen appealed to me in that aspect. The picture’s soundtrack was also interesting. The movie had a few problems with pacing and narrative clarity but it was definitely a great picture altogether. I also really want to read the original source material – the graphic novel by Alan Moore – because that book is regarded as one of the best (or even the best) graphic novel(s) of all time.

I then moved on to 300 and its sequel 300 Rise of an Empire. In short, I would describe 300 as sepia toned and noir-inspired panels of the graphic novel by Frank Miller that have come to live in zoomed-in/zoomed-out slow motion, while being narrated by a very deep voice (similar to Sin-City, whose story was also written by Miller (P.S. Snyder will also be using a lot of aspects of Miller’s The Dark Knight Returns in BvS)). I also imagine that 300 was Lena Headey’s audition for the role of Cersei in GOT, because she played a total bad-ass (more likable than Cersei, though).

300’s sequel was only produced by Snyder, but his ‘creative signature’ was very noticeable in that film. That movie wasn’t as good as its predecessor, but still enjoyable. I also watched Snyder’s attempt at animation – Legend of the Guardians: The Owls of Ga’Hoole – it was a delightful and visually stunning animated feature.

I also liked what Snyder did with Man of Steel and I am interested to see what will he do with BvS. I also wonder will he be able to top himself in the Justice League movies – he is set to direct both parts.

BvS Cast

Both Batman and Superman have a long cinematic history, which I am not really familiar with. The Batman that I grew up with was played Christian Bale in Nolan’s trilogy (not a bad Batman to grow up with, in my opinion). Because of this, I felt kinda weird when Ben Affleck was cast in this iconic role. I wasn’t one of the naysayers, but I wasn’t that excited as well. Although, I did always believe that Affleck could give us an amazing performance and he kinda proved that already – he looks awesome in the costume and plays the older, more rugged Batman very well (at least in the trailers).

On the other hand, Superman of my childhood/youth has always been the one played by Henry Cavill, so I don’t really have anyone to compare him with. To me, he is the Superman and I do like him in the role.

Finally, Gal Gadot as Wonder Woman was even bigger and more baffling surprise than ‘Batfleck’. I have never seen her in a serious role – she has always played  oversexualized characters that are not taken seriously, and there is nothing wrong with that. Nevertheless, I am putting all my faith in Gal Gadot and I believe that she will be able to bring the Amazonian Warrior to live on the big screen and will stun us all.

DC v Marvel

Marvel was the company that introduced me to the comic books as well as comic book movies. However, DC popped up on my radar with their comic book TV shows. I don’t think that I would be able to pick one side over the next. I love Marvel films but Arrow, The Flash and Legends of Tommorrow are my favorite TV shows (although, Netflix Marvel shows are threatening to overtake them). In the end, I do sincerely hope that both MCU and DCCU films will be amazing and financially successful. Both studios are releasing films about superhero in-fitting, so we don’t need more fighting between the actual studios – let’s not carry fictional stories into reality.

DCCU and Man of Steel

Man of Steel was, of course, was the film that started the, then non-existent, DC Cinematic Universe. Back when Man of Steel came out, I wasn’t a big fan of comic book movies and I didn’t pay much attention to them, so I treated the new Superman flick as an ordinary action movie. Surprisingly, I did enjoy it – it wasn’t perfect but it was completely fine. However, when I realized that comic book movies can be serious yet still fun and awesome (Winter Soldier basically changed my mind on this genre), Man of Steel did look kinda bad when compared to other films on the market. When DC announced that they will start their own cinematic universe, I questioned whether it was a good decision to start a film universe with an okay or less-than-okay film. If we look at MCU, the first film of that franchise is Iron Man – arguably (by some) the best film in the MCU to date.

However, Warner Bross earned my respect and trust, when they deliberately acknowledged the faults of Man of Steel when moving forward, meaning that the things that irritated everyone in that film are and will be the main source of the cinematic conflict going forward. It might have been an unplanned decision, but it somehow worked – the luckiest accident in the film business.

WB has also released their schedule for DCCU movies going forward:

  • Suicide Squad  – August 5, 2016
  • Wonder Woman –  June 2, 2017
  • Justice League Part One – November 17, 2017
  • The Flash –  March 16, 2018
  • Aquaman –  July 27, 2018
  • Shazam – April 5, 2019
  • Justice League Part Two –  June 14, 2019
  • Cyborg – April 3, 2020
  • Green Lantern Corps – June 19, 2020

I am the most excited about the next two films that follow BvS, because

  1. Suicide Squad’s trailers and casting choices were awesome
  2. Wonder Woman is one of my favorite characters and I can’t wait to see her in BvS. She will also be the first titular female lead in a comic book movie in a while.

I don’t know whether it was a good idea to announce movies 4-5 years into the future. The element of surprise has been lost, however, at the same time, the fans can now get hyped about more films. I wonder whether this hype won’t be lost in a few years – imagine being excited for a film for 4 years? Wouldn’t that be tiring? Yet again, Star Wars fans have been waiting for a sequel to the original trilogy  for more than 30 years and the hysteria surrounding The Force Awakens was unbelievable in its size. In conclusion, I have no idea what the future holds for the genre of the superhero movies.

And speaking about the close future aka the movie that will be released on Friday: as you can probably tell from this post and your general time on the Internet, WB doesn’t have that good of a track record when it comes to DC movies. However, I want to keep an open-mind and I don’t want to prejudge BvS. At the same time, I don’t want to set my expectations too low. Basically, the balance of expectations is the key in this case. Nevertheless, BvS can’t be just a balanced or a mediocre movie: it will either break or make the DCCU and this weekend will decide that.

As with Star Wars preview post, I will show you my #OOTD or outfit of the BvS premiere day. It’s nothing special – I wish I knew how to do cosplay properly, had the money and the time and was brave enough to do it. It’s just a T-Shirt that I found in Primark. I decided against picking a side, so I’m representing the 3rd party of the BvS conflict – Wonder Woman.

This post turned out to be much longer than I expected. I am so happy that I did not try to include all of these ideas and thoughts into the main review, because that review, I imagine, will be long enough on its own. I am seeing the movie on Saturday – 26th of March – and my review will be posted the same day. Goodbye!

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