5 ideas about a movie: Every Day

Movie reviews

Hello!

Before watching Avengers: Infinity War, I checked out a smaller YA movie, so that my series of recent YA reviews could continue. This is Every Day!

IMDb summary: A shy teenager falls for someone who transforms into another person every day.

Previous recent YA movies I’ve discussed are linked here: Status Update, Love, Simon, Midnight Sun, Blockers.

  1. After watching a fair few of YA movies recently, I’ve sort of realized that they don’t deserve all of the bad-ish rap that they are getting. Not all YA movies are created equal, similarly to how all other films, which aren’t overtly targeted to a specific demographic, are not all good. And while Every Day isn’t the best picture out there, it is certainly not bad and has some new and modern concepts to offer.
  2. Every Day was written by Jesse Andrews (the author of Me and Earl and the Dying Girl), based on the book of the same name by a well known YA writer David Levithan, and directed by Michael Sucsy (who did 2012’s Rachel McAdams romantic drama The Vow). Its premise was either stupid or genius: stupid in that one needed a lot of suspension of disbelief to take the movie seriously but genius because it led to some neat and very 21st-century topics.
  3. I adored Every Day’s take on the trope of the romantic lead and how they could be literally anyone in this movie. Flipped the genre on its head (do any of my readers listen to The Weekly Planet? If yes, I sincerely hope you got that reference). Anyways, I loved how the movie portrayed both identity and sexuality as fluid and asked whether one falls in love with the inner or outer identity.
  4. From the directing standpoint, the movie was fine. It was slow like the majority of romantic dramas and had some neat pop songs like a lot of young adult teen movies do.
  5. The lead of the film was played by Angourie Rice, who some of you may know from an underappreciated comedy The Nice Guys or Sofia Coppola’s The Beguiled. The different romantic interests were played by a whole bunch of actors, some better known than others, like Spider-Man Homecoming’s Jacob Batalon and Paper Towns’ Justice Smith. Debby Ryan also appeared as a sister of the main character – haven’t seen that actress in a project since forever.

In short, Every Day is a very contemporary YA picture that should be given at least a chance.

Rate: 3.5/5

Trailer: Every Day trailer

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Movie review: Thoroughbreds

Movie reviews

Hello!

And welcome to a review of a movie that enthralled me just with its name. This is Thoroughbreds.

IMDb summary: Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.

Writing

Thoroughbreds was written by the director Cory Finley. I have seen this movie described as an ‘update on the teen thriller genre’. Even though that sounds like a positive description, I would like to completely bypass the teen genre denomination, as, while the movie is about two teens, its writing is so much more than the writing for just a teen movie. It’s entirely something else.

Thoroughbreds plot revolves around two girls that set off on a mission. But these girls are not just random teenagers: they come from a privileged background that has damaged them. One of them has no emotions, the other controls hers until she doesn’t. And their mission is not a fun adventure but a quest that showcases human capacity and will for violence. It really doesn’t paint the best picture of humanity, especially the supposed best of the best of humanity, also known as the rich upper class. It also doesn’t paint the best picture of people’s understanding of human emotion, as lack of it is always seen as an issue, a deficiency, a mental illness. On the other hand, it does portray the idea of sympathy as a rare phenomenon in modern society very accurately.

Hints (or more than just hints) to the characters being psychopaths are also in the film, as they don’t seem to process human relationships in a healthy way. While the stepfather does appear abusive and not the nicest man, the killing of him is far from justified. It’s only justified in the character’s mind as the reclaiming of control. Finley’s script doesn’t need to reclaim controls as it never lets it go. The narrative is tight and doesn’t have any unnecessary details, while no line of the dialogue feels out of place. All the statements are sharp and to the point but still somewhat natural and realistic sounding. And that name, the thing that first peaked my interest, is perfect. Not only does it captures the privileged nature of the characters (horseriding is a stereotypically popular activity among the upper class), but also showcases how that privilege damages them (children are bred like animals rather than cared for through human connection).

Directing

Thoroughbreds was a directorial debut by Cory Finley and want a brilliant one it was. He took the idea of control from the script and applied it to the whole story, making it tight and controlled. It was brought to life through forceful but contained visuals and cinematography. Restrain was, most likely, encouraged in the actors’ performances too. One part of the movie that is allowed to be a bit less controlled but is still incredibly focused and powerful is the score. It’s unsettling and keeps the tension and suspension all throughout the runtime. Finley’s debut thriller-drama was just so damn good. I have no idea why it is being billed as comedy as there is nothing particularly funny about it, maybe only in ‘this is so morbid, I have to laugh’ kinda way.

Acting

Olivia Cooke (Ready Player One) and Anya Taylor-Joy (Split, soon The New Mutants) were absolutely brilliant in the picture. Their performances were top notch and extremely strong in a subtle way. Cooke’s character’s emotionlessness and Taylor-Joy’s characters privilege and porcelain-like stature were portrayed with such sophistication. Can’t wait to see more from them!

This movie also featured one of the final performances by Anton Yelchin (Star Trek Beyond). Seeing him on screen was a bittersweet moment. It’s such a shame that we have lost an incredibly talented actor at such a young age. His role here was really interesting: his drug dealer character unexpectedly became the one nice person in the film, who received all of the viewers, at least all of my, sympathy.

In short, Thoroughbreds is a fantastic thriller about control (the concept permeates all aspects of the film) and an incredibly promising directorial debut from a new voice in Tinseltown.

Rate: 4.25/5

Trailer: Thoroughbreds trailer

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5 ideas about a movie: Midnight Sun

Movie reviews

Hello!

Welcome to a review of another YA movie. This time around, it’s Midnight Sun.

IMDb summary: A 17-year-old girl suffers from a condition that prevents her from being out in the sunlight.

  1. Midnight Sun was written by Eric Kirsten and directed by Scott Speer (whose previous teen dramedy – Status Update – came out only around a month ago). It’s actually a remake of a Japanese film Song to the Sun. Yes, foreign YA movies are joining foreign actioners and thrillers as the second genre that Hollywood loves to reboot. In general, I have noticed that my enjoyment of teen/YA pictures depends as much on their quality as on my personal psychological state when watching them. My state was neutral today, so the movie seemed okay too. I definitely rolled my eyes as many times as I genuinely smiled.
  2. Thematically, this movie was similar to Everything Everything in that both of them had a sick girl in the lead. However, while that movie had a twist that led to a happy ending, Midnight Sun had a ballsier ending closer to that of Me Before You. I swear I watch too many movies cause my reviews are literally just me commenting on movies using other films. Anyways, there were a lot of things to love in the script of this film. The portrayal of teenage life was accurate, while the girl’s awkwardness when talking to her crush – incredibly relatable. It was also awesome to see such an open and loving father-daughter relationship on screen. The ultimate message to live life was either cheesy, inspirational or both.
  3. My two main dislikes in the writing were the fact that the girl’s choice not to tell her boyfriend that she was sick seemed like a cheap trick to build conflict rather than a profound and important decision. Similarly, on the character development front, the movie didn’t practice what it preached. The film’s message was that people shouldn’t be defined by one thing, like a sickness or a sport. However, the movie kinda went against that message because it didn’t give its characters much more than just that one defining feature. The main girl got a dead mom and a passion for music so that’s something, but the guy was just a swimmer. Basically, one more rewrite of the script to flesh out these details might have been beneficial.
  4. Bella Thorne played the lead girl in the film and did a good job. I found her dramatic performance quite believable. She also did a good job with the signing even though I don’t think that her voice is that good. Charlie’s Song was a really a lovely pop track. Rob Riggle was also really great as the father. He had one excellent speech that he nailed.
  5. Patrick Schwarzenegger, the son of Arnold Schwarzenegger played the romantic lead and was also fine. The fact that his character was a swimmer made the movie 10 times more enjoyable for me, as a someone who hasn’t left the pool since she was 7 (that’s 14 years in the water). Though, I did chuckle seeing him swimming in those couple of scenes. Not only wouldn’t he get into Berkeley with that, I don’t think a Division III school would even accept him. But, I guess, that’s just a personal gripe – the same one that, for example, actual doctors have when watching the cinematic versions of medical procedures.

In short, Midnight Sun was a perfectly fine YA drama. I have been watching quite a few of those lately and this one was certainly not the worst.

Rate: 3/5

Trailer: Midnight Sun trailer

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Movie review: Love, Simon

Movie reviews

Hello!

Welcome to a review of a gay teen romance that made a straight adult believe in love again. I’m kidding. But also, not really. Anyways, this is Love, Simon!

IMDb summary: Simon Spier keeps a huge secret from his family, his friends, and all of his classmates: he’s gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.

Writing

Love, Simon was written by Isaac Aptaker and Elizabeth Berger (the showrunners of This is Us), based on the book ‘Simon vs. the Homo Sapiens Agenda’ (amazing title, tbh) by Becky Albertalli. I like to think (and pretend) that with me getting older, my tastes are changing and maturing. While that is true to some extent, I’m also very prone to living in the past, so, even though I’m close to finishing university, nothing pleases me more than a trip down memory lane into my high-school years. Thus, I’ll take a high school teen movie any day of the week. From that whole nonsensical babble, you can probably guess that I loved (pun, very much, intended) Love, Simon. Also, I haven’t read the book prior to seeing the movie, so I can’t comment on any plot or character changes. I will say this: the movie definitely made me want to read the book.

So, to begin with, I loved the mix of old teen movie tropes and new contemporary ideas in the writing of the movie. I absolutely loved the message concerning identity – whether related to sexuality or not – and how the reveal of one’s identity is always a scary thing, even when it will probably be accepted. Still, I wish the movie underscored a bit more the fact that the reaction to Simon’s coming out was a borderline, best case scenario. And yet, this movie was more focused on an individual story rather than on broader social issues, so maybe it should not be penalized for not addressing the bigger problems? Maybe its goal was to just tell a love story rather than to make a political statement (let’s leave political statements for Moonlight or Call Me By Your Name?).

And that love story was great. It felt real and heartfelt, but also quite sappy. And why shouldn’t it be sappy? Why hetero-normative stories can be allowed to be so sickly sweet romantic and gay ones not? Everyone deserves a great love story and the movie not only tells that but does it too. Still, while that whole love story was all cute and escapist on screen, please be careful when meeting people online. Catfish situations are plentiful in the real world.

Anyways, going back to talking about the treatment of identity in the movie, this time in relation to the specific identity of a gay teen – I loved how the movie both played into the stereotype but also subverted it. Love, Simon was great at showcasing that one’s sexuality need not be the defining factor of one’s identity and, let alone, whole life. I highly appreciated the film’s underlying focus on the fact that nothing has to change just because somebody comes out as gay. I also really liked the fact that, while the script made the viewers relate to and understand the lead Simon, it also did not over-idealize him. Simon still had flaws and hurt other people and his actions should not be excused just because he had a secret. They should be excused because he was human, like all of us.

Lastly, while Love, Simon had some nice messages about identity and some adorable romantic moments, it also had some great instances of humor. A lot of the jokes and situation were cringe-y and awkward (and very teen appropriate). However, an equal amount of jokes were genuinely laugh-out-loud funny.

Directing

Love, Simon was directed by Greg Berlanti – the master of the DC TV’s Arrowverse as well as the writer/producer of the beloved teen shows like Dawson’s Creek and, more recently, Riverdale. I thought that he did quite a good job with his 3rd feature film that he directed (it has been 8 years since the last one). Berlanti himself is gay but I don’t want to assume that his personal experiences anyway impacted his decision to direct this film.

No matter the reasons, he did a great job. Love, Simon was a well-paced dramedy, with a good mix of lighter comedic moments and deeper emotional scenes. The cinematography and camera work were also both good – typical of a mainstream drama, though some overhead shots were pretty neat and unique. The production/set design was great too. I loved the design of Simon’s room as well as that whole dream sequence about him being gay in college. The soundtrack was lovely too. I loved the final song ‘Wild heart’ by Bleachers.

Acting

Love, Simon’s cast consisted of up-and-coming talent that you might have seen in other films/TV shows aimed at younger (and not only) audiences. The lead was played by Nick Robinson (who was absolutely amazing in this film – real and relatable) who you might remember from Jurassic World but also another YA adaptation Everything, Everything. His friend group consisted of 13 Reasons Why Katherine Langford, X-Men: Apocalypse’s Alexandra Shipp, and Jorge Lendeborg Jr. (who had a tiny role in Spider-Man: Homecoming). Keiynan Lonsdale (known by a lot of fans of Berlanti’s work as the Kid Flash on The Flash) and Miles Heizer (also of 13 Reason Why but Nerve too – another modern teen movie) also had small roles in the film.

On the adult front, Josh Duhamel (Transformers 5) and Jennifer Garner played Simon’s parents and had a couple of heartfelt and a couple of funny scenes concerning modern parenting. Tony Hale (weirdly, also from Transformers, but also Veep which I really need to watch) and Natasha Rothwell played the vice-principal and the drama teacher, respectively, and were sort of cartoonish. Their jokes went too far at times but they still somehow worked in the context of the movie.

In short, Love, Simon was a great teen dramedy that had the timeless appeal of a John Hughes’ film and the representation of the modern times!

Rate: 4.5/5

Trailer: Love, Simon trailer

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Movie review: Lady Bird

Movie reviews

Hello!

Welcome to the review of the best tomato (once) in the movie business. This is Lady Bird.

IMDb summary: In 2002, an artistically inclined seventeen-year-old girl comes of age in Sacramento, California.

Greta Gerwig

Lady Bird was written and directed by Greta Gerwig – an actress-turned-writer, now also a director (this film was her directorial debut). The ‘tomato’ line in the opening of this review, of course, refers to the fact that this movie was once the best-reviewed movie on Rotten Tomatoes (it has now fallen to 99% from the initial 100%). While it was certainly a great film, I, personally, didn’t think that it was as unique or out of the ordinary as everyone hailed it to be (spoiler alert: I think I change my mind by the end of this review).

Writing

Lady Bird’s story was a personal coming of age tale. While some of the details of the plot were very interesting and quite extraordinary, at its core, the movie’s plot was quite conventional. And there is nothing wrong with that! Nowadays, very rarely do we see completely original films. Likewise, movies that take something familiar and update it (like Lady Bird did) are rare too and should be celebrated! Still, I don’t think that they should be over-complimented just to make a statement.

Anyways, by being a coming of age tale, Lady Bird mostly focused on the perils of growing up and maturing. It looked at high-school drama but not in a cheesy way: the school/friend/boyfriend problems were treated with utmost importance, as they would be regarded from a teenage girl’s perspective when one’s whole life is high school. Those scenes felt really heartfelt rather than cheap and shallow, even if some of them were intended to be humorous (like, the theatre activities that were so fun to watch). I also appreciated how real the scenes looked – Lady Bird’s reaction to her first kiss was just perfect and highly relatable. A few of the scenes were a bit cringe-y as well but that was also very true to a life of a teenager.

Thematically, the movie: hinted at exploration of sexuality; looked at the experience of having a crush on a teacher; explored ideas relating to one’s identity (rebelling, trying to get in with the ‘cool kids’, realizing who you really are, etc.); examined friendship and relationships (first steps into dating), and suggested ideas relating to potential mental illnesses. Basically, the movie covered all the grounds of teenage experience through either the main or the supporting characters.

A crucial part of coming of age for everyone has always been one’s relationship with their parents. Lady Bird mostly centered on the mother-daughter relationship and explored it quite successfully. However, I have seen this movie celebrated for showing the mother’s perspective – I, personally, didn’t think that the mother character had nearly enough scenes, especially, solo ones, to truly say that this movie treated her POV as equal to her daughter’s POV. Anyways, I still believe that the relationship itself (when not arguing about the POVs) was portrayed extremely well: as both passive aggressive but, ultimately, loving. Essentially, a mirror image of me and my mom 7-8 years ago. I also really loved the film’s message that love is attention – that was quite a heartwarming takeaway for the viewers.

The movie also explored the importance of a location of one’s youth. For Gerwig herself and for Christine that was Sacramento. A lovely but maybe overtly idyllic place, which certainly was far from the worst place in America, but, I guess to each their own. The film, ultimately, was either intentional or unintentional love letter to Sacramento, California. Another autobiographical aspect of Lady Bird’s story was the character’s somewhat religious upbringing. The whole idea of a Catholic school seemed quite bizarre to me but I did appreciate the fact that the movie noted that religion is not something one can be forced into but, rather, something that a person has to discover by themselves (as Christine rediscovered it in college, when she had the freedom of choice).

Directing

I highly enjoyed the visualization of the teenage experience in this film, which mostly occurred through the costumes and the set design. The uniqueness of the main character was perfectly portrayed through her hair and the changes she made to the uniform. I also loved the thrifting scenes: they not only showed her unique style but captured her family’s station in life too (and stressed the importance of keeping up the image even in poverty). I also loved Lady Bird’s room: it looked so eclectic and really reminded me of my bedroom as a teenager. The scenes of her painting over all the things on her walls really signaled her growth. I’m older than Lady Bird was supposed to be in this film and I’m definitely not even close to that stage in life, as my bedroom walls’ look even messier and more confused than they did when I was a teen. Another signal of the character’s growth was her decision to change her name back to Christine. And yet, the movie also ended ambiguously and noted that she still has a lot of work to do on her identity, as she still lied about where she was from and wasn’t yet fully comfortable with who she is/was. Are we ever really are?

On a final note, Lady Bird was a fairly slow movie but it was also really short – one of the shortest awards movies for sure. I sometimes really appreciate films that manage to tell tight stories and to say everything they need to say in 90 minutes without making the pictures themselves feel rushed. And Lady Bird definitely did that!

Acting

Saoirse Ronan was delightful to watch in the film and I completely bought her as a teenager. Her American accent was also extremely convincing. I also loved the overall deep emotional quality of her performance: she didn’t have a lot of flashy scenes but she didn’t need them to be absolutely brilliant in the picture. Her involvement in this movie also made me recall another coming of age tale of hers – Brooklyn– through the character in that picture was completely different (Ronan certainly has the range).

Laurie Metcalf played Christine’s mother and did a great job. Her performance was ‘quietly good’ rather than super explosive, like Janney’s one in I, Tonya. I believe that Metcalf will be unfairly overlooked in the supporting actress category due to the quietness or the subtlety of her performance, when being evaluated against more ‘out there’ performances like Janney’s, a.k.a. I don’t think her nomination will lead to a win.

On the supporting front, the two love interests of the titular character were played by two young actors, who are already awards’ voters’ favorites (and deservedly so). Lucas Hedges (from Manchester by the Sea last year and Three Billboards Outside Ebbing, Missouri this year) had a small role in this film, while Timothee Chalamet (the breakout star from Call Me By Your Name) was also on the cast list and proved that he can play a heterosexual romantic lead as well as a homosexual one.

In short, I started this review with a statement that I didn’t think that Lady Bird was that exceptional but I do think that I fell in love with this movie all over again by writing the paragraphs that followed the said statement. And I’m not going to change the intro declaration because this review, like Lady Bird’s and all our lives, are all works in progress.

Rate: 4.5/5

Trailer: Lady Bird trailer

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5 ideas about a movie: Status Update

Movie reviews

Hello!

Welcome to a review of a movie you haven’t heard of. This is Status Update – a clear example of what the critics (or angry online commentators) mean when they describe something as ‘millennial’.

IMDb summary: Ross Lynch stars as Kyle Moore, a teenager who after being uprooted by his parents’ separation and unable to fit into his new hometown, stumbles upon a magical app that causes his social media updates to come true.

  1. Status Update was written Jason Filardi (he wrote 17 Again) and directed by a music video director Scott Speer (who also did the last two Step Up movies and the upcoming Midnight Sun). I knew (and didn’t mind) the previous works of the duo, so I’ve had certain expectations about this film beforehand. And… it was exactly what I thought it’d be  – a typical teen dramedy with cringe-y and cool moments in an equal measure.
  2. Status Update tried being super contemporary by focusing on the impact of social media (Nerve did that more than a year ago too) and the fictional app the Universe. While the said app was really nonsensical (magic and technology rarely work together), it did have a smart thematical concept. At its core, the Universe was all about wishful thinking or imagining the best version of one’s life. And while that isn’t a healthy practice, it is also one that all people have partaken in at least once in their life. I know that I have certainly imagined quite a few ‘what if’ versions of my own life. Relating to that, I also appreciated the fact that the movie asked the question ‘who is the real you?’. Is it your social media-self or your real-world self? In the past, I had a definite answer to this question, but now, the answer is becoming harder and harder to find.
  3. While Status Update did some new things, it also heavily relied on the good old teen movie cliches. It had some really cringe-y and on-the-nose dialogue; a lot of jokes that didn’t land; and some walking caricatures for its characters (that phone guy was so annoying). It also attempted to present a diverse high school but really fell flat in its representation of a gay student (hopefully, Love, Simon fixes the trend of awful or non-existent LGBTQ+ representation).
  4. From the directing point of view, Status Update was fine. It was relatively short and the pacing was okay. It was also more musical-esque than I expected (thus, it kinda reminded me of High School Musical, which is not a bad thing to resemble, in my book). It also did look like a TV movie that could have aired on Disney Channel/Nickelodeon/Freeform/The CW. Lastly, more as a side note, I really do wonder whether anybody will remember contemporary teen movies fondly in about 30 years time, similarly to how now people feel nostalgic towards the teen films from the 1980s, like the whole filmography of John Hughes.
  5. Status Update’s cast consisted of mostly Disney Channel alumni: Ross Lynch (of Austin & Ally and Teen Beach moviesand Olivia Holt (of Kickin’ ItGirl vs. Monster, and I Didn’t Do It) played the leads. Although I have been a fan of the Disney Channel in the past, I haven’t really been keeping up with it lately (except Descendants) thus, I didn’t know any of the actors. I feel like they are from a later generation of Disney TV (not the generation of HSM, Hannah Montana, Wizards of Waverly Place, or Suite Life). The only actor I knew was Greg Sulkin who has been playing this type of a role for years now: he should really move on. Though, typecasting is a hard thing to escape from. Pitch Perfect’s John Michael Higgins also had a role in the movie, not too dissimilar from the one in the acapella trilogy. 

In short, Status Update made me roll my eyes as much as it made me smile. I don’t think it’s necessarily a cinema admission worthy movie but it’s certainly a great Netflix/background for chores film.

Rate: 3.2/5

Trailer: Status Update trailer

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Movie review: The Maze Runner + book

Movie reviews

Hi!

Today, I went to the early screening of The Maze Runner because I am in love with the book series by James Dashner and I couldn’t wait for the movie. I was really happy with the casting choices but more about that later.

Let’s start with the summary: When Thomas wakes up trapped in a massive maze with a group of other boys, he has no memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing together fragments of his past with clues he discovers in the maze, can Thomas hope to uncover his true purpose and a way to escape? – Written by 20th Century Fox

The first book in The Maze Runner series came out in 2007 and the two sequels The Scorch Trials and The Death Cure in 2010 and 2011 respectively.  The prequel for the series The Kill Order was published in 2012. I have heard about these books a couple of years ago but, just when I got the news that they are making the movie with Dylan O’Brien, I decided to read them. It took me just a week to fly through all 4 books. I love this particular genre – dystopian science fiction – and a lot of people do too. Some readers state that The Hunger Games started this new phase in young adult’s literature and all other series are just copying THG. I can agree with them only partly. Of course, THG added to the overall success of the dystopian genre, but, for example, the first book in The Maze Runner series was published a year before THG came to the bookstores. Also, I personally don’t care if these books have similar premise – if they weren’t fresh and exciting for me, I would not read them. Other similar books: Divergent, Uglies, Delirium, The Giver, Gone.

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But back to The Maze Runner. I loved the characters of the books and I believe that they made perfect casting choices. Dylan O’Brien was perfect Thomas, Thomas Sangster – Newt to the point (By the way, I am a huge Teen Wolf and Game of Thrones fan so I was familiar with the work these actors have done. If you haven’t seen any Dylan’s movies, I suggest you watch The First Time – you will laugh and cry all the time) and Ki Hong Lee – was a real life Minho. Plus, Will Poulter portrayed Gally, the first enemy of Thomas, superbly and Aml Ammen did a good job as Alby. Special props go to Blake Cooper who played the most annoying but the most loveable character – Chuck. The only casting choice I wasn’t particularly excited about was Teresa – Kaya Scodelario did a good job but didn’t blow me away. Strange, how I love the entire male cast and feel kind of shaky about the only girl in the group? This shows that if the movie is dominated by one gender that doesn’t mean that just that gender will go to see it.

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First of all, let’s acknowledge book to movie changes: There were quite a few changes in locations, appearance of some stuff and even in the overall plot. However, these changes were small and not critical. They basically added more action (CGI and color palette looked great). I didn’t mind these changes because I had already learned to enjoy the book and the movie separately. I read the book before I go to the film because I like to be familiar with the characters and the setting of the story but not to know what will happen to the smallest detail. I might imagine the story in one way while the director has his own imagination. And the character or plot point changes are just another interpretation of the same story.

At first, I was enjoying the movie but not loving it completely. But as it went on, it got better and better and belter. I didn’t want it to end. I hope that it will deliver in the box office and that we will get the 2ND movie because The Scorch Trials is my favorite book in the series.

Trailer: The Maze Runner Trailer

Rate 5/5

UPDATE: The Scorch Trials got a release date – September 18st, 2015 !!!

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Collection: Nail polishes

Beauty&Fashion

Hello everybody!

It is a beautiful Sunday morning were I live and for this week’s beauty post I decided to share with you my nail polish collection that I have collected over a couple of years time. By any means, I am not trying to show off, just trying to help you find colors or textures you might be looking for, or some new brands to try out. Most of my nail polishes are from Lithuanian brand BUK, but my favorite company is MAYBELLINE and they COLORAMA line. I store all my nail polishes in a little box which is always standing on my computer/work table.  My computer table is my dressing/vanity/makeup table at the same time because it is huge. Multi-table-ing. 😀

List of nail polishes (you will find the photos of the bottles and samples of colors in the gallery):

1. AVON nail wear pro romance G021
2. BUK 72
3. Flormar pretty P22 42
4. Nail system 377
5. Golden Rose 42
6. BUK 24
7. LOTUS EFFECT 55K
8. LOTUS EFFECT 33G
9. Sincero CRACK nail polish in color black
10. Maybelline NY COLORAMA 91
11. Maybelline NY COLORAMA 86
12. Maybelline NY COLORAMA 651
13. BUK 8
14. BUK Skydance G2
15. Nail polish Tear HD 20
16. UMA cosmetics duo nail polish black + sparkly pink
17. BUK 2
18. BUK vie-vien 9
19. Nail system 331
20. Rimmel London 60 seconds 240 True star
21. BUK vie-vien 2

I did not take separate pictures or included my top coat in this list but it is from Nail system CARE line. I usually do my nail art with the help of a toothpick but I also have some art deco nail polishes with a special narrow brush. They are a great measure to paint small intricate details on the nails.

I hope you liked this post, see you next week!