5 ideas about a movie: Downsizing

Movie reviews

Hello!

Welcome to January – the month of great awards movies and awful mainstream ones. I don’t know how many reviews of the latter I’m going to be posting but you can be sure that the awards’ film reviews will be plentiful. For example, you are reading one now – this is Downsizing.

IMDb summary: A social satire in which a man realizes he would have a better life if he were to shrink himself to five inches tall, allowing him to live in wealth and splendor.

  1. Downsizing was written and directed by Alexander Payne (of The Descendants and Nebraska). Payne’s long-time collaborator Jim Taylor was also credited as a writer and a producer. To begin with, I thought that these two filmmakers had a genius premise for a movie. I haven’t really seen a social satire that tackled overpopulation as the main problem and definitely haven’t seen a film that had such a cheeky yet somehow believable solution to the problem. The opening sequence of the film was really good – it effectively set up the idea of downsizing as well as it global outreach – I instantly started to believe in the world of the movie. Then, the picture flashed to its main character and that’s where the problems started to arise.
  2. While I don’t necessarily think that the main character was bad, I do strongly believe that the story of the main character was too simplistic (for such an incredible premise, the narrative should have been more unique too). The wife’s decision to leave the husband was such a cliche way to create conflict. The fact that the movie started with one love story and ended with another was not the best decision either because by focusing so much on the romance, Downsizing forgot to explore a multitude of concepts that it introduced.  I wanted less predictability and more time spent on the economic, political, and social implications of downsizing; the abuse of the new technology (cause there always is a darker side behind a shiny billboard), and just the problem of overpopulation itself.
  3. Alexander Payne did a good job directing Downsizing. He realized the world of the story well and visually blended the small and the big worlds almost seamlessly (those visuals had a surrealist feeling to them which was interesting). In addition, Downsizing was billed as a comedy, and, while there were certainly some chucklesome moments, the film definitely wasn’t a laugh-out-loud type of a comedy. My favorite visual (as well as narrative) sequence was the prep for and the actual procedure of downsizing. As I’ve mentioned in the previous part, I wanted to see more of it rather than the love story.
  4. Matt Damon (The Martian, Jason Bourne, The Great Wall) played the lead and was good, but I don’t think that this role will result in any awards’ nominations let alone wins (it’s zero for two for Damon this season as Suburbicon was panned by the critics). Christoph Waltz (Tarzan, Spectre, Tulip Fever) was fun to watch as he was playing an eccentric and creepy character – one straight out of Waltz’s wheelhouse. Kristen Wiig (mother!, Ghostbusters) and Jason Sudeikis had very minor roles but they were great in those and proved to me that I definitely prefer seeing these two actors in more dramatic roles rather in their full-on comedic ones.
  5. The stand-out from the cast, who deservedly is getting all the awards’ recognition for this film was Hong Chau. While her character first appeared to be a comedic stereotype (mostly because of the broken English aspect), she was so much more than that. Chau’s performance was compelling and emotional, innocent yet sophisticated. I’d love to see her winning an Oscar as well as getting more opportunities in Hollywood (she has previously appeared on Big Little Lies and in the picture Inherent Vice).

In short, Downsizing wastes an amazingly original concept on a predictable love story. The cast is good overall but the standout is definitely Hong Chau.

Rate: 3.5/5

Trailer: Downsizing trailer

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2017: 100 Book Challenge

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Hello!

Welcome to another 2017 round-up post. I’ve already done a post about my favorite and least favorite movies of the 2017 and now it is time for my list of book for this year. I don’ really post about books on this blog (I write short comments about them on Instagram as @sharingshelves) but since a lot of the books I’ve read are movie related (novels and comics that are adapted into films or non-fiction works about movies), I thought that some of you might be interested in my suggestions/recommendations. Also, I wasn’t planning on repeating the challenge but I managed to finish 100 books again this year (did the same in 2016). I have to promise myself that I’m not even going to attempt to read this many books next year, as when I have a certain numerical goal in mind, the reading experience does become more about quantity than quality.

Before I give you the list, here are a couple of general notes about it:
• From the 100 books this year, 10 were in Lithuanian (my native language) and 90 in English – I’m reading less and less in my native language every year.
• Most popular authors were Galbraith/Rowling for novels and Ennis, Bendis, and Snyder for comic books.
• I’ve read more graphic novels this year but fewer non-fiction books. My most often read comic book characters were Batman and Wonder Woman.
• I didn’t do an author break down by nationality but a general overview is this – I mostly read books by English-speakers. I didn’t even read a single book by a Lithuanian author (one by an author of Lithuanian descent was on the list, though).
• I’ve read mostly stand-alone books this year: if we’are not counting the comic book series, I’ve only read one full novel series.
• The 20th and 21st-century books were my most preferred for leisure reading, while for my English course, I’ve jumped around all time periods, but mostly focused on the literature of the 19th century.

Anyways, here is my list of books divided into the different genres. In every part, I’ve highlighted a couple of my favorites! I have also linked some movie reviews next to the relevant books. Enjoy!

Non-fiction:

  1. S. Cain – ‘Quiet: The Power of the Introverts in a World That Can’t Stop Talking’
  2. W. Isaacson – ‘Steve Jobs’ (adapted to film)
  3. R. Roll – ‘Finding Ultra’
  4. P. Pfitzinger and S.Douglas – ‘Advanced Marathoning’
  5. F. Hufton – ‘Running: How To Get Started’

Fiction:

  1. D. Brown – ‘Digital Fortress’
  2. M. Zusak – ‘The Book Thief’
  3. W. Carther – ‘Death Comes For The Archbishop’
  4. Z. N. Hurston – ‘Their Eyes Were Watching God’
  5. N. Gaiman – ‘American Gods’
  6. N. Gaiman – ‘The Ocean at the End of the Lane’
  7. S. Meyer – ‘ The Chemist’
  8. A. Huxley – ‘Brave New World’
  9. A. Huxley – ‘Island: a novel’
  10. I. Welsh – ‘Trainspotting’ (adapted to film)
  11. J. Moyes – ‘ The Girl You Left Behind’
  12. L. Groff – ‘Fates and Furies’
  13. R. Galbraith – The Cuckoo’s Calling’
  14. R. Galbraith – ‘The Silkworm’
  15. R. Galbraith – ‘Career of Evil’
  16. L. Moriarty – ‘Big Little Lies’
  17. A. Burgess – ‘A Clockwork Orange’
  18. G. Orwell – ‘Animal Farm: a fairy story’
  19. G. Orwell – ‘1984′
  20. D. Eggers – ‘The Circle’ (adapted to film – review)
  21. J. le Carre – ‘The Night Manager’
  22. E. Morgenstern – ‘The Night Circus’
  23. L. Evans – ‘Their Finest’ (adapted to film – review)
  24. M. Bulgakov – ‘The Master and Margarita’
  25. D. O’Porter – ‘Goose’
  26. C. Palahniuk – ‘Fight Club’
  27. C. Bukowski – ‘Post Office’
  28. N. Larsen – ‘Passing’
  29. G.R.R. Martin and G. Dozois (as editors) – ‘Rogues’
  30. D. Gibbins – ‘Crusader Gold’
  31. R. Sepetys – ‘Between Shades of Gray’
  32. B. Ridgway – ‘The River of No Return’
  33. F. Molnar – ‘The Paul Street Boys’
  34. T. Parsons – ‘Starting Over’
  35. T. Capote – ‘Breakfast at Tiffany’s’
  36. A. Christie – ‘Murder on the Orient Express’ (adapted to film – review)
  37. A. Thomas – ‘The Hate U Give’
  38. P.K. Dick – ‘Do Androids Dream of Electric Sheep?’ (adapted to film – review)
  39. S. King – ‘It’ (adapted to film – review)

Cinema related books:

  1. G. Jenkins – ‘Empire Building’
  2. J. Luceno – ‘Catalyst: A Rogue One Novel’
  3. A. Freed – ‘Rogue One: A Star Wars Story’ novelization (film review)
  4. C. Fisher – ‘Postcards From The Edge’
  5. C. Fisher – ‘The Princess Diarist’
  6. C. Fisher – ‘Wishful Drinking’
  7. D. O’Neil – ‘The Dark Knight’ novelization
  8. C. Clark – ‘The Prince, The Showgirl and Me’
  9. C. Clark – ‘My Week with Marilyn’
  10. J.K. Rowling – ‘Fantastic Beasts and Where to Find Them’ script (film review)
  11. A. Kendrick – ‘Scrappy Little Nobody’
  12. S. Nathan and S. Roman – ‘Frozen’ novelization
  13. S. Bukatman – ‘Blade Runner – BFI Film Classics’

English 3rd year degree books:

  1. Aeschylus – ‘Prometheus Bound’
  2. C. Marlowe – ‘Doctor Faustus
  3. J. Milton – ‘Paradise Lost’
  4. M. Shelley – ‘Frankenstein; 1818 text’
  5. R. Henryson – ‘The Testament of Cresseid’
  6. D. Defoe – ‘Robinson Crusoe’
  7. N. Shephard – ‘The Quarry Wood’
  8. N. Larsen – ‘Quicksand’
  9. A. Carter – ‘The Bloody Chamber and other stories’
  10. C. Bronte – ‘Jane Eyre’
  11. E. Bronte – ‘Wuthering Heights’
  12. A. Bronte – ‘The Tenant of Wildfell Hall’
  13. G. Elliot – ‘The Lifted Veil’
  14. G. Elliot – ‘The Mill on The Floss’
  15. C. Dickens – ‘Great Expectations’
  16. H.G. Wells – ‘The Island of Dr. Moreau’
  17. B. Stoker – ‘Dracula’
  18. W. Collins – ‘The Woman in White’

Graphic novels:

  1. Various authors – ‘Marvel Platinum: The Definitive Doctor Strange’ (film review)
  2. D. Abnett – ‘Guardians of the Galaxy: Rocket Raccoon and Groot steal the galaxy’ (film review)
  3. G. Ennis and S. Dillon – ‘Preacher: Gone To Texas’
  4. G. Ennis and S. Dillon – ‘Preacher: Until The End Of The World’
  5. G. Ennis and S. Dillon – ‘Preacher: Proud Americans’
  6. G. Ennis and S. Dillon – ‘Preacher: Ancient History’
  7. G. Ennis and S. Dillon – ‘Preacher: Dixie Fried’
  8. B.M. Bendis and M. Gaydos – ‘Alias: Volume 1’
  9. B.M. Bendis and M. Gaydos – ‘Alias: Volume 2’
  10. B.M. Bendis and M. Gaydos – ‘Alias: Volume 3’
  11. B.M. Bendis and M. Gaydos – ‘Alias: Volume 4’
  12. G. Rucka – ‘Wonder Woman Rebirth: Volume 1 The Lies’ (film review)
  13. G. Rucka – ‘Wonder Woman Rebirth: Volume 2 Year One’
  14. G. Rucka – ‘Wonder Woman Rebirth: Volume 3 The Truth’
  15. M. Finch and D. Finch – ‘Wonder Woman: Resurrection’
  16. S. Snyder and G. Capullo – ‘Batman: The Court of Owls’
  17. S. Snyder and G. Capullo – ‘Batman: The Nights of Owls’
  18. S. Snyder and G. Capullo – ‘Batman: The City of Owls’
  19. S. Snyder and G. Capullo – ‘Batman: Endgame’
  20. J. Tyrion – ‘Batman Detective Comics Rebirth: Volume 1 Rise of the Batmen’
  21. G. Morrison and A. Kubert – ‘Batman and Son’
  22. T. S. Daniel – Batman: Battle for the Cowl’
  23. A. Conner and J. Palmiotti – ‘Harley Quinn Rebirth: Volume 3 Red Meat’
  24. J. Hickman and C. Pacheco – ‘Ultimate Thor: Volume 1’ (film review)
  25. M. Wagner – ‘Trinity’ (film review)

And that is it for the books I’ve read this year! What was your favorite book(s) of the year? What are you planning on/excited to read in 2017?

Leave a comment below and Have a Happy New Year!

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Movie review: Star Wars: The Last Jedi!

Movie reviews

Hello, my dear readers!

A film that needs no introduction has finally arrived. It’s the nerds’ Christmas also known as Star Wars Episode VIII: The Last Jedi!!!

IMDb summary: Having taken her first steps into the Jedi world, Rey joins Luke Skywalker on an adventure with Leia, Finn, and Poe that unlocks mysteries of the Force and secrets of the past.

Just before we get into the review, I have done a few Star Wars related posts and I’ll link them all here, in case you want to check them out: my general thoughts on Star Wars, The Force Awakens review, Rogue One review.

Also, the majority of my review will be spoiler-free, while some spoiler-y ideas will be included down below (after the rating and the poster). However, I advise you to proceed with caution as the things that I deem unspoiler-y, might seem spoiler-y to you if you are trying to go into the film completely clueless.

Rian Johnson

Star Wars 8 was written and directed by Rian Johnson. The filmmakers previous writing and directing credits include Looper, The Brothers Bloom, Brick(his indie directorial debut) and some of the best episodes of Breaking Bad. While Johnson’s credits list is not extensive, its qualitative worth cannot be disputed. Moreover, Kathleen Kennedy and other producers at Lucasfilms seem to believe in his filmmaking talents, as it was recently announced that Johnson will be creating a new Star Wars trilogy. Anyways, let’s talk about the writing and the directing of The Last Jedi – both of which were excellent.

Writing: the story and the reveals

To begin with, I loved how the writing for The Last Jedi went for more: more humour (this was honestly the funniest Star Wars movie out of all of them), higher emotional stakes (I have never cared for the nameless background characters more in my movie watching experience), and more action (literal action and just stuff happening plot-wise). Speaking about the plot, it was quite saturated with twists and turns: the picture had 4 storylines all interwoven very nicely (the villains, Rey/Luke, Poe/Leia/Resistance, and Finn/Rose). Nevertheless, while I enjoyed all the points of the narrative, I’m not entirely sure whether the reveals of The Last Jedi will be impactful in the long run – more on that in spoilers.

Thematically, The Last Jedi, more than all Star Wars movies before it (again with the idea of ‘more is more’) traversed the line between the darkness and the light. It also had a varied portrayal of heroism which was quite refreshing. It also presented a never before seen side of the galaxy – the glamours one (Casino Royale in space), and, through it, The Last Jedi was able to explore the concepts of privilege and war benefit. I also liked the film’s idea that wars can be won ideologically as well as physically (more on it in spoilers). Lastly, while The Force Awakens was a narrative rehash of A New Hope, The Last Jedi was somewhat similar to The Empire Strikes Back thematically, in that, both the Resistance and the Rebels have taken heavy losses in their respective stories. However, Episode V did not even come close to the having a hopeful ending of Episode VIII. Although The Last Jedi was about loss, grief, and sacrifice, it also carried within itself an undying spark of hope.

Directing: the action and the visuals

The Last Jedi’s action was vastly entertaining and exciting. It was also varied: the epic space battles (at least 3) were accompanied by amazing hand-to-hand fights (at least 3 as well). The visuals of the settings as well as the designs of the new characters/animals were gorgeous and unique. Luke’s island and the white/red plane of Hoth, which both could be glimpsed at in the trailers, were magnificent to look at. Porges (or the pigeons of the Star Wars universe) were cute and not annoying (that was my worry).

The pacing was also very good – the movie was a bit long but it never dragged or got boring, again, mostly because so much was constantly happening. Lastly, John Williams’s score was as impactful as it has always been. My conclusion after watching The Last Jedi is that I completely trust in Rian Johnson to continue expanding the Star Wars canon with that new trilogy of his.

Acting

  • Mark Hamill delivered the best performance of his career as Luke Skywalker. I highly enjoyed the complex portrayal of the character. It was a bittersweet feeling seeing Carrie Fisher as General Leia Organa. She didn’t have the biggest role in the film but her presence was felt throughout it. Also, she had one incredible scene that made up for the lack of quantity of scenes with her. The dedication to her at the end of the picture was heartbreaking.
  • Adam Driver (Midnight Special, Logan Lucky) was absolutely brilliant as Kylo Ren – he owned the role and was a pure joy to watch. Daisy Ridley (Murder on the Orient Express) was equally brilliant as Rey – I feel like she grew more confident in her acting abilities and that definitely shined through in the character. Her personal confidence also fit the character’s arc really well as Rey herself has also grown bolder and braver.
  • John Boyega (The Circle, Detroit) reprised his role as Finn and was amazing. He got a chance to show off his comedic talents. I also loved his chemistry with the newcomer Rose, played by  Kelly Marie Tran (she has played a handful of minor characters on TV and in films before but hasn’t done anything even close to the scale of this franchise).
  • Oscar Isaac (The Promise, Suburbicon, X-Men: Apocalypse) was wonderful as Poe Dameron – a.k.a. a bundle of charisma. His and BB-8’s interactions were just great. Laura Dern (recently appeared in a limited TV series Big Little Lies for which she is receiving a lot of awards’ nominations) played quite an unexpected and a very unique character. Her character’s and Poe’s standoffs very superb.
  • Andy Serkis (War For The Planet Of The Apes, Avengers 2, directed Breathe) did his thing motion capturing Supreme Leader Snoke, while Domhnall Gleeson (Goodbye Christopher Robin, mother!, American Made, The Revenant, Brooklyn, Anna Karenina) was a bit caricaturish as General Hux but still somehow fitting – probably mostly because the characters around him were aware of his cartoonishness and enjoyed slapping him around.
  • Gwendoline Christie (Game of Thrones) appeared as Captain Phasma and, while she did have a great fight with Finn, I still think that the actress was wasted in this role. Lastly, Benicio del Toro (Sicario, soon the sequel Soldado) had a little but a very interesting role in the film – would love to see more of his character in the future.

In short, Star Wars: The Last Jedi was an immensely satisfying addition to the Star Wars franchise. May it continue for many years!…and May The Force Be With You!!!!

Rate: 4.7/5

Trailer: Star Wars: The Last Jedi trailer

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SPOILERS

Throughout my review, I mentioned a few times that I don’t know if The Last Jedi’s reveals will be impactful. Let’s go through them and I’ll explain what I mean.

  1. To begin with, the most speculated thing of the past two years – Rey’s parentage – was somewhat revealed. Kylo stated that she is a nobody and that her parents were nobodies and, even though Rey keeps looking for father figures in Han and Luke, she is definitely not related to either of them. I have few reservations about this: first of all, is Kylo a trustworthy source? Also, what about that idea that the main three trilogies are Skywalker-centric – how could one of them have a lead character who isn’t a Skywalker? And yet, I also sort of love the idea that Rey is a nobody – it’s quite an inspirational message to spread that everyone can become a hero.
  2. The trailers have been toying with the viewers, making it seem like Rey was turning to the dark side. However, Kylo is the one who ends up turning…but not really. His character’s arc is just brilliant – I feel like these past two movies have been his growth as a villain rather than redemption as a hero. I immensely enjoyed his and Rey’s back-to-back fight against the imperial guards – it was certainly my favorite smaller scale action scene of the film.
  3. Another great hand-to-hand dual occurred between Luke and Kylo. It wasn’t as visually pleasing as the Kylo/Rey one but it was highly enjoyable because of its meaning for the characters’ shared backstory – Kylo’s darkness scaring Luke into a shameful and regretful act.
  4. The aforementioned fight also resulted in a very interesting goodbye to one of the characters of the old cast – Luke. His way of passing – with peace and purpose – was just so deserved and fitting for the character. However, I don’t think that this film was the last time that we see Luke – I expect him to reappear in the next feature as a force ghost (like Yoda in this one – his cameo was a lovely surprise).
  5. The dual between Kylo and Luke was not only important for Luke but also significant for Kylo, who got a double defeat – physically and, more importantly, ideologically. Kylo has been on a quest to defeat the past, however, as The Last Jedi’s ending proved – the past cannot ever be defeated. It will be reborn and repeat itself, as evident in the closing shots with the force sensitive child.
  6. You know who else’s force sensitivity was finally shown on screen explicitly? Leia’s! It took this series a while to give Leia a great force related scene but the one in this picture was worth the wait. The bait-and-switch aspect of it only added to the emotional turmoil of watching that scene.
  7. Another significant death in the movie was that of Supreme Leader’s. The fans have been speculating online about who he actually was but we didn’t get a chance to find that out before his demise. It seems a bit cruel to play with the fans like that – hint at something in Episode 7 and not deliver on it in 8. I wonder whether he will somehow come back in 9 or whether he was truly just a stepping stone/a development point for Kylo?
  8. Lastly, I don’t know if I was reading into the characters’ interactions too much but I think we will get a love triangle in the next film. There appears to be something brewing between Finn and Rose; Finn and Rey also have a connection; and Poe, having finally met Rey, also seems to like her (I mean, who wouldn’t, she is awesome!).