Movie review: Guardians of the Galaxy Vol.2

Movie reviews

Hello!

The 15th MCU movie and a sequel to the 2014’s Marvel gamble – Guardians of the Galaxy Volume 2 – has premiered on my side of the world, so, I’m going to talk about it!

IMDb summary: Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

Before I review the actual film, here are the links to my previous Marvel reviews, starting with GOTG Vol.1Doctor Strange, Civil War, Avengers 2, Ant-Man, Captain America 1 + 2.

SPOILER WARNING

Writing

The writer and director of the first film – James Gunn – also penned the screenplay for the sequel. Overall, I very much enjoyed seeing the continuation of the Guardians story but I did feel that the first act of the film was a bit wonky. I thought that the set-up involving The Sovereign was choppy. In addition, The Sovereign were not utilized in a useful way throughout the rest of the movie (they just popped up in the third act because the film needed to have an even bigger space battle – they were basically the sequel’s Nova Corps). Plus, the fact that Aysha was interested in Peter’s heritage and, in the very next scene, Peter’s dad Ego suddenly appeared seemed as just too much of a coincidence.

The jokes and the banter at the beginning also seemed a bit forced. They were the bad kind of cheesy. However, as the picture progressed, the humor got way better and the narrative also found its footing and started to unfold quite cohesively. GOTG 2 just needed those first 30 minutes to get going and it could afford that, being a 2h+ movie.

I also really liked the character development in the film. I loved learning more about Peter, his past, and his dad. Ego was a wonderful addition to the cast and I also really enjoyed the fact that they turned him into a villain. And he actually was a good Marvel villain – menacing and threatening! I liked the fact that his and Yondu’s backstories fit together quite organically as well. I’m just worried that the filmmakers might have overpowered Ego – I can’t imagine what will Thanos be like?

A character which surprised me a lot was Yondu – I did not think much about him in the first film but the reveal of his backstory and true feelings towards Peter made him into a wonderful character. Sucks that he met his end as soon as I started to like him. The other new addition to the Guardians (well, sort of) was Nebula – I did enjoy learning more about her and thought that her and Gamora’s relationship progressed nicely. The definite newcomer – Mantis – was also a fun new inclusion. I loved the duo she and Drax made.

Lastly, I loved the thematical core of the film – the Guardians coming to terms with the fact that they care about each other and are a family. Yes, the family angle is cheesy and overdone (Fast and Furious in space) but it still works and has a universal appeal.

Directing

James Gunn, once again, directed the movie (and he also just recently announced that he will be back to helm Vol. 3). I believe that he did a great job. The visual design was just extraordinary, especially the visual realization of Ego in his various forms. I loved the landscapes of his planet as well as his appearance as a human. The visual sequence of Ego rebuilding his human body from a skeleton to being Kurt Russell was really impressive. The fact that they actually put a face on a planet was also really cool and a neat nod to the character’s representation in the comics. Another great visual sequence was Yondu’s ‘Ravager’s funeral’: it was so colorful and actually emotional. An extremely funny visual was the space travel facial distortion – it was such an unexpected but really brilliant gag.

The ‘money shot’ – the round shot of all the Guardians standing together was also just glorious. The camera work, in general, was very vibrant and elaborate – and it made the action look amazing. The opening shot was really great too – the focus on the Baby Groot with the action happening in the background was a really inventive and funny way to kickstart the film. Generally, Baby Groot was a complete scene-stealer. Huge props to the CGI department for realizing an animated (basically) character and adding so much personality (much more than the adult Groot had) to his movements and facial expressions. I also loved the fact that his size was an asset to the team and that Baby Groot was part of a final solution, not just the cuteness relief (a cute version of comic relief). Lastly, I loved the two visual gags and how they were both part of the story and fun references to the real life – I, of course, am talking about the cameos by David Hasselhoff and Pac-Man.

Music

The film’s soundtrack was also really good – equal to the soundtrack of its predecessor. Tyler Bates was responsible for the music but I think Gunn also had a hand in picking the songs. I also appreciated the fact that the music was half-diegetic and a part of the story.

Acting/Favorite Character Moments

  • Chris Pratt (Passengers, Jurassic World, The Magnificent Seven, The Lego Movie) as Peter Quill / Star-Lord. Pratt was really good in the role – he has that infinite charm of a leading man and I can’t wait for him to appear on screen with other MCU leading men, like Robert Downey Jr. I also though that Pratt’s and Kurt Russell’s/Ego’s (The Hateful Eight) chemistry was believable. I bought them as father and son for a while and that scene with the ball was really touching and a nice callback to Peter missing out on this type of activity during childhood because of a lack of father figure.
  • Zoe Saldana (Star Trek Beyond) was also good as Gamora, my favorite shot with her was when she picked up that oversized gun. Her and Karen Gillan’s/Nebula’s (The Big Short, The Circle (premiering this weekend in the US as well)) chemistry was good and the banter – really enjoyable.
  • Dave Bautista as Drax the Destroyer. Bautista’s acting abilities have improved since the first film and his unapologetic and unironic comic relief was amazing. His budding relationship with Pom Klementieff’s Mantis was also lovely. Their scene on the steps was really moving. Klementieff was a nice addition to the cast and her performance was appropriate for the character.
  • Michael Rooker as Yondu Udonta. The scene-stealer of the film. I loved the sequence where he used the arrow to escape from the Ravagers. It was just spectacular. I would have loved to see more of Rooker’s performance in subsequent films, but, oh well.
  • Vin Diesel (Fast&Furious) as the voice of Baby Groot  I have no idea why Diesel returned to voice Groot when Baby Groot sounds nothing like Vin Diesel. Well, at least they can put his name on the adverts and posters and that will get them a lot of money in China. 
  • Bradley Cooper (War Dogs, Joy) as the voice of Rocket. Cooper’s voice somehow fits Rocket’s appearance and behavior. I loved how the actor depicted the character’s dry sense of humor.
  • Elizabeth Debicki (The Man from U.N.C.L.E.) as Aysha. While Debicki did look cool with all that gold make-up on, I don’t think she took the role seriously enough. Her acting seemed a bit cheesy but I am excited to see where her character’s story goes next, cause my favorite moment with her, performance-wise, was her delivery of a few lines during the mid-credits scene. In that scene, she sounded way more ominous and authenticate than she did in before.
  • Sean Gunn as Kraglin. I really liked the fact that we got to see more of Sean Gunn’s on-screen character during the sequel. If you didn’t know, he also does the motion capture for Rocket.

5 CREDITS SCENES

As James Gunn promised, the film had 5 scenes during the credits (that has to be some kind of record). 2 scenes played before the credits, 2 in the middle and 1 after. They were very well dispersed and the credits themselves did not feel long at all. The scenes were mostly related to the predeceasing film but they also set up some minor but long awaited stuff.

  1. The first pre-credits scene depicted Sean Gunn’s character Kraglin learning to work with Yondu’s arrow and failing at it. It was both funny and developed the story further.
  2. The second pre-credits scene showed Sylvester Stallone’s (Creed) character reforming the Ravagers out of the characters who were the original Guardians of the Galaxy in the comics. Their inclusion during the credits probably means that they will have a role to play in MCU or at least in GOTG Vol.3. It was also nice to see another scene with Stallone as he only appeared in a handful of them during the main runtime of the movie. It was basically just a cameo and if the role would not have been played by a big name talent like Stallone, no one would talk about it.
  3. The first mid-credits scene was a conclusion to The Sovereign’s plotline and a potential set up for the arrival of the long anticipated character – Adam Warlock! I really hope he finally shows up in the next film!
  4. The second mid-credits scene was probably my favorite out of all of them: it showed the teenager Groot acting as a typical teenager, while Peter attempted to be the Dad. Groot is kinda the child of the Guardians. What a dysfunctional yet lovable family.
  5. The last scene which came at the end of the credits was another Stan Lee cameo. He had a cameo in the main part of the film but it was also nice to see him again. I read online that they film a lot more scenes with Lee than they actually use, so it was quite neat that they found a place to use some more of that material.

Rate: 4.5/5

Trailer: Guardians of the Galaxy Vol.2

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Movie review: Lion

Movie reviews

Good day!

Another potential awards contender – the motion picture Lion – has landed in the UK cinemas, so, let’s review it!

IMDb summary: A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

Writing

The biographical drama Lion was written by Luke Davies (an Australian film critic, novelist, and poet) based on the memoir ‘A Long Way Home’ by  Saroo Brierley
(co-written by Larry Buttrose). The film’s narrative is divided into two parts. The first hour- long story revolves around the child Saroo. The viewer gets to see Saroo’s relationships with his birth mother, sister, and brother; and witnesses the unfortunate accident of him getting lost and trying to survive alone and away from home. This first-half of the movie is very well written: the audiences are able to form a bond with the main character and become emotionally invested in the boy’s journey.

Lion then flashes 20 years forward: Saroo is now an adult and lives with his adoptive parents in Australia. This part of the film is not as solid when it comes to writing as the first part. To begin with, the audiences don’t get to see a lot of Saroo’s life as an adult, so his change of heart (from not caring about his birth family to desperately trying to find them) seems a bit sudden. A few extra scenes, maybe showing a different stage in his life, like the teenage years, would have helped to solidify the fact that he never really felt at home in Australia and always wanted to find his family. The second part of the narrative also has two other important storylines which don’t get enough of screentime. First one is Saroo’s relationships with his adoptive mother and his adoptive brother (who might have a mental illness?) and the second one is Saroo’s relationship with his on-and-off-again girlfriend. Both of these plotlines had to be included in the film (bio-dramas try to be as accurate as possible) but I wish that they would have been given more screen time because that would have made them more compelling. Maybe the movie could have been 15 minutes longer or maybe the first story could have been shortened by the same amount (if they wanted to keep the film at 2h).

Even though I have found some problems with the technical structure of the narrative, I found the narrative itself to be very interesting and fascinating. The fact that the modern technologies actually brought people together instead of separating them was just amazing. In general, the whole Saroo’s story was both heartbreaking and hopeful. It had more than a few tear-jerker moments, especially at the end. The inclusion of real-life counterparts of the characters was nice too.

From the anthropological perspective (sorry, I can’t turn it off, if you study anthropology you are basically living it), the film was also very valuable. It mostly felt like a documentary with a higher budget and a fancier production design. Nevertheless, the ideas on privilege and poverty and on the adoption across countries/cultures are just two of the concepts that could be considered in an anthropological discussion in relation to this film.

Directing

An Australian TV and commercial director Garth Davis made his very successful feature film directorial debut with Lion. I loved how he realized the shots of the nature of India. That whole opening sequence was just beautiful and very classic. The pacing could have been neater but it didn’t bother me much. Basically, if this was his first motion picture, I can’t wait to see what he will do next.

Also, on a side note, guess whose song was playing during the credits. If you said Sia, you either read my blog a lot or just go to the movies a lot. Sia wrote a song called ‘Never Give Up’ specifically for this film. Her songs have also been used in Sing, Star Trek Beyond, The Shallows, The Neon Demon, and Finding Dory. You will also be able to hear her during Fifty Shades Darker.

Acting

Dev Patel played Saroo in the second half of the film and did an amazing job. After seeing the film, I finally realized why he is being nominated in the supporting actor category, even though he is playing the lead. Well, the answer is simple – he only plays the lead during the second hour of the film, while the viewer spends the first hour with a 5-year-old Saroo played by an adorable child actor Sunny Pawar. So, on the whole, if we add up Patel’s scenes, his screentime probably comes closer to that of a supporting rather than a lead role. Anyways, despite the fact that he is not in the first half of the film, Patel delivers his best performance yet. He has really matured as an actor since the days of Slumdog Millionaire. His best scenes that were most likely included in his awards reels were  1. the montage in which he finally reaches the breakthrough on Google Earth. The way he whispers ‘Mum’ is just breathtaking. And 2. the final meeting sequence – he showed a lot of acting skills in that one too.

Moving forward, I would love to see Patel cast in a racially blind role, meaning that I would like to see him playing a character whose ethnicity is not his main character trait. Up until this point, Patel played characters whose ethnicity was really important character feature, like in Slumdog Millionaire, The Man Who Knew Infinity and even The Exotic Marigold Hotel films. I’d like to see him take on roles similar to the one he had on Chappie, but it looks like that is not on the horizon, as his next film is also India-centric and based on true events – Hotel Mumbai.

The picture’s supporting cast also delivered brilliant performances. Rooney Mara (Carol) starred as Saroo’s girlfriend and was great in the few scenes she had. David Wenham (recognized him faster than another LOTR alumni – Viggo Mortensen in Captain Fantastic) appeared briefly as Saroo’s adoptive dad but it’s Nicole Kidman as Saroo’s adoptive mother who stole all the attention in their scenes together. Lion also spotlighted some lesser known (in the West) Indian talent (as it should): Abhishek Bharate, Divian LadwaPriyanka BoseDeepti NavalTannishtha Chatterjee, and Nawazuddin Siddiqui all co-starred and did a great job with their limited screentime.

In summary, Lion was a lovely picture with an amazing story at its core. Sadly, this story was not represent as cohesively and compellingly as it could have been. However, the flaws in writing were covered up with great directing and amazing acting performances.

Rate: 4/5

Trailer: Lion trailer

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Movie review: Hell or High Water

Movie reviews

Hello!

Today, we are talking about one of the most critically acclaimed indie films of 2016. It’s the review of Hell or High Water.

IMDb summary: A divorced dad and his ex-con brother resort to a desperate scheme in order to save their family’s ranch in West Texas.

Writing

Actor-turned-screenwriter Taylor Sheridan wrote Hell or High Water’s script and did an amazing job. This screenplay was actually the winner of 2012’s Black List and I’m really happy that it was turned into a movie, even if 4 years later than it should have been. Sheridan also penned the script for last year’s Sicario – a standout movie of 2015. Both Sicario and Hell or High Water share some similarities: the two stories are both set in the southern states of the US and the particular setting has a role in the narrative. Also, both movies are quite slow – the plots are allowed to unravel by themselves, the films are never rushed and the important moments aren’t just montaged through.

Hell or High Water’s story is also really successful in its emotional appeal. It deals with the universal topic of family and explores the relationship between two brothers superbly. It also does a good job of making the viewers sympathize with all the characters. I, personally, wanted the brother to succeed, even though they were criminals, and I also wanted the two rangers to succeed in their quest.

These sympathies arose from the subtle character development, which was dispersed throughout the whole film. By listening to the dialogue and seemingly random banter we find out a lot about the characters: we discovered the reason for the heists and why the brothers seemed to have an estranged relationship. The friendly teasing between the rangers helped us to get a few hints into the history of the two law-enforcers – we uncovered the ancestry of one of them and the approaching retirement of the other.

Lastly, I really loved the way the ending of the film was written. I always enjoy this type of open-ending when it is done right. Sometimes, when the movie just ends abruptly, without answering any questions, the whole story falls flat but, when the film leaves you with just one or few unresolved issues, like Hell or High Water did, the narrative both finishes and is permitted to live on in the minds of those who witnessed it. Both the characters and the viewers will be haunted by this story.

Directing

A Scottish director David Mackenzie did a magnificent job directing Hell or High Water. He utilized the setting of Texas splendidly and showed the rural areas, the open spaces and the little beat-up towns in long and extremely long tracking shots. He also gave the story a lot of breathing room – although every scene was carefully and beautifully crafted, the movie seemed to flow very organically and naturally. The feature’s color plate was also really nice – warm tons filled the screen and made every shot look like an old vintage photograph.

I also loved all the shots were the modernity and the traditional old-school ways of life were juxtaposed. The setting of Texas, where people still live in old ranches and work with cattle and horses but also have modern gas pumps, was an appropriate location for this juxtaposition. To me, the scene in the gas station was amazing – not only did it have us that unexpected fight but we also got a frame with both a horse and a cowboy and a new sports car with two fake gangster youngsters. Lastly, the fact that everybody seemed to have a gun in the film was not only a funny aspect of the movie but also a very realistic one.

Music

Hell or High Water’s soundtrack by Nick Cave and Warren Ellis really added to the atmosphere of the film. Fitting to the setting of Texas, the film’s visuals were accompanied by cool country music. The picture also had this really nice instrumental theme to supplement the long tracking shots of the characters driving or moving through a frame in any other way.

Acting

  • Jeff Bridges as Marcus Hamilton, a Texas Ranger was amazing. The way he delivered the jokes and teased other characters was truly enjoyable to watch. It’s probably one of Bridges best performances out of the recent years because he did have a few flops lately, like The Giver or Seventh Son. I hope this role is the signal that he is back on track and I do hope that his contribution to Kingsman 2, coming out next year, will be worth the wait.
  • Chris Pine as Toby Howard was also really good. I’m starting to like Pine more and more in these rugged, less clean-cut and more challenging roles. Yes, he is also good in Hollywood blockbusters, like Star Trek and Into the Woods, but is more fun to see him try something different. A few recent smaller films of his that I suggest you watch are Z for Zachariah and The Finest Hours. Of course, let’s not forget to check out his blockbuster work too – Wonder Woman is only 10 months away.
  • Ben Foster as Tanner Howard was also really good. I’ve only recently started noticing him in films, the last one being The Program, in which he played the lead role of Lance Amstrong. In a few weeks, Foster will also play the main antagonist in Inferno, which I’m also looking forward too.
  • Gil Birmingham as Alberto Parker, Hamilton’s partner was also really good. I hope that the teases that his character received weren’t too offensive to both Mexicans and Native Americans. I really loved his speech about how the white colonialists took everything from his character’s people, only to lose the winnings of the pillage to the banks.

In short, Hell or High Water is one of the best films of the year so far. It’s masterfully crafted and slow, but immensely engaging. The acting is amazing, the writing is spectacular and the directing – excellent. A must watch for any fans of Westerns and heist movies.

Rate: 5/5

Trailer: Hell or High Water trailer

P.S. Weirdly, my next movie review will also be that of a Western – The Magnificient Seven.

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Summer Movies RANKED

Movie reviews

Hello!

The summer movie season has come to a close, so, it’s time to rank the films that Hollywood offered us this year. The 2015’s summer movie list is here if you want to check it out.

Now, summer movie season doesn’t technically start until April or even May, but, since this is my blog, I will be including some pictures that came out in March because they were big summer-type blockbusters. Also, I will be diving the features into categories – these categories will mostly focus on the genre. While I haven’t seen all the movies that have been released, I’ve definitely watched and reviewed the majority of them, so my list(s) will be quite extensive. Lastly, the previous rates that I’ve given these films don’t really count – I will take them into consideration and will also try to be as objective as possible, but my subjective feelings and likes/dislikes will also play a role. Either way, I hope you will enjoy this list and check out the reviews that you might have missed or that just simply interest you!

Comic-Book Movies:

  1. Captain America: Civil War
  2. Suicide Squad
  3. Batman: The Killing Joke
  4. X-Men: Apocalypse
  5. Batman v Superman: Dawn of Justice (theatrical cut)

Live-Action Fairytales:

  1. The Legend of Tarzan
  2. The Jungle Book
  3. The Huntsman: Winter’s War
  4. Pete’s Dragon
  5. Alice Through The Looking Glass
  6. The BFG

Sci-Fi/Action Movies:

  1. Star Trek Beyond
  2. Warcraft
  3. Ben-Hur
  4. Jason Bourne
  5. TMNT: Out of Shadows
  6. Now You See Me 2
  7. Independence Day: Resurgence

Thrillers:

  1. Nerve
  2. Eye in the Sky
  3. The Shallows
  4. Money Monster
  5. Bastille Day
  6. The Neon Demon

Dramas:

  1. Me Before You
  2. Florence Foster Jenkins
  3. Café Society
  4. Genius
  5. A Hologram for The King

Comedies:

  1. The Nice Guys
  2. Eddie The Eagle
  3. Sausage Party
  4. Central Intelligence
  5. Everybody Wants Some!!
  6. Ghostbusters
  7. Bad Moms
  8. War Dogs
  9. Mike and Dave Need Wedding Dates

Animation:

  1. Finding Dory
  2. The Secret Life of Pets

Upcoming films

Autumn is usually a slow time for movies before the awards season really kicks in. However, I’m looking forward to a few cinematic adaptations of bestsellers, coming out this fall, including Miss Peregrine’s Home for Peculiar Children, Girl on a Train and Inferno. In addition, Marvel’s Magic Movie – Doctor Strange and Disney’s Moana will also reach theaters, while possible mainstream awards’ contenders like The Magnificient Seven, Sully, Snowden, and Arrival will also premiere. The Harry Potter world will be expanded with Fantastic Beats and Where to Find Them, while Tom Cruise will give as another solid action film – Jack Reacher: Never Go Back. I’m quite excited for all these pictures and you can definitely look forward to their reviews in the near future.

Also, I would like to thank all my followers for taking the time to click the ‘Follow’ button, for reading, liking and commenting on my posts. It means a lot to me and I can’t wait to continue writing and discussing movies with you! I also appreciate the fact that you do tolerate my other post – mainly sport and sightseeing ones! Thank You again!

Movie review: Pete’s Dragon

Movie reviews

Hello!

Welcome to the last movie review of this summer! We close the blockbusters season with another live-action fairy tale from Disney – Pete’s Dragon!

IMDb summary: The adventures of an orphaned boy named Pete and his best friend Elliot, who just so happens to be a dragon.

Pete’s Dragon is quite an unusual film for Disney because it is quite small – both budget wise and story/scope wise. However, small doesn’t mean bad – it just another type of picture. It is actually quite refreshing to see Disney spending time and money on newer and lesser known projects. Of course, I have to mention that Pete’s Dragon is not an original film but a remake of a musical with the same name from the 70s. I haven’t seen the 1977’s picture and I doubt that I’ll watch it because it is not a timeless Disney classic and it doesn’t have that good of a rating. Moreover, the new Pete’s Dragon more than satisfied all my wishes.

Writing

The film was written by the director of the feature David Lowery and the screenwriter/producer Toby Halbrooks. Halbrooks has written a few shorts and is also writing a script for 2018’s Peter Pan for Disney to be directed by Lowery. In addition to having his next directing gig sorted out, Lowery will also be writing the script for a war film The Yellow Birds. 

I really enjoyed the story that the duo penned for Pete’s Dragon. It was simple, yet well-crafted. The ideas about family and finding a place where you belong were classic Disney themes but they did actually work because of their universality and wide appeal.

The character development was also quite pleasant. I loved how Pete and Bryce Dallas Howard’s character Grace felt connected through nature. I also enjoyed the father-daughter relationship between Grace and her father, played by Robert Redford. The friendship between the main character Pete and his pet dragon Elliot was also cute and reminded me of other great films where children befriend various animals/beings – Max and E.T. are just two of many.  The main antagonist of the film was a cliche character but he served his purpose well in this family adventure picture.

Lastly, I kinda thought that Pete’s Dragon was a spiritual succesor to another live-action fairy tale of 2016 – The Jungle Book. If at the end of Mowgli’s story, he would have been found by humans and Baloo would have gone looking for him, we would most likely have gotten a Pete’s Dragon type of a situation.

Directing

David Lowery, who has only recently started to dip his toes into the blockbuster business, did quite a nice job with the film. The action scenes were entertaining, the mise-en-scene (the forest and the mountains) – gorgeous and the movie’s direction good as well.

The character design of Elliot – the dragon – was a bit weird. He didn’t really look like a dragon, more like a furry dog or a soft teddy bear that could also fly. I heard that a lot of people hated that the dragon was fury and didn’t have any scales. Personally, this change didn’t bother me – I think that it actually helped Elliot to stand out as a different kind of dragon. Also, from the business standpoint, a furry dragon is way more marketable and more merchandise friendly – what kid doesn’t want another soft plushie toy to his/her collection?

I saw the film in 3D but, honestly, it didn’t add anything to it. The effect actually made the whole film darker and, since a lot of scenes were already happening during the night, the 3D only made it harder for me to see the human characters and Elliot.

Music

The 1977’s Pete’s Dragon was a musical, but the studio decided to remake it as a drama/adventure film and drop the songs. However, the 2016’s film still had an interesting soundtrack by Daniel Hart. It seemed to me that the flick had more of a country-music inspired soundtrack and vibe. It was quite refreshing to hear some deep voices and guitar sounds after a lot of EDM and pop music in all of the other films this summer.

Acting

The main character of the film – Pete – was played by Oakes Fegley. When did the child actors have gotten this good? He was excellent in the role – sweet, relatable to children but still able to display acting chops that some adult actors lack. He has a bright future ahead.

Jurrasic World’s Bryce Dallas Howard played the adult-lead Grace and did a nice job. Grace was very different from Dallas Howard’s Jurassic World’s persona – more motherly and way more nature-orientated. Going forward, the actress has a drama thriller Gold coming up. Also, funny fact, I only recently realized that she was the one playing Gwen Stacy in Spider-Man 3. I did not recognize her with the red hair.

Karl Urban played the main antagonist of the film and was okay. Since I’ve only seen him in Star Trek as the caring doctor Bones, it was quite strange to view him as this unlikeable douchebag. He will be one of the villains in Thor 3, so, I guess, I’d better get used to this.

The cast also included Wes Bentley (We Are Your Friends, Interstellar), Oona Laurence (Southpaw, Bad Moms) and Robert Redford (Captain America: The Winter Soldier) among others. Bentley didn’t have much to do – he mostly reacted to stuff that was happening around him. Laurence was good too, while Redford was also believable as loving but a bit weird grandpa/father.

All in all, Pete’s Dragon was a good movie from Disney. It was well-written and nicely crafted. The film was not groundbreaking or the most original but it still made for some pretty good time at the cinema.

Rate: 4/5

Trailer: Pete’s Dragon trailer

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Movie review: Star Trek Beyond

Movie reviews

Hello Hello Hello!

Welcome to another blockbuster review of this summer! This time, we’re talking about a film which I was really excited about and couldn’t wait to see – Star Trek Beyond! So, let’s go!

IMDb summary: The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a new ruthless enemy who puts them and everything the Federation stands for to the test.

Star Trek Reboot

I am not familiar with the original Star Trek films or the various TV shows, however, I have seen the rebooted movie and its sequel numerous times and absolutely loved it. I even think that Star Trek was the first space-opera type of a franchise that I fell in love with – yes, that means that Star Wars came in 2nd. I might not know all the references and Easter Eggs but I don’t think that you need that knowledge to enjoy the new movies. J.J.Abrams’s direction for franchise made it extremely accessible. I kinda wished that Abrams would have returned to direct the 3rd film, but I kept an open mind and really wanted to see what would Justin Lin do with the property. The casting choices, since the first film in 2009 were also great. I was really happy to find out that Idris Elba and Sofia Boutella joined the cast for Beyond.

SPOILERS AHEAD 

Writing

Star Trek Beyond was written by a TV scriptwriter Doug Jung and a member of U.S.S. Enterprise crew himself – Simon Pegg a.k.a Montgomery Scott. Pegg has some writing experience – he co-wrote Edgar Wright’s Ice Cream Trilogy – Three Flavours Cornetto trilogy also know as the satirical look at British life or the best comedic franchise ever. Overall, I did enjoy the story of Beyond and loved the different aspects of it, especially the jokes. However, some ideas seemed really cliche.

Things I loved:

  1. The expansion of the universe – we got to see some more species of aliens and actually explored the deep space. We also got to see a new(old) ship and a new station.
  2. The references to the original continuity in the death of Ambassador Spock and that photo of the original cast.
  3. The fact that they had the guts to completely destroy the U.S.S. Enterprise – one of two most recognizable fictional ships in the world, other being the Millennium Falcon – in the first act.
  4. The villain with some genuine character development – Elba’s character had an actual motive to be angry at Federation. He also seemed pretty scary and efficient with that life-prolonging technology. I also liked the concept that his character introduced into the film – people born during the times of war will never be calm during peace.
  5. The different pairs of characters: Kirk and Chekov, Uhura and Sulu, Spock and Bones, and Scotty and newly introduced Jaylah – the ending suggests that we will see more of her and I can’t wait to get more of her backstory. Bones’s and Spock’s duo was my favorite pair – loved their back and forth banter that was actually quite serious (‘ Fear of death is illogical. Fear of death is what keeps us alive.’) and the jokes (‘You gave her radioactive jewelry?’).
  6. The main idea of the film – strength comes from unity – was also nice, but, sadly, it sounds kinda ironical in today’s world.
  7. The dedications at the end. I liked that they dedicated the film to both Leonard Nimoy and Anton Yelchin and I also liked the different forms of dedication. Nimoy’s mention seemed official, so as to show respect for his long career and to acknowledge his importance to the Star Trek lore, while Yelchin’s dedication was more friend-like and simple, yet equally emotional.

Things that could have been improved:

  1. Beyond villain’s plan was very similar/ exactly the same as the plan of the Admiral in Into Darkness – they both wanted to start a war.
  2. The tiny ships acted liked bees and resembled a cloud – while it definitely looked cool it has been done numerous times and felt too repetitive.
  3. The solution how to destroy the bee ships with musical frequencies was kinda cheesy. However, Star Trek used to be a much less serious and more camp-y franchise in the previous century, so maybe it was a nod to that.

In general, I feel that Beyond had the simplest story of the new franchise because it didn’t create an alternative universe, like the 1st film did, or dealt with iconic characters, like Khan (2nd film). At the same time, it was a fine story on its own and, while some of the developments were kinda cliche, the others were really neat and unpredictable. However, if this narrative was done outside of the Star Trek brand, I don’t think that it would have turned out as good as this one did.

Directing

Justin Lin, of the Fast and the Furious franchise, directed the film and did a good job. Although, I did miss Abrams’s lens flares, I really liked the visuals that Lin created for Beyond. I loved the massive scale of the deep space and the architecture of Yorktown. The action was also exciting and energetic. As I have said, the tiny ships did look cool and were efficient in their job. The space CGI was breathtaking and flawless, but a few sequences of the ground could have been improved a bit more. Some of the motorcycle shots looked really fake. The ending montage, which showed the Enterprise being rebuild, accompanied with the traditional monolog, delivered by the whole crew, was a really nice way to end the picture. I would like to praise the make-up department for impeccable prosthetics for Elba’s character. The design of Boutella’s character was really cool as well but I wished it looked more alien because now she kinda seemed like a human with white and black foundation.

Acting

The whole cast did an amazing job. Chris Pine (Jack Rayn, Z for Zachariah, Into the Woods, The Finest Hours) shined once again as Captain James T. Kirk, can’t wait to see him in Wonder Woman since the comic-con trailer looks awesome. Zachary Quinto (Hitman) was perfectly logical with some tiny burst of emotion as Commander Spock, later this year he will appear in SnowdenKarl Urban (LOTR, Dredd ) was great as Lieutenant Commander Leonard McCoy, MD, and I’m looking forward to Urban joining the MCU.

Zoe Saldana (Avatar, Guardians of the Galaxy) appeared as Lieutenant Nyota Uhura, while Simon Pegg (Mission Impossible films) portrayed the Lieutenant Commander Montgomery Scott and both delivered nice performances. John Cho was amazing Lieutenant Hikaru Sulu and had quite an important supporting role, which I enjoyed. Seeing Anton Yelchin as annoying yet sweet Pavel Chekov was a really bittersweet moment. His sudden passing really shocked me and made me appreciate life a bit more.

The newcomers: Idris Elba (Prometheus, MCU, Zootopia, The Jungle Book, Bastille DayBeasts of No Nation) as Krall and Sofia Boutella (Kingsman, upcoming The Mummy reboot) as Jaylah were also good. Elba was believable and threatening as a villain, while the inclusion of Boutella’s character opened a lot of possibilities.

In short, Star Trek Beyond was simple, yet fun and exciting addition to the Star Trek universe. The acting was great, the action exciting and the writing – amazing for the most part. I definitely recommend it to all the nerds who read my blog.

Rate: 4/5

Trailer: Star Trek Beyond

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5 ideas about a movie: Bastille Day

Movie reviews

Hi!

While I eagerly await the Civil War film, I still go to the cinema to check out other new releases. This week, I watched an action and crime drama – Bastille Day – and I want to share a few thoughts about this picture. Let’s go!

IMDb summary: A young con artist and former CIA agent embark on an anti-terrorist mission in France

  1. To begin with, I’ve never thought about myself as a fan of crime action movies (I usually preferred sci-fi, fantasy or historical action films). However, after watching quite a few films of the crime genre and liking them a lot, I have to admit – I am actually a fan or at least I am becoming one. A couple of recent crime films that I have enjoyed were Triple 9, Sicario, Black Mass and Legend. In addition, not long ago, I watched or re-watched a few older crime thrillers – Scorcese’s Goodfellas, Tarantino’s Reservoir Dogs and Fincher’s Seven – and would absolutely recommend all of them to everybody.
  2. Bastille Day was written by Andrew Baldwin, and, according to the IMDb, this is his first screenplay. He is writing scripts for 3 announced movies, including The Bourne Legacy sequel. I believe that Baldwin did quite a nice job with this film: the plot was not that linear and simple and the story was quite complex and interesting. I enjoyed the fact that the film was Europe Centric, however, I question the decision to set a terrorist story in a city of Paris, when the real-life attacks on the capital of France happened less than a year ago. Granted, the film’s attack and real-life attacks were carried out by different parties for different reasons (maybe(?)) but the two events might be too similar and could negatively affect the film.
  3. The movie explored such themes as the abusement of power and the role of social media in the modern, information-driven world. It also had some interesting things to say about chaos, but, sadly, like many films before it, Bastille Day used the cliche of the ‘criminals inside the organization or government’
  4. The motion picture was directed by James Watkins, who has previously directed only horror films. I liked his work on Bastille Day: the action was exciting and not to over the top. For example, the roof chase sequence looked realistic because both of the characters stumbled and even fell a couple of times. The film’s soundtrack (by Alex Heffes) was also nice – very funky and upbeat. Bastille Day had an R rating, although the film’s action looked kinda PG-13. I predict that they got an R rating because of the explicit nudity in the opening scene. Needless to say, the nudity wasn’t necessary and the film would have probably gotten a PG-13 rating, which would have allowed it to reach a wider audience and, in turn, earn more money.
  5. The film had a great cast. Idris Elba shined in the lead as douche-baggy yet still somewhat likable CIA agent. I’m really happy that Elba’s career is finally picking up, although I’m still sour about the fact that he didn’t get an Oscar nomination for Beasts of No Nation. I’m really excited to hear him in Finding Dory and see him in Star Trek Beyond later this summer. Until then, I suggest you check out Prometheus, Mandela: A Long Walk to Freedom, The Jungle Book, and MCU films, all starring Idris Elba.  Game of Thrones alumni Richard Madden was also really good and extremely charming in his role. I liked his line ‘It’s all about the distraction‘ as well as his tricks. Madden’s last big film was 2015’s Cinderella and he doesn’t have any big movies lined up, however, I’m sure that we will see more of him on the big screen in the near future. The last cast member that I’d like to mention is Charlotte Le Bon (The Hundred-Foot Journey and The Walk). She was quite good in her role and is slowly becoming Hollywood’s go-to French actress (although she is French Canadian).

In short, Bastille Day was an enjoyable film with an interesting yet a bit cliche plot, exciting action and good acting. It wasn’t groundbreaking but not bad either. Not a must-see but if you don’t have anything else to watch, Bastille Day might just be the perfect choice for you.

Rate: 3.7/5

Trailer: Bastille Day trailer

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Movie review: Hitman Agent 47

Movie reviews

Hello!

The final spy film of this summer – Hitman Agent 47 – has finally reached movie theaters, so let’s review it.

I have told you numerous times that the two contemporary spy movie franchises that I am a fan of are Mission Impossible and James Bond. I also love when action-spy-thrillers bring something unique to the table, like Kingsman The Secret Service and The Man from U.N.C.L.E did. Sadly, Hitman Agent 47 does not fit into any of these categories. It’s not a classic secret agent flick and not an unusual (in any way) motion picture. It’s just an okay (barely) action movie with a generic plot and questionable execution.

Hitman Agent 47 is the 2nd time that Fox is trying to launch a Hitman film franchise based on a successful series of video games. Their first try was in 2007 with actor Timothy Olyphant in the titular role. That film earned its budget back quite easily and actually quadrupled it. However, the studio was unsuccessful in making a sequel, so they decided to make a reboot instead. Interestingly, they kept the same screenwriter – Skip Woods – despite his quite terrible track record (X-Men Origins: Wolverine, A Good Day To Die Hard and Sabotage). I haven’t seen the original Hitman (and I don’t plan to watch it), but I can say one thing for sure – they should have picked a different screenwriter.

Writing

This movie literally consists of two types of scenes: exposition and action. And neither of them are executed properly (more on the action scenes in the Directing part of the review). Exposition is rushed and there are a number of scenes where nothing happens and a few character just sit and explain their backstory or the next move. However, we don’t need any explanation, since the plot is very predictable. The dialogues are also quite cringe-worthy. Lastly, characters’ intentions and backstories are missing from the film. I enjoy when movies keep some secrets and don’t over-explain everything, but when the audience knows nothing about the characters, it consequently does not care for them at all. Also, the twist of mixing the film’s hero with a villain should have worked, because it’s an interesting idea, but this movie only succeeded in mentioning the aforementioned idea and never really going anywhere with it.

Directing

Hitman Agent 47 is directed by Aleksander Bach and it’s his directorial debut. Some of his action scenes work well, but others look like they came from a video game and that’s not a compliment. There is way too much slow motion and way too much of quick/rapid cutting between scenes. I also don’t see why this movie needed to be rated R, because all that blood, which was splattered everywhere, didn’t add anything to the film. If this film was rated PG-13, maybe it would have earned a bit more and wouldn’t have been a total box office flop.

Shoot-out scenes were okay, but I was more impressed with the hand-to-hand combat scenes. However, the CGI was absolutely terrible. Again, it looked like a video game and I have seen video game’s graphics which are more realistic than this film’s effects.

Acting

Rupert Friend as Agent 47. Rupert was quite good as an emotional and cold-blooded assassin. Sadly, since he had no emotions, I, as a viewer, didn’t have any feelings towards him either. Also, the film never revealed who was he working for. Maybe you were supposed to know that from the game? 

Hannah Ware as Katia was the most interesting character to me. I only wish that they would have explained her physical and psychological enhancement more, but then the movie would have turned into a science fiction film and not a mindless action shoot out. This film really would have fared better, if the people, working behind the camera, would just have injected some intellect and smartness into it.

Zachary Quinto as John Smith. The most original name ever, right? Even though it’s just a nickname, they still could have come up with something better. Quinto’s involvement in this film was actually the thing that attracted me to this movie and the thing that ended up disappointing me the most. Also, it was weird seeing him with a quiff.

Ciarán Hinds as Dr. Litvenko was also an underdeveloped character. Litvenko was supposed to be the main reason for the film’s plot to happen, but he was just another unnecessary character in a film that didn’t need to be made. Also, during the movie, I was rocking my brain, because I couldn’t remember, where I have seen this actor before, and only when I checked his IMDb page, I’ve realized that he portrayed Mance Rayder on Game of Thrones and played Julius Caesar in HBO’s Rome. Loved him in both of these projects, hated in this film.

Thomas Kretschmann as Le Clerq brought some diversity nationality wise. He is a German actor, who has starred in a few Hollywood movies as well as in a variety of German films. He is probably best known to English-speaking audiences for his most role of Baron von Strucker in MCU. He was good in the role of Le Clerq – a millionaire with bad intentions. The problem is – his role wasn’t good. Make what you will out of that.

All in all, Hitman Agent 47 was a poor action film with an uneven and predictable plot, boring characters and terrible visual effects. It had a few good moments, but these got lost in the overall terribleness of the film. I have lost all faith in movies inspired by video games going forward, but we will get a plethora of them in the next few years. Gaming community takes up a huge part of the Internet, so I don’t blame the studios for trying to turn the obsession of the masses into a profit. Personally, Need for Speed (review) is still my favorite film based on a video game. The review of the other this summer’s film inspired by a video game (a bunch of them, actually) is here – Pixels review.

Rate: 2/5

Trailer: Hitman Agent 47 trailer

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