Movie review: Spiderman: Far From Home

Movie reviews

Hello!

And welcome to my once in a blue moon movie review blog! No surprise in what movie I’m reviewing – I’ll always crawl out of the cave for Marvel – so let’s discuss Spiderman: Far From Home!

Spoilers for Endgame and Far From Home!

Writing

The Spiderman sequel was written by Chris McKenna and Erik Sommers – a duo that was also part of the Homecoming writing team. They did a great job following up both their own first movie and Endgame. Far From Home was undeniably rooted in MCU and dealth with the aftermath of Endgame in an interesting and meaningful way. It also somehow managed to take Iron Man’s legacy (both legacy of his movies and legacy of the character) and do something unexpected with it. And yet, I do wish that for the third film, Spiderman would attempt to move away from Iron Man’s influence a bit more – he has to grow into his own at some point (and I think that that is exactly what’s gonna happen – the basis for that type of story was already laid in Far From Home). The way Mysterio was handled in the story was interesting too – I felt that his character development lacked in the first act but his story kinda found its footing after the twist. Thematically, Far From Home was all about fake narratives and people believing in them – quite a timely topic if I may say so.

Directing

Jon Watts returned to direct the Spidey sequel and managed to mush two distinct genres – a teen comedy and a superhero epic – even more perfectly than the first time around. Far From Home felt like a decade defining teen comedy drama overflowing with awkward encounters and timely problems for teens everywhere. It also felt like an amazing superhero flick that was both sophisticatedly high stakes enough and also silly and comic-booky.

The humour of the film, while a bit cringey cause of second hand embarrassment, felt light and easy-breezy – a nice and much needed break after engame. Still, the action scenes in the film were great – not Endgame levels of epic but highly deserving of praise for a standalone film. I especially loved how the illusion sequences were both visually interesting and carried an emotional weight to them. I also loved the European setting of a lot of the action scenes – it was a nice and familiar trip for me as a European (especially remembering how I walked on the same bridge in Prague when I was the characters’ age – I always appreciate a personal touch in movies).

Mid-credits and Post-credits

Far From Home also had two quite shocking ending scenes – dare I say, we haven’t had post credits scenes that raised so many questions in a while. The mid credits acted as an amazing twist and a set-up for a Spidey sequel (and featured a long awaited cameo from a fan favorite), while the post credits gave us hints about the future of the wider MCU (I say ‘hints’ but, personally, have no idea what the scene means exactly).

Acting

Tom Holland proved everyone once more that he is the best Spiderman we ever had. He was endearing in the role and handled both the awkward comedy and the heavy drama so well. Jake Gyllenhall was also amazing: really enjoyed all the layers of his performance. It was also nice to see so many familiar MCU faces – Samuel L.Jackson and Jon Favreau – whose characters both had interesting small arcs. Zendaya shined as MJ while Jacob Batalon was a friend we all wish we had.

Rate: 4.5/5

Trailer: Spiderman: Far From Home trailer

In conclusion, Far From Home gives Marvel fans a deserved break after Endgame while simultaneously building on the legacy of it.

Movie review: Avengers: Endgame

Movie reviews

Hello!

And welcome to a review 11 years in the making. This is Avengers: Endgame!

IMDb summary: After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos’ actions and restore order to the universe.

Disclaimer: this review is going to be super vague as I’m trying to avoid spoiling even the smallest moments of the film. Still, I might not always manage to do that, thus, proceed with caution!

Writing

Endgame was written by Christopher Markus and Stephen McFeely. The duo has written a lot of previous MCU films, so they certainly have a good knowledge of this universe and these characters. And that shows as the script is just spectacular. So so so much happens in this movie: it is complex yet clear. Also, being the ‘end of an era’ type of a film, Avengers 4 really focuses on the core original Avengers, while the new characters kinda fade into the background. Focusing a film in this way makes sense to me: the newbies have to earn their right to be at the forefront. Moreover, Endgame also does a great job with setting up the future: both a couple of concrete films and just concepts that will hopefully turn into movies. Quite a few very comic-booky concepts too!

In my opinion, where Endgame shines the most is by being the sequel to end all sequels. It continues Infinity War perfectly and deals with all the issues head-on (like the ‘should have gone for the head’ gripe). It also references so so so much stuff from MCU that it makes Easter Eggs a part of the plot. Everything is referenced: lines, whole scenes, and Internet/fan jokes. It is so satisfying spotting the references or the subversion of the references: Marvel really rewards the loyalty of its longtime fans.

While I cannot really talk about the ending in this spoiler-free review, let me just say that it feels poetical. And though it may hurt, we all know it’s right.

Directing

I truly bow my head to Anthony and Joe Russos for giving me my new favourite MCU film (and their previous 3 films – Captain America 2 and 3 and Avengers 3 literally take up all the runner-up spots). The fact that they manage to portray such a complex story with clear editing is unbelievable. Plus, the fact that they succeed in making a 3h movie so engaging is also an achievement. I also appreciate all the different tones/genres that they squeeze into Endgame.

First, Endgame is a comedy: it has so many amazing comedic moments and is also a perfect conclusion (even if a temporary one) to MCU as the more family-friendly/lighter franchise. It takes that statement (that some use as a compliment and some as a critique) and owns it. I believe that these comedic undertones to the film come from The Russos’ directing roots as they did, in fact, made a name for themselves with Arrested Development and Community – two beloved comedy TV series.

Endgame is also a drama: it has depth and character moments aplenty. When I say there was no dry eye in my midnight screening, I mean it.

Endgame is also a superhero actioner through and through. It has all the CGI one would like but it also enhances it by actually making the viewers care about the characters involved rather than the third act just being a clash of random pixels. It has so many goosebump-inducing or so-called ‘money shots’. I especially loved one female empowerment shot that is hopefully not a one-off, but rather a signal to the changing times (though there was a severe lack of female viewers in my screening: really wanted it to be a 50/50 split but it was more like 80/20).

Acting

There is no way that I can possibly name all the cast members involved with this film but I believe that they all did a great job, no matter how short their involvement might have been. The core 6 – Robert Downey Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Mark Ruffalo, and Jeremy Renner – them I will mention by name because their performances should go down as one of the best ever in movie history. The actors got to showcase their dramatic chops so much because we really see the characters as just completely broken people. The fact that the actors also have perfect comedic timing (some especially) make their overall performances that much greater.

Post-credits

With Endgame, Marvel breaks the tradition that it created, and doesn’t have a post-credits scene. And I think that’s perfectly fine: there is nothing to promote or tease moving forward (Spiderman 2 is so separate and also already being promoted with trailers that it doesn’t make sense to stick it on there): Endgame is the end of not one but 3 phases, so let it feel like a definite ending. Besides, there are setups for the future before the credits roll. Also, I believe that the lack of post-credits is also good in that it doesn’t undercut the emotional weight of the ending of the picture. The last scene one sees and remembers is the end.

In short, Avengers: Endgame makes you laugh and cry and everything in between. It also makes sure that you will come back again. Not only for future films but to rewatch this one. Again. And again. And Again. (at least that’s what I’ll be doing).

Rate: 5/5 (I mean, are we surprised? Also, that number rating has never been about objectivity but rather included by necessity).

Trailer: Avengers: Endgame trailer

P.S. If you would like to take a trip down memory lane, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Movie review: Avengers: Infinity War

Movie reviews

Hello!

And welcome to a review of a movie that requires no introduction – Avengers: Infinity War!

IMDb summary: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

As per usual, just before we start, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Also, since #ThanosDemandsYourSilence, I’m keeping this review spoiler free!

Writing

Infinity War was written by Christopher Markus and Stephen McFeely (the duo who wrote all the Captain America movie and The Chronicles of Narniacinematic adaptations). There were so many things to love in the script. Firstly, the screenwriters did an amazing job handling the plethora of characters that they had to work with. They didn’t have time to develop any of them really so you do kinda need to have seen at least some of the previous movies to really enjoy this one (but then again, if you are watching Infinity War, you have seen some of the previous 18 films for sure). What the screenwriters did manage very successfully was to give each of the characters some meaningful moments that were either emotional and weighty or funny and entertaining. The different scenes of the various characters meeting each other and interacting were just brilliant. The deep cuts to the MCU lore (cameos and tiny plot elements from other films) were also greatly appreciated. I also liked the fact that script fast-tracked over some meetings and explanations, as that made sure that the movie’s pace stayed top-notch. Secondly, they did an amazing job developing the character of Thanos and explaining his motivations and point of view. Marvel officially doesn’t have a problem with villains no more. Thirdly, the movie did a good job of picking a theme – sacrifice – a sticking to it, through and through.

Fourthly, the script delivered on the unexpected twists and the consequences a.k.a. characters we didn’t forsee died, both throughout the film and in the third act. Every one of those deaths meant something and was felt by every fan in the screening. I’m incredibly interested to see how will these consequences be dealt with in the next film: whether Marvel is gonna go back on some of them or all of them. I would love to see a lot of these characters back but I would also love to see them making the ballsiest move in cinema and not bringing any of them back. The film’s post-credits scene – only one but worth the wait – hints at how the universe will move forward and solve the problem, like Thanos (I wrote that in a ‘How do you solve a problem like Maria’ singing voice).

Directing

After nailing the unique political thriller vibes with The Winter Soldier and after managing to work with a massive cast in Civil WarAnthony Russo and Joe Russo were trusted with the biggest Marvel movie yet and they did an excellent job. They made it feel like an event and not just a movie. The vibes this time were cosmic and so so so Marvel Comics-like. The massive group of characters was even bigger this time and all of them were accounted for. The action was epic and explosive and there were so many amazing team-ups and groups during the fight scenes (especially one great episode with my favorite female characters). The quips during the fighting felt very Marvel but not cheesy or annoying. The editing was also clear and seamless.

Acting

Infinity War had an awesome display of that perfect Marvel casting and just listing the whole cast is gonna take forever but here we go: Robert Downey Jr. (his new armor is lit), Chris Hemswort (Thor has a great arc), Mark Ruffalo (interesting things happen with Hulk), Chris Evans (still Cap even if not of America), Scarlett Johansson (loved the new look), Benedict Cumberbatch (Doctor Strange has really come into his own), Tom Holland (still a teenager), Chadwick Boseman (still the king), Paul Bettany and Elizabeth Olsen (some great stuff involving the two of them), Anthony Mackie and Don Cheadle (have some great ‘the team-ups of the sidekicks’ moments), Sebastian Stan (also known as a L’Oreal model), Tom Hiddleston (his arc picks up where Ragnarok left off), Idris Elba (his arc might anger some fans/theorists), Benedict Wong (has no cash), Chris Pratt (has a great gag about voice), Pom Klementieff (surprisingly important), Karen Gillan (has a great visual scene), Dave Bautista (the funniest of the cast), Zoe Saldana (Gamora has a briliant arc), Danai Gurira (still a bad-ass), and Letitia Wright (the third member of the science bross) are all back and better than they have ever been.

From the newbies, Peter Dinklage has a gigantic cameo, while Josh Brolin does a great job with the motion capture. Thanos’ pawns are voiced/captured by Terry Notary (mocap performer in Apes, Warcraft, and Kong), Tom Vaughan-Lawlo (little-known actor), Carrie Coon (Fargo season 3), and Michael James Shaw (TV actor).

In short, Avengers: Infinity War is the movie event of the year that has to be watched multiple times to truly be appreciated. My next screening is on Monday, when’s yours?

Rate: 4.5/5

Trailer: Avengers: Infinity War trailer

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Movie review: 12 Strong

Movie reviews

Hello!

Welcome to a review of another January release. This time around, it’s 12 Strong!

IMDb summary: 12 Strong tells the story of the first Special Forces team deployed to Afghanistan after 9/11; under the leadership of a new captain, the team must work with an Afghan warlord to take down for the Taliban.

Writing

12 Strong – a biographical action drama – was written by Ted Tally (adapted The Silence of the Lambs all those years ago) and Peter Craig (wrote both parts of Mockingjay and the upcoming Robin Hood and Top Gun 2), based on the non-fiction book ‘Horse Soldiers’ by a journalist Doug Stanton. Overall, the film’s script was very much ‘by the books’ but it also had a couple of original and unique ideas.

The movie’s set-up was typical. It included: a reminder that 9/11 happened (and simultaneously situated this film in a the war on terrorism timeline), a couple of scenes with the family members of the soldiers (and no other character development, except maybe a few bonding scenes with the other soldiers), and a single scene to introduce the villain (and honestly, his actions in the said scene were so despicable that that one scene was enough).

The ideas, which I found original, were few but present. I really liked the warlord’s speech about the difference between a warrior and a soldier. I’ve always thought about these two words as synonyms that meant the same, but, now, I see that they do slightly differ in the reasons for fighting (whether for survival or as a job). The warlord’s (whose beliefs were presented as very Western – was that an authentic feature or did the filmmakers wanted to make him more sympathetic to the Western audiences?) concluding statement, about the US becoming just another tribe in the Middle East rung very true, knowing the events that followed the ones of depicted in this picture. I really wish that the movie had more of a ‘looking back’ perspective like the one expressed in that monologue. Lastly, some questions that this movie (like all the others of this genre) raised but didn’t necessarily answer, for me personally, were: how do the followers of Islam balance their own culture and the human rights (that’s mostly a women right’s question that is interpreted wrongly by some Muslims)? And how can the West help that region achieve freedom and peace without imposing Westernization upon them?

Directing

12 Strong was directed by Nicolai Fuglsig – Danish filmmaker and photojournalist. This was his American film debut and he certainly didn’t do a bad job. Action/terrorism movies are a hard sell and they only really capture the audiences’ atention when they have some awards backing (e.g. The Hurt Locker or, more recently, American Sniper). Fuglsig’s picture didn’t have any big names attached (Hemsworth is only a draw if he is Thor) and it’s coming out in an unfortunate month. Still, the film was quite okay. The shoot-outs were well constructed and intense. The movie aslo did a good job of visualizing the new kind of warfare by showing the choppers in the clouds and the combat on horseback combat.

 

Acting

12 Strong assembled a cast, full of quite well-known actors. Leading them was Chris Hemsworth (Thor 3, The Huntsman, Ghostbusters, In The Heart of The Sea, Avengers 2). He was joined by Michael Shannon (Midnight Special, Nocturnal Animals), another Marvel family member Michael Peña (Ant-Man, The Martian, Collateral Beauty, The Lego Ninjago, Murder on the Orient Express), and the up-and-coming Trevante Rhodes (who got everytbody’s attention with Moonlight and will soon appear in The Predator). A bunch of other actors played the other 8 (of the titular 12) soldiers but, as they didn’t really have a character arc, I don’t see the neccesity to mention them. Navid Negahban played the warlord ally of the American troops: he has played a similar role before multiple times. His next project is a bit different, though – he will be the Sultant in next year’s live-action Alladin.

In short, 12 Strong was a mediocre and by-the-numbers action/drama with some good performances and a few intersting ideas.

Rate: 3/5

Trailer: 12 Strong trailer

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Movie review: Justice League

Movie reviews

Hello!

Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.

SPOILER ALERT

Writing

Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).

Directing

Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).

Acting

The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer

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Movie review: Thor: Ragnarok

Movie reviews

Hello!

What a time to be a nerd! A new Marvel movie is in theatres every 4 months! Is this heaven or what? Without further ado, let’s discuss Thor: Ragnarok!

IMDb summary: Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.

If it wasn’t obvious from my intro, I’m a huge MCU fan and have reviewed quite a few films of the franchise, thus, I’m linking the said reviews here: Captain America 1+2, Ant-Man, Guardians 1 and Guardians 2, Avengers 2, Civil War, Doctor Strange, Spider-Man: Homecoming.

This review is SPOILER FREE. The discussion involving SPOILERS is located at the end of the page.

Writing

Thor: Ragnarok was written by Eric Pearson (writer of a few MCU one-shots (I wish they were still making them) and writer on Agent Carter), Craig Kyle (comic book writer, producer the first two Thorfilms and of some of Marvel’s direct-to-video animated pictures), and Christopher Yost (longtime collaborator of Kyle, writer of Thor: The Dark World). I loved the writing for this film.

To begin with, I appreciated how dense the narrative was. So much happened in this picture and every second of that 2-hour runtime was packed with plot. It felt like this movie consisted of a couple of films, which was exactly the case. Thor: Ragnarok contained the first third of a Hulk solo movie – the middle part and the ending will probably be folded into Avengers 3and 4. I was a bit worried that the Hulk sideline will feel tacked-on but it didn’t – Bruce Banner and his green friend fit into this picture organically. I loved the fact that we got to see more of Hulk and find out about his own separate personality.

In general, the majority of the main characters had very satisfying character arcs. First of all, Thor went on a journey on finding his path again, while Valkyrie also had to re-find her purpose in life (I loved how she was both badass and had her flaws). Loki attempted to redeem himself in the most questionable and Loki-appropriate way possible and Heimdall got to do something meaningful for once in these films. Skurge’s questioning of morality was great, while Grandmaster’s hijinks were hilarious.

Speaking of the comedy in the film – it was just wonderful. The situational relatable humor, the reactions, the call-backs, the references, and the jabs at the previous MCU events were extremely funny. However, the film also had some heart to it. One particularly touching moment occurred in Norway at the beginning of the film. That scene’s location – Norway – was also a neat nod to the Norse mythology roots of these characters.

MCU films have been notorious for their lack of great villains. I didn’t think that Hela followed this trend. She was both memorable and menacing. I also loved how she had a family connection to the protagonist, and, thus, how the film got an opportunity to explore the notions of family and home. I also enjoyed seeing her be actually threatening, setting the stakes high and having a lasting impact on both Thor and Asgard (physical and emotional).

Directing

Thor: Ragnarok was directed by the incredible filmmaker from New Zealand – Taika Waititi. I was only introduced to his work last year with the awards’ nominated delightful and heartfelt comedy Hunt for the Wilderpeople. Before going to see Ragnarok, I also watched his brilliant vampire mockumentary What We Do in the Shadows. Needless to say, my expectations were high and I’m so glad to say that Waititi delivered on them 100%! Thor: Ragnarok had the heartwarming feeling of Spider-Man: Homecoming, the jokes of Guardians of the Galaxy, and the trippy visuals of Doctor Strange. Nevertheless, it wasn’t just a rehashing of elements from other films, but a refreshing, unique, and immensely entertaining take on them.

The color palette of Thor 3 was just so gorgeous and super vibrant. The location and the character designs have never looked better in a Thor film (the looks reminded me of a mixture of Star Wars, Star Trek, Lord of the Rings and just 1980s style). The action was just so dynamic and energetic. It was also varied: we got to see a couple of one-on-one fights as well as some epic scale battles and a few spaceship chases. One of my favorite action pieces was the short opening fight between Thor/Loki/Hela in the rainbow bridge. Not on it, but in its stream. The music (by Mark Mothersbaugh) was also nicely incorporated into the film. I’m gonna listen to that Led Zeppelin song every day at the gym now.

Acting

  • Chris Hemsworth (Ghostbusters, The Huntsman, In the Heart of the Sea) had his 5th and best outing as Thor. We already knew that he was great a the role of a hero, but here he also displayed all his comedic chops!
  • Tom Hiddleston (High-Rise, Kong) was sly and charismatic as Loki again (I love the character, so I’ll never complain about seeing him).
  • Cate Blanchett (Carol, Cinderella) had a snake-like quality to her performance of Hela. At the beginning, I thought that she was bordering on being too cartoonish a too bit much but I think she quickly found her footing.
  • Idris Elba (The Mountain Between Us, The Dark Tower, Star Trek Beyond, Bastille Day, Beasts of No Nation) returned as Heimdall and got a chance to do something more in the film than just stand in one room!
  • Jeff Goldblum (ID2) was perfect as Grandmaster. He was doing his Jeff Goldblum thing (I can’t explain it) and that fit the character so well! He, in my mind, had the leeway to go cartoonish and I’m glad he went there at least a bit.
  • Tessa Thompson (Creed) was wonderful as Valkyrie. I loved how Thompson portrayed her character’s flaws, regrets, and determination.
  • Karl Urban (Pete’s Dragon, Star Trek Beyond) as Skurge. I hope that Urban’s involvement with a new comic book property means that he might go back to one of his old ones – the role of Dredd. Nonetheless, I loved seeing him here.
  • Mark Ruffalo (Spotlight, Now You See Me 2) delivered a short but sweet performance as Bruce Banner / Hulk. Immense props to him for his comedic timing too!
  • Anthony Hopkins (Transformers 5) only appeared briefly as Odin but he was responsible for the most touching and the most emotionally-challenging scene of the film, as a dramatic actor of his caliber should be.

In short, Thor: Ragnarok was without a doubt the best Thor film but it also might be one of the best MCU solo films ever! Not only worthy of watching once, but repeated viewing is recommended!

Rate: 4.8/5

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SPOILER-Y PART: 

Since I saw the movie super early (thanks, UK release schedule), I didn’t want to talk about spoiler stuff in the main part of the review, so I’ll just unpack some ideas in more detail here:

  1. Thor: Ragnarok had a great cameo by Doctor Strange. Those, who saw Doctor Strange and waited for the post-credit scene of that film, knew that Sorcerer Supreme will be showing up in Thor 3. It was wonderful to see the character appear on film as being closer to his comic book counterpart – way more advanced in his skill and more in control of his powers than he was when we last saw him.
  2. Matt Damon, of all actors, had a super funny cameo as an Asgardian actor playing Loki. It’s always nice to see a great actor doing some bad acting and Damon nailed his. Stan Lee also had an amazing cameo as the hairdresser. I’m glad that he was the one who supposedly got a chance to change Thor’s look. I feel like, since that change came from Lee, it is somehow automatically canon.
  3. Hela was turned into Thor’s and Loki’s sister for the film (she is the daughter of Loki in the comics). I liked the change because it allowed the movie to explore the differences between Odin’s relationships with each of his kids. Also, the fiction vs truth idea came into play in the movie because of that change.
  4. Some of my favorite jokes, which I didn’t want to spoil were: the Sakar’s infomercial sequence; Loki’s reaction to Hulk throwing Thor around like a ragdoll – Loki experienced the same fate in Avengers; Thor’s attempt to calm Hulk down with Black Widow’s lullaby; and the jabs at Tony Stark. Even if RDJ is not in the film, his presence is always felt. Another delightful comedic part was Taika Waititi’s motion capture and vocal performance as Korg. Waititi is a great comedic actor and I’m glad he got to showcase that here in addition to directing.
  5. Lastly, Thor: Ragnarok had two end-credits scenes. The mid-credits scene was a very vague tease for Avengers: Infinity War, while the post-credits scene was just a fun nod to this particular film.

Movie review: Logan Lucky

Movie reviews

Hello!

Steven Soderbergh is back from retirement but the audiences don;t care much. This is Logan Lucky!

IMDb summary: Two brothers attempt to pull off a heist during a NASCAR race in North Carolina.

Writing

Logan Lucky was written by Rebecca Blunt – either a newcomer writer or somebody, working under a pseudonym. There has been speculation online that Blunt lives the UK, while some critics thought that Soderberg himself is hiding underneath that name (because he does that when crediting himself as a cinematographer (as Peter Andrews) and editor (as Mary Ann Bernard). Anyways, whoever this Blunt person is/was, they did a good job on the script. While the core narrative was quite familiar (Hell or High Water-esque – stealing for one’s family), its execution in details was brilliant.

The movie opened with a good set-up of the mundane lives of its characters and established them as people, whose lives did not turn out the way they planned (one of them peaked in high school, the other was suffering from the little brother inferiority complex).

Then, Logan Lucky moved on to showcasing the American culture (the kind that foreign people wouldn’t even dare to call culture), which consisted of children beauty pageants and rural county fairs. However, the star of the said culture and the film was NASCAR – a very American brand of motor-racing. The cherry on top was the prolonged anthem scene. Logan Lucky seemed to be driving home a message, that stuff like this, for better or for worse, happens only in the USA. This type of portrayal could have easily come across as annoying but the underlying sense of irony and satire made it work.

Speaking about the comedic side of Logan Lucky – it was great if not as extensive as I hoped, after watching the trailer. I loved the different pairings of the criminals (The Hitman’s Bodyguardesque) as well as the jokes that were central to the characters (one-handed bartender, the dumb brothers of Joe Bang). Logan Lucky also had a really funny sequence with Sebastian Stan’s driver character (who didn’t seem like he had much to do with the actual plot of the film). Another magnificent and hilarious sequence was the prison riot and the prisoners demanding all GRRM books, getting frustrated that ‘The Winds of Winter’ has yet to be released, and hating the fact that the TV show is going off books. The ‘explosive device’ sequence and the decision to stop midway and explain the chemistry were extremely funny too.

Logan Lucky also had a surprising and really heartfelt scene involving the main character’s daughter’s beauty pageant and the song ‘Take Me Home, Country Roads’ (by John Denver). That scene should have been the closing images of the picture. However, Logan Lucky did continue and had a concluding detective story that felt like an afterthought. The investigation itself was not that interesting or neccesary. However, that closing sequence did provide some revelations about the main character’s secret dealings and did have a nice ending (well, for now) with all of them sitting in a bar.

Directing

Steven Soderbergh (The Ocean’s trilogy, Magic Mike series, Haywire) did a good job with Logan Lucky but I don’t think that this was his best film. The pacing at the start was a bit slow, however, the movie did pick up its pace, when the action began. However, it started dragging again with that detective-story afterthought. What I appreciated the most about Logan Lucky (and the other films by Soderbergh) was that it felt real. Not necessarily realistic but real, grounded, self-aware, and sprinkled with irony. While the scripts that he directs (or even writes) are usually mainstream, Soderbergh addresses them with unique auteur/indie perspective.

This time around, Soderbergh also approached the distribution of the film uniquely and decided not to partner with any of the big studios. Well, that backfired. Big time. Logan Lucky didn’t win its weekend, nor it showed any staying power by dipping lower and lower in the TOP 10. I really want to know who/what is to blame. Are the audiences just not interested in Soderbergh’s work anymore? Was it the lack of advertisement? Where were all the NASCAR fans? Where were all the grown-up Pixar’s Cars fan (the ones who saw the 2006 film as children and are now adults)? Where were the fans of movies, involving cars, a la Baby Driver?

Acting

Logan Lucky had a really strong cast, lead by a new favorite of Soderbergh’sChanging Tatum (they worked together on Magic Mike, while the other recent Tatum’s films include Hail, Caesar!, The Hateful Eight, Jupiter Ascending, Jump Street). His brother was played by Adam Driver, who is constantly working on smaller, more art-house pictures in between his Star Wars gigs, like Midnight Special, Silence, and Paterson. Daniel Craig (Spectre) also had a very fun role in the film that he seemed to be having a blast while playing. He never appeared to enjoy being Bond that much and, yet, he still signed on to continue being the 007.

The supporting cast included Riley Keough (Mad Max), Katie HolmesKatherine Waterston (Fantastic Beasts), and Hilary Swank (would love to see her going back to the Million Dollar Baby type of projects and the level of success). The majority of them didn’t really play real characters but were used as devices for world-building or the lead’s character development. Seth MacFarlane (Ted, Sing) and Sebastian Stan (Marvel stuff, The Martian) also had cameo roles and their whole separate thing going on in the background.

In short, Logan Lucky was an enjoyable mixture of mainstream and indie, but it didn’t offer anything too special. Neither a disappointment nor really a win for Soderbergh.

Rate: 3.5/5

Trailer: Logan Lucky trailer

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Movie review: The Hitman’s Bodyguard 

Movie reviews

Hello!

With the summer movie season coming to a close, let’s discuss one of its last offerings – The Hitman’s Bodyguard!

IMDb summary: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Writing

The Hitman’s Bodyguard was written by Tom O’Connor and this picture was only his second screenplay to be produced. The script had both fun and dumb moments. The set-up, as well as the shared backstory of the protagonists, was good, while the dialogue and the banter were actually quite funny. The movie also had way more emotional depth than I expected it to. However, the antagonist was quite awfully written. I’m really over Eastern European politicians or mob bosses as villains in Hollywood films, mostly because I’m from that region but also because American screenwriters tend to reduce them to cinematic caricatures instead of portraying them as actual real-life threats. The fact that the writers (or somebody behind the scenes) thought that they needed to clarify that Belarus used to be a part of the Soviet Union with that sub-heading was kinda sad too.

Directing

The Hitman’s Bodyguard was directed by Patrick Hughes, who also did The Expendables 3. The influences of his previous picture could certainly be felt in his current one: while the last of The Expendables films was an intentional homage to the 80s actioners, the critics can’t really pinpoint the exact decade Hughes was referencing with The Hitman’s Bodyguard. I saw it being called ‘a love letter’ to both the 80s and 90s, but to me, it felt like an early 2000s action film, especially because of the split-screen opening sequence. The hand-to-hand combat was choreographed quite well, while the car chases were also entertaining and exciting enough. The soundtrack by Atli Örvarsson, full of well-known old-school pop songs, was a fun addition to the film too. The movie actually had two very enjoyably-cringy musical moments – the sing-off between Reynolds and Jackson and the nun bus scene. Another humorous sequence was Reynolds’s monologue to the bartender with action happening in the background (it wasn’t the most original but still a well-executed sequence).

Acting

The best part about The Hitman’s Bodyguard was its two leads – Ryan Reynolds (Life, Deadpool) and Samuel L. Jackson (Avengers, The Hateful Eight, Kong, Tarzan, Miss Peregrine) and their amazing chemistry. It was interesting seeing Reynolds trying to play ‘the straight man’, while it was also fun to see Jackson going absolutely crazy, even though he has done that before, for example, in Kingsman. Jackson has appeared in a tonne of films lately, I wonder whether the audiences will get bored of him or whether he is actually priceless in a supporting role.

Elodie Young played Reynolds’s love interest and did a nice job. She had a very good weekend, with not only The Hitman’s Bodyguard hitting theatres, but The Defenders (where she stars as Elektra) landing on Netflix. Salma Hayek (Sausage Party) had a tiny but hilarious role as Jackson’s love interest, while Gary Oldman (Dawn), for whatever reason, played the main caricature of a villain. Joaquim de Almeida also had a cameo role and an important plot-point was kinda spoiled by his involvement in the film (he just usually plays two-sided characters so I was fairly certain that he will be shady in this movie too).

In short, The Hitman’s Bodyguard is predictable but an entertaining enough action comedy that has a very expendable villain but is elevated by its two leads.

Rate: 3.5/5

Trailer: The Hitman’s Bodyguard

Movie review: War For The Planet Of The Apes

Movie reviews

Hello, 

The third and final installment in the rebooted Apes franchise – War For The Planet Of The Apes – is upon us, so let’s review it.

IMDb summary: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

SPOILER ALERT

Writing

War For The Planet Of The Apes broke the trend that most blockbusters follow nowadays and was written by only 2 people instead of a bunch of them. Mark Bomback (who wrote The Wolverine, Insurgent, and the previous entry in the trilogy Dawn) and the director Matt Reeves were the only two screenwriters responsible for the script and, to my mind, that was one of the factors that lead to War’s screenplay being a major success that only had a few minor flaws.

To begin with, I loved the neat recap that played with the titles of the films (Rise, Dawn, War). I also very much enjoyed the direction that this story took with the humans devolving and losing the traits that make them human. The scene in which Woody Harelson’s character exposed that concept was a bit exposition heavy but the idea itself was so interesting that I didn’t care that much. In general, the issues of humanity were even more prevalent than in the previous films and were handled really well. Moreover, I adored the final twists in the plot, where the final battle was more about the human vs human conflict with the apes caught in the middle. Additionally, the idea to have mother nature as the winning agent was a genius one and also helped the action-y third act to tie into Harrelson’s character’s story-idea that apes are more adapted for survival.

Other themes, like Caesar’s struggles of leadership (to stay with the group or be the lone wolf/ape), his drive for revenge and/or survival, and his feelings of guilt and responsibility, were great additions to the narrative that elevated the film. Speaking about Caesar, his death at the end of the movie was quite emotional – he was one of the most memorable sci-fi characters ever that we had a privilege of seeing grow and develop in three, near damn perfect, films.

The new characters in War were excellent additions. The bad ape character was an obvious ploy for comedic relief but he was actually funny (wonder how much of that was improvised and how much was written). The child human character was also really good – she was like a beacon of real humanity and goodness in a war film. Lastly, the few gripes with the picture’s writing I had were mostly illogical gaps in the narrative. For one, the soldier characters were kinda awful at their job, not noticing the little girl or that the apes were gone. Secondly, I wish that the ape characters would have been made to utilize their ape skills more. When Caesar and the band went looking for the colonel, why not make them smell the territory rather than just barge in? Thirdly, this is not really a logical flaw, but I wish that the flower moment with the ape and the girl and that ape’s death scene would have been further apart. It would have given us more time to really get to know the character and would have made the untimely demise even more emotional.

Directing

Matt Reeves took over Rupert Wyatt (he directed Rise) on the second film Dawn and also helmed the final installment War. I loved the continued direction that he first chose for the second film – to treat the movie as a thriller or even a drama but to also have spectacular action moments. War was intense and slow but crafted with such care. The only time the film slowed down too much was the sequences with the apes in the camp before they started planning the escape. Nevertheless, that part had to be in the picture because Caesar had to go through a period of muddled motivations and had to re-find his purpose.

The visuals were amazing: the surroundings of nature were just impeccable and a character in their own right, while the CGI of the apes was absolutely unbelievable as well and even better than it was before (and it was already great). The long takes were awe-inspiring and emotionally driven, like the shot of apes kneeling before Caesar in his introduction or the sweeping shots of the battle. Another emotional moment was the scene of the ‘Apes Together Strong’ sign. Ir really reminded me of The Hunger Games ‘Three Finger Salute’.

Generally, I loved what Reeves did with the final installment in this trilogy and I’m now way more trusting in the fact that he can absolutely nail The Batman solo movie. He recently replaced Ben Affleck as the director of that project and his is also rewriting the script.

Acting

Andy Serkis (LOTR, Star Wars 7, Avengers 2) was back in his element as Caesar and just did his job to perfection. He portrayed so much emotion through all the CGI: some actors can’t even do that with their real faces. He is a mastermind of motion capture and his work must be rewarded or at least recognized. Academy, prove to us that you are not as old fashioned as we think.

Although other actors had to compete with Serkis, they did do a good job with their motion capture performances too. The comedian Steve Zahn was brilliant as the Bad Ape, while the returning talent Karin Konoval and Terry Notary were also really good. I really wish that their motion capture work would lead to more on-screen acting gigs for them. The humans, this time around, were played by Woody Harrelson (Triple 9, Now You See Me 2) – he was great in the villainous role and the young TV actress Amiah Miller – she was a delight to watch as well.

In short, War For The Planet Of The Apes might be the best thriller of this summer and one of the best blockbusters too. It’s smartly written, well-acted, and directed with care on top of being an incredible showcase of what can be achieved with CGI in this day and age.

Rate: 4.5/5

Trailer: War For The Planet Of The Apes trailer

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Movie review: Spider-Man: Homecoming 

Movie reviews

Hello!

The 3rd cinematic reimagining of the Spider-Man character has reached cinemas in a form of Spider-Man: Homecoming. Let’s see whether third time’s a charm!

IMDb summary: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.

SPOILER WARNING

Writing

Spider-Man: Homecoming was written by 6(!) people and it wasn’t a mess. The scriptwriters included the comedy writing duo Jonathan Goldstein and John Francis Daley, the director Jon Watts, Christopher Ford (who wrote Robot & Frank), Chris McKenna (he worked on The Winter Soldier), and Erik Sommers (wrote The Lego Batman Movie).  The script was a perfect blend of two coming of ages stories: one of growing up into an adult and the other one of evolving as a hero. I loved the two narratives separately as well as how they worked together.

The Spider-Man side of the story was, thankfully, not an origin story, but still showed the character’s beginnings (Year One, basically). I loved the inclusion of the ‘Training Wheels Protocol’ and also enjoyed seeing that handful of moments of Spider-Man failing – they added a lot of realism and believability to the character. The plotlines concerning Peter Parker were also great. The advertised John Hughes-like feeling was actually present in the film and did work (we even saw a scene from Ferris Bueller’s Day Off playing on TV)! I also loved how the high school setting and the student characters were realized. Those awkward commercials were spot on, while the students weren’t just walking stereotypes – they were actually multidimensional. Flash was a popular rich kid, a bully, and a nerd (or at least a wannabe one), Liz was the ‘pretty girl’ who was also smart and a great leader, and MJ was a mixture of a nerd and a hippie. My favorite supporting character was Ned cause I could relate the most to him. I mean, I was making the Lego Star Wars figurines a day before I saw the movie. I also loved his unapologetic excitement about the amazing things that were happening to Peter cause that’s how I feel about Marvel movies. Peter’s family’s plotline also worked. I loved how the screenwriters acknowledged that everyone online loves the new Aunt May by making other characters (not just Tony Stark) flirt with her. I also liked how the death of Uncle Ben wasn’t pushed but only mentioned in passing.

The feeling of a wider MCU was also there but all the tie-ins did not overshadow the standalone narrative of the film. Iron Man was, once again, kinda to blame for the creation of a new villain (the trend continues), but the character himself did not appear much on screen. He didn’t even have a full-on action scene, only a small one. I did, however, really love his and Peper Pots’s moment at the end. In addition, the idea to set the movie’s opening during the Civil War, but to show it from Peter’s perspective, was superb. Not only was that whole sequence funny, but its format – the vlog – was so appropriate for a high schooler and the tone of the picture. The fact that Vulture’s tech was made from the scraps from the previous MCU battles was neat too. I also loved how, by the time Homecoming rolled around, he has been doing his thing for at least half a decade already. However, I wish that the new Stark’s Damage Control Firm would have consisted of the characters from Agents of S.H.I.E.L.D. because there have been episodes of the show were those characters cleaned up the mess left by the Avengers. This would have a been a perfect moment to finally allow them to appear in a movie.

Finally, the two big reveals of the film were great too. I did not expect Vulture to be Liz’s dad (need to brush up on my comic book knowledge). The twist in the end fight, where Peter had to save Vulture rather than fight it, was brilliant too.

Directing

Jon Watts directed Spider-Man: Homecoming (he also co-wrote it) and did a spectacular job. This was only his 3rd feature film but he just absolutely nailed the realization of the character. The youthful vibe and the contagious energy were perfect. The sweet moments and the funky fast pace worked too. The way the intense action scenes co-existed next to the high school awkwardness was just wonderful. The action sequences were extremely cool and entertaining too (I just wish we haven’t seen big parts of them in the trailers). They had the staple Spider-Man swings but were also fresh and exciting. The 80s style credits were a nice finish as well. Watts also did a good job of integrating a character into the broader MCU while also showing the daily life and the ground level work that Spider-Man did on the streets. Homecoming was basically a PG version of the Marvel Netflix’s shows.

In summary, I can’t really explain it, but the experience of watching Spider-Man: Homecoming was one of pure fun. This film made me realize why Spider-Man is the best selling and the most popular Marvel character (or even the most popular superhero ever).

The credits scenes

Spider-Man: Homecoming, like all superhero films, had a few extra scenes during the credits. The mid-credits one worked as an epilog for the standalone story of the film and expanded on the character of Vulture, by showing that he has an honor code. The post-credits scene was a continuation of the gag involving Captain America. Cap broke the 4th wall and praised the fans for their patients, while also making a fun of them. The 4th wall breaking joke did work in a Spider-Man film because of who the character is and because of the funny tone of Homecoming (however, it wasn’t as appropriate as it were for Deadpool).

Acting

After blowing everyone away as Spider-Man/Peter Parker, Tom Holland (In The Heart Of The Sea) has grown into the character and has become the best version of the character I have seen on film. He was actually believable as a high schooler, a nerd, and the friendly neighborhood Spider-Man. Peter’s classmates, played by Jacob Batalon and Tony Revolori (The Grand Budapest Hotel), were really good too, as the best friend and the bully, respectively. Laura Harrier played the love-interest, while the highly discussed role of MJ, played by Zendaya (who will soon star in The Greatest Showman), was just a slightly bigger than a cameo. Angourie Rice (The Nice Guys) also had a cameo appearance as a potential love interest in the later films.

The ex-Batman and ex-Birdam Michael Keaton (Spotlight) donned another comic book costume inspired by a bird and nailed the villainous role. He was menacing but also someone that a viewer could identify with. Marisa Tomei was good and her aunt-nephew relationship with Peter was believable and cute. Donald Glover’s (The Martian) involvement in the film was a nice thank you for all his work in attempting to bring a Miles Morales/Spiderman film into existence. Lastly, Robert Downey Jr. (The Judge) reprised the role that has basically become an extension of himself but, thankfully, he didn’t steal the scenes he was in but rather embellished them. Jon Favreau’s (Chef, The Jungle Book) return as Happy Hogan was just delightful – he was in more of the film than RDJ and that actually worked in favor of the picture and made more sense for the story.

In short, Spider-Man: Homecoming is a triumphant return for the character of Spider-Man. Finally, the justice has been done and we have the perfect Spider-Man film. I, honestly, can’t remember the last Marvel stand-alone movie I loved this much (and Civil War doesn’t count, that was a team-up).

Rate: 4.8/5

Trailer: Spider-Man: Homecoming trailer

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