Movie review: Mamma Mia! Here We Go Again

Movie reviews

Hello!

And welcome to a review of a film that I was looking forward to for a decade! This is Mamma Mia! Here We Go Again!

IMDb summary: Five years after the events of Mamma Mia! (2008), Sophie learns about her mother’s past while pregnant herself.

Writing

Mamma Mia 2 was written by Catherine Johnson (the playwright who wrote the first film as well as the original theatre production), Richard Curtis (the writer of some classic romantic movies, like the Bridget Jones series), Ol Parker (the director of the film). I highly enjoyed the story of the second film. I loved the fact that it was a prequel and a sequel hybrid that took the narrative both forward and backward. I thought that the blend of the two timelines was really neat and the connections that were drawn between the characters in the past and the present allowed the movie to explore some great themes. The multigenerational family dynamics (mother-daughter bonds), family, friendship, love, adventure were all touched upon to some extent. The movie also had some weird accidental meetings that were only there to allow the film to include more musical numbers. I would have been mad about that if they weren’t ABBA songs, which I love unconditionally.

Additionally, it was also interesting to see the tonne difference between this film and the original. While Here We Go Again! was still a fun comedy, it did have a more somber tone than the first film. There was an overwhelming feeling of mourning even if the healthy kind (by ‘healthy’ I mean mourning that is hopeful and has a foreseeable ending). Plus, the majority if not all of the romantic plotlines included a lot of heartbreak and wasted opportunities type of ideas.

Directing

Ol Parker of The Best Exotic Marigold Hotel movies directed Mamma Mia! Here We Go Again! directed the second film and did a great job. Still, I wonder why Phyllida Lloyd, the director of the first film, didn’t helm the sequel. Was she asked and declined? Wasn’t she asked at all? Up until just last year, her original film was the highest grossing movie directed by a woman. It was also the highest grossing musical. (Wonder Woman and Beauty and the Beast dethroned it from the two top spots).

Anyways, I thought that the second film was crafted beautifully. The transitions between the two timelines and between the different locations in the musical numbers were seamless and beautiful. It was nice to hear some ‘new’ ABBA songs as well as some new takes on the songs used in the first film. The 70s setting of the past timeline was also very fun because it was true to ABBA’s roots. I also loved how self-aware the movie was and how it had a carefree attitude too. My one gripe was the fact that it had some fake looking backgrounds in a few musical numbers.

Acting

Mamma Mia 2 had a great cast. The favorites from the original returned, including Amanda Seyfried (who was recently in Gringo), Meryl Streep (in a cameo appearance / The Post, Florence Foster Jenkins), Dominic Cooper (not gonna lie, was a bit weird to see him as Sky after seeing him on Preacher; he was also in Warcraft not that long ago), Christine Baranski and Julie Walters (the best (and most relatable) duo of friends that I wish to have when I’m older), and Pierce BrosnanColin Firth (Kingsman), and Stellan Skarsgård (all of who have barely aged in 10 years).

Joining them was Lily James (whose film career has been blossoming with Cinderella, Baby Driver, Darkest Hour, Guernsey), Jessica Keenan WynnAlexa DaviesJeremy IrvineHugh Skinner, and Josh Dylan. The younger counterparts were very respectful of the beloved characters that they got to play but also made them their own and were charming in their own right. Lastly, Cher (who should really cover all ABBA songs) and Andy García rounded out the already perfect cast!

In short, Mamma Mia! Here We Go Again! is a fun but slightly sad summer musical, certainly worthy of the original!

Rate: 4.5/5

Trailer: Mamma Mia! Here We Go Again! trailer

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Movie review: Ocean’s 8

Movie reviews

Hello!

And welcome back to the sporadic AF movie reviews. Ocean’s 8 is the topic for today.

IMDb summary: Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala.

Writing

Ocean’s 8 – a spin-off of the original trilogy rather than its reboot (this is no Ghostbusters) – was written by the director of the film Gary Ross and Olivia Milch (she is writing a Barbie movie next, don’t know how to react to that). There was a lot to like in the script. To begin with, I liked how this action film was kept feminine with the focus on the MetGala and diamonds. A decision to make women steal diamonds might be seen as playing into stereotypes. However, I’d argue that by keeping a feminine focus, Ocean’s 8 fights the stereotype that strong women, especially female action stars, have to be masculine. Some of them might be masculine, while others might prefer femininity (or a mixture of the two). And Ocean’s 8 showcases that by having a variety of women of different colors/shapes/sizes/styles as the core characters. While the character development isn’t plentiful, there is enough of it to make each character necessary and at least a tiny bit interesting.

Additionally, while Ocean’s 8 stands on the shoulders of the original Ocean’s trilogy, it doesn’t lean on them too hard, meaning that one can go into this movie not knowing anything of the first 3 films and completely get the plot of this one. As I wasn’t a fan of the original films, I also didn’t mind some of the developments/reveals about the original characters in this film (some fans might actually be legitimately annoyed by them). Personally, my main problem with this movie was its structure. I loved the first two acts – the pre-heist set-up and the actual heist. However, I feel like the whole 3rd act, rather than being a big finale, was a boring wrap-up that dragged immensely. The investigation and the reveals felt both rushed and like the movie was overstaying its welcome.

Directing

Gary Ross (of the first Hunger Games film and Free State of Jonesdirected Ocean’s 8, while Steven Soderbergh – the director behind Ocean’s 11,12, and 13 – stayed on as a producer. I thought that Ross handled the material well, the narrative made sense and was intense for the most part. Pacing had some issues, especially the pacing of the aforementioned third act. The glitz and the glamours of the MetGala were realized accurately.

Acting

Undeniably, the best part about Ocean’s 8 was its cast: Sandra BullockCate BlanchettAnne HathawayMindy KalingSarah PaulsonAwkwafinaRihanna, and Helena Bonham Carter. I adored the female solidarity and friendship on display. Cate Blanchett (Thor 3, Cinderella, Carol) was my absolute favorite – I loved her character’s outfits, charisma, and just effortless coolness. I also enjoyed seeing Hathaway (Alice 2) playing the gossip sites’ version of herself. I also loved seeing Bullock, back on screen in a lead role as I feel I haven’t seen her in a big movie in ages (since Gravity). Kaling (A Wrinkle in Time) and Paulson (The Post) were also really fun to see. I loved the uber contemporary vibes that Awkwafina brought to the film and I loved seeing Rihanna actually having a character to play rather than just being there to look pretty (*cough, cough*, Valerian. BTW, I’ve been to her concert some years before and wrote about that). Bonham Carter (Suffragette) was also good in the film, though I feel like she played her typical, slightly awkward and over-the-top type of a personality.

Ocean’s 8 also featured some cool celebrity cameos, some neat cameos by the original cast, and a short appearance by James Corden (Peter Rabbit), who is always a delight to see.

In short, Ocean’s 8 was a great all-female thriller. It might not please everyone, but then again, why does it have too?

Rate: 4/5

Trailer: Ocean’s 8 trailer

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2017 Summer Movies RANKED

Movie previews, Movie reviews

Good day!

Welcome to the fall/autumn and the post dedicated to the general overview of the 2017 Summer Movie Season. And bear in mind, I’m using the term ‘summer’ very loosely. Since a lot of blockbusters came during the early spring, I extended this movie season’s beginning from May to March, so the time frame we are now working with is March to August. Like in 2016 and 2015, when I ranked the movies of those respective seasons, I’m dividing the pictures into categories by genre as much as that is possible (a few of these films can fit into a couple of genres). Lastly, while the rank I gave these movies when I reviewed them does affect my thought process, it is not the only factor for ranking these films. Some of my ideas about the said films might have changed with time or with a second viewing. Enjoy and tell me your favorite movie of 2017 (so far) in the comments!

Comic Book Movies:

  1. Logan
  2. Wonder Woman
  3. Spider-Man: Homecoming
  4. Guardians of the Galaxy Vol.2
  5. Batman & Harley Quinn

Action Movies:

  1. Baby Driver
  2. Free Fire
  3. Atomic Blonde
  4. Fast & Furious 8

Animated Movies:

  1. Cars 3
  2. The Boss Baby
  3. Despicable Me 3
  4. The Emoji Movie

Sci-Fi Movies:

  1. War for the Planet of the Apes
  2. Okja
  3. Life
  4. Kong: Skull Island
  5. Power Rangers
  6. Valerian and the City of a Thousand Planets
  7. Alien: Covenant
  8. What Happened To Monday
  9. Ghost in the Shell
  10. Transformers: The Last Knight

Fantasy Movies:

  1. Beauty and the Beast
  2. King Arthur: The Legend of The Sword
  3. Death Note
  4. The Mummy
  5. Pirates of the Carribean: Dead Men Tell No Tales
  6. The Dark Tower

Action Comedy/Comedy Movies:

  1. Girls Trip
  2. The Hitman’s Bodyguard
  3. Baywatch
  4. War Machine
  5. Rough Night
  6. Snatched

Drama Movies:

  1. Wind River
  2. Dunkirk
  3. American Made
  4. To The Bone
  5. The Circle
  6. The Glass Castle
  7. Sand Castle

Romantic Drama Movies:

  1. The Big Sick
  2. Their Finest
  3. The Promise
  4. The Beguiled
  5. Everything Everything

I hope you enjoyed my list as well as the summer movies. Onto the awards’ season!

The Awards Season Round-Up 2016

Movie previews, Movie reviews

Hello Hello Hello!

Welcome to the last (finally) post dedicated to the awards’ season. This time, I won’t be reviewing any nominated motion pictures (I have done that already), but I  will tell you my own personal winners and will list all the others films in a very subjective order in each category. I am listing all the films because it was very hard for me to pick a definite number 1 spot. In addition, a lot of these films would have probably made my Best movies of 2015 list if I had seen them before January 1st, so I feel the need to at least mention them here.

Now, my categories won’t have a definite number of spaces in them. I have actually picked 20 films in total that have been nominated for either a Golden Globe, a SAG, a BAFTA, an Oscar or for all 4.  Also, I will be joining adapted and original screenplay categories into one. The distinction between lead and supporting roles will also be treated subjectively and not necessarily the way that the studios wanted. At the end of each category, I will also give my more objective prediction of who will probably take home the Academy Award.

P.S. The reviews of all these movies are linked to the names of the films only once – in the first category because it just seemed irrational to link you to a single post 5 or 6 times.

Best Picture

  1. Mad Max: Fury Road
  2. The Revenant
  3. The Martian
  4. Spotlight
  5. Creed
  6. The Big Short
  7. The Hateful Eight
  8. Steve Jobs
  9. Room
  10. The Danish Girl
  11. Bridge of Spies
  12. Brooklyn
  13. Ex-Machina
  14. Concussion
  15. Joy
  16. Straight Outta Compton
  17. Trumbo
  18. Beasts of No Nation
  19. Carol
  20. 45 Years

Prediction: As much as I would love for Mad Max to get the win, it seems very unlikely that this will happen. Although, with all the backlash against the Oscars online, the Academy might want to calm the fanboys/fangirls down by giving the award to the fan favorite. If they do decide to go the traditional route, The Revenant will probably be their top pick.

Best Directing

  1. Mad Max: Fury Road – George Miller
  2. The Revenant – Alejandro González Iñárritu
  3. The Hateful Eight – Quentin Tarantino 
  4. Room –  Lenny Abrahamson
  5. The Big Short – Adam McKay
  6. Creed – Ryan Coogler 
  7. Beasts of No Nation – Cary Joji Fukunaga
  8. Bridge of Spies – Steven Spielberg 
  9. Straight Outta Compton – F. Gary Gray
  10. The Martian – Ridley Scott
  11. Steve Jobs – Danny Boyle
  12. Ex-Machina – Alex Garland
  13. Spotlight – Tom McCarthy
  14. Concussion –  Peter Landesman
  15. The Danish Girl – Tom Hooper
  16. Brooklyn – John Crowley
  17. Trumbo – Jay Roach
  18. Joy – David O. Russell
  19. Carol – Todd Haynes
  20. 45 Years – Andrew Haigh

Prediction: Again, I would love for George Miller to take the award home, but I kinda think that Iñárritu will get his second win in the row. I would be willing to let Iñárritu win if Mad Max gets the Best Picture statue.

Best Writing

  1. Spotlight – Tom McCarthy, Josh Singer
  2. The Hateful Eight – Quentin Tarantino
  3. Steve Jobs – Aaron Sorkin
  4. The Martian – Drew Goddard
  5. Creed – Ryan Coogler, Aaron Covington
  6. The Big Short – Adam McKay, Charles Randolph
  7. The Revenant – Mark L. Smith, Alejandro G. Iñárritu
  8. Mad Max: Fury Road – George Miller, Brendan McCarthy, Nico Lathouris
  9. Bridge of Spies – Matt Charman, Joel Coen, Ethan Coen
  10. Straight Outta Compton – Jonathan Herman, Andrea Berloff
  11. Ex-Machina – Alex Garland
  12. The Danish Girl – Lucinda Coxon
  13. Room – Emma Donoghue
  14. Trumbo – John McNamara
  15. Concussion – Peter Landesman
  16. Joy – David O. Russell
  17. 45 Years – Andrew Haigh
  18. Beasts of No Nation – Cary Joji Fukunaga
  19. Brooklyn – Nick Hornby
  20. Carol – Phyllis Nagy

Prediction: this is the hardest category to predict. My best bet is that the original screenplay statue will be awarded to Spotlight, while the adapted one – to The Big Short.

Best Male Performance in a Leading Role:

  1. Leonardo Dicaprio for The Revenant
  2. Eddie Redmayne for The Danish Girl
  3. Tom Hardy for The Revenant and Mad Max: Fury Road
  4. Matt Damon for The Martian
  5. Jacob Tremblay for Room
  6. Michael Fassbender for Steve Jobs
  7. Samuel L. Jackson for The Hateful Eight
  8. Michael B.Jordan for Creed
  9. Will Smith for  Concussion
  10. Bryan Cranston for Trumbo
  11. Tom Hanks for Bridge of Spies
  12. Christian Bale for The Big Short
  13. Mark Ruffalo for Spotlight
  14. Domhnall Gleeson for Ex Machina
  15. Abraham Attah for Beasts of No Nation
  16. O’Shea Jakcson Jr. for Straight Outta Compton
  17. Tom Courtenay for 45 Years

Prediction: this is one of the few categories where my objective and subjective side think the same thing. If Leo does not win this year, he should just stop trying altogether.

Best Female Performance in a Leading Role:

  1. Brie Larson for Room
  2. Alicia Vikander for The Danish Girl and Ex-Machina
  3. Charlize Theron for Mad Max Fury Road
  4. Rooney Mara for Carol
  5. Jennifer Lawrence for Joy
  6. Rachel McAdams for Spotlight
  7. Cate Blanchett for Carol
  8. Saoirse Ronan for Brooklyn
  9. Charlotte Rampling for 45 Years

Prediction: once again, I both objectively and subjectively think that Brie Larson should get the Oscar, although, I would be pleasantly surprised if Vikander gets the win. On a side note, the saddest part about this category is that out of the 20 films, I could only find 9 actresses in  leading(-ish) roles, while there 17 male leading roles.

Best Male Performance in a Supporting Role:

  1. Ryan Gosling for The Big Short
  2. Mark Rylance for Bridge of Spies
  3. Sylvester Stallone for Creed
  4. Nicholas Hoult for Mad Max Fury Road
  5. Domhnall Gleeson for The Revenant
  6. Bradley Cooper for Joy
  7. Idris Elba for Beasts of No Nation
  8. Oscar Isaac for Ex-Machina
  9. Matthias Schoenaerts for The Danish Girl
  10. Walton Goggins for The Hateful Eight
  11. Michael Keaton for Spotlight
  12. Alec Baldwin for Concussion
  13. Corey Hawkins for Straight Outta Compton

Prediction: while I would like Gosling to win, I think that the award will go to either Mark Rylance or Sylvester Stallone. I wouldn’t be sad in either case.

Best Female Performance in a Supporting Role

  1. Kate Winslet for Steve Jobs
  2. Jennifer Jason Leight for The Hateful Eight
  3. Jessica Chastain for The Martian
  4. Tessa Thompson for Creed
  5. Amber Heard for The Danish Girl
  6. Gugu Mbatha-Raw for Concussion
  7. Diane Lane for Trumbo

Prediction: I would like the win to go to Kate Winslet, but the actual award will probably find itself in the hands of Jennifer Jason Leight. On a side note, this was probably the hardest category to fill, because I put a lot of actresses in the leading role category, while the Academy and the studios said that they were playing supporting roles.

I really hope that you enjoyed this post because I worked really hard on it. I felt the most challenged not when I was compiling the actual final lists, but while I was watching and reviewing all the films. Tell me in the comments your personal winners! Bye!!

5 ideas about 5 movies

Movie reviews

Good morning my dear readers!

In a few days, I will be posting a really long blog post dedicated to the awards’ season. It will be my final post on this topic. Differently from the actual voting system, I will be telling you not only my own personal winners in all the major categories, but I will list all the other films as well. So, you will be able to know my subjective runner-ups and losers. I am mainly doing it this way because 1.it is more of a challenge and I like a cinematic challenge; 2.the majority of these films would have made it into my Best movies of 2015 list but didn’t because I haven’t seen them before January 1st.

In addition, my categories will be very broad – I am picking films that have been nominated for a variety of awards and not just the Oscars. I have rounded up my list to 20 films – 15 of them have been reviewed separately, but I hadn’t given you my thoughts on the rest 5. So, this is where this post starts to make sense – I will give you my brief opinion on the 5 films that I didn’t review before. I am doing 5 reviews in one because I don’t have time to write separate posts for each and every one of these motion pictures. Also, I feel like this type of reviewing (a few reviews in a single post) is a nice callback to my older style of reviewing, when I was just starting to write about films.

So, without further rambling, let’s talk about Concussion, 45 years, Beasts of No nation, Ex-Machina and Straight Outta Compton.

Concussion: directed and written by Peter Landesman (only his 2nd feature film) and starring Will Smith, Concussion, to me, was the biggest snub at the awards’ season. Not only did Will Smith should have received a Best Actors nomination (it was his best performance I have seen in years – his emotional expressions were amazing and the weird accent was, surprisingly, really authentic), but Landesman also deserved to get the Best-Adapted Screenplay nomination. As a fan of sports and movies about sports, I was pleased with Concussion, as it helped me to get one step closer to understanding American football. If you want to watch a few other films, starring Will Smith, may I suggest The Pursuit of Happyness. If you want something lighter in tone and something newer, check out Focus. His and Margo Robbie’s chemistry is amazing in that film – I can’t wait to see both of them in Suicide Squad. Rate: 4.5/5, trailer.

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45 Years: this movie was the last film I watched this awards’ season. It was slow yet nice love story, written and directed by a brit Andrew Haigh.  Two silver screen veterans Charlotte Rampling and Tom Courtenay did subtle and nuanced performances, but I, personally, couldn’t connect with the film, as the subject matter (the 45th wedding anniversary) was so far out of my reach. Nevertheless, the timeless values like love, loyalty, and honesty were portrayed clearly. Rate: 3.5/5, trailer.

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Beasts of No Nation: to begin with, I applaud the creators of this film for being modern and releasing this film digitally (on Netflix). The majority of the Hollywood filmmakers are still against the phenomena of digital release, and while I do understand their worries and concerns, I nonetheless think that they should (at least) try to adapt to the changes if they want to stay relevant. Speaking about the actual film, it was  written, shot, and directed by Cary Joji Fukunaga. Why he didn’t get more recognition from the critics and other awards’ voters is beyond me, as he did a spectacular job. Never have I been shocked by a film as much as I was appalled and astonished by Beasts of No Nation. It was both very eye-opening to the cruelty of the contemporary world and sad because of the role that children have in war. The dream/drug sequence was a visual feast (those colors were indescribable) and the performances of the lead Ghanaian young actor Abraham Attah as well as Idris Elba in a supporting role were breathtaking. Rate: 4/5, trailer.

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Ex-Machina: A very early 2015 release, Alex Garland’s Ex-Machina slipped my attention while I was compiling my best movies of 2015 list, so I was really happy that the Academy didn’t repeat my mistake because this film deserves all the recognition. It was an amazing and original sci-fi motion picture in a year of shitty sequels and reboots – basically, this film was the savior of all the science fiction fans last year. Ex-Machina was also a great example that a great filmmaker doesn’t need a huge budget to make an amazing film. Newcomer Alex Garland mixed his artistic vision with scientific imagination and created a movie that can be viewed both as a mainstream sci-fi flick and as a serious film that raises deep existential questions. Lastly, the up-and-coming trio of Domhnall Gleeson, Alicia Vikander and Oscar Isaac also should be praised for their stellar performances. During 2015, all of these actors not only appeared on my radar but quickly found themselves in my personal best actors list. Vikander blew me away in The Danish Girl, The Man from U.N.C.L.E., Testament of Youth and in an older film that I have only watched this year – Anna Karenina, Gleeson appeared in a bunch of films this year, most importantly, The Revenant and Isaac was the fan-favorite and one of my personal favorites in the new Star Wars. Can’t wait to see what these actors will do next with their careers, as I will be following them closely. Rate: 5/5, trailer.

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Straight Outta Compton: the biggest surprise of the summer, Straight Outta Compton was the movie that I skipped when it was first released, and only watched when it started to get some recognition from the critics. As someone who never liked rap music and who knows nothing about the black culture, I thought that I wouldn’t particularly care about this film. I was so so wrong. Director Felix Gary Gray, who is set to direct Fast and Furious 8, and a cast of newcomer actors made me interested in the subject and made me the characters that I could never identify with. That’ an example of true filmmaking. Rate: 4/5, trailer.

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