Movie review: Tulip Fever

Movie reviews

Hello!

After being pushed back a few years, Tulip Fever has finally reached theaters! Does it have any Oscar potential as its cast list suggests?

IMDb summary: An artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.

Writing

Tulip Fever was written by a playwright and occasional screenwriter Tom Stoppard. His most recent previous film script was the one for 2012’s Anna Karenina. The film’s story and the writing, in general, started out promising but quickly wasted all the said promise. The opening, which set the context of the tulip market and the 17th Amsterdam, as well as the initial details of the actual plot, was quite interesting. However, the more the narrative unraveled, the more unbelievable it became. The ending was especially unsatisfying because the movie didn’t commit to going the full on fantasy route and having a fairytale ending but also wasn’t grounded enough for a realistic conclusion, so it just had one that landed somewhere in the middle. All the characters in the picture were way too interconnected and the twists and turns in the story were mostly lucky coincidences. The drama and the emotional core felt really fake and manufactured as well. Basically, Tulip Fever felt as an old school literary adaptation, which it was exactly: a contemporary yet classical historical romance novel (by Deborah Moggach) with typical yet modernized characters that was turned into a film.

While the final product did not turn out well, as I have said, the promise was there in the details. It was really interesting to see the love and the lack of love juxtaposed through sex scenes. I also liked the exploration of the women’s roles in a patriarchal system and how cunning they had to be to survive, and yet, how they also felt bounded by their duty (Vikander’s character was never entirely sure about her actions) I also appreciated the portrayal of Christoph Waltz’s character – a clueless man, living in privilege, and not even understanding his privilege yet not being malevolent about it. I also liked the hints at the concept of friendship and the hardships it has to endure when spanning multiple caste levels. Lastly, I was really glad to see a historical drama focusing not on The British Empire but on the player that preceded it in the world domination – Holland/The Netherlands.

Directing

Justin Chadwick, who has received some recognition a few years back for Mandela: Long Walk to Freedom, directed Tulip Fever and did a fabulous job with a flawed script. While he went along with the over the top dramatization of the story, nothing bad can be said about his visuals. Tulip Fever was a gorgeous looking movie, with beautiful and rich shots, full of textures and colors. The costume department should also get a raise because their spectacular collars contributed a lot to the magnificence of the look and helped prove the point that Holland was a powerful country. The artistic close-ups of Vikander reminded me of a fashion film or a high-end makeup ad too. If a movie career doesn’t work out for Chadwick, he should check out the advertising business.

Acting

Tulip Fever had a stellar cast, full of Academy favorites, old (Judi Dench, Christoph Waltz) and new (Alicia Vikander). Vikander (The Man From U.N.C.L.E., The Danish Girl, Jason Bourne, The Testament of Youth, Anna Karenina) did a fabulous job and she and Waltz (Spectre, Tarzan) made an interesting pair. Their more formal scenes had a feeling of warmness and respect, while their more intimate scenes felt very uncomfortable (which was the goal). In turn, Vikander’s and Dane Deehan’s (Valerian) scenes felt realistically intimate (sexier than Fifty Shades, though, that’s a low bar to be aiming for). BTW, I bought Deehan much more as a struggling lovesick artist than an action hero.

Judi Dench had a fun, although highly fictional role, in the film. Jack O’Connell (Unbroken, Money Monster)and Holiday Grainger (Cinderella, The Finest Hours) delivered neat and likable performances (Grainger’s voice fit the role of the narrator very well). Glee’s Matthew Morrison, Tom Hollander (MI5, The Promise), and model-turned-actress Cara Delevigne (Paper Towns, Suicide Squad, Valerian) also appeared. Lastly, Zach Galifianakis (The Lego Batman) played his typical role, that wasn’t necessary for the movie at all.

In short, Tulip Fever was a beautiful looking but a poorly written picture that had some stellar and wasted acting performances too.

Rate: 3/5

Trailer: Tulip Fever trailer

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5 ideas about a movie: The Promise 

Movie reviews

Hello!

During the busy summer blockbuster season, I like to make time for the ‘regular’ movies too. The picture that I’m reviewing today – The Promise – falls exactly into this category.

IMDb summary: Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.

  1. A few months ago, I raised a general question to my dad (who watches lots of movies with me): when will we run out of war stories? Well, I pretty much got my answer while watching The Promise and the short version is – never. Not only do we have lots of modern/current wars to tell stories about, but we still have a ton of untold tales from the past wars. The Promise focuses on the Armenian Genocide inside the Ottoman Empire during the First World War – not a topic that World War I movies have previously touched upon.
  2. The reason why The Promise decided to tell this particular story was because of the film’s source of funding. The entire budget was donated by an American businessman that has Armenian roots – Kirk Kerkorian – and his sole wish was to bring this story into the mainstream consciousness rather than earn money. Sadly, this film didn’t succeed at either – it was a box office bomb, which means that not a lot of people had a chance to witness this narrative.
  3. The Promise was directed by Terry George, from the script by the director himself and the screenwriter Robin Swicord. I thought that the directing was quite solid even if the film was a bit long and dragged at times. However, at the same time, I don’t think that they should have cut anything from the story – I applaud the writers for not oversimplifying the journey that these characters had to take. I would also like to praise them for creating 3 interesting leads who seemed both realistic and believable enough and were also cinematically engaging. It was also nice to see a level of objectivity in a war movie – I believe that it was really important to include a character on the Turkish side who was actually a good person rather than just to paint that whole nation as the villains.
  4. The emotional core of the film was also effective. This real-life story is tragic in itself and the dramatic love triangle (which worked and wasn’t too tearful or cliche) only added extra emotions to the script. A few of especially heart-wrenching moments were the sequence where Oscar Isaac’s character finds his village’s people slaughtered by the river and the shots of the makeshift red-cross flag, placed on the side of the mountain.
  5. The Promise had a stellar cast, full of gifted actors who delivered spectacular dramatic performances. Sadly, not a lot of them were of Armenian descent – I think it would have been nice to spotlight some lesser known Armenian talent. Oscar Isaac was absolutely wonderful – these are the types of roles that I’d like to see more of him in rather than the awful supporting roles in failed blockbusters (X-Men: Apocalypse). Having said that, I would also like to see him continuing to star in more successful big-budget pictures, like Star Wars. Christian Bale (The Big Short) was also really good, although it was quite unusual, seeing him in a role which did not require a lot of physical change. Charlotte Le Bon (The Walk, The Hundred-Foot Journey, Bastille Day) was also amazing. Probably the most well-known Armenian actress on the cast was Westworld’s Angela Sarafyan – she played a small but important role. Other non-American and non-English actors were also included (which seems better than just having Americans and Brits playing Armenians): Mexican Daniel Giménez Cacho, Iranian Shohreh Aghdashloo, Croatian Rade Sherbedgia, Dutch-Tunisian Marwan Kenzari, and Israeli actor Yigal Naor all had supporting roles in the picture.

In short, The Promise is a well-made historical drama that might not sound super original but is, nonetheless, very important, as it tells a forgotten story of the marginalized people.

Rate: 4.25/5

Trailer: The Promise trailer 

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Movie review: Their Finest 

Movie reviews

Hello!

The first movie of the year focused on the battle of Dunkirk – Their Finest – has reached theaters, so, let’s review it.

IMDb summary: A British film crew attempts to boost morale during World War II by making a propaganda film after the Blitzkrieg.

While Christopher Nolan’s Dunkirk (premiering in July) will tackle and reproduce the actual battle and the evacuation, Lone Scherfig’s film Their Finest is a story about a war propaganda film, based on a fictional story related to the real-life events at Dunkirk, produced in order to raise the patriotism of the nation. The genres and tones of the 2 movies differ vastly: one looks like a grim and serious action drama, while another one is a lighter comedy drama with some romance thrown in as well.

On top of being one of the two films about Dunkirk, Their Finest interested me for 3 reasons: 1. I wanted to see the representation of the British propaganda and how it differed or was similar to the Soviet propaganda – the kind that I’m more familiar with from history classes and from just generally growing up in Eastern/Northern Europe. 2. I have always enjoyed films about filmmaking and as this one centered on screenwriters – an occupation that I would like to pursue – my interest was peaked. 3. The movie started Sam Claflin – an actor, whose career I’ve been following pretty closely. So, let’s see if Their Finest is as ‘fine’ of a picture as the title suggests!

Writing

Their Finest was written by a TV writer Gaby Chiappe, based on novel Their Finest Hour and a Half by Lissa Evans. From the technical standpoint, the writing for the film was very nice: the narrative was well structured and rich with ideas. Whether or not the ideas worked, is a very subjective question. I, personally, really liked some of the themes but was equally frustrated by the others.

To begin with, the picture focused a lot on the relationship between Gemma Arterton’s and Sam Claflin’s characters. I highly disliked the fact that their professional relationship had to be turned into a romantic one by the end of the film. I find that this happens in a lot of stories, even in the contemporary ones. For example, the way J.K.Rowling, writing under the pseudonym Robert Galbraith, is portraying the relationship between the two main characters in her Cormoran Strike Series irritates me a lot. And yet, going back to the relationship between the characters in Their Finest, if I considered the said relationship’s romantic aspect separately, I thought that it did work and was convincing. The two individuals seemed pretty evenly matched and their sparring was entertaining to watch. The sudden end to the relationship was also emotionally effective. At first, I deemed that the end might have been too sudden but I later I’ve realized that the scriptwriters intended it to be that way and to convey a message that one never knows what might happen in war.

The second big theme of the picture was Gemma Arterton’s character’s growth as an individual. Her personal story acted very much as a symbol for a lot of women’s stories during the war – how they have finally begun to transition from the domestic spaces into the public ones. Sadly, this process is still is progress, 70+ years later. I thought that the main character was developed quite nicely – I wish we would have found out more about her background and upbringing in Wales, but I really liked her subtle journey towards independence.

Thirdly, the movie explored the screenwriting and the filmmaking business. I really loved this particular aspect of the film and just loved the fact that Their Finest celebrated the movies and tried finding positive attributes of cinema even if it was political cinema. I simply loved Sam Claflin’s character’s enthusiasm about and love for the pictures, especially since his character otherwise seemed really pessimistic and ironic. I could identify with this type of depiction very closely. The way the movie played up the uber-poshness of the actors and of the British actors, to be specific, with Bill Nighy’s character was also really fun.

Lastly, Their Finest dealt with the propaganda filmmaking, not just simple filmmaking. Not only did this type of story provided a different perspective on war, but it also proved to me that the types of propaganda don’t vary much from country to country. Like the Soviet propaganda, some of the British propaganda was very obvious but some of it was something more, just like the-picture-within-the-picture in Their Finest or a real life example, such as Sergei Eisenstein’s Battleship Potemkin. And yet, since both Their Finest and The Nancy Starling (a-movie-within-a-movie) stressed the importance of optimism and happy endings, I can’t help but wonder where exactly did the cinematic propaganda end?

Directing

Their Finest was directed by Lone Scherfig. Although the director is Danish, I thought that she nailed the British feeling of the film. She has already done that earlier with The Riot Club – that movie has really made me question my adoration of the British culture quite a bit. So, Their Finest resembled the previous historic UK-based movies that I’ve reviewed, like SuffragetteTestament of Youthand Far From The Madding Crowd. The fact that the movie was executed with the classical stationary camera work and the steady frame, also added an appropriate old-school yet timeless feel to the picture. The pacing of the picture was also very even. 

Acting

Gemma Arterton played the lead in the film and did a really good job. I hope that this is a career-changing role for her, as so far she has been starring in mostly B-level pictures, like Clash of the TitansPrince of Persia: The Sands of Time, and Hansel & Gretel: Witch HuntersI really loved how subtle yet powerful her performance was. My favorite line of hers was the last words to the boyfriend: ‘You shouldn’t have painted me that small’. Her delivery was brilliant. I also though that Arterton’s chemistry with the co-star Sam Claflin was really good and believable. I loved Claflin’s character and the actor’s performance. It was so interesting to see a writer who can express oneself well enough of paper but struggles to do the same face to face. After starting his big screen career by acting the big action flicks, like Pirates of the Caribbean 4 and The Hunger Games franchise, Claflin has mostly stuck to dramas recently, including 2014’s Love, Rosie and 2016’s Me Before You. His next film is also a historical drama – My Cousin Rachel. He has also previously collaborated with the director of Their Finest on The Riot Club.

The supporting cast included established English actors Bill NighyHelen McCroryEddie Marsan, and Richard E. GranJack Huston (American Hustle, Hail, Caesar!and Ben-Hur) also had a minor role.

In short, Their Finest is a brilliant little movie, which, sadly, will be overlooked by the majority of movie-goers and buried by the blockbusters, including the one it shares the topic with. I highly recommend this film for all those interested in history and the art of filmmaking.

Rate: 4.3/5

Trailer: Their Finest trailer

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