5 ideas about a movie: The Party 

Movie reviews

Hello!

It’s nice to sometimes take a break from the mainstream cinema and see something super unique and very obviously indie. This is The Party.

IMDb summary: A comedy wrapped around a tragedy. It starts as a celebration and ends with blood on the floor.

  1. The Party was written and directed by Sally Potter, whose previous movies have all been indies/experimental or art films in the short or the feature-length format. So, The Party – a real-time, black and white, just over an hour long picture was very much a continuation of her style. What a brilliant film it was, though.
  2. The Party’s narrative unfolded over a single hour. Its story was full of major personal dramas for each of the characters. All the issues that were touched upon were all directly related to the domestic space, and, while I’ve never been particularly interested in those types of topics, I was extremely into The Party. The film explored the concepts like politics, marriage, friendship, love, family, money, life, and death. It also had an extremely smart dialogue: the most intelligent small talk ever put to film. It was also full of real-life situational humor.
  3. The Party’s 7 characters made for a weird bunch. An idealist politician, a cynic and ironic best friend, a spiritualist life coach, a cheating and ill husband, a money-driven capitalist druggie, and a lesbian couple, consisting of an academic and a pregnant-with-triplets woman all found themselves present at the same party. The whole plot was all about them so there was plenty of character development. Also, that title – The Party – had a double meaning of both a political party and a social gathering. Thus, I’ve seen the picture interpreted as a metaphor for the modern Britain – a country in turmoil, incapable of reconciling its differences.
  4. The movie was filmed in black and white (don’t think I’ve ever seen a movie in B&W in a cinema), so the play between the shadows and the light was super important and interesting to notice. The real-time setting of the plot was exciting and extraordinary. The mobile frame and the handheld shots were authentically indie. All these features also made the movie seem a bit like a play. I guess the closest film I’ve ever seen to this one is Fences, which also felt like a filmed stage production (cause it was based on a play).
  5. The Party had a stellar international cast and was a brilliant display of acting. Emily MortimerCillian Murphy (Dunkirk, Free Fire, In The Heart of The Sea), Kristin Scott ThomasCherry JonesTimothy SpallPatricia Clarkson (The Maze Runner), and Bruno Ganz put on incredible dramatic (both tragic and comedic) performances. Murphy and Clarkson were my favorite.

In short, The Party is a great film about a really bad party. Short, smart, sophisticated and satisfying.

Rate: 4,5/5

Trailer: The Party trailer

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5 ideas about a movie: Home Again

Movie reviews

Hello!

Home Again is trying to prove that the rom-com genre is not dead yet. Or is it?

IMDb summary: Life for a single mom in Los Angeles takes an unexpected turn when she allows three young guys to move in with her.

  1. Home Again is a directorial (and writing) debut of Hallie Meyers-Shyer, the daughter of Nancy Meyers – producer and director of various successful rom-coms (she produced her daughter’s first film too). The fact that it is somebody’s first movie explains a lot about it: Home Again was cliched, predictable, cringe-y at times, and real slow at others and, lastly, mostly consisted of elements and plot-points borrowed from other similar films. And yet, I didn’t hate it. If somebody needs an escapist, ‘no-thinking-required’ type of a film to relieve some stress or quiet one’s mind, I recommend you to see Home Again and experience somebody else’s first world problems instead of your own.
  2. The movie tackled three broad ideas: it attempted to be a traditional rom-com, with some sitcom humor, while also being a picture about the film business. Let’s start with that last part, which was, unsurprisingly, my favorite. As a cinephile, I appreciate films which appreciate films. The LA setting, the father director (who looked/came across as pre-Star Wars George Lucas), the aspiring filmmaker characters and their attempt to make a movie were all elements which I adored.
  3. The two other concepts/genres weren’t bad either (but, as I’ve said, nothing remotely original too). I liked the sitcom parts best out of the two, especially the silent reaction faces that the characters would exchange (then again, I love real-life humor). The romcom part was fine too. A bit fairytale-ish but we are talking escapism here (at least they left the ‘happy ending’ slightly ambiguous). By far the best detail of the romantic comedy side of Home Again was the reversal of the trope of the age difference between the two genders: the female character was the older one in a relationship (that is still very much a taboo thing – just look at all the news coverage about the fact that France’s president’s wife is older than him).
  4. The main thing that made Home Again work was its star – Reese Witherspoon (Sing). She has moved away from romcoms and came back to them constantly throughout her career. This instance of return was somewhat successful. She brought some heart into an otherwise shallow picture and was extremely lovable in her role, despite how cliche it was (I mean, are there any other occupations for mothers besides interior design ???).
  5. The film’s supporting cast wasn’t bad either and their performances were fine (again, appropriate for the picture). Nat Wolff (the most well-known out of the three co-leads because of TFIOS, Paper Towns, and Death Note), SNL alumni Jon Rudnitsky and quite an unknown actor Pico Alexander (who has the potential to be the next teen heartthrob) were all fun to watch. For some reason, Michael Sheen (Far From The Madding Crowd, Passengers, Nocturnal Animals) and TV royalty Candice Bergen also appeared in the movie (‘paycheck gigs pay the bills!’).

In short, Home Again is a perfectly serviceable rom-com that you have seen before. It’s a great rental/TV-rerun: a good background movie or a laundry/cooking movie. If you want a more modern take on the genre, check out The Big Sick

Rate: 2.8/5

Trailer: Home Again trailer

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Movie review: The Hitman’s Bodyguard 

Movie reviews

Hello!

With the summer movie season coming to a close, let’s discuss one of its last offerings – The Hitman’s Bodyguard!

IMDb summary: The world’s top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Writing

The Hitman’s Bodyguard was written by Tom O’Connor and this picture was only his second screenplay to be produced. The script had both fun and dumb moments. The set-up, as well as the shared backstory of the protagonists, was good, while the dialogue and the banter were actually quite funny. The movie also had way more emotional depth than I expected it to. However, the antagonist was quite awfully written. I’m really over Eastern European politicians or mob bosses as villains in Hollywood films, mostly because I’m from that region but also because American screenwriters tend to reduce them to cinematic caricatures instead of portraying them as actual real-life threats. The fact that the writers (or somebody behind the scenes) thought that they needed to clarify that Belarus used to be a part of the Soviet Union with that sub-heading was kinda sad too.

Directing

The Hitman’s Bodyguard was directed by Patrick Hughes, who also did The Expendables 3. The influences of his previous picture could certainly be felt in his current one: while the last of The Expendables films was an intentional homage to the 80s actioners, the critics can’t really pinpoint the exact decade Hughes was referencing with The Hitman’s Bodyguard. I saw it being called ‘a love letter’ to both the 80s and 90s, but to me, it felt like an early 2000s action film, especially because of the split-screen opening sequence. The hand-to-hand combat was choreographed quite well, while the car chases were also entertaining and exciting enough. The soundtrack by Atli Örvarsson, full of well-known old-school pop songs, was a fun addition to the film too. The movie actually had two very enjoyably-cringy musical moments – the sing-off between Reynolds and Jackson and the nun bus scene. Another humorous sequence was Reynolds’s monologue to the bartender with action happening in the background (it wasn’t the most original but still a well-executed sequence).

Acting

The best part about The Hitman’s Bodyguard was its two leads – Ryan Reynolds (Life, Deadpool) and Samuel L. Jackson (Avengers, The Hateful Eight, Kong, Tarzan, Miss Peregrine) and their amazing chemistry. It was interesting seeing Reynolds trying to play ‘the straight man’, while it was also fun to see Jackson going absolutely crazy, even though he has done that before, for example, in Kingsman. Jackson has appeared in a tonne of films lately, I wonder whether the audiences will get bored of him or whether he is actually priceless in a supporting role.

Elodie Young played Reynolds’s love interest and did a nice job. She had a very good weekend, with not only The Hitman’s Bodyguard hitting theatres, but The Defenders (where she stars as Elektra) landing on Netflix. Salma Hayek (Sausage Party) had a tiny but hilarious role as Jackson’s love interest, while Gary Oldman (Dawn), for whatever reason, played the main caricature of a villain. Joaquim de Almeida also had a cameo role and an important plot-point was kinda spoiled by his involvement in the film (he just usually plays two-sided characters so I was fairly certain that he will be shady in this movie too).

In short, The Hitman’s Bodyguard is predictable but an entertaining enough action comedy that has a very expendable villain but is elevated by its two leads.

Rate: 3.5/5

Trailer: The Hitman’s Bodyguard

Movie review: Girls Trip

Movie reviews

Hello!

It seems that nowadays, more and more Hollywood films break the boundaries of disposable entertainment and start to provide commentary on or revelations about the modern society. Girls Trip has accidentally become one of those kinds of films too. Let’s review it!

IMDb summary: When four lifelong friends travel to New Orleans for the annual Essence Festival, sisterhoods are rekindled, wild sides are rediscovered, and there’s enough dancing, drinking, brawling, and romancing to make the Big Easy blush.

For those not understanding my cryptic intro: Girls Trip is a female centric comedy about a group of friends reuniting after years of separation. Sounds familiar? That’s because you have already seen that movie this summer and I have also reviewed it for you. It was called Rough Night and it wasn’t that good. Things get interesting when you realize what is the difference between the two films. Rough Night had a predominantly ‘white’ cast, while Girls Trip has cast mostly ‘black’ actors. What surprised Hollywood the most was the fact that the ‘black’ version of the film did much better at the box office and with critics. I don’t even want to get into what this means for the business and for society. Is it a coincidence? A one time deal? A plea for more diversity? Or maybe Girls Trip is just a better and more entertaining film than Rough Night? Cause at the end of the day, Hollywood movies are still, first and foremost, pieces of entertainment, despite the extra baggage that they now carry.

Writing

Girls Trip was written by Kenya Barris (the creator of Black-ish who has also worked on ANTM), Tracy Oliver (a TV writer), and Erica Rivinoja (also a TV writer but she also penned the story for Trolls).

The initial opening and the set up for the story was short but effective. It quickly (but not in a rushed way) setup all 4 ladies as, more or less, 4 equal leads. The archetypes of a girl group were there (the mommy, the crazy one, the career-focused, the leader) but were also expanded upon as well as subverted. The script also had a lot of fun with the different pairings of the girls.

The script treatment of the concept of friendship was amazing because of how realistically this relationship was portrayed. There were moments of genuine sweetness (the inside jokes felt real as well as the majority of the dialogue) and fearless confrontation. While I really liked the relatably exaggerated moments of comedy (something along the lines of memes or FB post you would tag your bestie on), the heated scenes full of arguing were where the screenplay (and the actresses) shined the most. I loved how these disputes touched upon the influence of social media as well as the career v friendship discussion. These moments really added some drama and elevated the whole film from just being a comedy. Additionally, these scenes helped to bring home the message about true friends, who aren’t afraid to confront you for your own good. The second dual message of the movie was also wonderful. Both the surface idea that one can have it all was uplifting, as well as the deeper idea about being okay with not having it all. The final speech about discovering one’s own voice and embracing the loneliness was very lovely too.

Directing 

Girls Trip was directed by Malcolm D. Lee. I thought that he did a very good job realizing the modern setting of the film and pacing this story. The snappy moments of humor (like the tripping sequence and the dance off) were paired with slower sequences of the character (and the friendship) development, which were believably emotional. The style of filming was good too: varied but familiar.

Acting

The 4 actresses in the lead – Regina HallQueen LatifahJada Pinkett Smith, and Tiffany Haddish – did a wonderful job bringing these characters to life. They seemed like they had a lot of actual fun on the set – the chemistry was real. I really wish I knew more about their previous work, especially Hall’s and Haddish’s. Speaking about Haddish – she was really close to being too much (going into cartoon territory) and yet still, her antics somehow worked. What I loved even more was the other actresses’ reaction faces – they were priceless. Lastly, Hall’s and Queen Latifah’s characters’ competitive yet loving relationship was also very well portrayed, while it was fun to see Jada Pinkett Smith in a much more comedic and tonally lighter role than her the one she used to play on Gotham. She was also recently in two other comedies – Magic Mike XXL and Bad Moms.

The supporting cast, in addition to having a plethora of celebrity cameos, also included a few familiar faces from Netflix. Luke Cage’s Mike Colter had a small role, while Kate Walsh, from 13 Reasons Why, also starred.

In short, Girls Trip is an entertaining and relatable comedy. And yes, it is better than Rough Night cause it knows what it is and what it has to deliver.

Rate: 4/5

Trailer: Girls Trip trailer

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Movie review: The Big Sick

Movie reviews

Hello!

I had a chance to watch, probably, the most original film of the year and I really want to talk about it. It’s The Big Sick!

IMDb summary: Pakistan-born comedian Kumail Nanjiani and grad student Emily Gordon fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings.

Writing

The Big Sick was written by Emily V. Gordon and Kumail Nanjiani. They based the script of their actual relationship and Nanjiani also portrayed a version of himself in the film. Gordon has mostly written for TV before, while Nanjiani has done a lot of acting and writing for TV too. The Big Sick was their biggest writing project to date.

The aspect of the film, which has been discussed the most, was its diversity or, more specifically, the ethnicity/race of the main character/actor as well as the cultural commentary provided by the movie. Everyone in the industry was super surprised that a movie with a Pakistani-American actor in the lead could succeed financially (critical success seemed more plausible) or that audiences were actually interested in a different culture.

On top of being interested in a different culture, audiences just usually look for a quality film to watch, and The Big Sick was exactly that. I thought that it had one of the best scripts of the recent romance films because the relationship was written in a realistic manner. The dialogue between the two people was fresh and actually sounded like an interaction between real people: it had moments of awkwardness and comfort, fun and absurdity but was also very sincere. The slight gendered bickering wasn’t out of place either and felt like a believable part of a modern relationship. The cinematic cliches (e.g. a guy listening to the girl’s voicemails after the breakup) didn’t look forced or cringy but actually seemed cute and natural. Lastly, the way Gordon and Nanjiani wrote the ending of the film was just absolutely brilliant. They didn’t go for a grand reveal and an instant fairy tale conclusion but crafted a realistic ending to a relationship – the kind that people have to work for.

Speaking about the portrayal of a different culture, I thought that The Big Sick was very successful in that aspect. I loved how the film presented a varied Pakistani-Muslim community, with some people keeping up with the traditions more and some less. It was also very thoughtful of the movie to showcase a successful arranged marriage (while it might not be for everyone, it can also bring happiness). In addition, I loved how the movie wasn’t afraid to not just present the culture but to critique it (or even joke about it). One of the best moments in the picture was the scene where Nanjiani’s character voiced his doubts about the culture (are the American lifestyle and the Muslim culture at all compatabile?). I loved how in that moment, he both remained respectful of the culture but also wasn’t blinded by it and underscored the importance of his own personal experience. The inclusion of Nanjiani’s career plot-line into the picture also helped to interrogate the culture from more than not just the romance angle, while it also made the story richer and elevated the whole movie.

Another unique part of the film was Nanjiani’s character’s bonding time with his girlfriend’s parents (I haven’t seen anything similar in recent times or maybe ever). Their conversations were really genuine but also fun. The scene of the mother character showing her daughter’s childhood pictures to the boyfriend was so true to life. The way the parent characters were written to behave at the hospital – writing everything down and googling the symptoms – added another layer of realism to the film too. My only slight gripe was the fact that I didn’t think that the inner problems of the parent’s relationship were necessary. However, their addition to the movie didn’t detract from the main relationship too much.

Directing

The Big Sick was directed by Michael Showalter whose previous picture was also a romantic comedy – Hello, My Name is Doris, which was as unique as The Big Sick. Both of these pictures focused on unconventional romantic pairings, be it because of the age or ethnicity of individuals in the relationship.

I thought that Showalter did a very good job directing The Big Sick. I liked the overall aura of the film: it had the authenticity of a documentary film but was approachable as a narrative film. Plus, although it was an indie picture, it had the continuity and flow of a mainstream romantic comedy.

Moreover, The Big Sick was very nicely paced: the story progressed slowly but never dragged, instead, the movie cleverly took its time to build an emotional core of the narrative. The reveals in the story also came organically and weren’t shocking just for the sake of being shocking. Alternatively, they were, again, more focused on the sentimental impact.

Acting

  • Kumail Nanjiani had a few minor roles on the big screen prior to this picture, though he was most well known for being on the main cast of Silicon Valley (a series that I have yet to watch). I wonder how was it for him to play a version of himself – whether it was easy or extremely difficult and whether he had to withhold or embellish his personality for the camera. Overall, I believe that he portrayed the character’s arc very concincigly and I hope that this film’s success can lead to more movie roles for him.
  • Zoe Kazan was also very good in the picture. Her and Nanjiani’s chemistry was amazing too. Holly Hunter and Ray Romano starred as the parent and did a nice job as well. It was delightful to see Hunter in a better film than her last one (BvS) and Romano actually appearing on the screen instead of just voicing the mammoth in the endless Ice Age movies. Lastly, the film’s cast was rounded out by a whole bunch of stand-up comedians, who all delivered excellent performances.

In brief, The Big Sick is one of the most unique romantic comedies I have ever seen. Not only does it have a fresh perspective and an original concept to explore, it is simply just a very well made movie.

Rate: 4.5/5

Trailer: The Big Sick trailer

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5 ideas about a movie: Rough Night 

Movie reviews

Hello!

After two weeks of back to back volunteering gigs at big sports events, I needed a simple and fun movie. I expected Rough Night to be just that. Let’s see if it were.

  1. Rough Night was written by the director of the film Lucia Aniello and Paul W. Downs (real-life and comedic partners, who both work on Comedy Central projects). The writing was mostly fine: I liked the topical humor, like the fact that Scarlet Johansson’s politician character looked like Hilary Clinton or that the film made fun of the selfie culture. The ending was a bit out-there but managed to get a few laughs from me, so that’s good. The typical (almost cliche) themes of the friend rivalry and the growing apart were also present.
  2. Aniello’s direction for the movie was okay, though it did seem a bit amateurish, with some neat moments dispersed throughout. The whole idea to set the film in Miami, unfortunately, reminded me of Snatched and how that film was just basically set in a more exotic location so that the actors could go on vacation. The pop soundtrack was fun and summery, though.
  3. The main 5 ladies were played by Scarlett Johansson (Marvel films (Rough Night’s low box office killed any possibilities of a Black Widow movie), The Jungle Book, Hail, Caesar!, Ghost in the Shell), Kate McKinnon (Ghostbusters), Jillian BellIlana Glazer, and Zoë Kravitz (Divergent, Mad Max, Fantastic Beasts). Although their characters seemed pretty varied, all of their performances were really similar. My favorite one was actually Kravitz, while McKinnon’s Australian-ness (the actress is American) seemed like a cheap joke that was pushed too far.
  4. The supporting cast of the film was way more fun than the main one. The groom and his friends at the wine tasting sequence (what melodrama were they from? doesn’t matter – it worked), as well as the slow-motion sequence at the shop, were hilarious. The screenwriter of the film Paul W. Downs actually played the part of the groom-to-be. The cameo appearances by Demi Moore and Ty Burrell also added a few laughs.
  5. The movie had two after/during credits scenes. The mid-credits one was a way too long joke involving McKinnon’s character, while the after-credits scene provided some extra revelations about the plot. I didn’t even wait for it, though.

In short, Rough Night (or Bridesmaids: the crime comedy) was an okay summer flick that served some laughs as well as some cringy moments.

Rate: 3/5

Trailer: Rough Night trailer

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Movie review: Baywatch

Movie reviews

Hello!

Welcome to a review of one of the first comedies of this summer’s movie season – Baywatch! Even though the online discussion around this movie has died down before it even started (the film flopped at the US box office), I still decided to see it because of the cast and the brand-recognition! Also, I’m almost 3 weeks late to the aforementioned discussion cause the movie only came out today, where I’m currently staying (the joys of international release schedules!).

IMDb summary: Devoted lifeguard Mitch Buchannon butts heads with a brash new recruit, as they uncover a criminal plot that threatens the future of the bay.

I vaguely remember watching some episodes of the original Baywatch TV series at least a decade ago. Besides, I have always wanted to be a lifeguard myself (especially during the summer), so seeing the shenanigans of the lifeguards had a personal appeal.

Writing

Baywatch’s screenplay was a mixed bag, like so many blockbuster scripts nowadays. What is for sure – the movie definitely did not need 6 screenwriters. The screenplay credits were awarded to Damian Shannon and Mark Swift, while Jay Scherick, David Ronn, Thomas Lennon, and Robert Ben Garant supposedly contributed to the story. Bear in mind, neither of these writers are proven or trustworthy (they haven’t had any big hits yet).

The narrative that these 6 gentlemen crafted for the film was fine. It didn’t make the most sense but I didn’t expect it too. The opening sequence worked (technically) – cause it set up the whole plot neatly (literally, every scene either introduced a character or a plotline – everything happened super mechanically and by the numbers – there was no breathing room) but it wasn’t the most interesting thing to watch. All the different plotlines – the drug smuggling, the lifeguard investigation, the lifeguard v police fight, Efron’s character’s redemption, Johnson’s character’s personal arc, the two (three?) romantic duos – did not really gel at times. The ending was also cheesy and illogical but since it was kinda entertaining and mostly funny rather than cringe-y, I could forget the storytelling flaws.

Another important aspect of the film, of course, this being a comedy, was the humour. Like the story, it was a mixed bag. Some jokes landed and seemed organic enough, while the others made the impression that the filmmakers were just trying too hard. My favourite moment, by far, was the scene where Johnson shouted to Efron: ‘Hey, High School Musical’. Actually, a lot of the nicknames by Johnson worked. The lunch table gag with the salad was good as well as the moment where Efron calls outs their plan for sounding like a plot of a TV show. Nice, 4th wall breaking wink, there. The pop culture references were mostly fine too. However, the whole arc of Ronnie (played by Jon Bass) was too awkwardly painful to watch. I really dislike cheap comic relief within a comedic movie.

The writing for characters was okay too, even if quite scarce. One thing that stuck out to me was the fact that Efron’s character – a swimmer – messed up in the Rio Olympics. That seemed like a jab at the actual real life US swimmer Ryan Lochte, who also got into a scandal in Rio. I might have been reading to much into it, though.

Directing

Horrible Bosses’ director and Pixels‘ executive producer (doesn’t sound too good, huh?) Seth Gordon directed Baywatch and was fine. The pacing was quite wonky – the film really slowed down before the third act, but the third act itself was entertaining enough. The other action sequences worked too – the nursery fight was fun and the lifeguard tryouts were cool – but the CGI could have been way better, the fire especially – it seemed so fake. The slow-mo – a staple of the Baywatch brand – was used extensively, but, in this case, I could let that slide. The final slow-mo shot with all of them running by the beach was actually quite cute, even if we have seen it in the trailers. The bloopers during the credits were also adorable – way more organic and fun than some of the actual jokes.

Acting

Baywatch had a really good cast. Dwayne Johnson (San Andres, Moana, Fast and Furious) basically played himself – a charming, likeable, and super fit man. Zac Efron also played a familiar role – he is always ‘less than clever but sweet guy that needs redemption’ in every comedy ever (Mike and Dave, Neighbours, We Are Your Friends). Efron’s and Johnson’s chemistry was okay but it was not as good as Johnson’s and Kevin Hart’s chemistry in Central Intelligence last year. Next for Johnson –  the Jumanji remake/sequel, while Efron is going back to his musical roots with The Greatest Showman.

Other supporting characters were played by Alexandra Daddario (also from San Andreas), a model Kelly Rohrbach (she was good as a replacement for Pamela Anderson – more natural looking too), Bollywood star Priyanka Chopra in one of her first Hollywood roles (she was fine but I could have done without so many lines stating that ‘oh, she is a woman’), Jon Bass (from Loving), Ilfenesh Hadera, and The Get Down’s Yahya Abdul-Mateen II (he is also gonna be in The Greatest Showman and also will have a role in Aquaman).

The two main cameos in 2017’s Baywatch were given to the two most important Baywatch TV series alumni – David Hasselhoff and Pamela Anderson. Hasselhoff’s cameo was better – he was written into the story, while Anderson’s appearance was just tacked on. Weirdly, Hasselhoff already had a cameo in a summer movie this year – he showed up in Guardians of the Galaxy Vol. 2.

In short, Baywatch is an okay summer comedy. It is not the funniest thing but not the worst either.

Rate: 2.75/5

Trailer: Baywatch trailer

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5 ideas about a movie: Free Fire

Movie reviews

Hello!

Welcome to a review of a new British indie movie Free Fire that acted as a great counter-programming to the awful Ghost in the Shell.

IMDb summary: Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

  1. Long time readers of my blog will know that I’m a fan of British contemporary cinema. Even before I lived in the UK, I would try to watch all smaller British films that reached my then hometown’s movie theater. It’s pretty sad that the majority of these films do no interest non-European audiences. It’s especially heartbreaking that an amazing film, like Free Fire, will probably go unacknowledged by many global cinema-goers as well. I first found out about the picture in an article in an Empire magazine. The publishing focused on the logistics of the big shoot-out sequence and made me really interested to see the final product.
  2. Free Fire was written and directed by Ben Wheatley, in collaboration with the long-time creative partner – writer and editor Amy Jump. I’m very much a newcomer to Wheatley’s work. The first film of his that I saw was last year’s High-Rise. The dystopian drama was both puzzling and intriguing. It also had a magnificent cast –  Wheatley continued this trend in his next movie too.
  3. The writing for the movie was quite nice. There was no obvious narrative or a story, but the way the character interactions were included within the action was really cool. The attempts at flirting were especially inappropriate in the circumstances of the movie, and, thus, hilarious. In general, the movie was full of actually funny jokes. I laughed out loud multiple times. This group of characters with their various levels of stupidity and all the in-fighting was also super entertaining to watch on screen. Lastly, the decision to loosely tie in the film’s plot to the real historical events in Ireland/Northern Ireland in the 1970s was an interesting choice.
  4.  I also loved the visuals of the film. The big action set-piece was seamlessly executed. The visual craziness was neatly paired with quieter moments full of amazing verbal jabs. Plus, even before everything had escalated, Wheatley succeeded at building tension between the characters, so the start of the shoot-out was somewhat believable even if extremely sudden. The action itself was captured with a mixture of close-ups and wider shots and, while the said action was gritty, bloody, and brutal, it was not literally dark, so one could actually see what was happening on screen. In fact, the color palette was pretty warm – a lot of browns and yellows – a perfect match for the 1970s setting and the tacky costumes. I’m so happy that shoulder pads are no longer in style. What I’m sad about is that this film’s soundtrack and the similar style of music are no longer on the radio.
  5. The film had an amazing cast, full of accomplished and well-known actors. This time around, their ‘acting’ included playing kindergarten-like children in adult bodies and crawling around a lot. The cast’ included big name talent like Brie Larson (Room, Kong), Sharlto Copley (Blomkamp’s films, Hardcore Henry), Armie Hammer (The Man from U.N.C.L.E.The Birth of a Nation, Nocturnal Animals), Cillian Murphy (In the Heart of the Sea, Anthropoid, soon Dunkirk), and Jack Reynor (Sing Street). I loved Larson’s character as well as her interactions with Murphy’s character – they had this subtle chemistry which really worked. I also liked seeing Hammer actually having fun with the role and loosen up a bit. Reynor has been popping on my radar a lot lately, maybe that he is that one actor whose involvement in the Transformers franchise actually led to some good work? The film’s cast was rounded out by a lot of great but less well-known actors: Babou Ceesay (Eye in the Sky), Enzo Cilenti (small role on GOT), Sam Riley (Pride and Prejudice and Zombies, Maleficient), Michael Smiley (Black Mirror’s White Bear episode), Noah Taylor (small role on GOT too), Patrick Bergin (Irish screen actor), and Tom Davis and Mark Monero (TV actors).

In short, Free Fire is a super enjoyable action-comedy that works both as an action movie (the craftmanship of the big action sequence is amazing) an as a comedy (the visual jokes as well as small funny moments of dialogue pair off nicely).

Rate: 4.5/5

Trailer: Free Fire trailer

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Movie review: The Lego Batman Movie

Movie reviews

Hi!

With the DCEU films being critical nightmares, which do not earn as much as they should do, Ben Affleck stepping out as director of the Batman solo movie and The Flash film being completely rewritten, the Warner Bros desperately needs a win concerning its DC properties. Might The Lego Batman Movie be the win? Let’s find out!

IMDb summary: Bruce Wayne must not only deal with the criminals of Gotham City but also the responsibility of raising a boy he adopted.

Writing

The Lego Batman Movie was written by Seth Grahame-Smith (who wrote Dark Shadows, Abraham Lincoln: Vampire Hunter, and the novel version of Pride and Prejudice and Zombies), Chris McKenna (a TV comedy writer), Erik Sommers (Spider-Man: Homecoming writer), Jared Stern (who provided additional story material for Wreck-It Ralph), and John Whittington (a newcomer writer who doesn’t have any significant credits on his IMDb page). The duo of writers/directors behind the uber-successful The Lego Movie – the film that started The Lego franchise – Phil Lord and Christopher Miller – helped to produce this spinoff flick as well. I, personally, absolutely loved the writing for this movie.

Let’s star with the on the nose humor as it was such a huge part of the picture. The Lego Batman was basically Deadpool for kids. Like Deadpool, this film didn’t waste its credits and began mocking the studios and the executives in the first few seconds of its runtime. It then moved on to making fun of the comic book movies cliches, such as ‘the unnecessarily complicated bombs’, ‘the villains who explain their plan aloud’ and other plot conveniences.  Plus, I laughed out loud several times when the characters would start making the shooting noise – ‘pew pew’. I also loved the funny inclusion of the comic book sound effect balloons which showed the origins of Batman. Lastly, the movie also poked fun at merchandise with that merch gun scene (I’m definitely guilty of owning some items myself – I was actually wearing my batman sweatshirt at the screening).

The narrative wise, The Lego Batman Movie didn’t bother with neither the setup nor the basic development and origins of the character and I’m actually really glad that they skipped all of that, cause everybody already knows Batman’s background. Nevertheless, the film still did some cool stuff with its main character, for example, portraying him more as an anti-hero and raising the questions of accountability and legitimacy (basically, Captain America: Civil War storyline). The movie also teased and parodied the Batman’s Rogues Gallery and also mocked his gadgets (while at the same time, showing them on screen just so that they could turn them into toys and merch, which they have also made fun of already).

In addition, this film attempted to do something with the Batman and Batgirl relationship, which was very similar to what The Killing Joke movie did. That development really angered the fans and The Killing Joke really suffered from that addition, so I was worried that this idea might damage The Lego Batman too. However, this film dragged the ship more than pushed it, so everything turned out fine in the end. On the other hand, I really liked the relationship that was created for Batman and The Joker. The were literally like an old married couple. The other little details, like Batman’s password (‘Iron Man sucks), the Hugh Hefner-like dressing gown, and his obsessions with romcoms (shout out to Jerry Maguire) were just amazing. I also loved the fact that they managed to include a Nightwing easter egg and actually used the fact that lego figurines can join together as a plot point in the film.

From the thematical standpoint, the movie explored relationships within a family and between friends as well as narcissism. It looked at the fear of human connection which arose from the possibility of being left alone. The final message of the film – that one has to let people in even if they might hurt you by leaving and disappearing – was a neat one.

Directing

Chris McKay, who worked as an animator and editor on The Lego Movie, directed The Lego Batman and did a spectacular job. I just loved the fact that he took the grimmest property from the dark and sophisticated DC and made it work as a comedy. The Lego Batman Movie was, truly, one of the best action comedies I’ve seen. It had the non-stop jokes and the fast action (the film was unbelievably energetic) but it still found time for quieter, more heartfelt moments (every animated movie needs ‘the feels’). The only few moments in the picture, which annoyed me a bit, were all the singing and rapping scenes. They juts seemed of a lower level of humor than all the wonderful meta-references and jokes.

Additionally, the animation was just striking. Every shot looked so densely animated and complex – you could just see how much work it has taken to bring this story to life in this format. The Lego Batman Movie was definitely a perfect match between the material and the format, cause I doubt that this narrative could have worked in live action. It would have just come across as stupid (mostly because of all the rapping), but now it blended the right amount of stupidity and cleverness and was, overall,  extremely fun and very enjoyable.

Speaking more about the visuals of the film, I loved seeing the recreations of all the previous Batman films in the lego form. I also really appreciated the lego versions of all the other DC and non-DC villains that cameoed in the film – crossover all the way! We got to see Voldemort, Sauron, King-Kong, The Wicked Witch, and Doctor Who’s Daleks – basically all properties that belong to WB.

I have also noticed, that the majority of DC films (both live-action and animated) are now team-ups. It also seems that one cannot have a Batman movie without Superman or the other Justice League members (that short scene was a neat surprise and maybe it was there to set-up a sort of solo Lego movies for other DC characters?).

Music

Lorne Balfe was responsible for the soundtrack and he picked some very appropriate, witty, and catchy songs for the film. While I didn’t really like the actual Batman song, I loved the updated version of ‘Man in the Mirror’ and felt that it was a more clever jab at Batman rather than the on the nose Batman song.

Voice Cast

The film had an amazing voice cast. Will Arnett (a long time voice actor and narrator) just killed it as Bruce Wayne / Batman, while Zach Galifianakis (who has also had some experience with voicing) was an equally amazing JokerMichael Cera (Sausage Party) brought a sense of innocence to Dick Grayson / Robin, while Rosario Dawson’s (who voices Wonder Woman in most of the direct to video JL films) voice really fit Barbara Gordon / Batgirl – she sounded as and actually was an efficient go-getter. Ralph Fiennes (Kubo and the Two Strings) oozed class as Alfred PennyworthJenny Slate (Zootopia, The Secret Life of Pets) was the voice of Harley Quinn. It might be the Margot Robbie effect, but I wanted Harley to sound sassier.  The filmmakers also managed to get the big name talent – Channing Tatum and Jonah Hill –  to record a few lines as Superman and Green Lantern, respectively (they voiced these characters in The Lego Movie), while Adam DeVine joined them as The Flash.

In short, The Lego Batman Movie was both a successful spin-off of The Lego Movie as well as a great parody of all the comic book movies. Extremely funny and highly enjoyable!

Rate: 4.7/5

Trailer: The Lego Batman trailer

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Movie review: War Dogs

Movie reviews

Hello!

Another buddy comedy has hit theaters, so let’s review it!

IMDb summary: Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America’s allies in Afghanistan.

War Dogs is kinda similar to the other to buddy comedies of this summer – The Nice Guys and Central Intelligence, in that they all have a contrasting duo in a lead. The film also shares some topical similarities (greed) with Pain & Gain and even The Wolf of Wall Street.

Writing

War Dogs was written by Stephen Chin, Todd Phillips, and Jason Smilovic, based on Guy Lawson’s book Arms and the Dudes, which was inspired by true events. The film’s narrative was fine – it had a few clever things to say about war, mainly, that was is an economy. It also explored the greed of people and portrayed it as the biggest flaw of humanity. Lastly, the movie touched upon the performative aspect of communication – War Dogs showed how specific individuals can read other people and modify their own manners and appearance to fit the vision that the others have of them.

The first act of the film felt a bit choppy – I couldn’t figure out where the story was going, but in the middle of the 2nd act, everything started to flow nicely. War Dogs also had a lot of narration and, while, to my mind, it worked well, to a lot of movie-goers it is a bad thing. The picture’s ending was a bit abrupt, though. I did not feel that there was a full resolution and I also thought that the two criminals got away way too easily.

Directing

Todd Phillips of The Hangover trilogy was at the helm of this picture and did a good job. War Dogs was quite a slow but really well made and entertaining film. I wanted to see a bit more action but I guess they decided to go the drama route and explore the relationship between the two characters. The intro montage set the stage for the upcoming story neatly and explained the premise clearly and concisely. I also liked the structure of the feature – how it was divided into a bunch of  vignette-like parts. The names of these vignettes, which were just random lines of dialogue, were also cool and perfectly summarized the main ideas of these specific pieces of the film. The soundtrack wasn’t bad either.

Acting

The two leads of the movie were played by Jonah Hill and Miles Teller. Their characters were both clever idiots, only Hill’s character was the more crazy and greedy one, while Teller’s character was presented as the protagonist, the everyday-man that the audiences are supposed to root for.

Hill was amazing as the selfish Efraim Diveroli, the only element of his performance that annoyed me slightly was that laugh. He played a similar character in the already mentioned The Wolf of Wall Street. In addition, Hill isn’t new to the buddy comedy genre – his big break was in Superbad (the teen comedy about two guys), while in the recent years he has returned to the genre with Changing Tatum and 21+22 Jump Street. Now, Hill replaced Tatum with Teller but, thankfully, Hill’s and Teller’s chemistry is as good if not better.

Miles Teller was also great in the role of David Packouz. I’ve told you numerous times that I’m a fan of his and was extremely soud after Fantastic Four turned out the way it did. I hope that Teller will start clicking with the audiences soon, because he is a really talented actor. If you don’t belive me, just watch Whiplash. He was also good in small comedies 21 and Over, Two Night Stand and That Awkward Moment. Going forward, Teller has a boxing movie coming up as well as a drama and an action flick. I don’t know if he will return to the Divergent franchise as the last installment of that series is still up in the air and will probably go to the TV.

An important supporting role was played by Bradley Cooper who also produced the picture. Cooper was fine in the movie but I was actually much more interested to find out that he produces basically all his big films like Silver Linings Playbook, American Hustle, and American Sniper. Going forward, he has a few voice roles for Marvel/Disney and Universal.

In short, War Dogs was a fine summer picture that had a great release date – if it would have come out earlier in the summer, it would have probably been burried underneath the big blockbusters. The film had okay directing and writing, while the standout feature of the movie were the performances of and the chemistry between the two leads.

Rate: 3,5/5

Trailer: War Dogs trailer

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