Movie review: Solo: A Star Wars Story

Movie reviews

Hello!

And welcome to a review of a movie that nobody really asked for and not a lot of people are going out to see. This is Solo: A Star Wars Story!

IMDb summary: During an adventure into the criminal underworld, Han Solo meets his future copilot Chewbacca and encounters Lando Calrissian years before joining the Rebellion.

Before going to see the film, I had my own reservations. I wasn’t a 100 percent on board with the casting choices. The behind-the-scenes drama and the changing directors also shook up my already weak confidence in this movie. And yet, I tried going in with an open mind and I’m glad to say that I did have fun with this movie, despite its flaws. Let’s discuss!

Writing

Solo was written by a father and son duo, Lawrence Kasdan (writer of Episodes 5,6, and 7) and Jonathan Kasdan (TV writer and actor). I have mixed feelings about the script that they penned for this movie. Solo was truly an origin film that showcased the origins of every single aspect relating to Han Solo. I wasn’t really sure whether we needed to see everything: how he got his name, blaster, costume, sidekick, favorite supporting character, taste in women, and a cynical attitude. And yet, every time the references came up, I geeked out internally. The Chewie and Lando meetings were some of the best scenes and I really loved seeing the beginning of those relationships. The taste in women part annoyed me a bit, mainly because I felt like Han’s relationship to Qi’ra undermined his later relationship with Leia and made it less special (there wasn’t a lot of difference between Qi’ra and Leia).

The cynical attitude of Han’s mostly formed during the 3rd act of this film. He did seem way more hopeful and sincere in the first two acts than I expected him to be. However, the multiple twists and turns and betrayals in the 3rd act, while not really working that well for the actual narrative of the film, did work well as steps of Han’s character development. Also, I did like how, despite all the hardships that he went through, the script underscored that he was a good guy, as that goes well with his choice of a side in the original trilogy.

Solo not only referenced the original trilogy but also tied itself to the prequels and the animated TV shows. That was quite an unexpected choice. Does that mean that they are gonna bring back some of the characters from this movie in the later projects? I feel like I preferred Rogue One’s type of an ending better – more standalone-ish rather than with a promise of a continuation.

Directing

Ron Howard (Inferno, In The Heart of The Sea) directed the film, while the original Solo’s directors – Philip A. Lord and Christopher Miller (of The Lego Movie and 21 Jump Street) got executive producer credits. I thought that Howard did a good job. The picture was certainly competently made and looked and felt appropriately grim, dirty and grounded. And yet, the Star Wars space opera feeling was also there, especially in the choice of locations and background characters (the movie was grounded but cosmic too). The pacing worked for me too – the movie was quite action-packed, so I don’t understand how the critics are saying that they had pacing issues. The movie also had an opening crawl but not in the typical style of Star Wars which seemed like an odd choice. If you have an opening crawl, why not make it like the rest?

Acting

Solo’s cast’s acting started off a bit shaky and wooden but got better as the movie progresses. Alden Ehrenreich (Hail, Caesar!) was my biggest question mark going into the film and he impressed me a lot. The character of Han had such an infectious excitement about just being Han and I feel like that was Alden’s own excitement about playing this role. Woody Harrelson (War of Apes, Three Billboards, The Glass Castle, Now You See Me, THG), Emilia Clarke (Terminator 5, Me Before You), and Donald Glover (Spider-Man: Homecoming, The Martian) especially were all also really good in the film. It was fun to see Westworld’s Thandie Newton (Gringoand Paul Bettany (Infinity War) too. Phoebe Waller-Bridge was an absolute scene stealer as Lando’s droid. Joonas Suotamo did a fine job as Chewbacca too.

In short, Solo: A Star Wars Story was a good space adventure that wasn’t necessary for the Star Wars Universe but did no damage to it either (well, except financially, probably).

Rate: 4/5

Trailer: Solo: A Star Wars Story trailer 

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Movie review: Baby Driver

Movie reviews

Hello!

An original movie, in this day and age, is a rarity, and that makes Baby Driver ten times more special than it already is. Let see whether the film can live up to the hype, whether it can prove the worth of original material, and whether it can act as the comeback of Edgar Wright! Plus, can it just be a fun and enjoyable summer movie?

IMDb summary: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Edgar Wright

Baby Driver was both written and directed by the coveted auteur Edgar Wright (one of the few auteurs working in Hollywood). Wright is best known for creating The Three Flavours Cornetto trilogy and cult classic Scott Pilgrim vs. The World. He also worked on the Marvel project Ant-Man before parting ways with the studio. Even though he left Disney/Marvel, he did live to make another movie and Baby Driver very much proves that his career is far from over. So, on a side note, Lord and Miller situation (them being fired from the Han Solo movie) might also turn out fine.

Writing

I very much enjoyed the writing for Baby Driver. The story was tight and simple, but yet also complex and unique. Let’s begin with the main character of Baby – I don’t think I can name another recent character that was so extraordinary. His love for music and driving, his sense of style (those glasses – brilliant), his relationships with his mother, girlfriend, and the deaf foster dad, and a good heart made him not only a relatable but extremely likable lead. And yet, he also had unexpected qualities (like the idea for that brutal kill or just bravery enough to kill). Also, the fact that the movie acknowledged that there are different ways to enjoy music (by hearing AND feeling it) was so great.

The romantic plotline also actually worked, which it rarely does in an action film. I loved the ending shot in black and white: they looked like a couple of criminals from a 60s movie. All the main criminal characters were amazing too and I loved the fact that all of their arcs had a definitive ending and that they weren’t dropped halfway through the runtime. My only gripe was that I didn’t think that Kevin Spacey’s character’s change of heart fully worked. The film also had wonderful humor, some of my favorite parts were the kid in the post office and the butchery metaphor. Lastly, I loved how Wright paid dues to other movies, by either giving them a shout-out or just showing a clip from them on TV. Baby Driver was, truly, a film written by a movie lover for movie lovers.

Directing

From the trailers, Baby Driver seemed like a super fun movie but I didn’t feel that it had the signature flavor of Wright. I was kinda right – Baby Driver was his lowest energy project yet (although it did dial everything up for the finale) and his most mainstream film so far and that is not really a bad thing. It was basically something different yet familiar. I loved all the action sequences and enjoyed the irony of Baby also having to run rather than drive in one of them. I was also impressed by the long takes, especially the one that followed the opening car chase. The signature close-ups were also neat.

Plus, I liked the fact that they used normal looking cars, not super expensive and super fast ones. Thus, Baby Driver was a celebration of driving – a thing that The Fast and The Furious used to have but lost completely in the later installments. Lastly, I cannot write a review for Baby Driver without mentioning the editing and the soundtrack. This is how you edit the visuals into the music. King Arthur and Suicide Squad should watch and learn.

Acting

Baby Driver’s cast was marvelous: it consisted of both proven actors and some up-and-comers. Ansel Elgort (TFIOS, Divergent) was spectacular, they way he acted into the music/with the music was just thrilling to watch. Lily James (Cinderella) was good as his girlfriend: they looked cute together and had chemistry. The cinema veterans Kevin Spacey (House of Cards), Jon Hamm (Keeping Up With The Joneses was actually not bad), Jamie Foxx (Sleepless was the best movie of this January – not much but something), and Jon Bernthal (The Accountant) all brought their A-game and appeared to be having a ton of fun with this picture. Lastly, an unknown (to me) Mexican actress Eiza González was an amazing badass to watch as well.

In short, Baby Driver is the best version of Drive meets American Grafitti. It has great action, funny jokes, cool editing, spectatcular soundtrack and it’s Edgar Wright at his best, even if that ‘best’ is a bit different than we are used to.

Rate: 4.5/5

Trailer: Baby Driver trailer

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