5 ideas about a movie: The Boss Baby

Movie reviews

Hello!

The newest DreamWorks animated picture – The Boss Baby – is currently in theaters, so, let’s talk about it!

IMDb summary: A suit-wearing briefcase-carrying baby pairs up with his seven-year-old brother to stop the dastardly plot of the CEO of Puppy Co.

  1. The Boss Baby was written by Michael McCullers, based on the picture book of the same name by Marla Frazee.  The film’s story was absolutely ridiculous but nonetheless really fun. The movie focused on the theme of family – a common and classical topic for kid’s animation. The Boss Baby also found a new inventive way to answer a question – where do babies come from? – this question seems to be popular with the animators in Hollywood, as the recent picture by Warner Animation – Storks – also tried to answer it. This picture also highlighted the sibling rivalry and the sibling relationship. Lastly, I loved how the film celebrated the children’s imagination – a crucial part of any childhood.
  2. One of the strongest parts of d The Boss Baby was the picture’s humor. The film used both more adult jokes (like business and movie references, e.g. ‘Cookies are for closers’ from the trailers) and more child-friendly gags (e.g. the insane action and the fart jokes). The picture also had some callbacks to the stereotypical horror movie scenes which felt a bit weird in a children’s movie but were appreciated by me as a grown up viewer.
  3. The Boss Baby was directed by Madagascar trilogy’s Tom McGrath.The actual 3D animation was okay – good but not groundbreaking. I think that I and a lot of movie goers just got used to usually good-looking computer animation, so it does not amaze me/us anymore. The film also had a few months of 2D animation and this one montage which felt very old school because of the accompanying music – song ‘Cheek to Cheek’ from 1935 movie musical Top Hat. The character design was also fine, although one supporting character – Stacy – reminded me a lot of Wreck-it-Ralph’s Vanellope – a beloved animated character. Lastly, the film’s visuals also were cute enough to match its narrative idea of cuteness as a threat.
  4. The titular character of the movie was voiced by Alec Baldwin. Baldwin embraced the absurdness and the hilariousness of the story and the whole movie and just nailed his performance. He has a long history of voice acting: Baldwin has narrated quite a few documentaries as well as voiced a handful of characters in animated films.
  5. Shrek’s voice actor Miles Christopher Bakshi played the child version of Tim (The Boss Baby’s brother), while Toby Maguire lent his voice to the adult Tim. Other well-known actors/TV personalities like Steve Buscemi, Jimmy Kimmel, and Lisa Kudrow also had roles of varying sizes.

In short, The Boss Baby is a perfectly passable animated picture. It doesn’t have the most original story or fresh visuals, but it definitely provides a fine time at the cinema for both kids and adults who can’t grow up (me!).

Rate: 3.3/5

Trailer: The Boss Baby trailer

Movie review: The Lego Batman Movie

Movie reviews

Hi!

With the DCEU films being critical nightmares, which do not earn as much as they should do, Ben Affleck stepping out as director of the Batman solo movie and The Flash film being completely rewritten, the Warner Bros desperately needs a win concerning its DC properties. Might The Lego Batman Movie be the win? Let’s find out!

IMDb summary: Bruce Wayne must not only deal with the criminals of Gotham City but also the responsibility of raising a boy he adopted.

Writing

The Lego Batman Movie was written by Seth Grahame-Smith (who wrote Dark Shadows, Abraham Lincoln: Vampire Hunter, and the novel version of Pride and Prejudice and Zombies), Chris McKenna (a TV comedy writer), Erik Sommers (Spider-Man: Homecoming writer), Jared Stern (who provided additional story material for Wreck-It Ralph), and John Whittington (a newcomer writer who doesn’t have any significant credits on his IMDb page). The duo of writers/directors behind the uber-successful The Lego Movie – the film that started The Lego franchise – Phil Lord and Christopher Miller – helped to produce this spinoff flick as well. I, personally, absolutely loved the writing for this movie.

Let’s star with the on the nose humor as it was such a huge part of the picture. The Lego Batman was basically Deadpool for kids. Like Deadpool, this film didn’t waste its credits and began mocking the studios and the executives in the first few seconds of its runtime. It then moved on to making fun of the comic book movies cliches, such as ‘the unnecessarily complicated bombs’, ‘the villains who explain their plan aloud’ and other plot conveniences.  Plus, I laughed out loud several times when the characters would start making the shooting noise – ‘pew pew’. I also loved the funny inclusion of the comic book sound effect balloons which showed the origins of Batman. Lastly, the movie also poked fun at merchandise with that merch gun scene (I’m definitely guilty of owning some items myself – I was actually wearing my batman sweatshirt at the screening).

The narrative wise, The Lego Batman Movie didn’t bother with neither the setup nor the basic development and origins of the character and I’m actually really glad that they skipped all of that, cause everybody already knows Batman’s background. Nevertheless, the film still did some cool stuff with its main character, for example, portraying him more as an anti-hero and raising the questions of accountability and legitimacy (basically, Captain America: Civil War storyline). The movie also teased and parodied the Batman’s Rogues Gallery and also mocked his gadgets (while at the same time, showing them on screen just so that they could turn them into toys and merch, which they have also made fun of already).

In addition, this film attempted to do something with the Batman and Batgirl relationship, which was very similar to what The Killing Joke movie did. That development really angered the fans and The Killing Joke really suffered from that addition, so I was worried that this idea might damage The Lego Batman too. However, this film dragged the ship more than pushed it, so everything turned out fine in the end. On the other hand, I really liked the relationship that was created for Batman and The Joker. The were literally like an old married couple. The other little details, like Batman’s password (‘Iron Man sucks), the Hugh Hefner-like dressing gown, and his obsessions with romcoms (shout out to Jerry Maguire) were just amazing. I also loved the fact that they managed to include a Nightwing easter egg and actually used the fact that lego figurines can join together as a plot point in the film.

From the thematical standpoint, the movie explored relationships within a family and between friends as well as narcissism. It looked at the fear of human connection which arose from the possibility of being left alone. The final message of the film – that one has to let people in even if they might hurt you by leaving and disappearing – was a neat one.

Directing

Chris McKay, who worked as an animator and editor on The Lego Movie, directed The Lego Batman and did a spectacular job. I just loved the fact that he took the grimmest property from the dark and sophisticated DC and made it work as a comedy. The Lego Batman Movie was, truly, one of the best action comedies I’ve seen. It had the non-stop jokes and the fast action (the film was unbelievably energetic) but it still found time for quieter, more heartfelt moments (every animated movie needs ‘the feels’). The only few moments in the picture, which annoyed me a bit, were all the singing and rapping scenes. They juts seemed of a lower level of humor than all the wonderful meta-references and jokes.

Additionally, the animation was just striking. Every shot looked so densely animated and complex – you could just see how much work it has taken to bring this story to life in this format. The Lego Batman Movie was definitely a perfect match between the material and the format, cause I doubt that this narrative could have worked in live action. It would have just come across as stupid (mostly because of all the rapping), but now it blended the right amount of stupidity and cleverness and was, overall,  extremely fun and very enjoyable.

Speaking more about the visuals of the film, I loved seeing the recreations of all the previous Batman films in the lego form. I also really appreciated the lego versions of all the other DC and non-DC villains that cameoed in the film – crossover all the way! We got to see Voldemort, Sauron, King-Kong, The Wicked Witch, and Doctor Who’s Daleks – basically all properties that belong to WB.

I have also noticed, that the majority of DC films (both live-action and animated) are now team-ups. It also seems that one cannot have a Batman movie without Superman or the other Justice League members (that short scene was a neat surprise and maybe it was there to set-up a sort of solo Lego movies for other DC characters?).

Music

Lorne Balfe was responsible for the soundtrack and he picked some very appropriate, witty, and catchy songs for the film. While I didn’t really like the actual Batman song, I loved the updated version of ‘Man in the Mirror’ and felt that it was a more clever jab at Batman rather than the on the nose Batman song.

Voice Cast

The film had an amazing voice cast. Will Arnett (a long time voice actor and narrator) just killed it as Bruce Wayne / Batman, while Zach Galifianakis (who has also had some experience with voicing) was an equally amazing JokerMichael Cera (Sausage Party) brought a sense of innocence to Dick Grayson / Robin, while Rosario Dawson’s (who voices Wonder Woman in most of the direct to video JL films) voice really fit Barbara Gordon / Batgirl – she sounded as and actually was an efficient go-getter. Ralph Fiennes (Kubo and the Two Strings) oozed class as Alfred PennyworthJenny Slate (Zootopia, The Secret Life of Pets) was the voice of Harley Quinn. It might be the Margot Robbie effect, but I wanted Harley to sound sassier.  The filmmakers also managed to get the big name talent – Channing Tatum and Jonah Hill –  to record a few lines as Superman and Green Lantern, respectively (they voiced these characters in The Lego Movie), while Adam DeVine joined them as The Flash.

In short, The Lego Batman Movie was both a successful spin-off of The Lego Movie as well as a great parody of all the comic book movies. Extremely funny and highly enjoyable!

Rate: 4.7/5

Trailer: The Lego Batman trailer

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Movie review: Moana

Movie reviews

Hello!

The long awaited and newest Disney Princess movie – Moana – has reached theaters, so, let’s talk about it!

IMDb summary: In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain’s daughter’s island, she answers the Ocean’s call to seek out the demigod to set things right.

Moana is, technically, a 13th Disney Princess film. It has been truly amazing to see how this brand evolved in the past 80 years. I feel that the biggest changes started with 2010’s Tangled and all the films following it have been adapting their stories and characters to fit the contemporary world and I’m excited to see what will Disney do next.

Moana is also Disney’s return to musicals, since Frozen 3 years ago. Can Moana’s soundtrack replicate the success of Frozen’s soundtrack? It is gonna be a bit harder for Moana, as this year, we already had one fairly successful animated musical – Trolls – and we also have another one coming up – Sing.

Lastly, Moana is Disney’s attempt at presenting an indigenous – Polynesian culture – to the global market. Thier last attempt at this with Pocahontas wasn’t the most successful, but I think that Disney learned from their mistakes. They went an extra mile to cast voice actors from appropriate backgrounds and also employed anthropologists to help portray Polynesian culture as accurately as possible. As a student of anthropology and a lover of films, I found that fascinating – maybe this can be my job in the future?

Moana’s story also appealed to me on two personal levels. First of all, I, as a longtime professional(-ish) swimmer, sometimes do feel better in the water than on land, so I loved seeing Moana’s connection to the ocean. Secondly, Moana reminded me of two different books that I read as a kid that both revolved around islands and island culture. One of them was Whale Rider (1987) by Witi Ihimaera about a Maori girl and her journey to becoming her clan’s chief. The other was called Island of the Blue Dolphins (1960) by Scott O’Dell about a Native American girl who gets stranded on an island near California. Both books have been turned into movies, in 2002 and 1964 respectively.

Writing and Story

Jared Bush, who has previously worked on Big Hero 6 and also co-wrote and co-directed Zootopia, wrote the screenplay of Moana but a lot of people got the credits for the story, including the directors of this film Ron Clements and John MuskerBig Hero 6’s directors Chris Williams and Don HallWreck-It Ralph 2’s writer Pamela Ribon, and twin Hawaiian screenwriters Aaron and Jordan Kandell.

For the most part, I really enjoyed the writing for Moana. I loved that the movie opened with a lesson in Polynesian mythology. In general, I thought that this specific culture was represented with respect but it was still made fun. The writing for the two main characters was also great. Where the movie’s magic kinda broke down was in the actual narrative of the film. The first act felt a bit drawn out – I wanted to get onto the adventure part quicker. I felt that the movie was just basically checking things off a list in during the set-up: Moana had Disney staples such as the dead relative/teacher, the overprotective parents, and the idea that everyone should stay in their place. The ending was also a bit predictable and I wish they would have done without the cliches like failing at first try and leaving and coming back in the heat of the battle. Nevertheless, a few narrative ideas that I thought were great was the fact that Moana didn’t have or need a love interest. Also, the final confrontation was female-centric, similarly to Frozen, and I would have had a problem with that if Moana didn’t have strong and cool male character – Maui – as well.

Directing and Animation

Ron Clements and John Musker, who have made such Disney classic as The Little MermaidAlladinHercules, and Princess and the Frog, directed the film and did a wonderful job. The pacing of the film could have been better but I absolutely adored the visuals and the animation. All the environment, especially the ocean, were brought to life just magnificently – the water looked both realistic and magical – so much better than another recent water based animation Finding Dory. The character design was also super cool. Moana actually looked like a real person, with realistic body proportions! Maui looked super cool too – I liked that his tattoos were not only a visual prop but a part of the plot. Moana’s sidekicks were good too. The chicken was mostly used for comic relief which was neither a hit or a miss for me. I wish, however, that they would have brought the piggy along for the ride, as he was super cute. The baby Moana was also so adorable. You couldn’t not fall in love with her. Lastly, one of my favorite parts of the film was the good old training montage for both Moana and Maui.

Music

Tarzan’s composer Mark MancinaHamilton’s Lin-Manuel Miranda, and a member of Oceanic music group Te Vaka – Opetaia Foa’i – all worked on the soundtrack and did an amazing job. To being with, I loved hearing some of the songs in Tokelauan language – it added more authenticity to the film’s atmosphere. The more mainstream pop-songy numbers were also great. I see a lot of potential in one song especially in finally making the world let go of Let it Go – I’m talking about the main song of MoanaHow Far I’ll Go. I liked the version sung by Cravalho much more than Alessia Cara’s credits version. Even though I love Cara and her lyrics, I felt that Cravalho voice just had more emotion and fit the song better. But I can see why Disney wanted a more well-known singer to record a version of the song. Let it Go was also recorded by Idina Menzel and a more mainstream choice Demi Lovato.

Other two songs that I’d like to name are You’re Welcome by Dwayne Johnson. I was super impressed with Johnson’s voice – is there anything he can’t do? The song itself kinda reminded me of another Disney tune whose name I don’t remember, but it just sounded so familiar. The last song I’m gonna mention was the one sung by the crab – that was the only part of the score that I didn’t feel on board with.

Voice cast

  • Auli’i Cravalho was amazing as Moana. Her voice just had so much emotion and fit the character perfectly. I think she has a long career ahead of her, at least I hope so.
  • Dwayne Johnson as Maui was great too. He just had so much charisma in his voice alone. This was only his second voice role. Next year, he has 3 big movies coming up – Fast 8Baywatch, and Jumanji.

In short, Moana was another great picture from Disney. It had spectacular characters, nice thematical ideas and gorgeous animated visuals. I only wish they would have made the story a bit more original.

Rate: 4/5

Trailer: Moana trailer

P.S. Before Moana, a new Disney short called, Inner Workings, was screened. It was kinda the Inside Out of the body rather than the mind. It was both funny and cute as well as sad and depressing (like Pixar levels sad). Loved the main message – treat yourself, escape the routine and enjoy life!

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Movie review: Zootopia

Movie reviews

Hello!

Welcome to my last post in the series ‘Movie Reviews of the 2016’s films I’ve missed’. I have already discussed Hardcore Henry and Midnight Special. Today, I will be giving you my thoughts on Zootopia – that Pixar film made by Disney.

IMDb summary: In a city of anthropomorphic animals, a rookie bunny cop and a cynical con artist fox must work together to uncover a conspiracy.

Writing and Themes

Zootopia’s screenplay was written by Jared Bush (has worked on Big Hero 6 and Moana) and Phil Johnston (wrote Wreck-It Ralph), however, a bunch of people have contributed to the story, including Zootopia’s directors, former The Simpson’s director Jim Reardon and even Frozen’s Jennifer Lee among others. Thankfully, this was not the case of ‘too many cooks in the kitchen make a horrible meal’ but a complete opposite. Zootopia’s story was simple yet sophisticated and the concepts that were discussed in this supposedly kids’ movie – very adult and nuanced. The film reminded me a bit of Inside Out – that children’s movie also tackled big and serious issues.

Zootopia had a strong message about the importance of tolerance, knowledge and open-mind and showed the true awfulness of prejudice, bullying, violence, racism, and sexism. It also tackled the question of biological divide through the prey vs. predator metaphor. Zootopia portrayed the consequences of letting the biological divide become a social one and provided nice commentary on issues such as genders norms, racial, financial and religious differences. Other opposing ideas that were touched upon were conservativism vs. liberalism, idealism vs. reality, nature vs. nurture and us vs. them. The line ‘we might have evolved but we are still animals’ was an extremely telling and truthful commentary on the animalistic side of humans – I’m really happy that Zootopia’s creators were not afraid to be so blunt. In additiom., the film also encouraged its viewers to believe in themselves, to fight the self-doubt, to dream and to work towards their goals, to learn from their mistakes, to never quit and prove the nay-sayers wrong. Moreover, Zootopia showed that revenge is never an answer. Lastly, the film had a nice conclusion and wrapped up nicely – the final message that life is complicated and messy but still beautiful was a really good way to end the picture.

Zootopia also had a very strong writing for all its characters. The different species represented different types of people and the choices of species were simultaneously stereotypical and subversive. The two main characters were also very relatable. I could relate to Officer Judy Hopps on a personal level, like, I’m sure, many millennials with big dreams could, but I also understood and appreciated the sarcasm and the irony of Nick Wilde, the fox.

The picture also had amazing jokes and references. ‘Don’t call a bunny cute’ line was perfect and the extended scene with The Godfather was unbelievable. Breaking Bad reference was neat too.  The joke with the sloths was also nice as well as that moment with Nick and Assistant Mayor, a.k.a. the sheep. In general, Zootopia had a lot of funny situations that were organic. The jokes were never pushed too far but happened naturally.

Zootopia, the movie, reminded me of my favorite childhood book What do people do all day?by Richard Scarry. It’s a picture book with some lines of dialogue – probably closest to a comic but not fully a comic. Anyway, What do people do all day? shows simple activities being carried out by various animals. That book is used to introduce kids to different careers and it used to be favorite read from ages 5 till 10. I still like to flick through it when I’m feeling nostalgic.

Directing and Animation

Zootopia was directed by Byron Howard (directed Bolt and Tangled, animated Mulan, Brother Bear and Lilo&Stitch) and Rich Moore (directed Wreck-It Ralph). The two directors, as well as all the Disney’s animators, did a wonderful job. The graphics of the landscapes and the character design were marvelous and realistic. The action – exciting and that montage of Hopps arriving in Zootopia – a perfect locational step up. The attention to detail was also spectacular. For example, Hopps was using her iPhone’s (iCarrot’s) flashlight like so many people do nowadays – this little detail made the film even more realistic and contemporary. I also enjoyed the usage of Shakira’s song Try Everything. It was fun and fit the film perfectly. Basically, I feel like Zootopia transcended the animation genre and was really good buddy-cop comedy and a crime drama that just happened to be animated.

I am really happy that this film was financially and critically successful. Critical success means that it will probably be awarded an Oscar or at least nominated for it. Financial success means that a lot of people saw the film, thus, a lot of people can learn from it – ‘Change starts with all of us’.

Voice Work

All of the members of the cast did a magnificent job. The voices fit the characters perfectly. The leads, Ginnifer Goodwin and Jason Bateman, had really good chemistry. Idris Elba as Chief Bogo was also really good – I could instantly tell that that was him. Lately, Elba has been doing a lot of voice work: he voiced characters in The Jungle Book and Finding Dory. The other standout was Nate Torrence as Officer Benjamin Clawhauser, an obese cheetah. I really liked his performance and the character in general.

In short, Zootopia was an amazing film that was gorgeous to look at, but also engaged the viewers intellectually by discussing important and serious, real-world topics. The voice work was also stellar. In general, it was such a cute film (although, never call a bunny cute if you’re a not bunny!)

Rate: 5/5

Trailer: Zootopia trailer

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