Movie review: Dunkirk

Movie reviews

Hello!

A movie, that needs no introduction, has reached theaters, so let’s talk about it. This is the review of Dunkirk.

IMDb summary: Allied soldiers from Belgium, the British Empire, and France are surrounded by the German army and evacuated during a fierce battle in World War II.

Before we start discussing the film, I’d like to remind you that there already is a picture about Dunkirk, released in 2017 – Their Finest. It’s a completely different but as interesting take on the ‘event that shaped the Western world’. Also, my previous review of a Nolan film is the one for Interstellar.

Christopher Nolan

Both written and directed by Nolan, Dunkirk is the highly acclaimed director’s 10th feature film. It has already been labeled as his best film as well as a ‘masterpiece’ of modern cinema. With all of these accolades in mind, my expectations have also been really high. And while I certainly wasn’t let down, I haven’t been blown away either.

Writing

Dunkirk’s writing is unique (as should be expected from Nolan – the master storyteller) in that the film doesn’t tell a story of the evacuation but rather recreates the evacuation. The staples of the narrative, like the extensive dialogue or the character development, are mostly absent from the movie and the glimpses of the personal stories are scarcely dispersed throughout the intense action scenes. I believe that the lack of the character development actually serves the movie right because that makes the viewer see the characters as nobodies – a faceless mass of interchangeable soldiers – which is what they actually were. I did miss Nolan’s great dialogue, though, even if this film’s setting didn’t really call for it.

Even though, the picture doesn’t have much in terms of narrative, the plot that is in the film is told in a non-linear way (again, as it should be expected from Nolan). However, there isn’t too much of jumping around (Dunkirk is no Memento). The three main plot threads – the land, the air, and the sea – provide different and interesting perspectives on the evacuation but I wish that these viewpoints were wider within themselves. For example, I wanted to see the faiths of more than a few soldiers, or more than two planes, or more than just one civilian boat.

Another interesting choice that is made in the script is the decision to never call out the nationality of the enemy. Never once in the picture, do we hear the words ‘Germans’ or ‘Nazis’. It’s always ‘the enemy’. Is that the political correctness of today bleeding into a WW2 film or is the eternal shame and guilt of the German nation is slowly coming to an end?

Directing

Christopher Nolan has always been amazing at visuals and he proves that again with Dunkirk. The whole film feels, more or less, like the expanded version of the Saving Private Ryan opening beach sequence, with the levels of dread, fear, and destruction, never dipping below the maximum. The intensity is palpable, while the emotions – heart-wrenching. From a purely aesthetic view, the shots are masterfully composed, both in the air, on land, or in the water. To my mind, Dunkirk might not be his best film, but it is certainly a great-looking one.

Music

An element of Dunkirk that sometimes rivals the visuals as its best part, is the soundtrack by Hans Zimmer (a longtime creative partner of Nolan’s). The master composer (I feel like I used the word ‘master’ too much already) surpasses the sky high expectations and delivers an emotional, eerie, thrilling, and haunting score. The sounds of the bombs are so crisp and clear that one can definitely hear if their cinema’s sound system is lacking in quality (I’m not pointing any fingers).

Acting

Dunkirk has an extensive ensemble cast, full of newcomers as well as seasoned A-listers. All of them deliver excellent if brief performances. On land, we follow Fionn Whitehead (in his first film role), Aneurin Barnard (a Welshman playing a Frenchman disguised as an Englishman) and an ex-1D member and a successful solo artist Harry Styles. Nolan has claimed to not have known about Styles’ fame before casting him in the film. I find that doubtful because Nolan has a teenage daughter who might (must) have known who he was. Also, even if she (or he) wasn’t a fan, the 1D craze a few years back far exceed the limits of the fandom and was absolutely everywhere, so Nolan should have definitely at least have heard about him. Anyways, for whatever reason Styles was cast in the picture, he did act as a somewhat box office draw, as evident by a mother-daughter duo, who sat next to me in the cinema and could not shut up when his face showed up on screen. On a side note, I didn’t see anyone complaining about his involvement in the film or that his ‘famous face’ took the viewer out of the movie, but, somehow, Ed Sheeran signing three lines on Game of Thrones is a disaster that breaks the fictional world’s continuum?

Back to the cast I was discussing in the first place, the ‘land’ portion of the plot also had Kenneth Branagh (director of Cinderella and the upcoming Murder on the Orient Express) and James D’Arcy (Agent Carter) as two officers of exposition and trailer one liners. The ‘on the sea’ perspective had Mark Rylance (whose career really took off only in 2015 with Bridge of Spies, then The BFG, and soon Ready Player One), accompanied by a screen newcomer Tom Glynn-Carney and a bit more experienced Barry Keoghan. A longtime creative partner of Nolan’s  Cillian (Free Fire) also appeared in the film, in the probably the most fleshed out role. The ‘air’ part of the plot was acted out by Jack Lowden and another of Nolan’s usuals – Tom Hardy (Mad Max, Legend, The Revenant) with his face half-obscured as always.

In short, while I might not think that Dunkirk is a masterpiece, I unquestionably agree that it is a great film. The visuals are stellar, the acting is effective, and the writing – full of bold choices that I might not like but can and do appreciate.

Rate: 4,3/5

Trailer: Dunkirk trailer

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Movie review: War For The Planet Of The Apes

Movie reviews

Hello, 

The third and final installment in the rebooted Apes franchise – War For The Planet Of The Apes – is upon us, so let’s review it.

IMDb summary: After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.

SPOILER ALERT

Writing

War For The Planet Of The Apes broke the trend that most blockbusters follow nowadays and was written by only 2 people instead of a bunch of them. Mark Bomback (who wrote The Wolverine, Insurgent, and the previous entry in the trilogy Dawn) and the director Matt Reeves were the only two screenwriters responsible for the script and, to my mind, that was one of the factors that lead to War’s screenplay being a major success that only had a few minor flaws.

To begin with, I loved the neat recap that played with the titles of the films (Rise, Dawn, War). I also very much enjoyed the direction that this story took with the humans devolving and losing the traits that make them human. The scene in which Woody Harelson’s character exposed that concept was a bit exposition heavy but the idea itself was so interesting that I didn’t care that much. In general, the issues of humanity were even more prevalent than in the previous films and were handled really well. Moreover, I adored the final twists in the plot, where the final battle was more about the human vs human conflict with the apes caught in the middle. Additionally, the idea to have mother nature as the winning agent was a genius one and also helped the action-y third act to tie into Harrelson’s character’s story-idea that apes are more adapted for survival.

Other themes, like Caesar’s struggles of leadership (to stay with the group or be the lone wolf/ape), his drive for revenge and/or survival, and his feelings of guilt and responsibility, were great additions to the narrative that elevated the film. Speaking about Caesar, his death at the end of the movie was quite emotional – he was one of the most memorable sci-fi characters ever that we had a privilege of seeing grow and develop in three, near damn perfect, films.

The new characters in War were excellent additions. The bad ape character was an obvious ploy for comedic relief but he was actually funny (wonder how much of that was improvised and how much was written). The child human character was also really good – she was like a beacon of real humanity and goodness in a war film. Lastly, the few gripes with the picture’s writing I had were mostly illogical gaps in the narrative. For one, the soldier characters were kinda awful at their job, not noticing the little girl or that the apes were gone. Secondly, I wish that the ape characters would have been made to utilize their ape skills more. When Caesar and the band went looking for the colonel, why not make them smell the territory rather than just barge in? Thirdly, this is not really a logical flaw, but I wish that the flower moment with the ape and the girl and that ape’s death scene would have been further apart. It would have given us more time to really get to know the character and would have made the untimely demise even more emotional.

Directing

Matt Reeves took over Rupert Wyatt (he directed Rise) on the second film Dawn and also helmed the final installment War. I loved the continued direction that he first chose for the second film – to treat the movie as a thriller or even a drama but to also have spectacular action moments. War was intense and slow but crafted with such care. The only time the film slowed down too much was the sequences with the apes in the camp before they started planning the escape. Nevertheless, that part had to be in the picture because Caesar had to go through a period of muddled motivations and had to re-find his purpose.

The visuals were amazing: the surroundings of nature were just impeccable and a character in their own right, while the CGI of the apes was absolutely unbelievable as well and even better than it was before (and it was already great). The long takes were awe-inspiring and emotionally driven, like the shot of apes kneeling before Caesar in his introduction or the sweeping shots of the battle. Another emotional moment was the scene of the ‘Apes Together Strong’ sign. Ir really reminded me of The Hunger Games ‘Three Finger Salute’.

Generally, I loved what Reeves did with the final installment in this trilogy and I’m now way more trusting in the fact that he can absolutely nail The Batman solo movie. He recently replaced Ben Affleck as the director of that project and his is also rewriting the script.

Acting

Andy Serkis (LOTR, Star Wars 7, Avengers 2) was back in his element as Caesar and just did his job to perfection. He portrayed so much emotion through all the CGI: some actors can’t even do that with their real faces. He is a mastermind of motion capture and his work must be rewarded or at least recognized. Academy, prove to us that you are not as old fashioned as we think.

Although other actors had to compete with Serkis, they did do a good job with their motion capture performances too. The comedian Steve Zahn was brilliant as the Bad Ape, while the returning talent Karin Konoval and Terry Notary were also really good. I really wish that their motion capture work would lead to more on-screen acting gigs for them. The humans, this time around, were played by Woody Harrelson (Triple 9, Now You See Me 2) – he was great in the villainous role and the young TV actress Amiah Miller – she was a delight to watch as well.

In short, War For The Planet Of The Apes might be the best thriller of this summer and one of the best blockbusters too. It’s smartly written, well-acted, and directed with care on top of being an incredible showcase of what can be achieved with CGI in this day and age.

Rate: 4.5/5

Trailer: War For The Planet Of The Apes trailer

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5 ideas about a movie: The Promise 

Movie reviews

Hello!

During the busy summer blockbuster season, I like to make time for the ‘regular’ movies too. The picture that I’m reviewing today – The Promise – falls exactly into this category.

IMDb summary: Set during the last days of the Ottoman Empire, The Promise follows a love triangle between Michael, a brilliant medical student, the beautiful and sophisticated Ana, and Chris – a renowned American journalist based in Paris.

  1. A few months ago, I raised a general question to my dad (who watches lots of movies with me): when will we run out of war stories? Well, I pretty much got my answer while watching The Promise and the short version is – never. Not only do we have lots of modern/current wars to tell stories about, but we still have a ton of untold tales from the past wars. The Promise focuses on the Armenian Genocide inside the Ottoman Empire during the First World War – not a topic that World War I movies have previously touched upon.
  2. The reason why The Promise decided to tell this particular story was because of the film’s source of funding. The entire budget was donated by an American businessman that has Armenian roots – Kirk Kerkorian – and his sole wish was to bring this story into the mainstream consciousness rather than earn money. Sadly, this film didn’t succeed at either – it was a box office bomb, which means that not a lot of people had a chance to witness this narrative.
  3. The Promise was directed by Terry George, from the script by the director himself and the screenwriter Robin Swicord. I thought that the directing was quite solid even if the film was a bit long and dragged at times. However, at the same time, I don’t think that they should have cut anything from the story – I applaud the writers for not oversimplifying the journey that these characters had to take. I would also like to praise them for creating 3 interesting leads who seemed both realistic and believable enough and were also cinematically engaging. It was also nice to see a level of objectivity in a war movie – I believe that it was really important to include a character on the Turkish side who was actually a good person rather than just to paint that whole nation as the villains.
  4. The emotional core of the film was also effective. This real-life story is tragic in itself and the dramatic love triangle (which worked and wasn’t too tearful or cliche) only added extra emotions to the script. A few of especially heart-wrenching moments were the sequence where Oscar Isaac’s character finds his village’s people slaughtered by the river and the shots of the makeshift red-cross flag, placed on the side of the mountain.
  5. The Promise had a stellar cast, full of gifted actors who delivered spectacular dramatic performances. Sadly, not a lot of them were of Armenian descent – I think it would have been nice to spotlight some lesser known Armenian talent. Oscar Isaac was absolutely wonderful – these are the types of roles that I’d like to see more of him in rather than the awful supporting roles in failed blockbusters (X-Men: Apocalypse). Having said that, I would also like to see him continuing to star in more successful big-budget pictures, like Star Wars. Christian Bale (The Big Short) was also really good, although it was quite unusual, seeing him in a role which did not require a lot of physical change. Charlotte Le Bon (The Walk, The Hundred-Foot Journey, Bastille Day) was also amazing. Probably the most well-known Armenian actress on the cast was Westworld’s Angela Sarafyan – she played a small but important role. Other non-American and non-English actors were also included (which seems better than just having Americans and Brits playing Armenians): Mexican Daniel Giménez Cacho, Iranian Shohreh Aghdashloo, Croatian Rade Sherbedgia, Dutch-Tunisian Marwan Kenzari, and Israeli actor Yigal Naor all had supporting roles in the picture.

In short, The Promise is a well-made historical drama that might not sound super original but is, nonetheless, very important, as it tells a forgotten story of the marginalized people.

Rate: 4.25/5

Trailer: The Promise trailer 

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Movie review: War Machine

Movie reviews

Hi!

As the counterprogramming to Pirates 5 and Baywatch (review coming in a few weeks cause international release schedules), Netflix released its newest original picture – War Machine. Since I’m not seeing Wonder Woman till Monday, I decided to make War Machine my movie of the weekend. I have already reviewed a Netflix film before and given you my general thoughts on Netflix’s attempt to break into the movie business. Weirdly, that picture was also a war drama – Sand Castle. I didn’t enjoy it much but I’m still hopeful about War Machine.

IMDb summary: A successful, charismatic four-star general, Glenn McMahon, leaps in like a rock star to command NATO forces in Afghanistan, only to be taken down by a journalist’s no-holds-barred exposé

Writing 

War Machine was written by the director of the film David Michôd, based on the non-fiction book The Operators by Michael Hastings. I quite enjoyed a variety of aspects of the writing for this film. To begin with, I loved the acknowledgment of the internationality of the war and the importance of the involvement of the other NATO nation’s as well as of the Afghans themselves.

I also was intrigued by the satirical air of the movie. It was so refhreshing to see a serious issue, like war, being examined with a level of irony, especially nowadays, when everybody gets offended by everything. More importantly, the satirical approach was so suitable for the topic of war because of the inherent hopelessness and even stupidity within it. The lack of final resolution to the narrative was also very appropriate as there isn’t actually a final solution to the war(s) in the Middle East.

In addition to the movie being bold in its choice of tone, it was also very daring in its message. That message sounded simple and yet it is so hard for a lot of Western nations to comprehend: ‘you cannot build a nation at gunpoint’ and ‘don’t invade a country you want to make friends with’.

War Machine was also unique in that it did not focus on the physical fighting of the war but rather looked at the paperwork, the planning, and the advertising side of it. I also loved how the team behind the general was spotlighted – I never did think how much is happening behind the scenes or behind the leader. Moreover, the divide between the military and the polity and all the miscommunication that was occuring was fascinating to see.

The writing for the main character (who is based on a real person) was also really good. I loved how idealistic he was – a sort of guy who makes you believe that there is good in the world. And yet, there were still layers to his idealism and I liked the fact that the movie questioned his motives. Were they trully as altruistic as they seemed? The conclusion to the narrative was also complex. I felt that, even though the article, written by the Rolling Stones journalist (who acted as the movie’s version of the real life author, who wrote the book the script was based on), destroyed the General’s career, this film was quite respectuful of it and him. Ultimately, he was painted in a good light, so to say.

Lastly, to end this long passage on the writing, let’s critique one aspect of the screenplay which was lacking – the structure of the narrative and the way it was presented. Of course, I am talking about narration. I do understand that the narration in this film could be sort of justified by saying that it’s the author/the journalist who is telling a story (and that actor did narrate the whole thing). However, the narration is such a cheap story device. Yes, it makes the plot very clear and is easy to understand. But it also makes it boring. I really wish the story could have been conveyed more organically and cinematically rather than just being spelled out for the viewers verbally.

Directing

David Michôd, a director of shorts and documentaries, helmed War Machine and did a good job. The movie was well-paced and the comedic/satirical atmosphere – well handled. The film did not have a lot of sequences of fighting and they weren’t missed – the dialogue and the character interactions were engaging enough. Having said that, the third act’s action sequence was well-crafted and suspenseful. Another sequence which I really liked was the conference in Germany and the stand-off between the German politician and the General. I also loved the ending shot of the film and how it represented the idea of hopelessness and the closed-loop of war. Same place, same job, different people. Doesn’t really matter who, though.

Acting

Brad Pitt (The Big Short, Allied, By The Sea) delivered career-defining performance as General Glen McMahon. The best I have seen from him in years. The performance was so complex, involving all the parts of the body and the face (especially, the eyebrows and the eyes). Also, he did some amazing voice modification for the role – the play with the accent and intonations was spectacular. I also loved how he delivered a comedic performance without being disrespectful. He should definitely get at least a Golden Globe nomination. Pitt also served as a producer – he does that a lot nowadays. He also produces films he does not star in.

The aforementioned team behind the General consisted of a bunch of actors of varying caliber, including Anthony Hayes, Emory Cohen, RJ Cyler, Daniel Betts, and Topher Grace. They all were good and their chemistry and comradeship seemed believable.

The journalist, who was inspired by the real-life writer, who wrote the book the script was based on, was played by Scoot McNairy. He also narrated the whole movie. Will Poulter and Keith Stanfield played two soldiers ‘on the ground’ who actually did the fighting. Stanfield’s character’s confusion about the war was an interesting aspect. I wish it were explored more.

Tilda Swinton also appeared in a single scene as a German politician. While I can’t comment on her German accent, I thought that she was absolutely amazing in the 5 min she was on screen.  Ben Kingsley also had a small role in the film – a quite typical one for him – that of a leader/person from an Eastern country.

In short, War Machine worked well as a biographical drama and as a war film. More importantly, the commentary provided was not only thought-provoking but presented in an entertaining way.

Rate: 3.7/5

Trailer: War Machine trailer

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5 ideas about a movie: Sand Castle

Movie reviews

Hello!

Since no new movies that interest me are premiering this week in the UK, I decided to seek out other new films that did not reach cinemas. The first one that I could find was Sand Castle.

IMDb summary: Set during the occupation of Iraq, a squad of U.S. soldiers try to protect a small village.

  1. Sand Castle is a Netflix original film. While the beloved streaming platform is known for having amazing TV shows (Orange is the New Black, Stranger Things, House of Cards, 13 Reason Why just to name a few), their movie game has not been that strong. Some of the pictures received more attention than others, but the majority of them did not leave a lasting impact. A few of the Netflix movies that I’ve seen were perfectly fine, including Crouching Tiger, Hidden Dragon: Sword of DestinyThe Fundamentals of Caring, XOXO, ARQ, The Siege of Jadotville. Let’s see whether Sand Castle is the film that turns things around and is more than just fine.
  2. The movie’s screenplay was written by Chris Roessner and this was his first feature length script. For a debut work, it’s certainly not bad. I appreciated all the thematic concepts that the picture attempted to explore, like masculinity, patriotism (or even chauvinism) and the American culture in general. The moral questions, including why does an individual choose to join the military, were appropriately asked as well. However, although the various ideas were introduced, they didn’t go anywhere and were basically forgotten by the 2nd act, which was the weakest part of the film. The third act and the conclusion were fine, even though an attempt to go back to the film’s message in the last few scenes seemed like an afterthought.
  3. Sand Castle was directed by a Brazilian filmmaker Fernando Coimbra. He succeeded at crafting gorgeous visuals of the surroundings and the long continuous shots during the action sequences were impressive. However, the random jumps in time and the uneven pacing did damage the final product. I also thought that the idea to always keep the camera on the American soldiers, rather than to go back and forth between them and the terrorists, was an interesting, even if a bit one-sided, decision.
  4. The lead of the movie was played by Nicholas Hoult and he did a good job portraying a soldier, affected by the horrors of the war. Hoult is one of my favorite actors, so I try to follow his career pretty closely. Most people know him from the X-Men movies or Mad Max: Fury Road. I’d also suggest you check out his smaller films: Dark Places, Equals, and especially Kill Your Friends.
  5. The supporting cast included Henry Cavill (The Man from U.N.C.L.E.), Logan Marshall-Green (soon will appear in Spider-Man: Homecoming), and Glen Powell (Everybody Wants Some!!, Hidden Figures). Cavill had a pretty small role but he seemed to have more fun with it than he ever had with the role of Superman. It’s quite sad to see that his involvement with the DCEU did not result in more high-brow roles. Well, he is appearing in Mission Impossible 6, so that’s something. Marshall-Green and Powell also delivered fine performances.

In short, Sand Castle was an okay war drama that could have been so much better if it just explored the themes it introduced. It’s not the most original film about war and I probably would not have gone to see it at the cinema, but if you already have a Netflix account, it is definitely worth a watch.

Rate: 3/5

Trailer: Sand Castle trailer

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Movie review: The Great Wall

Movie reviews

Hello!

Welcome to a review of the movie that is either groundbreaking or just a continuation of the oldest Holywood tradition. It’s The Great Wall!

IMDb summary: European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.

My introductory point about this film possibly being groundbreaking has to do with the circumstances of its creation. The Great Wall is the first major co-production between US and China (Kung Fu Panda 3 was also a co-production and came before this movie, but it was an animated project rather than a live-action one). And yet, this movie has also been accused of whitewashing – the old trend for Hollywood, which only recently started receiving some backlash. So, can this film be a start of something new or is just the same old thing?

Writing

The picture’s script was written by Carlo Bernard and Doug Miro (writers of the Prince of Persia movie), and Tony Gilroy (writer of the first 4 Bourne films and Rogue One). The combined previous filmography of these screenwriters is of mixed quality and the writing for The Great Wall is also kinda mixed, mostly leaning towards mediocre.

To begin with, the whole decision to have a white lead was not explained that well during the runtime of the picture. It made sense to have a white lead and a supporting cast, full of Chinese actors, from the business standpoint, but it didn’t make much sense story-wise. The film, at least, stated that Matt Damon was not supposed to be playing a Chinese character but a European explorer, who is looking for gunpowder, so Damon’s casting cannot necessarily be called whitewashing. However, the decision to focus on a European hero, who saves China, brought up the whole ‘white savior’ debate. The fact the character’s arc begun with him wanting to steal the gunpowder didn’t paint the best picture either. Is the film, then, only reaffirming colonial thinking or is trying to tell a historical story accurately?  In short, I, personally, didn’t think that the picture gave a good enough explanation for having a European lead (played by an American) in a foreign setting. Even the film The Last Samurai came up with a better reason.

Speaking about the other aspects of the writing – I did enjoy quite a few of them. I liked the world-building and the mythology that the film was inspired by. I loved the idea to have a variety of specialized parts of the army. I liked that the lead character was written as an archer, because of my personal fondness of archery. I appreciated the fact that two languages were used in the film – it made the movie seem more as a co-production in contrast to it appearing as if Hollywood just hijacked another foreign story. I also loved that so many female warrior characters were written into the story. I don’t actually know if that is historically accurate, but I didn’t care much, in the moment of watching the movie. The picture’s attempt to have an underlying important theme – the opposition between paid participation and the true loyalty – was also commendable. While this debate wasn’t really treated as fully as it should have been, I like the fact that the film at least tried to be something more than it ended up to as.

And that final something is the fact that the film’s story was just kinda meh. The narrative was simple and straightforward – nothing one hasn’t seen before. It had two obvious plotlines – the first about fighting the monster and the other about stealing the gunpowder – which converged in the end. The main character’s change of heart during the finale was predictable and cliche. Basically, for a movie that did something very different with its financing and production, The Great Wall should have also done something new and interesting with its story.

Directing

The Great Wall was directed by Zhang Yimou. The majority of his films act as Chinese submissions for the Academy Awards in the Best Foreign Language category, so he is an accomplished director. His direction for this movie was quite nice too and I do think he did the best he could with the given material.  The action scenes looked cool and I liked the massive scope of them. The film had some impressive long takes too. The historical setting, as well as the different sections of the army, were also realized well enough. Plus, the design of the monsters was varied and quite interestng (they kinda reminded me of the zombies from World War Z because of their movement and the sounds they emitted). However, the CGI definitely could have been more photorealistic, especially in this day and age.

My favorite action sequence was the first battle, mostly because it was reminiscent of the final battle from The Lord Of The Rings: The Two Towers, although not as good. I also really liked the smaller corrida-type (Spanish bull-fighting) fight scene, in which Pedro Pascal’s character was luring the monster and Matt Damon’s character was trying to shoot it with an arrow. I also loved that the battle scenes had a diegetic beat – the drumming within a story provided a rhythm for both the characters, who were fighting, and the viewers, who were just enjoying the soundtrack. Lastly, the scene with the Chinese lanterns also looked lovely but, as weird as this sounds, it didn’t felt unique. These lanterns are now used all over the world for various celebrations (or in movies, like Tangled), so their usage in an actual Chinese setting didn’t seem as unique as it should have.

Acting

Matt Damon played the lead and did as good a job as he could have. Honestly, he has never been my first choice for a historical movie but he did make the role work. Even with all the whitewashing backlash, Damon will be fine, as his career has been going great. While his return to the role of Jason Bourne wasn’t as positive as it could have been, his work on The Martian is still on everyone’s minds. Besides, in addition to acting, Damon’s producing work has been going great, as the film he recently produced – Manchester by the Sea – is a big awards nominee this season.

Pedro Pascal played a supporting role and brought a tiny bit of a different kind of diversity into the picture. Pascal impressed everyone on a single season of Game of Thrones and I am kinda surprised that his work on GOT didn’t lead to more roles for him. Nevertheless, I really liked his The Great Wall’s character’s sass – it pleasantly reminded me of Oberyn.

Willem Dafoe also appeared in the movie and didn’t have much to do, while the Chinese part of the cast delivered great performances. Jing Tian was amazing as the female lead, while Andy Lau and Zhang Hanyu did a good enough job with what they were given as well. I really wish that I knew more about these actors and their previous filmography.

In brief, The Great Wall was a film, whose behind the scenes story was more interesting than its on-screen plot. While it might have broken grounds from the business standpoint, it was nothing more than average from the creative one.

Rate: 3/5

Trailer: The Great Wall trailer

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Movie review: Eye in the Sky

Movie reviews

Hello!

I’ve just come back from the cinema, after watching one of the best movies I have seen this year or possibly ever and I can’t wait to talk about it. Without further ado, let’s discuss the war drama/thriller – Eye in the Sky.

IMDb summary: Col. Katherine Powell, a military officer in command of an operation to capture terrorists in Kenya, sees her mission escalate when a girl enters the kill zone triggering an international dispute over the implications of modern warfare.

SPOILER ALERT

Writing: story and themes

Eye in the Sky’s script was written by Guy Hibbert, who has mainly created screenplays for TV movies. The story that he crafted for this film as well as the dialogue, which was used to tell this story, was truly spectacular. The film doesn’t have any action (almost) in the literal sense of the word, but it is still extremely engaging and suspenseful.

The movie is set during a wartime – in the midst of the contemporary war, where armies are replaced by drones and computers. Nonetheless, the aforementioned modern technologies are still operated by military individuals. I do not think that we have seen many films about the practices of modern warfare, and since this issue is very important to all present and future generations, it’s about time that mainstream movies began contributing to the conversation or at least helped to kickstart the discussion.

Eye in the Sky opened with a quote by the ancient Greek playwright Aeschylus: In war, truth is the first casualty. To my mind, this quote was a tiny bit misleading, because the movie dealt more with the questions of ethics rather than truth. On the other hand, truth and morality are too closely related or even intertwined value and the loss of one of them, results in the loss of the other as well.

Eye in the Sky succeeded in portraying the story of a single mission not only in an entertaining but in also realistic way: it showed how many parties (located in different countries and time zones all around the globe) are actually involved in making a decision – it was an example of true democracy – a good kind of democracy. However, it also showed the inefficiency of liberal democracy at times like these and people’s inability to make the important decisions. But can we really blame the officials who tried to avoid the responsibility when the stakes were this high – human lives were at risk. Nonetheless, maybe the officials who were avoiding the important decisions were doing this for personal reasons (so as to avoid possible culpability) rather than ethical ones?

Not only did the movies explored the process of decision making but it also touched upon the question of modern war propaganda (possibility of the footage being leaked). It also asked the viewers to considered the worthiness of human life. Lastly, Eye in the Sky showed the psychological effects on people who actually have to make the decision and, more importantly, execute it. In the end, military and army officials are still people, who are only doing their job.

Eye in the Sky was also a very emotional movie, and the end credits of the motion picture only increased the overall emotional impact of the film. I do not remember the last time I cried in a movie and this film definitely made me tear up.

The only thing that took me out of the picture’s story a tiny bit were the bird and bug drones. They seemed too futuristic to me and were a little unbelievable. However, I do not know whether this type of technology really exists. If it does, then I am really scared about the level of surveillance that we, as a species, have already reached.

Directing: visuals and sound

Eye in the Sky was directed by Gavin Hood, who has previously won an Oscar for the film Tsotsi (Best Foreign Language Film in 2006). However, Hood’s last two films (before Eye in the Sky) were X-Men Origins: Wolverine and Ender’s Game. I did not enjoy these two films and I do not believe that a lot of people did. However, I feel that Hood has at least partially redeemed himself with Eye in the Sky. Although the film’s plot was mostly very spatially confined, the shots were never too dense or too repetitive. The visuals of the drone, as well as the footage of the various computers, were also extremely believable. The cinematography by Haris Zambarloukos (Mamma Mia! (ultimate guilty pleasure film), ThorLockeJack Ryan: Shadow Recruit and Cinderella) was really nice as well. Lastly, the music by Paul Hepker and Mark Kilian was also very haunting and a perfect fit for the film.

Moreover, one of the film’s producers was actor Colin Firth (Kingman(!))- I actually did not know that, in addition to acting, he produced movies. Did you?

Acting

The film had a huge ensemble cast and I would even go as far as to say that this probably is one of my favorite ensemble movies in recent memory. Everest was probably the last ensemble movie that I really enjoyed.

So, the film’s cast consisted of Helen Mirren, Aaron Paul, Alan Rickman, Barkhad Abdi, Jeremy Northam, Iain Glen, Phoebe Fox, Armaan Haggio, Aisha Takow, Richard McCabe, Carl Beukes, Kim Engelbrecht and the director Gavin Hood himself. I won’t be able to talk about all the actors in this list, but I will try my best to discuss at least a few of them.

To begin with, I loved the fact that Helen Mirren’s character was the one calling the shots. Film’s don’t tend to focus on female military officers, so that was a nice change. I also loved how determined and relentless her character was. Mirren is an extremely accomplished actress and I am embarrassed to say that I have only seen her most recent films, like Trumbo, The Hundred-Foot Journey and Woman in Gold. I also would like to watch The Queen in which Miller plays… well… the Queen (for the 4th time).

Breaking Bad’s alumni Aaron Paul is probably fairing a bit better that his past co-star Bryan Cranston (I see Paul in more movies than Cranston). I really liked Paul in the role in Eye in the Sky – he didn’t do much bodily acting but his facial expressions were magnificent. Earlier this year, I saw Aaron in Triple 9 and I have also reviewed a few of his films from 2014 – Need for Speed and A Long Way Down.

Alan Rickman also started in Eye in the Sky. It was quite a bitter-sweet feeling, seeing him in the film, since I will dearly miss him as an actor. I grew up with him as Snape in Harry Potter films and only yesterday watched him in 1995’s Sense and Sensibility. Eye in the Sky was Rickman’s last physical role and, once again, he proved what an amazing actor he was (and will remain in our minds). I wonder whether the scenes, where his character was buying that doll, were meant to show his human side or whether it symbolized his indifference to all children. His character did seem kinda ruthless, especially with the shiver-inducing deliverance of his last line Never tell a soldier that he doesn’t know the cost of war. Later this year, we will hear Rickman in his last role (overall) in the Alice sequel.

Barkhad Abdi, who burst onto the scene a few years ago with Captain Phillips, was also really good in the role. Game of Thrones’s Iain Glen also had a few scenes that were intended to be funny and I don’t really know if that comic relief was necessary – it felt out of place. Lastly, Aisha Takow played the little girl, whose presence in the film made the biggest emotional impact, and I think that she did a nice job.

All in all, Eye in the Sky was an extremely engaging film, which showed the complexities of war and raised questions of morality and ethics. The answers to these moral and ethical dilemmas were not fully given by the film or its characters, but it encouraged the members of the audience to make up their own minds. The directing, the cinematography and the music of the film all worked together to created a highly compelling feature, which was brought to life by an amazing and extensive cast.

Rate: 4.9/5

Trailer: Eye in the Sky trailer

EITS-INTL

Movie review: Rise+Dawn of the Planet of the Apes

Movie reviews

Hello!

I remember watching Tim Burton’s Planet of the Apes as a child and not sleeping for a few days afterwards. With these bad memories from childhood I decide to challenge myself and try the newest Apes’ edition. I hope you enjoy my reviews!

Rise of the Planet of the Apes (2011).

From quite inexperienced director Rupert Wyatt comes this science-fiction reboot of the beloved franchise. I have seen Tim Burton try to do justice to this series but unfortunately I haven’t seen the original one. I probably should watch it.

Speaking about Rise I really liked this movie. 

James Franco, in my opinion, is one of the greatest actors nowadays and I always enjoy his performance. He fits perfectly in this role as a scientist and a loving son. I felt an emotional connection with Caesar through him.

The film has an amazing premise and it also shows that humans and apes are not as different as we might think.

Human kind is always using animals to try out medicine, makeup and all kinds of stuff and it is no surprise that apes are not happy about it. The movie shows that everything that happens is people’s fault and that they are to blame for all that madness. Apes are just avenging their own kind. And you cannot argue that revenge is not a human emotion, so as a result, you can’t see apes as villains. In this case, they are more like victims, even thought, they are killing humans.

From production point: monkeys jumping though windows looked super cool. Caesar speaking for the first time was such a powerful scene. Action was also great – not too overboard, stayed quite realistic.

Other notes: Young Caesar was such a cute monkey. What is more, I do not know who I hated more Draco Malfoy in HP or Dodge Landon in this movie (both played by Tom Felton). I guess props go to the actor behind these characters – he knows how to provoke strong feelings, particularly hatred.

The first half hour of the movie was super positive and then everything went sour. The first hour and the second half hour are completely different parts of the movie – everything just changes so quickly.

One last thing: Monkeys’ voices are super intimidating and annoying, though, I have a huge interest in them as animals or perhaps I should say as creatures almost equal to human race but exciting and unique in their own way.  

When I had finished the movie I realized that I have seen it before, probably in the movie theater when it came out. However, I enjoyed it as much as the first time around. Rate 4.5/5

Dawn of the Planet of the Apes (2014)

I have finally found the time to see this movie.  I really enjoyed it but I also have some criticism.

Short summary: The movie picks up 10 years after the events of the first film. Apes are living peaceful life in the forest while humans are destroying themselves with the virus that made apes smarter and also there is a general chaos in the whole wide world. The events of this movie start with a group of people that try to find a dam to produce electricity in the apes’ forest. By accident one of the apes is killed and the Dawn stars.

Let’s start with negative stuff. To my mind, the beginning of the film was too slow and overall the first hour was kinda boring to me. It was interesting to see the culture of apes but the human problems with electricity was the weak spot. And all the human characters were overpowered by apes. Mainly by Caeser and Koba.

Andy Serkis is a genius at playing motion capture characters. He gains a lot of money for his work but he definitely deserves every penny he gets. And he also deserves at least an Oscar nomination if not the win. I wish the Academy would recognize motion capture actors as other ‘real ‘ones.  Of course, we also need to talk about Koba played by Toby Kebell. He was the scene stealer of the century. The plot was pretty slow at first but in the end the movie surprised me in the good way. All the CGI effects and motion capture were amazing as I have previously mentioned.

I loved that the movie got deeper into the theme that humans and apes are alike: they have the same father-son problems, fights growing up; they care about their family and home. My favorite scenes in the movie were, of course, the ending shot of Caesar’s eyes (I also loved the fact that all the apes had human like eyes) and the full circle shot with Koba on a tank. That was really well done.

In comparison with the first film, I think that it was stronger than this one. So Dawn is 4/5 while Rise is 4.5/5. 

Trailer: Dawn of the Planet of the Apes trailer Rate 4/5

dawn_of_apes_teaser_poster rise-of-the-apes

Captain America 1&2

Movie reviews

So recently, I started to get into superhero – comic book type movies. Right now I am watching all the Marvel universe ones and then I am going to move on to D.C. ones.

I have seen the first film (Captain America: The First Avenger) couple of months ago so I don’t remember all the details. However, I really enjoyed the fact that they connected this fantasy superhero story-line with true events a.k.a World War II.

Captain America: The Winter Soldier The script and writing for this movie were really good. I loved overall story-line and character development. I also enjoyed the fact that there was this really great connection between the 1st and 2nd movies; it gave a strong feeling of continuity. This was truly a sequel to a first movie and not just another action film with the same main character. I also loved the fact that, despite this being a fantasy movie, they showed a real life problem -massive governments control over all military equipment and misuse of personal information.

I also really enjoyed all the bromances: The new one between Steve and Sam was so nice. In my opinion, Sam is a great trustworthy friend that will always have Steve’s back. The closing shot practically gave away the fact that we are going to see this bromance continued to a 3rd film. “On your left” Another friendship that I really enjoyed was between Captain America and Winter Soldier/Steve Rogers and Bucky Barnes. I loved the way they brought back the character of Bucky and once again showed us that Captain America fights for people and for his friends even if they are against him. “Cause I am with you till the end of a line”.
The pairing of Captain America and Black Widow was also fun and fresh.

The Shield and Hydra plot line was also very interesting and exciting. It showed us that we always need to be careful because the evil might lurk in the unexpected places. Speaking about the opening shot of the movie, did you know that Captain’s “to do” list is different in the all the countries movie is screened? The last 5 items are the same but first 5 are different. It is a nice detail and shout out to all the different countries. You can read all the different versions here: http://sploid.gizmodo.com/captain-americas-to-do-list-is-different-depending-on-1562463536

The Captain America 3 is planned to be released on May 6, 2016. My favorite video reviews: https://www.youtube.com/watch?v=C8j-hFXaNkE https://www.youtube.com/watch?v=BicG3dDbbDA

UPDATE: Cap’s 3rd movie will be based on Civil War storyline and Robert Downey Jr. will join the cast as Iron Man.

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