Movie review: Rampage

Movie reviews

Hello!

And welcome to a review of another Dwayne Johnson movie. I swear his filmography is becoming a whole separate genre of cinema. This is Rampage.

IMDb summary: When three different animals become infected with a dangerous pathogen, a primatologist and a geneticist team up to stop them from destroying Chicago.

 

Writing

Rampage was written by Ryan Engle (writer of The Commuter), Carlton Cuse (Lost’s showrunner, writer of San Andreas), Ryan J. Condal (writer of Hercules), and Adam Sztykiel (a comedy writer). Quite a few previous connections to Dwayne Johnson on the part of the writing staff. This makes my introductory point sound even more truthful.

Rampage’s script is a very loose adaptation of a video game of the same name but it feels like any generic monster movie. It has some monster v. monster fights that both Godzilla and Kong: Skull Island had (and Godzilla v. Kong will definitely have) and a lot of bloodless destruction (the same amount as another very recent monster movie Pacific Rim: Uprising had). Rampage also features a brief moment of Johnson having fun in a jungle-like environment, reminding the viewer of Jumanji. His character, undoubtfully, has a family to care for but this time around it’s an animal family cause human families are just so 2015 (and so San Andreas). The film’s story also has a genetic engineering plotline, like Jurassic World. In addition to all these moments and details from other pictures, Rampage also has quite a few laughable and cheesy moments that are either incredibly far-fetched or cringe-y. The dialogue isn’t really great either and some of those one-liners and jokes fall so so flat in the movie.  Well, at least it doesn’t have a plug for a franchise at the end, like the other video game movie of 2018 – Tomb Raider.

While this is quite a harsh critique on my part, I still would not like to say that Rampage is a bad movie. It knows what it is (for the most part) and is entertaining (for the most part). Still, it is also very familiar and forgettable.

Directing

Brad Peyton, the director of San Andreas, directed Rampage and I swear these two movies have to be connected somehow. Same writer, same director, same star?! Anyways, the film’s direction was fine. The story was visualized on screen clearly and cohesively. The pacing was okay too. The action was quite enjoyable as well, though, by the end of the third act, I did sort of check out from the movie. The CGI was also fine for the most part, but some wider shots did look pretty fake.

Acting

Rampage’s cast consisted of Dwayne Johnson (Baywatch, FF8, Moana, Central Intelligence + all other movies of his that I’ve already linked to in this review) and some B-listers. Johnson was fine in the action hero type of a typical role, though, I had a hard time buying the fact that one of the most charismatic people on the planet could play a character who can’t connect/communicate with people.

On the supporting front, the movie features a lot of B-listers and even the most well known of them cannot really be seen as big move stars. They all do a good or serviceable job in the film. Naomie Harris is probably the biggest star out of the supporting cast due to her involvement with Moonlight. However, on the mainstream front, while she does have 007 franchise, she is only like a 3rd female lead in those films (behind M/Judi Dench and a revolving door of Bond girls/love interests). Malin Åkerman also stars the film – I don’t think I saw her in a movie since 2012’s Rock of AgesJeffrey Dean Morgan is big on TV with The Walking Dead but isn’t really a movie star either. Joe Manganiello has a cameo-sized role in this film too and he is Deathstroke but nobody really knows when he will get a chance to play that character, as DCEU’s future is so unclear. Jake Lacy also has a role here and, looking through his IMDb, I can notice quite a few films of his that I’ve seen, like Carol and Their Finest. The problem is that I don’t remember him in them.

In short, Rampage is a perfectly serviceable, forgivable, and forgettable action/video game movie. The video game curse is back in full force if you thought that Tomb Raider lifted it at least a bit.

Rate: 2.8/5

Trailer: Rampage trailer 

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Movie review: Tomb Raider

Movie reviews

Hello!

And welcome to Hollywood’s gazillionth try at making video game movies into a thing. This is Tomb Raider!

IMDb summary: Lara Croft, the fiercely independent daughter of a missing adventurer, must push herself beyond her limits when she finds herself on the island where her father disappeared.

Writing

Tomb Raider was written by Evan Daugherty (of Divergent, The Huntsman, and TMNT), Geneva Robertson-Dworet (according to IMDb, hasn’t written any movies before this one but has 7 announced projects including MCU’s Captain Marvel), and Alastair Siddons (writer of Trespass Against Us – a movie with Michale Fassbender/new Lara Croft’s real-life husband. Fun connection). This film is based on the famous game series (which I have never played) and also acts as the reboot of the previous Lara Croft movie franchise from the early 2000s (which I don’t remember at all but plan on rewatching in April when I have some more free time). The writing for the new Tomb Raider wasn’t bad but it also wasn’t great either. The narrative itself was structured well enough and the story was interesting too. However, all of us have seen this movie before and more than once. We have also previously heard a good portion of the film’s by the numbers dialogue too.

The movie started promising. The set-up was interesting and I did like how contemporary it was (Lara being a deliveroo type of food courier). The only part of the set-up that sort of came out of nowhere was the invention of the villain – Trinity organization was mentioned in passing and was never developed more throughout the film. There were a plethora of hints at it in the closing scenes of the picture but whether the sequel will happen for those hints to result in anything substantial is a big question. No one is sure whether we will get to see Lara with her two signature guns either, which she acquired in the last scene of the film (I did like her with bow and arrows a lot, though). Thematically, Tomb Raider toyed with the ideas of history and the supernatural. I did like the historical quest/puzzle element of the film and I do appreciate the fact that they didn’t go the full supernatural route like The Mummy did. In general, the picture was an okay origin story and a good-enough reintroduction of the character but with so many other big franchises currently being produced, I don’t really know whether there is space for Lara Croft.

Directing

Tomb Raider was directed by a Norwegian director Roar Uthaug and, as far as I can tell, this film was his English language/Hollywood debut. I thought he did a good job realizing the flawed script. The pacing was okay too. I mostly had problems with the tone and the action of the film. The in-camera/on-location action was executed really well and made the movie feel like a tight action film. I especially liked the opening bike chase sequence, the chase on the boats in Hong Kong, and all the hand-to-hand combat in general. However, some other action scenes were really CGI heavy and had so many unbelievable moments that made them laughable. The shipwreck scene was super dark and filmed in a really shaky fashion, while the plane/river sequence just had way too many lucky coincidences. Those over the top, unrealistic action sequences made Tomb Raider feel like a video game movie, which I guess was the point. The final action sequence in the tomb was a mixed bag of good realistic action of an action movie and over the top CGI of a video game movie. I can’t really comprehend why somebody would make a movie lean more towards video game-ness, when the quality and the reaction to all the previous video games was so poor and when that same movie would be so much much better if it went the more classical/grounded action movie route.

Acting

Alicia Vikander played the lead and was actually really good as Lara Croft. Just the physical shape alone that the actress was able to achieve for this role was incredible, worthy of praise, and a bit inspiring. Made me want to do a couple of more extra crunches at the gym. I have always been impressed with Vikander’s indie/awards’ work (like The Danish Girl for which she won an Oscar and even Tulip Fever – the film was bad but she was good in it) and I was really glad to see her cast in a more mainstream/bigger budget/higher profile film. She has had supporting roles in mainstream films before, like – The Man From U.N.C.L.E. and Jason Bourne, but this is the first time she is headlining a movie of this scale and hopefully, a whole franchise. Still, I do doubt whether this movie will spawn a franchise but I also don’t think that it will damage Vikander’s career in any way if it doesn’t.

Walton Goggins (The Hateful Eight) was fine as the typical power hungry and blind-to-everything villain and I think I have seen Goggins in this role before (like in The Death Cure just a month ago). Dominic West (Genius, Money Monster) played the role of an equally delirious man and was okay in it. The writing didn’t make either of these characters sympathetic or understandable in any way, shape or form. Daniel Wu (Geostorm) had a small supporting role in the picture and, while he had some neat moments, his character was also forgotten in the third act. Wu has already starred in one video game movie – WarcraftKristin Scott Thomas (Darkest Hour, The Party) appeared too with the promise of a bigger role in the sequel (when and if it happens).

In short, Tomb Raider was an entertaining but forgettable film. It didn’t do much for the video game movie genre but didn’t damage it further (if that is even possible) either.

Rate: 3.3/5

Trailer: Tomb Raider

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Movie review: Jumanji: Welcome to the Jungle

Movie reviews

Hello!

Another reboot/sequel of a beloved childhood classic has hit theatres, but, this time around, it’s surprisingly good?! This is Jumanji: Welcome to the Jungle! (That title is awful, though.)

IMDb summary: Four teenagers discover an old video game console and are literally drawn into the game’s jungle setting becoming the adult avatars they chose.

Only last year, a 1980s classic, Which was near and dear to a lot of people during their childhood, was remade and the Internet went nuts. However, that Ghostbusters debacle did not stop Hollywood from remaking/attempting to continue another classic property, this time around, from the 1990s. And it looks like the LA suits were right to try: I haven’t seen much hate (barely any) towards the 2017’s a Jumanji. Why is this reboot more acceptable than the Ghostbusters one? Is it the Rock? The Rock and Hart proven combo? The ‘correct’ genders of the characters (mixed cast rather than an all-something reboot)? Or maybe nobody liked Jumanji in the first place as much as I thought they did? I certainly remember the film quite fondly from my childhood.

Writing

Jumanji: Welcome to the Jungle was written by Chris McKenna and Erik Sommers (the duo behind Spider-Man: Homecoming and The Lego Batman), the director Jake Kasdan, and Scott Rosenberg and Jeff Pinkner (the writers of the upcoming Venom movie which is currently being filmed). In general, I enjoyed quite a lot of elements of the writing of this film.

To begin with, I thought that the idea to update Jumanji from a board game to a video game was a clever one. However, the way the script went about doing that – just sort of allowing the game to morph by itself – was a bit weird. Also, if they were giving the game an update, why not do a completely contemporary take on it? Make it into a Nintendo Switch type of a thing rather than a very 90s cassette game. What I did like about the video game concept in relation to this film was the fact that the movie overtly and unapologetically used the video game tropes, like the cutscenes, the numbered lives, the strengths/weakness idea, and the different levels. Jumanji might actually be the best video game movie without technically being one

The new characters of Jumanji weren’t bad either. The teenagers/real-life characters got some brief but neat development during the setup, which was nicely built upon during the following adventure. The relationship moments that the characters shared actually provided the picture with some opportunities to explore the ideas of friendship and teamwork. Some nice messages about bravery, self-confidence as well as one’s ability to change were also expressed. The interactions between the characters also resulted in some great humorous moments. The flirting school and the peeing scene were stupid but also hilarious. The switch-ups with the bodies (the nerds becoming athletic and cool; the popular kids being degraded to sidekicks and the comic relief) was another source of jokes for the film.

My main and the only actual critique of the movie was its plot or the set up of it. The game narrative itself was fine and it worked well as an adventure story. However, the way it just came out of nowhere seemed a bit odd. That whole explanation about the stone, the villain, and the curse seemed a bit heavy-handed and too highly fabricated. At least the format of that explanation/set-up (the cutscene) was somewhat meta (explicit in its usage of a trope) and, thus, a bit more interesting.

Lastly, while this film appeared to have been a direct continuation of the original Jumanji with the game itself being found on the beach, where it was last seen, I question whether the people behind-the-scenes are planning to make any further sequels, in case this one is successful. The last scene, which showed the characters breaking the game, suggests that we won’t see any sequels, which is, quite frankly, a shocking thing in today’s mainstream filmmaking business.

Directing

2017’s Jumanji was directed by Jake Kasdan (his last two films were both mediocre Cameron Diaz comedies) and I thought that he crafted quite an entertaining action adventure flick that was so much better constructed that I thought it’d be. The action was inventive enough and energetic. The CGI of the animals could have been a bit better. The pacing was fine for the most part, though the film did slow down a bit towards the end of the second half. Lastly, I’ve noticed (or imagined) some callbacks to other movies in this feature, which seemed like quite neat additions to me: the creepy house and the yellow raincoat reminded me of It, while the biker gang inside the game seemed Mad Max-esque.

Acting

Jumanji’s two casts were both really good. The teenagers/young adult actors – Alex Wolf (Patriot’s Day), Ser’Darius BlainMorgan Turner, and Madison Iseman – were believable and relatable. However, the majority of the film was carried by the video game versions of these characters, played by Dwayne Johnson (Baywatch, FF8, Moana, San Andreas), Kevin Hart (The Secret Life of Pets), Karen Gillan (Guardians of the Galaxy 1 and 2, The Circle), and Jack Black, respectively. Johnson’s and Hart’s chemistry, which blossomed in Central Intelligence, was back in full force in this movie. All of the scenes with the Rock discovering his muscles were incredible and I also appreciated the fact that the film poked fun at his inherent charisma with that ‘smoldering look’ skill. Kevin Hart was amazing and funny too, while Karen Gillan was a complete badass (both as a character and as an actress). Jack Black also surprised me. I have never been much of a fan of his but I highly enjoy seeing him acting as the ‘it’ girl in this film.

A few other characters, worth the mention, were played by Nick Jonas and Bobby Cannavale (Ant-Man). Jonas was okay in the picture but his character was intended to be somewhat of a replacement for Robin Williams character of the original (a person who gets stuck in the game) and, no offense to Nick Jonas, but he could never replace Williams. Cannavale played the villain and he was the worst of the cast, in my mind. I think he went a bit too cartoonish with his performance – yes, there is such a thing as too cartoonish even in a live-action cartoon.

In short, Jumanji: Welcome to the Jungle is a surprisingly entertaining adventure movie. It would be the perfect holiday film for the whole family if it wasn’t competing with Star Wars 8.

Rate: 4/5

Trailer: Jumanji: Welcome to the Jungle trailer

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Movie review: The Lego Ninjango Movie

Movie reviews

Hello!

Welcome to a review of the 3rd Lego movie and the 2nd one this year. This is The Lego Ninjago Movie!

IMDb summary: Shunned by everyone for being the son of an evil warlord, a teenager seeks to defeat him with the help of his fellow ninjas.

To begin with, I really loved the 2014’s original The Lego Movie and adored the 2017’s The Lego Batman Movie as both a continuation of the Lego franchise and as a parody of the comic book movie/the superhero genre. The Lego Ninjago Movie seemed like a cool expansion of the Lego cinematic series though I didn’t know anything about the Lego ninja sub-brand. Also, I had no idea why they chose to release it this year, so close to The Lego Batman.

Writing

The Lego Ninjago Movie was written by a bunch of screenwriters, way more than it should have had. The two directors Bob Logan and Paul Fisher, and the writers William Wheeler, Tom Wheeler, Jared Stern, and John Whittington. Additionally, the story credits went to Hilary Winston, Dan Hageman, and Kevin Hageman. This just seems excessive: why would not that original children’s movie need 10 writers????

Speaking about that lack of originality: The Lego Ninjago Movie was super similar to The Lego Movie. And while we applauded its originality in 2014, 3 years later and a second-time around, the same ideas just don’t seem that fresh. This film had the same type of a framing device – real-world/live-action set-up which enveloped the lego story. The message – one about encouraging the imagination, play, and the storytelling during childhood – also stayed the same but I can’t really fault it because of how positive even if repetitive it is.

Speaking about the Lego part of the narrative: it was fine but nothing new. The plot focused on the child of a villain (Disney’s Descendants?) and dealt with his experiences as a high schooler (any teen movie ever?) who has a secret superhero life (Big Hero 6?). The ninja characters, in general, seemed to have been inspired by Transformers, Power Rangers, Pacific Rim, and Ironman. I’m guessing that a lot of Japanese/samurai movies were also consulted (and their clips included in the actual film). The elemental powers were cute but old. Lastly, the whole father-son thing was very Star Wars.

The humor of the film wasn’t bad but, at times, it did feel like the movie was trying too hard to be hip and cool (and the kids are cynical these days). That ultimate weapon reveal was super dumb but still hilarious, though.

Directing

The Lego Ninjago Movie had three directors: Charlie Bean, Paul Fisher, and Bob Logan – all long time animators but new to directing.  Speaking about that part of the film which they were best at – the animation was spectacular. This animation style still amazes me and I applaud all the animators for achieving the visuals that I haven’t thought possible just a few years back. The pacing was good too, stuff was always happening for the most part and the movie’s runtime wasn’t stretched out for no reason. Also, this quick pace kinda gave a movie a video game-esque feeling, which was good. There were a lot of dances and songs included too, similarly to the other two Lego films. However, The Lego Ninjago Movie differed from its predecessors in one aspect: it actually did feel like a commercial for the Lego toys way much more than the others did. I know that both The Lego Movie and The Lego Batman Movie were ads for Lego too but at least they were not as obvious about it and had something extra (like the originality or the references) to embellish the ad. The Lego Ninjago Movie lacked that extra.

Voice work

The Lego Ninjago Movie assembled quite a stellar voice cast. Of course, one cannot make a ninja movie without Jackie Chan, so he both voiced a character and appeared on screen (I kinda think that he is still appealing to kids, while the adults don’t care much for him anymore). Dave Franco (Nerve, Now You See Me) and Justin Theroux (The Girl on The Train) voiced the son and the father and were fun to listen to. Silicon Valley’s Kumail Nanjiani (The Big Sick) and Zach Woods played the child-friendly version of their characters from the HBO show. Michael Peña (Ant-Man, The Martian, Collateral Beauty), Abbi JacobsonFred Armisen, and Olivia Munn (X-Men) rounded out the cast and delivered good aural performances too.

In short, The Lego Ninjago Movie was an okay addition to the Lego movie franchise. It mostly just rehashed the same stuff and didn’t add anything new but was still entertaining and enjoyable.

Rate: 3.2/5

Trailer: The Lego Ninjago Movie trailer

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Movie review: Assasin’s Creed

Movie reviews

Hello!

Notoriously, the video game movies have always been pretty bad. Everybody hoped that this cycle would be broken with this summer’s Warcraft but the majority of people and the critics hated it (I and the Chinese audiences actually liked it a lot). Now, all hopes have been directed towards Assasin’s Creed but it has also been getting some pretty nasty reviews. Similarly to Warcraft, I knew nothing of the mythology of the game before going to see the film. I vaguely remember reading Assasin’s Creed comic, which I got during the free comic book day, but that’s about it when it comes to my knowledge on the subject.

Nevertheless, I was still looking forward to the movie because of its cast and because its blend of the future and the past interested and intrigued me. I used to think that history and modernity were two incompatible concepts, however, I just binged Westworld over Christmas and absolutely loved it, so I thought that maybe Assasin’s Creed could further extend my love for this new concept of fusion. Sadly, while I did like the acting and the atmospheric setting of the film (two things that I was looking forward to), other components of the movie left me pretty disappointed.

IMDb summary: When Callum Lynch explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society.

Writing

The film’s script was written by Michael Lesslie (Macbeth), Adam Cooper and Bill Collage (Exodus, Allegiant, 2015’s Transporter). Their track record has not been great and their quality of work really showed in Assasin’s Creed. Let’s mention the things that I liked before going into the negatives. So, I quite liked the mythological ideas of the film – the fact that blood is our main relation to the past and to our ancestry. However, I didn’t think that these ideas were conveyed clearly or interestingly in the film: all the expositional dialogue felt clunky, hard to understand, and, frankly, quite boring. The movie’s commentary on the modern world was clearly wrong too: freedom and free-will are now more important than ever rather than being easily surrendered.

The writing for the characters wasn’t great either. They didn’t receive enough development and the choices that were made for and by the characters were super weird. Cotillard’s character had such an unclear story, her decisions opposed one other from scene to scene. In fact, her whole plotline seemed quite stupid. The cliche artifact didn’t help the story much either. The motivation for the actions of the other assassins was not clear too. Lastly, the ending was unsatisfying – they were hoping for a sequel, which they are not going to get. Why would they not worry about a sequel and make a good stand-alone film for once?

Directing

Macbeth’s director Justin Kurzel helmed Assasin’s Creed and left me kinda baffled. I expected more from a Palme d’Or nominated director. To begin with, the whole jumping around from the past to the present while in the Animus was unnecessary and uneven. In addition, I felt that the majority of the movie’s scenes were cut short. The confused, all-but-the-kitchen-sink camera work, which included everything from the long tracking shots to the first person’s POVs, wasn’t great either. The shaky cam was also not pleasant – the filmmakers should just stop with the shaky action – it has already stopped working for the Bourne series and it originated this technique. Nevertheless, let’s end on a positive note: even though they were unbelieavble, the parkours and the roof jumps did look cool and were entertaining.

Acting

The cast did a pretty good job with the awful material that they have been given. Michael Fassbender (X-Men, Steve Jobs) was great in the lead but his producing input on the movie did not help it. Marion Cotillard (Allied), Jeremy Irons (BvS), Brendan Gleeson (In The Heart of The Sea), and Charlotte Rampling  (45 years) were okay too, although I was quite surprised to see Rampling getting work in a big blockbuster after her last year’s comments on the #OscarsSoWhite controversy. Ariane Labed (The Lobster) played probably the most interesting character with a lot of potential that wasn’t tapped into. 

Briefly: Assasin’s Creed wasted a great premise on a cliche story. Throw in some faulty directing and good acting into the mix and you have another forgettable video game movie. I only recommend it to super fans of the game or Fassbender.

Rate: 2.5/5

Trailer: Assasin’s Creed trailer

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Movie review: Warcraft

Movie reviews

Hello!

Welcome to another movie review. This time, we are discussing Warcraft or Warcraft: The Begining – Hollywood’s latest try to make video game movies a thing.

IMDb summary: The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.

As you all probably know, Warcraft: The Movie is based on a series of video games (Warcraft and World of Warcraft). I, personally, knew nothing about the game except that it was set in a fantasy world. So, I was part of the audience, which would either make or break this movie – a non-fan who still chooses this film over the others.

In general, I have always been fairly skeptical about video game inspired films. I have seen the worst (Hitman Agent 47), the bad (Pixels, Prince of Persia), the okay (Need For Speed) and the great (Scott Pilgrim vs. The World – a film that is not even based on a video game but feels like one). I still need to watch The Angry Birds Movie and I am also quite interested in Assassin’s Creed film because I’m a fan of Fassbender and I have read an Assassin’s Creed comic.

Speaking about Warcraft – it is currently my favorite cinematic adaptation of a video game. I don’t know why the critics are so harsh to judge it and are not evaluating it for what it is. I had an amazing time watching the picture, was a bit lost at first, but quickly found my way. I can’t say ‘No’ to a movie that deals with high fantasy concepts (like LORD, GOT). I’m actually even considering trying out the game or at least researching the role a bit.

SPOILER ALERT

Writing

The film was written by Charles Leavitt and the director Duncan Jones. I though that Warcraft’s script was a bit better than Leavitt’s last film’s – In The Heart Of The Sea – script and vastly better than his second to last’s film’s – Seventh Son – screenplay.

The film had a lot of characters and they didn’t receive much development but I think that they all got enough to peak my interest. I also liked the fact that the characters died, thus, the stakes were high. The ending was kinda weird but I understood why they left it so open – they are hoping for a sequel. I also wish that the film succeeds adequately for this story to be allowed to continue on the big screen.

The film also had nice themes and messages. I liked the notion that the traditions are superior to the leaders. I also liked the inclusion of values such as family, honor, sacrifice and tolerance. The importance of survival and creating/finding a home was also a nice advice to spread.

Directing

The movie was directed by Duncan Jones. I really enjoyed his debut film – an independent sci-fi feature Moon. I also liked what he did with Warcraft. I appreciated the plethora of locations and the world-building in general. The action was also exciting – the shots from the ground-up and the over-the-shoulder-reverse shots actually allowed me to feel like I was in a video game. The CGI was also the best that I’ve seen in years – the faces of the Orcs looked alive – with real emotions and real sweat, blood, tears. The end credits were also excellent.

Acting

The movie’s few had quite a few unfamiliar faces (at least to me), but I did enjoy all of their performances. Some were better, some were worse, but on average, everybody did good.

I really liked Viking’s Travis Fimmel in the lead as Lothar. He was charming, witty and a skilled and loyal fighter. MI: Ghost Protocol’s Paula Patton as Garona was also a nice and interesting character and I liked her role during the finale. The Finest Hours’s Ben Foster as Medivh, the Guardian was also good but a bit cartoonish at times. I was also pleased to see one of my favorite actors Dominic Cooper (Need For Speed and Preacher) as King Llane and I did like his noble act at the end. Cooper’s co-star on Preacher Ruth Negga (Agents Of S.H.I.E.L.D.) played the Queen Taria and also did a wonderful job – I loved her final speech as well as her interactions with Garona. The last human character, Ben Schnetzer’s Khadgar was a bit annoying at times, but I have a feeling that he will play an even bigger role in the future films.

The CGI/motion capture part of the cast consisted of Toby Kebbell as Durotan, Robert Kazinsky as Orgrim, Daniel Wu as Gul’dan and Anna Galvin as Draka among many others. As I have already mentioned, the effects looked amazing, however, the actors’ performances, underneath the motion capture technology, were also stellar. They not only looked like living beings, they were actually alive on screen. I’m not that familiar with the previous work of these actors, except Kebbell. He was in that awful Fantastic Four film last year, but I think he redeemed himself with Warcraft and will also be in Kong: Skull Island next year. Kazinsky had a small role in Pacific Rim, while Galvin has mostly done TV work. I haven’t seen any film’s with Wu before, but I did like him as the main villain – he did looked menacing and acted appropriately.

All in all, I had a great time with Warcraft. It exceeded my expectations and definitely pleased a non-fan. I had a few fans of the game sitting beside me at the screening and they also seemed really excited and entertained. Hope the sequel happens!

Rate: 4/5

Trailer: Warcraft trailer

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