Movie review: What Happened To Monday

Movie reviews

Hello!

Welcome to the review of What Happened To Monday, posted on a Monday. The movie came out on Netflix just recently but it also had a limited release at the cinema, so I’m hesitant to call it a Netflix original, but it still is that, at least partially.

IMDb summary: In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.

What Happened To Monday belongs to the once lucrative dystopian genre. Up until very recently, films like this one were made by all the studios, especially Legendary. Interestingly, the majority of the previous dystopian movies were targeted at young adults, while What Happened To Monday does not feature the letter YA anywhere on its IMDb or wiki page. Nevertheless, it looks and feels like the rest of them, be it YA or not.

Writing

What Happened To Monday was written by Max Botkin and Kerry Williamson. Botkins’s original screenplay for the film was on the 2010’s Blacklist and this picture would have been received so much better if it came out at the beginning of this decade rather than during its second half.

The script had a lot of elements, which I enjoyed. I thought that the world building, while not the most original, was efficient and impressive enough. The flashbacks, which expanded the mythology, were good too. The One Child Policy idea was also interesting and reminded me of a similar system that is used in China, where the policy is obviously not as strict but, nonetheless, exists.

Character wise, the concept of the 7 sisters and the wordplay with their names were both cool. I also enjoyed the idea to have separate vignettes/days that focused on each of the siblings. Plus, the fact that there were 7 leads actually allowed the movie to have higher stakes and kill some of them.

Now, let’s touch upon the flaws in the writing, which was, sadly, plentiful. First, there wasn’t enough characterization for or differentiation between the separate sibling personalities, they all mostly had one character trait each. Most of the time, I didn’t know who was who. The writing for the villains wasn’t great either. The main antagonist was so evil, she bordered on cartoonish, while her pawns – officers of the law – seemed, mostly, really nonchalant about killing people. Monday’s motivation – to save some of her family by betraying other members of the family – didn’t make much sense. Additionally, there were just too much of ‘lucky coincidences’ written into the narrative, like the fact that the finger the Settman siblings were missing was the exact one that unlocked the gun or that cryo-sleep wasn’t actually a thing.

Lastly, while What Happened To Monday started as a personal quest for survival of one family, it, as all dystopian films, ends up being a large scale conflict about toppling the system. I guess if I desire a personal exploration of the dystopian world, I should just watch Black Mirror (well, some of its episodes).

Directing

The Norwegian director Tommy Wirkola, who only has one other English language film Hansel & Greteldirected What Happened To Monday and did an okay job. The futuristic world was well realized visually, even if it looked like a collection of things the viewers have seen in other movies (for example, the film’s poster looked exactly like the poster for The Scorch Trials, only with a gray rather than orange-ish color scheme). The action was fine – more graphic than other dystopian films and more in line with Netflix’s other pictures, like the gruesome violence in Death Note.

Acting

  • Noomi Rapace played 7+1 roles and did a fairly good job, though her performance (in addition the writing) didn’t differ enough from sibling to sibling. Rapace is known for starring in the Swedish versions of The Girl With a Dragon Tattoo films, while the English speaking audiences might remember her from Prometheus and Alien: Covenant’s promotional material. Her next film – Bright – will also be released on Netflix.
  • Willem Dafoe (another Netflix actor, at least for now, he was just in Death Note) had a small role, which he was good in, while Marwan Kenzari (who was recently in The Mummy) also starred. Lastly, Glenn Close played the typical role that a highly respected actor usually plays in a dystopian film. Her involvement was supposed to elevate the project, though, I don’t think that actually happened, as Close herself has mostly fallen off everyone’s radar.

In short, What Happened To Monday is an okay sci-fi dystopian picture that has enough interesting and entertaining ideas to be a worth a watch but lacks originality to be a must see. And yet, if you already have a Netflix account, why not check out the movie?

Rate: 2.9/5

Trailer: What Happened To Monday trailer

 

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Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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