Movie review: Collateral Beauty

Movie reviews

Hello!

Welcome to a review of a film that was advertised as a spiritual and uplifting story but turned out to be a movie about selfishness and scheming. This is Collateral Beauty.

IMDb summary: Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.

Writing

Collateral Beauty’s script was written by Allan Loeb, who has written a few so-so comedies and is writing the upcoming sci-fi flick The Space Between Us. I honestly don’t know if anyone even fully read his script before approving the film. Probably not, as the movie was advertised as something completely different.

The main story of the film made no sense. It didn’t have enough of a set-up (one scene is not enough!) and the main character was not developed properly. His one defining feature was the tragedy that occurred in his family. His co-workers’ attempts to help him had extremely conflicting goals: they wanted to make him look like he was crazy but also sort of actually help him? The worst part was, it worked. The one saving grace of the main plotline was that twist in the end when one person turned out to be somebody else. It was completely unrealistic but, after sitting through 1.5h of illogical writing, I was ready to suspend my disbelief and find at least some enjoyment in the film.

Collateral Beauty also had 3 side storylines that had a lot of potential but didn’t receive enough of screentime. Nevertheless, at times, these sidelines, even if underdeveloped, seemed more interesting than the main plotline.

The film also spent at least 10 minutes of its runtime trying to explain its titular concept. Sadly, even after sitting through it, I still have no idea what ‘Collateral Beauty’ is.

Directing

The director of The Devil Wears Prada (all-time personal favorite) David Frankel directed Collateral Beauty and did a somewhat passable job. He did create a few interesting scenes but even those weren’t super special (by this I mean the falling dominos sequences – they looked cool but you can also see them on youtube without going to the cinema). The shots of NY were good looking too, but that’s more of a complement to New York city than to this film. The pacing was okay too. Basically, the director did as good job as he could with the poorly written script. Nonetheless, where Frankel failed was at inspiring his cast.

Acting

The A-list cast was sleepwalking through this film. Will Smith delivered the best performance because this was obviously his Oscar bait movie. Last year’s Concussion was actually an interesting film that was snubbed. Well, Collateral Beauty was overlooked for a reason.

The supporting cast consisted of Edward NortonKeira KnightleyMichael PeñaNaomie HarrisJacob Latimore, Kate Winslet, and Helen Mirren. They did have some nice moments but mostly one could see the disbelief in the lines they were saying reflected in their eyes. The actors and actresses of their caliber should not have been in this film.

Music

The last saving grace for this movie was the song that played during the credits. It was OneRepublic’s (my favorite band) Let’s Hurt Together. Because this song was playing, I did not run out of the screening as fast I wanted to, after watching this snooze fest.

In short, Collateral Beauty was awfully written awards’ bait that crashed and burned. Not worth the money or a cinema trip.

Rate: 2.5/5

Trailer: Collateral Beauty trailer (no point in watching the trailer as it doesn’t represent the final product at all)

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5 ideas about a movie: The Neon Demon

Movie reviews

Hello!

Nowadays, the majority of wide theatrical releases are mainstream films, so, whenever I get a chance to see a more experimental motion picture, I take it! Thus, without further ado, let me tell you about The Neon Demon.

IMDb summary: When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

  1. The Neon Demon is sort of a horror film. I, personally,  don’t really watch any horror movies. However, this one intrigued me because it wasn’t just a straight up mainstream horror flick with jump scares and ghosts. It had elements of psychological drama and thriller. Moreover, it was created by a very artsy indie director Nicolas Winding Refn. I loved Winding Refn’s Drive and I also kinda enjoyed his other film with Ryan Gosling – Only God Forgives. The Neon Demon also explored the world that I’m interested in – the fashion business. The previous films about fashion that I have seen were all very light – Zoolander 1 and 2, The Devil Wears Prada and Confessions of a Shopaholic. On the contrary, The Neon Demon was unapologetically dark. While overall I enjoyed the movie, I also had some problems with it. Basically, I thought that it was visually rich, but lacked substance and was narratively hollow.
  2. Visuals: the director Nicolas Winding Refn is know for beautiful visuals, so it is no surprise that The Neon Demon was a stunning film to look at. Half of the praises should go to Natasha Braier, for her amazing cinematography. If you freeze any frame of the film, you would get an amazing photograph. All of the manipulation of lights, colors and geometrical shapes was remarkable. The slow motion and the close-ups really fit with the slow pace of the film as well. The picture has quite a few bloody scenes, especially near the end, so be aware if that bothers you.
  3. Narrative: the film was written by the director, the screenwriter Mary Laws and the playwright Polly Stenham. I felt that the writing was the weakest part of the film. The main character – the innocent girl from a small town that comes to the city to become a model – was such a cliche. Her transition from innocence to confidence was way too quick as well. All of the faults of the fashion industry were also really predictable. The portrayal of men as sexual predators and the depiction of women as vain and jealous individuals were both stereotypical choices.The film also missed a few plot opportunities. Keanu Reeves’s character appeared in 3 scenes and then disappeared. The over-the-top ending didn’t help the film either.
  4. A few ideas of the story that I liked were the fact that beauty can make money and that beauty has an expiration date. These concepts weren’t really that original but I appreciated their inclusion and depiction. The movie also had quite a lot of symbolism. For me, some of the symbols worked, some didn’t. The symbol of mirrors was cool, but the scene with the cougar kinda went over my head when I first saw the film. The soundtrack by Cliff Martinez was pretty neat too – I liked the inclusion of Sia’s song Waving Goodbye. In general, the whole film felt very much controlled, maybe even strained and over-constructed. There wasn’t really anything organic or natural about it, but I guess the fashion world is really artificial, so the movie set in that world should give off a feeling of fakeness and manufacture.
  5. Acting: I enjoyed the majority of the performances. The conversations between the characters seemed a bit awkward at times but I think that they were intentionally awkward – those scenes were uncomfortable to watch and one must never feel comfortable when watching a more experimental film. Speaking of the actors: Elle Fanning (Maleficent, Super 8) was okay as Jesse. I feel that the lack of originality in the writing for the lead character ruined Fanning’s execution a bit. Karl Glusman was good as Dean – the most normal character of the picture. Jena Malone (The Hunger Games and BvS Ultimate Edition) as Ruby was an absolute scene stealer and really went all the way in this role. Her sex-scene was more than disturbing. Bella Heathcote (Dark ShadowsPride and Prejudice and Zombiesas Gigi was good as well, but I though that model Abbey Lee (Mad Max Fury Road) as Sarah kinda stole all her scenes. Keanu Reeves had a few scenes as Hank and I, personally, thought that anybody could have played his part. Lastly, Desmond Harrington as Jack  was a believable sort of artsy and kinda shady photgrapher.

In short, The Neon Demon was/is defintely an experimental film. It is not easy to watch and might be considered an unsuccessful experiment by the majority of the mainstream audiences. I did enjoy it but kinda had to make myself sit through it at first. Visually, it is one of the most beautiful films I have ever seen, while plot-wise it could have been more refined and more sophisticated. If you want to try any of Winding Refn’s films, I suggest you start with Drive, as it is the most accessible one. Maybe leave The Neon Demon and Only God Forgives for some other time. I also want to check out his Bronson film, as it stars my favorite actor – Tom Hardy.

Rate: 3.25/5

Trailer: The Neon Demon trailer

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Collection: Magazines

Beauty&Fashion

Hi!

I have previously shared my nail polish collection and posters/quotes collections with you. This time, I will show you my magazine collection and boy; I do have a lot of magazines.

My collection consist of 71+ magazines, most of them are fashion and art journals, but there are also a few lifestyle ones. If you look closely, you might find couple of political magazines as well.

Lithuanian magazines:

Cosmopolitan Lithuanian version – I usually buy these if a celebrity I like is on the cover.

L’OFFICIEL – a Lithuanian version of a popular French fashion magazine – I get them cheaply at a book fair in spring. Of course, they are a couple of months old, but I get all the latest fashion news from other sources, so it’s nice to flip through them even if they are out of date.

MADA (Fashion) magazine – well, these magazines should belong in a museum, because they are from 2007-2009. They were the predecessors of L’OFFICIEL magazine in my country. My old school’s library actually gifted them to me for volunteering there.

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American magazines:

Teen Vogue – about two years ago, my aunt gifted me the subscription of this magazine and I have been a loyal subscribed for 2 whole years and I am currently waiting for the first issue of my third year as a subscriber.

Seventeen – the same story as with Teen Vogue. However, I grew out of this magazine (and I only turned 17 like two months ago); it repeats a lot of the same themes and features the same stars on the cover.

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  1. British magazines:

VOGUE UK – the first issue of Vogue was actually a gift from my friends for my 15th birthday because, back then, my biggest dream was to work in that magazine and one day I wished to become the editor-in-chief of it. Good old days when I knew what I wanted to do.

ELLE UK and Harper’s Bazaar UK and InStyle UK– I buy them if I am interested in the life and work of the celebrity who is on the cover. As you can see, I love Jennifer Lawrence, Amanda Seyfried, Candice Swanepoel and Emilia Clarke.

Glamour UK – I pick this one the same way I pick Elle or InStyle. However, I really enjoy the articles which they publish and how you can always relate to the problems which are discussed.

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  1. Miscellaneous magazines: I haven’t taken a photo of them because they are just so random.

Between them, you might find a STAR magazine from 2005 (found it at a flea market and picked it as a joke), special collector’s issue of People’s magazine featuring One Direction (a friend brought this magazine from South Korea). The last interesting item is Citizen Today magazine about politics, economics and health care – don’t even ask me where I got it.

I hope you liked this little glimpse in one of few of my obsessions. Teen Vogue is definitely my favorite fashion magazine because it’s the most age appropriate for me.  When I need fashion advice, I always open it and find an inspiration to dress the way I like. For a quick life cheat – Glamour gives the best solutions and brings a smile to my face. Have a great week! Bye!