Movie review: Maleficent: Mistress Of Evil

Movie reviews

Hello!

And welcome to a review of a movie that revolves around a character I feel a spiritual connection to. This is Maleficient: Mistress Of Evil!

IMDb summary: Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.

Out of all Disney dark remakes/reboots/reimagining, 2014’s Maleficent has been somewhat not completely panned by critics, while also being financially successful (in comparison, on the dark front, first Alice was a monetary win, however, the second one had dreadful returns. Neither Nutcracker nor Dumbdidn’t leave an impression on anyone. Some more classical takes like Cinderella and Beauty and the Beast also left a mark. Mary Poppins was a moderate success.

Writing

Maleficent 2 was written by Linda WoolvertonNoah Harpster, and Micah Fitzerman-Blue. All three have written the first film as well, whereas Woolverton also penned the aforementioned Alice remake and its sequel. Even though the screenwriters were continuing their own work, they didn’t really respect it, as the opening narration of this film completely dismissed whatever happened in the first picture. And yet, since the idea of truth not mattering if someone can tell a catchy (even if fake) story was a topic explored within the film, I will let this disregard of the first film slide.

What I won’t let slide was the stupidity of the rest of the story, especially its inciting incident. While I am more than willing to suspend my disbelief and accept the existence of fairies and flying half-humans, I cannot forgive the movie for making its characters lack any intelligence or common sense. The inciting incident of the king being cursed is a horrible scene as it is so obviously not the truth. Aurora’s character is also written horribly. Even though she may be kind-hearted, the fact that she seems so gullable does not make her into a character anyone can root for. And even at the end, Aurora does not seem as if she learned anything. Even though she ultimately begins questioning the events happening around her, she still makes a stupid decision in the third act that cost a different character’s life. But this is Disney, so a happy ending is squeezed in there too, with not much explanation.

Not only does the movie try to say something about fake narratives, but it also goes for the big war or peace question. I would like to give props to the writers for trying to have some kind deeper thematical background to the fairytale but I am afraid the movie does not end up saying anything revelatory. But it’s a fairytale, so should I expected anything even remotely close to that? The film also vastly lacks screentime and more action for its titular character. All the bits of the movie that revolve around Maleficent are the best parts. And yet, the story chooses to spend most of its time with humans.

Directing

Joachim Rønning directed Maleficent 2. Previously, the director has worked on Pirates of the Caribbean 5. This movie suffers from the same problems his other one did. It looks spectacular but is empty story-wise. Cannot really blame the director for the lacking script, though. Rønning here also does his best with what he is given. The costume department and the production team should also be commended.

Acting

Angelina Jolie once again proves to be the case of perfect casting. Her accentuated cheekbones do half the job, though. Still, Jolie manages to balance out sophisticated acting with some dramatic flair needed for the fairytale genre. Michelle Pfeiffer, on the other hand, goes full-cartoon and becomes almost a caricature of the villain. Was the director to scared to tell Pfeiffer to reel it in a bit? Ultimately, the viewer doesn’t know whether they hate the villain Pfeiffer plays or her performance. Jenn Murray who plays Pfeiffer’s sidekick also should have tonned down her performance a bit. Sam Riley is fun to watch as Maleficent’s sidekick once again and he and Jolie do have some fun scenes of strained but enjoyable banter. Elle FanningChiwetel Ejiofor, and Ed Skrein all serve their purpose within the film. Prince Phillip gets recast and is played by Harris Dickinson this time around. He does not really leave any bigger impression than his predecessor Brenton Thwaites did. 

 

In short, Maleficent 2 is a pretty looking but poorly written film. Angelina Jolie shines once again but is not given enough screentime to save the whole film with her spectacular performance.

Rate: 2.75/5

Trailer: Maleficent: Mistress of Evil trailer 

MV5BZjJiYTExOTAtNWU0Yi00NzJjLTkwOTgtOTU2NWM1ZjJmYWVhXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_SY1000_SX675_AL_.jpg

Movie review: Avengers: Endgame

Movie reviews

Hello!

And welcome to a review 11 years in the making. This is Avengers: Endgame!

IMDb summary: After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos’ actions and restore order to the universe.

Disclaimer: this review is going to be super vague as I’m trying to avoid spoiling even the smallest moments of the film. Still, I might not always manage to do that, thus, proceed with caution!

Writing

Endgame was written by Christopher Markus and Stephen McFeely. The duo has written a lot of previous MCU films, so they certainly have a good knowledge of this universe and these characters. And that shows as the script is just spectacular. So so so much happens in this movie: it is complex yet clear. Also, being the ‘end of an era’ type of a film, Avengers 4 really focuses on the core original Avengers, while the new characters kinda fade into the background. Focusing a film in this way makes sense to me: the newbies have to earn their right to be at the forefront. Moreover, Endgame also does a great job with setting up the future: both a couple of concrete films and just concepts that will hopefully turn into movies. Quite a few very comic-booky concepts too!

In my opinion, where Endgame shines the most is by being the sequel to end all sequels. It continues Infinity War perfectly and deals with all the issues head-on (like the ‘should have gone for the head’ gripe). It also references so so so much stuff from MCU that it makes Easter Eggs a part of the plot. Everything is referenced: lines, whole scenes, and Internet/fan jokes. It is so satisfying spotting the references or the subversion of the references: Marvel really rewards the loyalty of its longtime fans.

While I cannot really talk about the ending in this spoiler-free review, let me just say that it feels poetical. And though it may hurt, we all know it’s right.

Directing

I truly bow my head to Anthony and Joe Russos for giving me my new favourite MCU film (and their previous 3 films – Captain America 2 and 3 and Avengers 3 literally take up all the runner-up spots). The fact that they manage to portray such a complex story with clear editing is unbelievable. Plus, the fact that they succeed in making a 3h movie so engaging is also an achievement. I also appreciate all the different tones/genres that they squeeze into Endgame.

First, Endgame is a comedy: it has so many amazing comedic moments and is also a perfect conclusion (even if a temporary one) to MCU as the more family-friendly/lighter franchise. It takes that statement (that some use as a compliment and some as a critique) and owns it. I believe that these comedic undertones to the film come from The Russos’ directing roots as they did, in fact, made a name for themselves with Arrested Development and Community – two beloved comedy TV series.

Endgame is also a drama: it has depth and character moments aplenty. When I say there was no dry eye in my midnight screening, I mean it.

Endgame is also a superhero actioner through and through. It has all the CGI one would like but it also enhances it by actually making the viewers care about the characters involved rather than the third act just being a clash of random pixels. It has so many goosebump-inducing or so-called ‘money shots’. I especially loved one female empowerment shot that is hopefully not a one-off, but rather a signal to the changing times (though there was a severe lack of female viewers in my screening: really wanted it to be a 50/50 split but it was more like 80/20).

Acting

There is no way that I can possibly name all the cast members involved with this film but I believe that they all did a great job, no matter how short their involvement might have been. The core 6 – Robert Downey Jr., Chris Evans, Chris Hemsworth, Scarlett Johansson, Mark Ruffalo, and Jeremy Renner – them I will mention by name because their performances should go down as one of the best ever in movie history. The actors got to showcase their dramatic chops so much because we really see the characters as just completely broken people. The fact that the actors also have perfect comedic timing (some especially) make their overall performances that much greater.

Post-credits

With Endgame, Marvel breaks the tradition that it created, and doesn’t have a post-credits scene. And I think that’s perfectly fine: there is nothing to promote or tease moving forward (Spiderman 2 is so separate and also already being promoted with trailers that it doesn’t make sense to stick it on there): Endgame is the end of not one but 3 phases, so let it feel like a definite ending. Besides, there are setups for the future before the credits roll. Also, I believe that the lack of post-credits is also good in that it doesn’t undercut the emotional weight of the ending of the picture. The last scene one sees and remembers is the end.

In short, Avengers: Endgame makes you laugh and cry and everything in between. It also makes sure that you will come back again. Not only for future films but to rewatch this one. Again. And again. And Again. (at least that’s what I’ll be doing).

Rate: 5/5 (I mean, are we surprised? Also, that number rating has never been about objectivity but rather included by necessity).

Trailer: Avengers: Endgame trailer

P.S. If you would like to take a trip down memory lane, these are my previous MCU reviews: Black Panther, Thor: Ragnarok, Spider-Man: Homecoming, Civil War, Doctor Strange, The Winter Soldier, Ant-Man, Age of Ultron, Guardians 1and 2.

Movie review: Pacific Rim: Uprising

Movie reviews

Hello!

Welcome to a review of Pacific Rim: Uprising – a sequel to a movie I liked but didn’t think warranted a sequel.

IMDb summary: Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat.

Writing

Pacific Rim: Uprising was written by Emily Carmichael (a writer of short movies and TV series, is also supposed to write Jurassic World 3), Kira Snyder (a TV writer and producer), T.S. Nowlin (the writer of The Maze Runner series), and the director Steven S. DeKnight. I thought that the film’s writing was a mixed bag, like in so many cases with action movies nowadays.

The movie opened on a promising note. I liked the short summary of the first film as well as the background set-up of the main character (though, he was a bit too similar to the main character of the first film – both were great but hesitant pilots because of personal reasons). Still, I liked the fact that the main character for this film had a connection to the characters in the first movie. I also appreciated how this picture expanded the mythos of the world by showcasing new possibilities relating to both Jaegers and Kaiju, aliens and humans. I mean, the mash-up of the two (in each of the pairs) was a kinda obvious but undeniably awesome next step. For the most part, I also didn’t mind the actual plot of this movie: I found the story engaging and unexpected. For a minute, I thought that the movie will go one way (maybe do something with abuse of capitalism and power) but it quickly pulled back and picked a monster-y villain to fight against.

While the movie didn’t have a post-credits scene, it did have a post-logo tease (like Tomb Raider did just last week) about the next movie, suggesting a trip to the alien dimension in Pacific Rim 3 (if or when it happens). I wouldn’t mind seeing that but I’m not holding my breath either.

Directing

Pacific Rim was directed by the now Oscar winner Guillermo del Toro (The Shape of Water) but he did not return to direct the sequel. Instead, the reins were passed over to Steven S. DeKnight – a TV producer and director, to whom Uprising was a directorial feature debut. He did quite a good job with the movie. The pace was a bit uneven but the action was pretty great. I liked the designs of all the monsters and robots as well as the actual fight sequences. I also appreciated the fact that they were set during the day and one could actually see stuff. I guess the often repeated line from the script – ‘Bigger the Better’ – was sort of true in the case of the action in this film. I only say ‘sort of’ the case because the final action sequence was a bit senseless and overblown, which leads me to my only gripe with this movie (and a lot of PG-13 action movies) – the bloodless destruction porn that the action sequences result in. The viewers have become desensitized to the destruction, so they don’t care much for it anymore: its entertaining to look at but there is no longer any emotional investment. On the believability side – the realism has been gone from action movies since probably the 80s. Massive injuries result in zero bloody wounds, while the aforementioned massive destruction kills nobody. Hmmm…How long will that be the thing? Probably forever.

Acting

Pacific Rim: Uprising assembled an international cast to pander to global audiences (especially China). I didn’t really mind that as I think inclusivity is fun and good for business (and Hollywood is, first and foremost, a business). I thought that John Boyega (SW7, SW8, The Circle, Detroit) was a charming lead and I’m really glad that he got a chance to showcase his comedic chops. Scott Eastwood was fine too, though, I feel like I have seen him in a straight-laced military person in supporting role in many movies before (like Fast and Furious 8, Suicide Squad). Newcomer Cailee Spaeny and Jing Tian (The Great Wall) was good too.

Rinko KikuchiCharlie Day, and Burn Gorman all returned from the first film and had arcs that actually made sense in this movie. Weirdly, Charlie Hunnam did not return – his character would have had a place in the story, so it was probably a behind the scenes issue that sealed his exclusion from the film (maybe the reason was the poor financial performance of King Arthur?).

In short, Pacific Rim: Uprising is, or less, up to par with the first film, so if you liked that one, you will probably enjoy this one. Also, if you like Transformers, Power Rangers, Godzilla/Kong, or all of the above, you will probably find some enjoyment out of this picture too.

Rate: 3.5/5

Trailer: Pacific Rim: Uprising trailer

pru-tsr1sheet8-john-rgb-3-720x1140_6

 

Movie review: Jumanji: Welcome to the Jungle

Movie reviews

Hello!

Another reboot/sequel of a beloved childhood classic has hit theatres, but, this time around, it’s surprisingly good?! This is Jumanji: Welcome to the Jungle! (That title is awful, though.)

IMDb summary: Four teenagers discover an old video game console and are literally drawn into the game’s jungle setting becoming the adult avatars they chose.

Only last year, a 1980s classic, Which was near and dear to a lot of people during their childhood, was remade and the Internet went nuts. However, that Ghostbusters debacle did not stop Hollywood from remaking/attempting to continue another classic property, this time around, from the 1990s. And it looks like the LA suits were right to try: I haven’t seen much hate (barely any) towards the 2017’s a Jumanji. Why is this reboot more acceptable than the Ghostbusters one? Is it the Rock? The Rock and Hart proven combo? The ‘correct’ genders of the characters (mixed cast rather than an all-something reboot)? Or maybe nobody liked Jumanji in the first place as much as I thought they did? I certainly remember the film quite fondly from my childhood.

Writing

Jumanji: Welcome to the Jungle was written by Chris McKenna and Erik Sommers (the duo behind Spider-Man: Homecoming and The Lego Batman), the director Jake Kasdan, and Scott Rosenberg and Jeff Pinkner (the writers of the upcoming Venom movie which is currently being filmed). In general, I enjoyed quite a lot of elements of the writing of this film.

To begin with, I thought that the idea to update Jumanji from a board game to a video game was a clever one. However, the way the script went about doing that – just sort of allowing the game to morph by itself – was a bit weird. Also, if they were giving the game an update, why not do a completely contemporary take on it? Make it into a Nintendo Switch type of a thing rather than a very 90s cassette game. What I did like about the video game concept in relation to this film was the fact that the movie overtly and unapologetically used the video game tropes, like the cutscenes, the numbered lives, the strengths/weakness idea, and the different levels. Jumanji might actually be the best video game movie without technically being one

The new characters of Jumanji weren’t bad either. The teenagers/real-life characters got some brief but neat development during the setup, which was nicely built upon during the following adventure. The relationship moments that the characters shared actually provided the picture with some opportunities to explore the ideas of friendship and teamwork. Some nice messages about bravery, self-confidence as well as one’s ability to change were also expressed. The interactions between the characters also resulted in some great humorous moments. The flirting school and the peeing scene were stupid but also hilarious. The switch-ups with the bodies (the nerds becoming athletic and cool; the popular kids being degraded to sidekicks and the comic relief) was another source of jokes for the film.

My main and the only actual critique of the movie was its plot or the set up of it. The game narrative itself was fine and it worked well as an adventure story. However, the way it just came out of nowhere seemed a bit odd. That whole explanation about the stone, the villain, and the curse seemed a bit heavy-handed and too highly fabricated. At least the format of that explanation/set-up (the cutscene) was somewhat meta (explicit in its usage of a trope) and, thus, a bit more interesting.

Lastly, while this film appeared to have been a direct continuation of the original Jumanji with the game itself being found on the beach, where it was last seen, I question whether the people behind-the-scenes are planning to make any further sequels, in case this one is successful. The last scene, which showed the characters breaking the game, suggests that we won’t see any sequels, which is, quite frankly, a shocking thing in today’s mainstream filmmaking business.

Directing

2017’s Jumanji was directed by Jake Kasdan (his last two films were both mediocre Cameron Diaz comedies) and I thought that he crafted quite an entertaining action adventure flick that was so much better constructed that I thought it’d be. The action was inventive enough and energetic. The CGI of the animals could have been a bit better. The pacing was fine for the most part, though the film did slow down a bit towards the end of the second half. Lastly, I’ve noticed (or imagined) some callbacks to other movies in this feature, which seemed like quite neat additions to me: the creepy house and the yellow raincoat reminded me of It, while the biker gang inside the game seemed Mad Max-esque.

Acting

Jumanji’s two casts were both really good. The teenagers/young adult actors – Alex Wolf (Patriot’s Day), Ser’Darius BlainMorgan Turner, and Madison Iseman – were believable and relatable. However, the majority of the film was carried by the video game versions of these characters, played by Dwayne Johnson (Baywatch, FF8, Moana, San Andreas), Kevin Hart (The Secret Life of Pets), Karen Gillan (Guardians of the Galaxy 1 and 2, The Circle), and Jack Black, respectively. Johnson’s and Hart’s chemistry, which blossomed in Central Intelligence, was back in full force in this movie. All of the scenes with the Rock discovering his muscles were incredible and I also appreciated the fact that the film poked fun at his inherent charisma with that ‘smoldering look’ skill. Kevin Hart was amazing and funny too, while Karen Gillan was a complete badass (both as a character and as an actress). Jack Black also surprised me. I have never been much of a fan of his but I highly enjoy seeing him acting as the ‘it’ girl in this film.

A few other characters, worth the mention, were played by Nick Jonas and Bobby Cannavale (Ant-Man). Jonas was okay in the picture but his character was intended to be somewhat of a replacement for Robin Williams character of the original (a person who gets stuck in the game) and, no offense to Nick Jonas, but he could never replace Williams. Cannavale played the villain and he was the worst of the cast, in my mind. I think he went a bit too cartoonish with his performance – yes, there is such a thing as too cartoonish even in a live-action cartoon.

In short, Jumanji: Welcome to the Jungle is a surprisingly entertaining adventure movie. It would be the perfect holiday film for the whole family if it wasn’t competing with Star Wars 8.

Rate: 4/5

Trailer: Jumanji: Welcome to the Jungle trailer

adventurous-new-international-trailer-and-posters-for-jumanji-2-welcome-to-the-jungle1

5 ideas about a movie: Daddy’s Home 2

Movie reviews

Hello!

The Christmas season at the cinema continues. This is the review of Daddy’s Home 2.

IMDb summary: Brad and Dusty must deal with their intrusive fathers during the holidays.

Two weeks ago, a mother-daughter Christmas-themed comedy sequel has premiered – A Bad Moms Christmas. Daddy’s Home 2 is a father-son Christmas themed sequel. Coincidence or a conscious decision to target both genders? How about just making *gasp* one movie that everyone could enjoy? Anyways, onto the review.

  1. Back in 2015, the first Daddy’s Home film completely skipped my radar. I don’t think I even heard any coverage about it or seen an ad for it. Nevertheless, before going to see the sequel, I streamed its predecessor and found it to be a slow and silly but watchable comedy. Thus, I didn’t have any expectations for a sequel and was actually pleasantly surprised, as Daddy’s Home 2 felt like an improvement.
  2. The movie’s script was written by John Morris and Sean Anders, who also directed the film (the duo also worked on the first picture as well as on a bunch of B level comedies before). The story was fine. Firstly, I liked how this movie (and the first one too) spotlighted a non-nuclear family – a reality that a lot of people can relate to today. The doubling up of the parental competition worked well too (or tripling up if you count the moms’ plotline, which was basically what Bad Moms have already done). The family issues that were explored had some heart to them and the film’s attempt to put a comedic spin on the emotional moments was fairly successful.
  3. Speaking about the jokes of the movie in general, they were a mixed bag (as usual). Daddy’s Home 2 had some brilliant moments of humor (the thermostat joke was my favorite and the nativity scene wasn’t bad either) and some jokes that just didn’t land. There were some product placement-related jokes and some fun celebrity cameos. As this film dealt a lot with the concept of family, its humor was generally more family-friendly and less raunchy that the humor of a lot of modern comedies.
  4. The film’s direction was okay. The cabin setting felt a bit Grown Ups-esque (a.k.a. actors wanting a vacation), while the pacing wasn’t perfect – the picture slowed down a lot its third act. The callbacks to the first movie (the airport setting, the repetition of Ferrell’s character supposed death) were fun to spot. The musical number at the end was cute. Lastly, that pandering to cinemas ending was either a great meta-references or a super forced and out of place way to end the film. Can’t decide yet.
  5. Will Ferrell and Mark Wahlberg (Patriot’s Day, Deepwater Horizon, Transformers 4 and 5), came back as the co-dads at the center of the picture and were good. I’ve never been a fan of Ferrell but his comedic skills are growing on me (might give his other Christmas comedy Elf another chance). On the other hand, I’ve always liked Wahlberg in comedies and action-comedies (Ted 2), so I was just happy to see him in another one. The dads of the dads were played by Mel Gibson (who was actually hysterical to watch; plus, I guess this means that he is back, not only behind the camera (Hacksaw Ridge) but in front of it too) and John Lithgow (who was kinda jarring to watch in a comedic role cause he is engrained on my brain as Churchill on The Crown). Other cast members included Linda Cardellini and the celebrities/non-actors like John CenaAlessandra AmbrosioChesley Sullenberger (Sully) of all people.

In short, Daddy’s Home 2 was a perfectly serviceable but messy Christmas comedy that is more suitable for the whole family that the female version of the same film – A Bad Moms Christmas.

Rate: 2.75/5 

Trailer: Daddy’s Home 2 trailer

Daddy's_Home_2.png

Movie review: Blade Runner 2049

Movie reviews

Hello!

The long-awaited (by some) sequel to another 1980s hit – Blade Runner 2049 – has reached theaters, so, let’s see whether it was worth the wait and all the hype.

IMDb summary: A young blade runner’s discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who’s been missing for thirty years.

The original Blade Runner has been a cult classic for years but I’ve never expected it to get a sequel 3 decades later because of the lack of mainstream success. Undoubtedly, it has aged well: the story is still solid and is open to as many different interpretations as there are versions of the film. The pacing is a bit slow but that can be seen as a feature of the time. The effects are great too even if you can tell that they have that particular 1980s futuristic style. Even though I did like the original film, I wouldn’t have been as excited about its sequel if they hadn’t gotten Dennis Villeneuve to direct it. His attachment to the project was the factor that immensely increased my interest the movie! Besides, the marketing shorts, which filled in the 30-year-old gap between the two feature films – the anime Black Out 2022, and the live action shorts 2036: Nexus Dawn and 2048: Nowhere to Run – have acted as great tasters for the sequel and doubled the hype as well!

SPOILER ALERT

Writing

Blade Runner 2049 was written by Hampton Fancher (the writer of the original) and Michael Green (the writer of Logan, Alien: Covenant, and the upcoming Murder on the Orient Express, the co-creator of American Gods). This duo of scriptwriters did an amazing job: they paid homage to the original (both the plot and the thematic concepts) and expanded upon it/them extremely successfully.

The first two acts of the sequel were structured as a mystery: a smart yet straightforward one man’s quest for answers. The third act upped the complexity: it had a tonne of exciting reveals and a bunch of sidelines converging with the main one. The writing for the lead character was just brilliant too. Every act of the film had some kind of twist relating to him: either the fact that he was a replicant at the beginning, a potential offspring of a replicant in the second act and just a decoy for the actual child in the end. It was amazing to see a character go from not knowing who he was to finding actual answers but quickly realizing that he was asking the wrong questions in the first place. He both found and lost an identity before our eyes in the time span of two hours. It was such a great and different character arc.

Two huge thematic concepts that 2049 introduced were the virtual/holographic humans and the procreation ability of the replicants. These two ideas pushed the question of ‘what is humanity ?’ so much farther than I ever dream it could go. I still can’t wrap my head around these two concepts.

Directing

Denis Villeneuve, who has quickly become one of the most critically acclaimed directors of our time with films like Prisoners, Sicario, and especially last year’s Arrival, directed the Blade Runner sequel and did a spectacular job. To begin with, he stayed faithful to the original with the pacing and the style of the visuals. Having said that, Villeneuve also built upon what was already there. 2049 was a really long and quite a slow film, however, it never dragged. It was always intense, intriguing, and exciting – way more than the original ever was.

When it comes to visuals, they were just breathtaking. The set design (by Alessandra Querzola + production design by Dennis Gassner), the costume design (by Renée April), the lighting and the cinematography (by Roger Deakins) – all these different departments just brought their A-game and created such a cohesive masterpiece. The scope was epic and awe-inspiring. The shots were composed so beautifully, you could just freeze them and frame every single image. The colors were so vibrant and just popped off the screen. The shots also lingered a lot (that’s why the movie was so long) but the combination of the visuals and the amazing score made them so impactful, powerful, and effective. In general, the soundtrack (by Benjamin Wallfisch and none other than Hans Zimmer) was so cool and that new instrumental theme was so heart wrenching.

A lot of films have tried to emulate a similar style but none of them have come close to Blade Runner 2049 (Ghost in the Shell looked good but wasted the visuals on an awful story). A few of noteworthy sequences in this picture were: 1. the interplay between the shadows and the light in the pyramid; 2. the memory-construction scene – such a brilliant example of storytelling within a bigger story; 3. the zoom/enhance effect carried over from the first film; 4. a very unique sex scene (not an adjective I’ve ever thought I’d use to describe a sex scene; and 5. an impeccable looking de-aging moment – that technology has never looked better.

Acting

Blade Runner 2049 had quite an extensive cast, full of fan-favorite actors in roles of varying sizes. At the centre of it was Ryan Gosling, who has lent his talents to a variety of genres throughout his career, including but not limited to musicals (La La Land), art films (Only God Forgives), indies with mainstream appeal (Drive), mainstream romantic dramas (The Notebook), arty romantic dramas (Blue Valentine), comedies (Crazy,Stupid,Love), political dramas (The Ides of March), action comedies (The Nice Guys), biopics (The Big Short), and crime dramas (Gangster Squad). Finally, he has added sci-fi to this extensive list with the lead role in Blade Runner 2049, which he was just absolutely brilliant in: powerful, vulnerable, dramatic, emotional. Totally marvelous.

Harrison Ford has come back to another role from his younger days. He has already retired Han Solo and will be back as Indiana Jones in 2020. In Blade Runner 2049, he only appeared in the third act but that was enough to make an impression.

The film also had quite a few female characters. Ana de Armas (War Dogs) was amazing as the virtual girlfriend, Sylvia Hoeks (Renegades) was wonderful as the warrior replicant, Robin Wright (Wonder Woman) was a badass police chief,
Mackenzie Davis (Black Mirror’s ‘San Junipero’ episode) had a fun appearance and, lastly, Carla Juri had a surprisingly important role. Guardians of the Galaxy’s Dave Bautista appeared in a short but the most dramatically challenging role of his career so far, while Captain Phillips’s and Eye in the Sky’s Barkhad Abdi also had a cameo (wish he got more roles). Lastly, Jared Leto (Suicide Squad) played the main antagonist and, although his role was unsettling and quite creepy, it seemed quite normal by Leto’s standards. He was great in it, though.

In short, Blade Runner 2049 was one of those wow pictures that stays with you, long after you are done watching it. Gorgeously looking, carefully written, brilliantly acted sequel that is *gasp* better than the original.

Rate: 4.8/5

Trailer: Blade Runner 2049

MV5BNzA1Njg4NzYxOV5BMl5BanBnXkFtZTgwODk5NjU3MzI@._V1_SY1000_CR0,0,674,1000_AL_

Movie review: Kingsman: The Golden Circle

Movie reviews

Hello!

Kingsman: The Secret Service came out of nowhere and blew everyone away back in 2014. 3 years later and the expectations are high for the sequel. Can Kingsman: The Golden Circle deliver?

IMDb summary: When their headquarters are destroyed and the world is held hostage, the Kingsman’s journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.

Writing

The Kingsman sequel was written by the same duo who wrote the first film – Jane Goldman and the director Matthew Vaughn, based the characters by the comic book royalty – Mark Millar and Dave Gibbons (the said screenwriting duo has also written Stardust, Kick-Ass, X-Men: First Class, and X-Men: DOFP together, while Goldman’s solo writing credits also include Miss Peregrine’s Home For Peculiar Children). I thought that they did a great job on writing The Golden Circle. They ticked off all the necessary boxes for a sequel: took away everything familiar from the heroes (destroyed their home and comrades), made it personal (involved significant others and long lost friends), introduced new characters and locations (Statesman, Poppy’s Land), and had plenty of callbacks to the first film (returning characters, familiar scenes recreated with a twist).

The most interesting new addition was the aforementioned Statesman organization as well as the general feeling of Americana, especially potent in the villain’s layer. This expansion of the Kingsman world to the other side of the Atlantic really worked for me. I loved seeing the differences between UK and US expressed in a fun and comic-book-y way. The obviously American aura of the film also reminded me of Logan Lucky (who also shares a song – ‘Take Me Home, Country Roads’ and an actor – Channing Tatum with The Golden Circle). Lastly, I loved how, even though the American side of the story/ characters were introduced, the British roots were not forgotten either and remained the focus of the movie.

Speaking about those British roots, I appreciated all the commentary on honor and the right kind of masculinity that this picture had. Its attempt to say something about the drug usage, law, and innocence wasn’t bad either. The villain for this film was just as campy and just as appropriate tonally as Valentine was in/for the last one.

Directing

Matthew Vaughn was back in his element with Kingsman 2. While I have been disappointed by some of his producing efforts (Fantastic Four and Kick-Ass 2), he has never let me down, when he was in a role of the director. The action was just spectacular: highly stylized, explicit, campy, and not at all realistic but just so fun and entertaining! All the gadgets were magnificent and a great parody/homage of the 007/other spy films. The filming style (cinematography by George Richmond) – handheld and smooth rather than shaky with just the right amount of slow-mo – was highly appreciated too and so dynamic (it was so fun I could forgive some wonky CGI)! The British glamour, as well as American ruggedness, were both well realized too. The score (music by Henry Jackman and Matthew Margeson) was great as well, I especially loved the instrumental version of the already mentioned ‘Take Me Home, Country Roads’ song. The only criticism that I have for this highly entertaining live-action cartoon was the fact that it’s a bit long – over two hours. If it was chopped down to 2h, the narrative might have been tighter and the criticism would not exist.

Acting

Taron Egerton (Eddie The Eagle, Testament of Youth, Legend, Sing) was great as the lead Eggsy. He had both the coolness and the vulnerability needed for the character. Colin Firth (Magic in the Moonlight, Genius) also came back (wish that wasn’t spoiled in the trailer) – his performance seemed a bit off but his character also acted a bit off. Mark Strong had a lovely arc in the film and one of the best exists of the character I have seen in a while. Hanna Alström also came back as her character. I really did not expect her to stick around for a sequel but the filmmakers kinda took that explicit ending of the first film (and the introduction of her…character) and sort of made into a cute side plotline.

Newcomers included Channing Tatum (Logan Lucky, Hail, Caesar!, The Hateful Eight, Magic Mike XXL, Jupiter Ascending), who had some fun scenes but wasn’t in the movie much. However, the conclusion of The Golden Circle promised that we will see more of him in the 3rd picture. Pedro Pascal (The Great Wall) gave a wonderful performance too: he had the coolest weapon and an awesome death scene (on par with the one on GOT). Halle Berry (DOFP) played kinda a typical role of the behind-the-scenes/tech personnel but I’m excited to follow her journey further. Jeff Bridges (Hell or High Water) also had a very minor role in the picture. He was the only actor who just seemed to be included in order to raise the profile of the film rather than to actually have him do something cool. Lastly, Julianne Moore (Mockingjay) made for a great villain. It was so fun seeing her let loose in a role!

In short, I really enjoyed Kingsman: The Golden Circle. It was as good as The Secret Service, so if you liked the first one, the sequel should also please you. Plus, if you enjoy comic book movies that truly feel like a comic book that has come to life, Kingsman 2 is the film for you!

Rate: 4/5

Trailer: Kingsman: The Golden Circle trailer

kingsmanposter_0.jpg

Movie review: John Wick: Chapter 2

Movie reviews

Hello!

A non-comic book movie sequel, which the audiences were actually looking forward to and which was not panned by the critics, has hit theaters, so, let’s review it. It’s John Wick: Chapter 2! 

2014’s John Wick was the biggest cinematic surprise of that year. Nobody expected it to be any good but the movie blew everyone away. The whole old-school revenge story worked and actually felt fresh (it was neat and simple but still had some interesting world-building involved), the action looked great (no shaky-cam or quick cuts!) and Keanu Reeves’s performance was a true comeback to form. Now, can the second chapter deliver, since the expectations are high? It absolutely can and did!

SPOILER ALERT

Writing

John Wick: Chapter 2 was written by Derek Kolstad, who also scripted Chapter 1. Since both films were written by the same person, their narratives blended seamlessly: the sequel first dealt with the repercussions from the first movie and only then organically set-up the next story, while simultaneously expanding the mythology of the film’s world. I loved the addition of the medallion, which symbolized an oath between the assassins, and I also enjoyed learning more about their code of honor. We got to see a new Continental hotel too, which showcased the global aspect of this community. The usage of the variety of languages, including the sign language, was very cool and went in line with the worldwide theme as well.

The immaculate attention to the detail in the writing was on full display during John Wick’s preparatory sequence. I really liked the fact that we got to see where do assassins get their intel, suits, and gadgets – a lot of the movies just gloss over this. The scene with the open contract was also cool to see – I loved that they actually included secretaries into the story. Plus, the whole homeless network thing was a neat addition to this world – kinda reminded me of Sherlock. I also loved how through that storyline the scriptwriter started stripping John of all his devices – he only got 7 rounds for his gun for the final fight but that is nothing compared to the fact that in the next film, he won’t have anything (because of the choice he made at the hotel, which I did not see coming). I also didn’t expect a variety of other twist and turns that the plot took. I did not think that the Italian lady will commit suicide, I did not suspect that the first fight between John and Cassian would be abruptly cut by them falling into the hotel/the territory of peace and I did not see it coming that the Italian mobster would double-cross Wick.

Directing

The first film was a directorial debut for the stuntman Chad Stahelski and David Leitch (although Leitch wasn’t credited as a director, only as a producer). The sequel was only directed by Stahelski, but Leitch shouldn’t feel too bad, as he is now helming Deadpool 2. I really enjoyed the direction of this picture. I loved how the world building was realized visually: the preparatory sequence (which I already mentioned in the writing portion of this review) was amazing and one of my favorite parts of the movie (kinda reminded me of a similar scene in Kingsman). I also loved the glamorous yet gritty action set pieces: all of them – from the opening car chase (I love old-school American cars like the one Wick has and was kinda sad to see it totally destroyed) to the art exhibition finale – looked stunning and were immensely entertaining. This is partially because of the same sleek camera work and partially because of the great fight choreography in both the hand-to-hand combat scenes and the big shoot-out sequences. All of them felt energetic and explosive and even unexpected – the knife to the aorta and the knife stopped by going through a hand moments were really neat and fresh additions to the choreography. 

I also loved how the picture was edited: it had a good balance of action sequences and of slower character moments. The calmer moments didn’t feel like filler material: all of the scenes were relevant and included for a purpose. For example, the scene in which John discovered that he broke his phone during the fight – this incident appeared mundane yet it meant so much for the character, as that phone had the video of his dead wife on it. 

A few of my favorite scenes from the film were the various meetings between John and Cassian. I enjoyed their exchanges during their first meeting as well as during the bar scene. My favorite action sequence was the shoot-out in the catacombs. I loved how the historical setting – the catacombs – was paired with a modern EDM score (the whole soundtrack by Tyler Bates and Joel J. Richard was actually really great). Other small scenes which I absolutely loved were, one, Cassia and John shooting at each other through a fountain and, two, John using a pencil to kill two assains – it was such a great callback to an earlier scene, where some of the characters were discussing the fact that John had previously killed somebody with a pencil. Lastly, the movie also had short but sweet opening credit sequence, which involved the medallion – it not only looked cool but was actually related to the plot.

Acting

Keanu Reeves’s career track record has been mixed at best. In some films, the viewers loved him but, at times, they have also avoided him (Reeves has had his fair share of box office flops). But now, it looks like he broke the bad streak and is back in the game with this franchise. While he doesn’t have the biggest range as an actor, it can’t be argued that he isn’t a great action star. His stiff delivery of lines actually does work for the character of John Wick. His Russian accent was not the best though definitely not the worst one I heard in a Hollywood movie either. I wonder, what do the native or fluent speakers of Italian think about his Italian language skills?

The supporting cast of the movie had a few nice additions. Common starred as Cassian and Ruby Rose as Ares – two very skilled assassins. I loved their fight scenes with Reeves as well as Common’s and Reeves’s chemistry in those few dialogue scenes. Rose did an incredible job playing a mute character. She was just oozing charisma and she didn’t even have to say a word.

Laurence Fishburne, John Leguizamo, Riccardo Scamarcioas, and Ian McShane were all also great. Plus, they added some diversity to the cast, in terms of ethnicity, nationality, and even age.

In short, John Wick: Chapter 2 was absolutely amazing: it had sleek action, an interesting story, and pretty good acting. What more can you want from an action flick? I really do hope that we will get a third movie, as this one kinda set it up. Maybe we will get to see the Chinese mobsters next time, as we already saw the other members of the high table (Russians in the first film and Italians in the second picture).

Rate: 4.7/5

Trailer: John Wick: Chapter 2 trailer

john-wick-chapter-2-poster

Movie review: T2: Trainspotting 

Movie reviews

Hi!

What an amazing time to be living in Scotland! This is the review of T2: Trainspotting!

To note: I don’t have a nostalgic connection to this property – I’m coming to it as a complete newcomer (have seen the original, though). So, this could either mean that I can be more objective than the fans or this could suggest that I might not get the movie fully.

IMDb summary: A continuation of the Trainspotting saga reuniting the original characters.

Writing

John Hodge, who wrote the first film, penned the script for its sequel. Both screenplays have been based on the books by Irvine Welsh (Trainspotting and Porno, respectively). I, personally, had mixed feelings on the writing for the film.

I didn’t think that T2 worked as a standalone film, however, maybe it should not have as it was a sequel? It heavily relied on the plot of the first film and created some new material to spring-board off (but not enough to work on its own). It was certainly a continuation of the original narrative – a sequel for the insiders. One could indicate that this movie wasn’t made in Hollywood, as they always try to create sequels which can attract and appeal to the new audiences.  I, personally,  never really believed that Trainspotting needed a sequel but it was definitely nice to catch up with these characters. I just wish the picture was more than the catch-up, because, essentially, just like its characters, the movie was living in the past. And yet, its setting was really contemporary – I loved the moment with the EU loan. It was a super clever and a really modern jab in the post-Brexit world.

To my mind, the best writing moments of the movie were: the writing for Renton – his true backstory (nothing really happened in the film until he told the truth about his past 2 decades) and the ‘Choose life’ speech (I always wanted that t-shirt, but now I definitely need it); the writing for Spud – I loved that he was the one who threw the last punch (with a toilet bowl – neat callback to the toilet scene in T1), thus, subverting the first picture’s notion that he never hurt anybody. I also liked the fact that he was made into a writer, so Spud was kinda a stand-in for Irvine Welsh. It was also interesting that the picture picked a clearer bad guy this time. In the first film, all of them were criminals but they were all sort of likable. This time around, Begbie was clearly supposed to be seen as the antagonist.

Like T1, Trainspotting 2 tackled variety of conceptual topics, like friendship, revenge, addiction, exploitation, betrayal, and opportunities.  It also touched upon the themes of a father-son relationship and the super topical economic migration. Lastly, the main idea of the picture was nostalgia (loved the lines about the characters being ‘tourists in their own youth’ and ‘the world changes even if we don’t’) and the questions whether the characters have wasted their lives and how can they move forward.

Directing 

Danny Boyle came back to direct the sequel to a picture that put him on the map. After the success of 1996’s Trainspotting, he has really made a name for himself with films like 28 Days Later, Slumdog Millionaire (a huge Academy Awards winner), 127 Hours, and Steve Jobs. Although I thought that T2 was slower and more depressing than the original, I still enjoyed it. Plus, this less upbeat tone fit the stage of life that these characters were in. In addition, this time around, Boyle didn’t really go for the shock value – T2 was tamer and less messed up. There weren’t any scenes equal to ‘the baby’ or ‘the worst toilet in Scotland’ sequences from the first one. What stayed the same was the setting of the film – it was realistically gritty – set in the true social reality rather than a cinematic one. And even though the style of directing was less snappy, it was still a visceral experience to watch the film, which was mostly due to Boyle’s impressive and unique camera angles and montages.

I had a variety of favorite moments from the film. I adored the wide shots of Edinburgh, especially during the run sequence. Renton’s and Sick Boy’s lecture in front of the TV was really fun too. I laughed the hardest during Renton’s and Begbie’s first encounter – the divided screen and the toilet cubicles were an amazing setting both from the practical and the narrative stand-point. In general, I loved all the visual references to the T1. The finale was also really well-directed. I really liked the fact that this time around train tracks and trains played more of a role. Also, I though that having all 4 characters come together only in the finale was a cool choice. Lastly, the film’s soundtrack was magnificent. Both familiarly upbeat and a bit more lyrical this time around.

Acting

The original cast came back for the sequel: Ewan McGregor (Angels & DemonsSalmon Fishing in the Yemen, Our Kind of Traitor, soon in Beauty and the Beast) as Renton, Ewen Bremner (soon in Wonder Woman!?) as SpudJonny Lee Miller (Elementary) as Sick Boy, and Robert Carlyle (Once Upon a Time) as Begbie. All of them are still great actors – they have indeed matured in their craft during these past 20 years. My favorite encounters between characters/actors were all the scenes between Renton and Spud and between Renton and Sick Boy.

Kelly Macdonald (Anna Karenina) also appeared briefly as Diane Coulston. Her inclusion was the only thing that seemed like an afterthought. The new female lead – Veronika – was played by a Bulgarian actress Anjela Nedyalkova. She was great in the film – I also really liked the fact that they cast a foreigner in the movie to reflect the actual population of Britain today (and this comes from a foreigner studying at Aberdeen Uni, where one might get 2 Scottish people to every 20 foreigners. Fun fact – the book version of Renton went to Aberdeen Uni too!).

In short, T2: Trainspotting was a great sequel that required the previous knowledge of the material in order to be enjoyed. The direction was still great even if a bit different, while the acting skills of the cast have definitely improved.

Rate: 4/5

Trailer: T2: Trainspotting trailer

Trainspotting.jpg

BEST, WORST, and MISSED movies of 2016!

Movie previews, Movie reviews

Hello!

Yes, it’s that time of the year again for me to list my favorite and least favorite pictures. Like last year, I will also give you a top 5 of the films that you might have missed because of various reasons but which are worth a watch. 2015’s lists are here.

A short warning before we start: I have not seen all the pictures released this year, especially the majority of the awards contenders, so do not expect to find a lot of them here. Also, this is not an objective ranking of films – these are my subjective personal preferences. That means that the movie you hated might have been one of my favorites and vice versa. Similarly, a film that the critics bashed or a movie that bombed at the box office might also find itself on my best list. Without further ado, let’s begin:

Best:

  1. Captain America: Civil War
  2. Deadpool
  3. Rogue One: A Star Wars Story
  4. Fantastic Beasts and Where To Find Them
  5. Doctor Strange
  6. Hell or High Water
  7. Sully
  8. Arrival
  9. Zootopia
  10. Hacksaw Ridge

The first 5 places on my list are all occupied by big blockbusters. Not surprisingly, two Marvel movies managed to squeeze into the list at number 1 and 5, respectively. The fact that a Harry Potter and a Star Wars film made the list at 4th and 3rd place isn’t unexpected either. The biggest shocker of this year and the first half of my list finds itself at number 2. I was extremely worried about Deadpool but it totally blew my mind. Even though it came out back in February, I still cannot forget it and that’s why it is a runner-up on my favorite movie list.

The second half on the Top 10 spotlights a few ‘regular’ movies. Here we have my favorite indie picture at number 6, my favorite drama at number 7 and the best sci-fi I’ve seen in years at number 8. The list closes with my favorite animation of the year from none other than Disney at 9th place (it was so hard to pick the best animated picture – we had a few good ones in 2016) and the best historical film of the year at 10th place.

Worst:

  1. Jack Reacher: Never Go Back
  2. The Divergent Series: Allegiant
  3. Independence Day: Resurgence
  4. Assasin’s Creed
  5. Jason Bourne
  6. Mike and Dave Need Wedding Dates
  7. Alice Through The Looking Glass
  8. Miss Peregrine’s Home for Peculiar Children
  9. The BFG
  10. The Girl on the Train

I wouldn’t necessarily state that these films are the worst that I have seen this year but rather the most disappointing. The problem that I had with the majority of them was the fact that they wasted their potential and were extremely generic.

This list has a few sequels that nobody asked for (1st, 3rd, 7th). It also has a couple of YA adaptations that should not have been made the way they were at number 2 and number 8. It has a film that was basically destined to be bad at number 4. Plus, the list has my biggest disappointment of the year at number 5. Lastly, at the 6th place, we find a generic comedy that was not that funny; at number 9 – the worst Spielberg movie possibly ever and, in the last place, we have another bland thriller that was not that thrilling.

Missed Movies:

  1. Everybody Wants Some!! – the latest coming of age drama from Richard Linklater and the spiritual successor to Dazed and Confused, Everybody Want Some!! was a great film that not a lot of people saw. It came out in spring and had a neat story, nice directing, and great performances from a whole cast.
  2. Eye in the Sky – a modern and very topical thriller about contemporary warfare. It was suspenseful and intriguing. The film also featured the last on-screen performance by Alan Rickman.
  3. Eddie the Eagle – the feel-good film of the year. It had an inspiring story about a loveable underdog played by Taron Egerton. Wolverine himself provided the support.
  4. Nocturnal Animals – the second feature from the designer Tom Ford that had one of the most inventive and exciting narratives this year. The film was engaging, it asked questions, and was visually stunning.
  5. The Nice Guys – an actually funny comedy from this summer that nobody saw! It had both style and substance! The lead duo – Ryan Gosling and Russell Crowe – were amazing too!

So, these are my lists for the year! What movies did you love or hate in 2016? What is a film that you think I should watch that came out this year? Leave the answers in the comments bellow! I am looking forward to reviewing and discussing movies with you in 2017!

Bye!

My dorm room’s wardrobe