Movie review: The Mercy

Movie reviews

Hello,

Welcome to a review of a small British film that you haven’t seen. This is The Mercy.

IMDb summary: The incredible story of amateur sailor Donald Crowhurst and his solo attempt to circumnavigate the globe. The struggles he confronted on the journey while his family awaited his return is one of the most enduring mysteries of recent times.

Writing

The Mercy was written by Scott Z. Burns (writer of Bourne 3 among other thrillers), based on the real-life events of 1968. I thought that the structure of the writing was fine but I had a lot of problems with its content. If the movie had a more critical rather than a celebratory approach towards its lead, I would have enjoyed The Mercy vastly more.

To begin with, the movie opened with quite a weird set-up. Instead of starting with the development of the main character, the viewer first found out about the actual sailing challenge and the navigation technology. Only then, was the main character and his family somewhat established. Since the movie did not persuade me to like the character in its first act, I cared little to none about him during the subsequent acts, where the viewer’s emotional connection to/understanding of the character were the only things holding the film together.

After half an hour of wonky set-up. the movie really began when Crowhurst set out for his journey. Quickly, a few things were revealed: he was really unprepared and he didn’t really know what he was doing. While his whole journey and this movie were pitched as an inspiring quest of a single man, in truth, his decision for the voyage was an attempt to prove his worth and best other men. Additionally, he wasn’t really looking to inspire others but rather to drive revenue into his business – it was a marketing/publicity stunt more than anything else. When his true intentions came to the surface, it became easier to understand why he was prepared to lie and cheat his way to the finish.

His whole ‘inspirational quest’ was just one giant attempt to cover up a failure and the movie celebratory view of its main character was completely wrong. How could one celebrate a man who would rather die than lose? Who would rather die than return to his family? I do get that the voyage did damage his psychology and that he wasn’t thinking clearly in the end. However, even though the fact that he committed suicide was an unfortunate event that should not have happened, it’s not a good enough excuse or a justification for his earlier actions, the ones prior to the mental illness he suffered onboard. Unless he was mentally ill before he even set out for the journey? Or was he just a sad little man, who believed in the tropes of classical masculinity?

Lastly, the concluding scenes with the wife’s decision to blame everyone else seemed like a cheap trick. Ultimately, it was his decision to sail away! Moreover, he was the one who created the circumstances that would push him to sail away! It was all on him!

Directing

The Mercy was directed by James Marsh (of The Theory of Everything). I don’t think he nailed the direction for this film. As evident in the previous section, I had lots of problems with the writing and this movie’s perspective on this story. A lot of that came from Marsh’s directing. Also, the movie was incredibly slow and not intense enough to make up for the lacking pace. The scenes of being stranded at sea were few and far between and they were not constructed in a particularly compelling manner – this was no In The Heart Of The Sea (didn’t have the same visuals) and wasn’t deep and thoughtful enough to succeed without them.

Acting

Colin Firth (Kingsman 1, Kingsman 2, Genius, Magic in the Moonlight) played the lead of Donald Crowhurst, and while he was okay, I didn’t think his performance was powerful enough. He certainly did not make me like or even understand Crowhurst’s motives and actions. Rachel Weisz (The Lobster) was fine as Clare Crowhurst but it was quite sad to see her relegated to the ‘wife at home’ role. David Thewlis (Wonder Woman) was good as the journalist/publicist Rodney Hallworth – his character was the only truly interesting part of the film.

In short, The Mercy wasn’t a great film as you can tell from my ‘less than merciful’ review of it.

Rate: 2.5/5

Trailer: The Mercy trailer

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Movie review: The Lobster

Movie reviews

Hello!

Before the year comes to a close, I’m catching up on a few films that I’ve missed and I’m reviewing them on this blog. Today, we are talking about The Lobster – the highly regarded indie flick that had a limited and festival release last yeat, but only premiered in the majority of countries in 2016.

IMDb summary: In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Writing

The Lobster’s script was written by Efthymis Filippou and the director of the film’s Yorgos Lanthimos. In a sea of dystopian mainstream films, The Lobster stands out as a dystopian indie picture. It’s an absurdist story full of unique, original, funny, entertaining, uncomfortable, disturbing, and, of course, thought-provoking moments. It has a great narrative structure: the story starts without a warning, the viewer is just dropped into the world of the picture and left to figure stuff on his/her own. The surprises come in the first minute. The rest of the story is told organically through the great dialogue, however, the voiceover is also present and very effective. Its existence kinda makes the movie feel like a documentary, meaning that the events happening on the screen appear to be real, and, thus, even scarier.

The movie has some great themes and explores them in an interesting and fresh way. It basically takes the world’s obsession with love and perverts it to the max by making the process of falling in love into a mechanized rather than natural and organic thing. The film really succeeds in showing the radicalized absurdity of love and dating . It also asks the question of what is a real and what is a fake relationship. In addition, The Lobster accurately presents the contemporary view on the single people (the single people are still seen as less valuable members of society – we haven’t get rid of some conservative ideas just yet). The film also exaggerates the divide between the singles and the couples, by only presenting the two possible extremes without a middle ground. It also examines the taboo topics by making them appear as even more taboo than they are.

All of the characters in the film are reduced to a single feature and turned into ironized stereotypes not only for comedic but also for intellectual purposes. The animal symbolism is also very telling in the film, as lobsters are supposed to represent deep emotions while the film’s world seems to be completely emotionless. The Lobster also takes a subtle jab at today online dating culture which aims to match people up based on the percentage of their likeness and similarity. What happened to the ‘opposites attract’ idea?

Lastly, The Lobster’s ending is great: both satisfying and unsettling. It is definitely not a Hollywood type of a happy ending with the destruction of the dystopian world and the uncertain but hopeful future for the society. No, The Lobster ends with people stuck in an unfortunate situation, trying to make the best out of it.

Directing

The greek director Yorgos Lanthimos, with whose previous work I’m sadly not familiar with, does an absolutely stellar job with The Lobster. He presents the dystopian ideas in a very old-school, tradiotonal looking settting and really plays up this contrast between the normality and the absolute weirdness. He also gives the film a feeling of stagnation through the usage of the steady camera and the unmoving frame. The grim color palette also adds to the overall atmosphere. The great score by Johnnie Burn compliments the visuals really nicely. I especially enjoyed the mundane sequences which were accompanied with over the top epic and suspenseful orchestral numbers. The contrast was jarring and incredible.

Acting

All of the cast does an absolutely amazing job, bringing their nameless (for the most part) characters to life. Colin Farrel (Fantastic Beasts) is stunning in the lead, Rachel Weisz (The Light Between Oceans) absolutely nails her emotionless and actually quite scary voice over, while Ben Whishaw’s (SuffragetteThe Danish Girl, Spectre, In the Heart of the Sea, A Hologram for the Kingstiffness and monotony are jarringly appropriate too. Léa Seydoux (Spectre) and Olivia Colman (Locke) also deliver amazing performances.

In brief, the experimental art pictures (High-Rise and even The Neon Demon) are really hard to rate. I cannot put its worth into a number but I can tell you that The Lobster is a surreal, bizarre, and funny in that WTF kinda way film.

Rate: ?/5

Trailer: The Lobster trailer79027645349865d432662d9e4e919a6c.jpg