This summer’s movie season seems to be dominated by comic book movies and live-action fairytales. So, let’s review the latest feature of the second genre – Alice Through The Looking Glass. I’ve done a preview post for the film, where I discussed its director as well as other cinematic versions of Alice’s story – find it here.
While I didn’t really understand how Snow White and The Huntsman film got a sequel earlier this year (The Huntsman: Winter’s War), I do understand why this fairytale based property turned into a franchise – it earned a lot of money.And by ‘a lot’, I mean more than a billion dollars. I don’t know how it managed to do that, but it did. The Jungle Book – other 2016’s live action fairytale – will probably be joining the billion dollar club soon as well.
The film was written by Linda Woolverton, who wrote the first Alice live-action film as well as Maleficient and has also worked on stories of Disney animated classics (The Lion King, Beauty and the Beast, Aladdin, and Mulan). I have mixed feelings about the writing and the story of this film. Let’s go over the different parts of the plot point by point:
- The film opens with Alice as a Ship’s Captain. While it was definitely cool to see a female heroine in a typically male role, it was also extremely unbelievable, giving the 19th century setting of the film. (+/-)
- The film once again explored the gender norms and while this issue always angers me, I feel that it could have been approached in a less annoying, more complex and more satisfying way. (+/-)
- The idea of ‘impossible is possible’ was once again depicted in the film. Alice’s hero arc was to start believing in the impossible once again and I think that the film succeeded in portraying this development. (+)
- I also really enjoyed the topic of time in the film. How Alice first thought that Time was a villain and thief, but learned that he/it is actually her friend and a gift. In addition, I enjoyed the commentary of how the Time was against her, both literally and figuratively. The idea that when one’s clock runs out of Time, one dies was also quite nice and was interestingly represented in the film. The way Alice learned to heal with Time and parted with her father’s pocket watch at the end of the film was also a nice gesture. The main idea that one cannot change the past but can learn from it was also a wonderful message. Lastly, the character of Time could turn his inner clock to speed up Alice’s monologue – even though I enjoyed the majority of the film, at times, I really wanted to do the same and speed up the movie, but, sadly, couldn’t do that at the cinema. (+)
- The film had a lot of obvious exposition, which was really annoying. The screenwriter should have found a more organic way to convey the story rather than just have the characters spelling it out. (-)
- The movie also served as a prequel/backstory for the Red Queen, the White Queen, and the Mad Hatter. We found out why the Red Queen was crazy and had such a giant head, that the White Queen is not as innocent as she seemed to be and that Mad Hatter had family problems. While I appreciated the new info and was entertained by it, I also feel that some characters benefit from the lack of backstory – this allows the viewers to fill in the blanks however they like. (+/-)
- The pacing of the film was also a bit wonky. It simultaneously felt both rushed (from pit-stop to pit-stop) and like it was dragging on without anything really happening. (-)
- The parallels, presented in the film, were quite nice: how the chronosphere could be piloted like a real ship in the ocean of time and how both Alice and The Mad Hatter did not want to end up as their parents but still chose their family over everything else. (+)
- The way The Mad Hatter and the other Tea Time participants mocked Time was actually quite funny and clever (e.g. ‘I am ON Time’).(+)
- In the middle of the story, Alice returned to the real world for 5 min for no real reason. However, this allowed the scriptwriter to include the example of that stupid ‘science’ of 19th about female hysteria, diagnosed to any strong-headed women – another annoying sequence of the film. (-)
- The film’s heroine – Alice – was also kinda the villain of the film for the majority of ti and it the last act had to fix her previous mistakes. I kinda feel that she managed to fix everything too quickly – I wish there would have been at least a few permanent consequences. Also, the fact that putting back that sphere suddenly settled everything, didn’t make much sense either. (+/-)
- The film’s ending was quite touching – Alice’s and The Mad Hatter’s goodbye was both sweet and touching. The ending in the real world was also cool, yet, as I’ve mentioned already, unbelievable in the 19th-century setting. (+/-)
Tim Burton did not return to direct Alice’s sequel and his presence (the cooky-ness and craziness) was not felt as much as I was expecting it to be felt. Instead, Burton was replaced by James Bobin. Bobin is a TV director and has only directed two feature films in his career – The Muppets and Muppets Most Wanted. Like the writing of Alice 2, its directing is also deeply flawed. However, I do feel that somewhere underneath this mediocre/less than mediocre film is a good movie. In general, the film definitely felt less Burton-y a.k.a. less dark, more light-hearted and lighter in the color scheme. The opening shot of the moon turning into Cheshire Cat’s smile was nice. All the visuals were good for the most part, but there were a few scenes where the CGI could have been neater. The actors also should have been told to interact with green screens in a more believable manner and their over-acting should have also been toned downed by the director. There is a difference between cooky-cartoonish characters and cartoon parodies/cliche characters, and I feel that Through The Looking Glasses’s characters, sadly, belong to the second group.
A few cool visual effects were the Second/Minute/Hour monster, the sequence of the stopped Time and the hand-drawn-like end credits sequence. Questionable visual effects were Red Queen’s fruit/vegetable servants. The costumes, which also belong in the discussion of the visuals, were quite interesting. Alice’s Chinese-inspired costume was cool and impressive as well as the top of Time’s outfit – his bottom (those white tights) were a questionable choice as well.
In general, the way the film was directed left me with a lot of questions. The inconsistency was felt in the story too but it was even more obvious in the directing.
- Mia Wasikowska as Alice was okay. Nothing bad but nothing ground-breaking. A film of hers that I’ve enjoyed much more is Jane Eyre.
- Johnny Depp as the Mad Hatter was also fine. Depp knows how to play crazy characters and we all know that. I wish he would take more serious roles like the one in Black Mass.
- Helena Bonham Carter as the Red Queen was also serviceable. She screamed once again and acted like the child, because why not? I prefer Bonham Carter in less scream-ish roles – I especially liked her in Les Miserables.
- Anne Hathaway as the White Queen was probably the most annoying character. Her hands and finger movements were distracting and added nothing to the character. Recent enjoyable films with Hathaway – The Intern. Also, watch or re-watch The Devil Wears Prada. She’s really good in that picture.
- Sacha Baron Cohen as Time was the most interesting character, I just wished that he wouldn’t have acted as clumsy as he did. As I’ve mentioned in the preview post for this film, I hate Baron Cohen’s satirical characters (Borat, Bruno) but really like him in theatrical roles like this one or like the ones in Les Miserables and Hugo.
- Ed Speelers as James Harcourt. Speelers played the only redeeming male character of the film, so I appreciated the fact that they at least tried to balance the female v male dynamic. I liked Speeler’s reaction shots to the events that were happening around, and, although he didn’t have much to do in the film, I welcomed his presence. If you want to see more of his work, may I suggest the film Plastic.
A few notable actors provided voices for CGI characters, including Alan Rickman as the Caterpillar/Butterfly – I’ve always enjoyed listening to his voice and this film was no exception. I also appreciated the fact that the feature was dedicated to his memory. Stephen Fry voiced the Cheshire Cat and Michael Sheen voiced the White Rabbit alongside a bunch of other actors. Nothing really stood out as exceptional voice work: some characters sounded cool and interesting, while others had quite annoying voices.
In general, Alice Through The Looking Glass was an okay film. It had a lot of flaws in all aspects, but it still somewhat entertained me.
P.S. Sorry if this review is not that great, I’m writing it in an airport, after not sleeping for more than 24 hours.