What an amazing time to be living in Scotland! This is the review of T2: Trainspotting!
To note: I don’t have a nostalgic connection to this property – I’m coming to it as a complete newcomer (have seen the original, though). So, this could either mean that I can be more objective than the fans or this could suggest that I might not get the movie fully.
IMDb summary: A continuation of the Trainspotting saga reuniting the original characters.
John Hodge, who wrote the first film, penned the script for its sequel. Both screenplays have been based on the books by Irvine Welsh (Trainspotting and Porno, respectively). I, personally, had mixed feelings on the writing for the film.
I didn’t think that T2 worked as a standalone film, however, maybe it should not have as it was a sequel? It heavily relied on the plot of the first film and created some new material to spring-board off (but not enough to work on its own). It was certainly a continuation of the original narrative – a sequel for the insiders. One could indicate that this movie wasn’t made in Hollywood, as they always try to create sequels which can attract and appeal to the new audiences. I, personally, never really believed that Trainspotting needed a sequel but it was definitely nice to catch up with these characters. I just wish the picture was more than the catch-up, because, essentially, just like its characters, the movie was living in the past. And yet, its setting was really contemporary – I loved the moment with the EU loan. It was a super clever and a really modern jab in the post-Brexit world.
To my mind, the best writing moments of the movie were: the writing for Renton – his true backstory (nothing really happened in the film until he told the truth about his past 2 decades) and the ‘Choose life’ speech (I always wanted that t-shirt, but now I definitely need it); the writing for Spud – I loved that he was the one who threw the last punch (with a toilet bowl – neat callback to the toilet scene in T1), thus, subverting the first picture’s notion that he never hurt anybody. I also liked the fact that he was made into a writer, so Spud was kinda a stand-in for Irvine Welsh. It was also interesting that the picture picked a clearer bad guy this time. In the first film, all of them were criminals but they were all sort of likable. This time around, Begbie was clearly supposed to be seen as the antagonist.
Like T1, Trainspotting 2 tackled variety of conceptual topics, like friendship, revenge, addiction, exploitation, betrayal, and opportunities. It also touched upon the themes of a father-son relationship and the super topical economic migration. Lastly, the main idea of the picture was nostalgia (loved the lines about the characters being ‘tourists in their own youth’ and ‘the world changes even if we don’t’) and the questions whether the characters have wasted their lives and how can they move forward.
Danny Boyle came back to direct the sequel to a picture that put him on the map. After the success of 1996’s Trainspotting, he has really made a name for himself with films like 28 Days Later, Slumdog Millionaire (a huge Academy Awards winner), 127 Hours, and Steve Jobs. Although I thought that T2 was slower and more depressing than the original, I still enjoyed it. Plus, this less upbeat tone fit the stage of life that these characters were in. In addition, this time around, Boyle didn’t really go for the shock value – T2 was tamer and less messed up. There weren’t any scenes equal to ‘the baby’ or ‘the worst toilet in Scotland’ sequences from the first one. What stayed the same was the setting of the film – it was realistically gritty – set in the true social reality rather than a cinematic one. And even though the style of directing was less snappy, it was still a visceral experience to watch the film, which was mostly due to Boyle’s impressive and unique camera angles and montages.
I had a variety of favorite moments from the film. I adored the wide shots of Edinburgh, especially during the run sequence. Renton’s and Sick Boy’s lecture in front of the TV was really fun too. I laughed the hardest during Renton’s and Begbie’s first encounter – the divided screen and the toilet cubicles were an amazing setting both from the practical and the narrative stand-point. In general, I loved all the visual references to the T1. The finale was also really well-directed. I really liked the fact that this time around train tracks and trains played more of a role. Also, I though that having all 4 characters come together only in the finale was a cool choice. Lastly, the film’s soundtrack was magnificent. Both familiarly upbeat and a bit more lyrical this time around.
The original cast came back for the sequel: Ewan McGregor (Angels & Demons, Salmon Fishing in the Yemen, Our Kind of Traitor, soon in Beauty and the Beast) as Renton, Ewen Bremner (soon in Wonder Woman!?) as Spud, Jonny Lee Miller (Elementary) as Sick Boy, and Robert Carlyle (Once Upon a Time) as Begbie. All of them are still great actors – they have indeed matured in their craft during these past 20 years. My favorite encounters between characters/actors were all the scenes between Renton and Spud and between Renton and Sick Boy.
Kelly Macdonald (Anna Karenina) also appeared briefly as Diane Coulston. Her inclusion was the only thing that seemed like an afterthought. The new female lead – Veronika – was played by a Bulgarian actress Anjela Nedyalkova. She was great in the film – I also really liked the fact that they cast a foreigner in the movie to reflect the actual population of Britain today (and this comes from a foreigner studying at Aberdeen Uni, where one might get 2 Scottish people to every 20 foreigners. Fun fact – the book version of Renton went to Aberdeen Uni too!).
In short, T2: Trainspotting was a great sequel that required the previous knowledge of the material in order to be enjoyed. The direction was still great even if a bit different, while the acting skills of the cast have definitely improved.
Trailer: T2: Trainspotting trailer