Movie review: The Mercy

Movie reviews

Hello,

Welcome to a review of a small British film that you haven’t seen. This is The Mercy.

IMDb summary: The incredible story of amateur sailor Donald Crowhurst and his solo attempt to circumnavigate the globe. The struggles he confronted on the journey while his family awaited his return is one of the most enduring mysteries of recent times.

Writing

The Mercy was written by Scott Z. Burns (writer of Bourne 3 among other thrillers), based on the real-life events of 1968. I thought that the structure of the writing was fine but I had a lot of problems with its content. If the movie had a more critical rather than a celebratory approach towards its lead, I would have enjoyed The Mercy vastly more.

To begin with, the movie opened with quite a weird set-up. Instead of starting with the development of the main character, the viewer first found out about the actual sailing challenge and the navigation technology. Only then, was the main character and his family somewhat established. Since the movie did not persuade me to like the character in its first act, I cared little to none about him during the subsequent acts, where the viewer’s emotional connection to/understanding of the character were the only things holding the film together.

After half an hour of wonky set-up. the movie really began when Crowhurst set out for his journey. Quickly, a few things were revealed: he was really unprepared and he didn’t really know what he was doing. While his whole journey and this movie were pitched as an inspiring quest of a single man, in truth, his decision for the voyage was an attempt to prove his worth and best other men. Additionally, he wasn’t really looking to inspire others but rather to drive revenue into his business – it was a marketing/publicity stunt more than anything else. When his true intentions came to the surface, it became easier to understand why he was prepared to lie and cheat his way to the finish.

His whole ‘inspirational quest’ was just one giant attempt to cover up a failure and the movie celebratory view of its main character was completely wrong. How could one celebrate a man who would rather die than lose? Who would rather die than return to his family? I do get that the voyage did damage his psychology and that he wasn’t thinking clearly in the end. However, even though the fact that he committed suicide was an unfortunate event that should not have happened, it’s not a good enough excuse or a justification for his earlier actions, the ones prior to the mental illness he suffered onboard. Unless he was mentally ill before he even set out for the journey? Or was he just a sad little man, who believed in the tropes of classical masculinity?

Lastly, the concluding scenes with the wife’s decision to blame everyone else seemed like a cheap trick. Ultimately, it was his decision to sail away! Moreover, he was the one who created the circumstances that would push him to sail away! It was all on him!

Directing

The Mercy was directed by James Marsh (of The Theory of Everything). I don’t think he nailed the direction for this film. As evident in the previous section, I had lots of problems with the writing and this movie’s perspective on this story. A lot of that came from Marsh’s directing. Also, the movie was incredibly slow and not intense enough to make up for the lacking pace. The scenes of being stranded at sea were few and far between and they were not constructed in a particularly compelling manner – this was no In The Heart Of The Sea (didn’t have the same visuals) and wasn’t deep and thoughtful enough to succeed without them.

Acting

Colin Firth (Kingsman 1, Kingsman 2, Genius, Magic in the Moonlight) played the lead of Donald Crowhurst, and while he was okay, I didn’t think his performance was powerful enough. He certainly did not make me like or even understand Crowhurst’s motives and actions. Rachel Weisz (The Lobster) was fine as Clare Crowhurst but it was quite sad to see her relegated to the ‘wife at home’ role. David Thewlis (Wonder Woman) was good as the journalist/publicist Rodney Hallworth – his character was the only truly interesting part of the film.

In short, The Mercy wasn’t a great film as you can tell from my ‘less than merciful’ review of it.

Rate: 2.5/5

Trailer: The Mercy trailer

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Movie review: Their Finest 

Movie reviews

Hello!

The first movie of the year focused on the battle of Dunkirk – Their Finest – has reached theaters, so, let’s review it.

IMDb summary: A British film crew attempts to boost morale during World War II by making a propaganda film after the Blitzkrieg.

While Christopher Nolan’s Dunkirk (premiering in July) will tackle and reproduce the actual battle and the evacuation, Lone Scherfig’s film Their Finest is a story about a war propaganda film, based on a fictional story related to the real-life events at Dunkirk, produced in order to raise the patriotism of the nation. The genres and tones of the 2 movies differ vastly: one looks like a grim and serious action drama, while another one is a lighter comedy drama with some romance thrown in as well.

On top of being one of the two films about Dunkirk, Their Finest interested me for 3 reasons: 1. I wanted to see the representation of the British propaganda and how it differed or was similar to the Soviet propaganda – the kind that I’m more familiar with from history classes and from just generally growing up in Eastern/Northern Europe. 2. I have always enjoyed films about filmmaking and as this one centered on screenwriters – an occupation that I would like to pursue – my interest was peaked. 3. The movie started Sam Claflin – an actor, whose career I’ve been following pretty closely. So, let’s see if Their Finest is as ‘fine’ of a picture as the title suggests!

Writing

Their Finest was written by a TV writer Gaby Chiappe, based on novel Their Finest Hour and a Half by Lissa Evans. From the technical standpoint, the writing for the film was very nice: the narrative was well structured and rich with ideas. Whether or not the ideas worked, is a very subjective question. I, personally, really liked some of the themes but was equally frustrated by the others.

To begin with, the picture focused a lot on the relationship between Gemma Arterton’s and Sam Claflin’s characters. I highly disliked the fact that their professional relationship had to be turned into a romantic one by the end of the film. I find that this happens in a lot of stories, even in the contemporary ones. For example, the way J.K.Rowling, writing under the pseudonym Robert Galbraith, is portraying the relationship between the two main characters in her Cormoran Strike Series irritates me a lot. And yet, going back to the relationship between the characters in Their Finest, if I considered the said relationship’s romantic aspect separately, I thought that it did work and was convincing. The two individuals seemed pretty evenly matched and their sparring was entertaining to watch. The sudden end to the relationship was also emotionally effective. At first, I deemed that the end might have been too sudden but I later I’ve realized that the scriptwriters intended it to be that way and to convey a message that one never knows what might happen in war.

The second big theme of the picture was Gemma Arterton’s character’s growth as an individual. Her personal story acted very much as a symbol for a lot of women’s stories during the war – how they have finally begun to transition from the domestic spaces into the public ones. Sadly, this process is still is progress, 70+ years later. I thought that the main character was developed quite nicely – I wish we would have found out more about her background and upbringing in Wales, but I really liked her subtle journey towards independence.

Thirdly, the movie explored the screenwriting and the filmmaking business. I really loved this particular aspect of the film and just loved the fact that Their Finest celebrated the movies and tried finding positive attributes of cinema even if it was political cinema. I simply loved Sam Claflin’s character’s enthusiasm about and love for the pictures, especially since his character otherwise seemed really pessimistic and ironic. I could identify with this type of depiction very closely. The way the movie played up the uber-poshness of the actors and of the British actors, to be specific, with Bill Nighy’s character was also really fun.

Lastly, Their Finest dealt with the propaganda filmmaking, not just simple filmmaking. Not only did this type of story provided a different perspective on war, but it also proved to me that the types of propaganda don’t vary much from country to country. Like the Soviet propaganda, some of the British propaganda was very obvious but some of it was something more, just like the-picture-within-the-picture in Their Finest or a real life example, such as Sergei Eisenstein’s Battleship Potemkin. And yet, since both Their Finest and The Nancy Starling (a-movie-within-a-movie) stressed the importance of optimism and happy endings, I can’t help but wonder where exactly did the cinematic propaganda end?

Directing

Their Finest was directed by Lone Scherfig. Although the director is Danish, I thought that she nailed the British feeling of the film. She has already done that earlier with The Riot Club – that movie has really made me question my adoration of the British culture quite a bit. So, Their Finest resembled the previous historic UK-based movies that I’ve reviewed, like SuffragetteTestament of Youthand Far From The Madding Crowd. The fact that the movie was executed with the classical stationary camera work and the steady frame, also added an appropriate old-school yet timeless feel to the picture. The pacing of the picture was also very even. 

Acting

Gemma Arterton played the lead in the film and did a really good job. I hope that this is a career-changing role for her, as so far she has been starring in mostly B-level pictures, like Clash of the TitansPrince of Persia: The Sands of Time, and Hansel & Gretel: Witch HuntersI really loved how subtle yet powerful her performance was. My favorite line of hers was the last words to the boyfriend: ‘You shouldn’t have painted me that small’. Her delivery was brilliant. I also though that Arterton’s chemistry with the co-star Sam Claflin was really good and believable. I loved Claflin’s character and the actor’s performance. It was so interesting to see a writer who can express oneself well enough of paper but struggles to do the same face to face. After starting his big screen career by acting the big action flicks, like Pirates of the Caribbean 4 and The Hunger Games franchise, Claflin has mostly stuck to dramas recently, including 2014’s Love, Rosie and 2016’s Me Before You. His next film is also a historical drama – My Cousin Rachel. He has also previously collaborated with the director of Their Finest on The Riot Club.

The supporting cast included established English actors Bill NighyHelen McCroryEddie Marsan, and Richard E. GranJack Huston (American Hustle, Hail, Caesar!and Ben-Hur) also had a minor role.

In short, Their Finest is a brilliant little movie, which, sadly, will be overlooked by the majority of movie-goers and buried by the blockbusters, including the one it shares the topic with. I highly recommend this film for all those interested in history and the art of filmmaking.

Rate: 4.3/5

Trailer: Their Finest trailer

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