Movie review: Bright

Movie reviews

Hello!

A Netflix Christmas offering – Bright – has landed on the beloved streaming platform. Let’s see whether it will make Christmas better or worse.

IMDb summary: Set in a world where mystical creatures live side by side with humans. A human cop is forced to work with an Orc to find a weapon everyone is prepared to kill for.

Writing

Bright was written by Max Landis – a screenwriter who is known for being ‘promising’ rather than for actually delivering quality work. In fact, only his debut Chronicle was worthy of attention, while the follow-ups American Ultra and Viktor Frankenstein were lackluster. Sadly, Bright is joining that list of disappointments.

Bright’s script had a lot of interesting layers, however, not all of the layers meshed together. To begin with, I appreciated the fact that Landis attempted to marry fantasy and modernism – two concepts that rarely work together, at least in my opinion. He also did a good enough job of building the world of his story, though, at times, the movie’s mythology seemed to have been made up as the story went along. The magic wand idea was silly but worked as a plot device. The idea of a bright or basically, a wizard, was an example of an old concept given a new name. The orcs and elves were cool additions, though I wanted to find out more about them – also, I’d have loved if they differed from humans more than just in their appearance.

Speaking about orcs, elves, human, and faeries – these different species provided the movie with some commentary on race and/or caste. Separate human racial comments also seemed to have been present in the film (a few lines about Mexicans being blamed for something suggested to me that there are separations not only between species but within human race itself too). The fact that elves were the top and orcs – the bottom castes made Bright seem a bit like Lord of the Rings in the modern era. Since the antagonism between the species appeared to have been rooted in history, one could theorize that Lords of the Rings is an imaginary prequel to Bright.

At its basic, Bright was a crime thriller with two cops (a rookie and a seasoned one – a Training Day pair) at its center. The focus on police officers allowed the movie to explore real problems within the force – discrimination, corruption, and coverups – in a fictional story. However, the movie’s narrow focus on its two leads was also a hindrance as all of the other characters were painted as one-dimensional villains to the two ‘heroes’. Bright had a tone of supporting characters with their own agendas and their sidelines did not jell well in the film but just sort of converged accidentally and resulted in a messy narrative.

Directing

David Ayer directed the film and did an okay job. He used to be a highly acclaimed critical director (the aforementioned Training Day, End of Watch, and even Fury were all critical hits), however, his career started going downhill with Suicide Squad and is not gonna fair any better after Bright (it has been deemed rotten, plus, the fact that Netflix is distributing it automatically makes it a lesser film to a lot of traditional people in the business). It’s a shame that Ayer wasn’t able to make Bright work as well as he could have as this movie was his safe space – a crime thriller – a genre he has worked and succeeded in before.

I loved the beginning of the visual world building – the opening sequence with the graffiti. However, I wanted Bright to have more unique settings throughout the rest of the picture. The action was good too, though it was mostly just typical gunfights. The pacing of the film wasn’t bad – Bright didn’t drag much.

Acting

The two leads of the film were played by Will Smith (Collateral Beauty), who I have already seen in this role many times, and Joel Edgerton (Midnight Special, Loving), who was the standout despite all that heavy make-up and prosthetics. The multiple villainous characters were played by Noomi Rapace (What Happened To Monday), who barely had any lines and was just mostly fighting – wonder how much of that was done by her and how much by the stunt double; Édgar Ramírez (Point Break, The Girl on The Train), who looked great – a real dapper elf – but didn’t have much to do; Lucy Fry, who had a somewhat redeeming role; Ike Barinholtz (he co-wrote Central Intelligence), whose character was absolutely repugnant, and Alex Meraz, who played a interesting gang leader, who seemed like the most unique chracter in the film.

In short, Bright was an okay picture at best that set out to accomplish a lot of things but felt short with most of them.

Rate: 3/5

Trailer: Bright trailer

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Movie review: American Ultra

Movie reviews

Hello!

So, I’ve already told you that I’ve moved to Scotland. However, before boarding my late night flight to Edinburgh on Friday, I had some spare time in the morning to sneak to the cinema for one last time. So, I watched the only new release that had a morning showing time – American Ultra – and this is going to be my review. And also – the official opening of the fall movie season.

IMDb summary: A stoner – who is, in fact, a government agent – is marked as a liability and targeted for extermination. But he’s too well-trained and too high for them to handle.

Writing and Directing

This movie was written by Max Landis of Chronicle. Although I’ve heard a lot of good things about Chronicle, I haven’t actually seen it. Speaking about his American Ultra script and story – it is not that great. For one, the premise of the film made no sense. Why would you send terrible and crazy agents to eliminate another dangerous agent, who would not be dangerous if you just left him alone. Also, I am starting to feel bad for the CIA, because they are always portrayed as the worst organization in the world on the silver screen. Also, the film had way too many characters and way too many subplots, which lacked development and frankly, were not needed at all. Also, this film crossed the line of humanity way too many times. I, for one, couldn’t root for the main character, played by Jesse Eisenberg, just because of how mercilessly he killed others despite the fact that it might not have been his fault. Now I worry about Suicide Squad because there is a very fine line between antagonist and a villain and movie studios shouldn’t expect the viewers to be on a villain’s side.

Lastly, this might make be sound stupid, but I will still say it. This movie really lacked seriousness. I know that this is a stoner-comedy-action flick, but even those time of films can be much more sophisticated and more interesting. When you base a film on a stupid premise and execute it in an SNL skit form, you cannot really end up with a great final product.  The ending of the film was also really crappy and totally unrealistic.

Max Landis’s next film will be coming out later in the year. It’s a horror film and a new adaptation 1818 novel Mary Shelley’s Frankenstein – Victor Frankenstein. I am not a fan of horror films, but I might just give Landis one more chance to impress me, just because that film has amazing leading actors – Daniel Radcliffe and James McAvoy.

While I was disappointed with the story, the directing aspect of the film was quite good. The continuous fight scene in the supermarket at the end of the film was exciting and the animated end credits looked cool as well. Surprisingly, this film was directed by Project X’s Nima Nourizadeh. His skills have definitely improved since the 2012’s found-footage cult flick.

Acting

  1. Jesse Eisenberg as Agent Howell. I don’t even know what to say about his performance. First of all, his hair style was really distracting and I really don’t want to see similar wig on Lex Luthor in BvS but I guess I will just have to deal with it. Eisenberg pulled off his action scenes quite nicely, but I have seen him do better when it comes to dialogue. The Social Network is still my favorite movie of his, though I loved Now You See Me as well.
  2. Kristen Stewart as Phoebe Larson. Kristen played my favorite character in the whole film and I was not expecting to get any twists in her story, but the one we got was quite cool. I also loved that she eventually turned out to be a bad-ass in her own right, despite the fact that Eisenberg’s character wanted to save her. I was always a fan of Kristen’s (yes, I was a 12-year-old Twi-hard once) and loved her in Still Alice and Camp X-Ray. I really want to see Clouds of Sils Maria as well, because Stewart won the prestigious Cesar Award for that film.
  3. Connie Britton as Victoria Lasseter. Victoria was one of the supervisors of the program that turned Eisenberg’s character into an agent. She ultimately tried to save him. The mother-son relationship that they wanted to explore with her and his characters was not really working.
  4.  Walton Goggins as Laugher, John Leguizamo as Rose and Topher Grace as Adrian Yates. Although all of these immensely different actors played different roles, I want to talk about them as a group – a group of caricatures. Their characters were not original and they relied on stereotypical cliches and really stupid humor way too much. Frankly, it was just boring to watch them on screen.

All in all, American Ultra was an okay movie. The acting was good but some characters were way too boring, the story wasn’t that original, while the directorial execution was quite good as a sophomore project of the director. I might have seen way too many spy/agent movies this summer, so my bad opinions towards this film might be influenced by the movie fatigue of this specific genre.

Rate: 2.5/5

Trailer: American Ultra trailer

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