Movie review: The Lobster

Hello!

Before the year comes to a close, I’m catching up on a few films that I’ve missed and I’m reviewing them on this blog. Today, we are talking about The Lobster – the highly regarded indie flick that had a limited and festival release last yeat, but only premiered in the majority of countries in 2016.

IMDb summary: In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Writing

The Lobster’s script was written by Efthymis Filippou and the director of the film’s Yorgos Lanthimos. In a sea of dystopian mainstream films, The Lobster stands out as a dystopian indie picture. It’s an absurdist story full of unique, original, funny, entertaining, uncomfortable, disturbing, and, of course, thought-provoking moments. It has a great narrative structure: the story starts without a warning, the viewer is just dropped into the world of the picture and left to figure stuff on his/her own. The surprises come in the first minute. The rest of the story is told organically through the great dialogue, however, the voiceover is also present and very effective. Its existence kinda makes the movie feel like a documentary, meaning that the events happening on the screen appear to be real, and, thus, even scarier.

The movie has some great themes and explores them in an interesting and fresh way. It basically takes the world’s obsession with love and perverts it to the max by making the process of falling in love into a mechanized rather than natural and organic thing. The film really succeeds in showing the radicalized absurdity of love and dating . It also asks the question of what is a real and what is a fake relationship. In addition, The Lobster accurately presents the contemporary view on the single people (the single people are still seen as less valuable members of society – we haven’t get rid of some conservative ideas just yet). The film also exaggerates the divide between the singles and the couples, by only presenting the two possible extremes without a middle ground. It also examines the taboo topics by making them appear as even more taboo than they are.

All of the characters in the film are reduced to a single feature and turned into ironized stereotypes not only for comedic but also for intellectual purposes. The animal symbolism is also very telling in the film, as lobsters are supposed to represent deep emotions while the film’s world seems to be completely emotionless. The Lobster also takes a subtle jab at today online dating culture which aims to match people up based on the percentage of their likeness and similarity. What happened to the ‘opposites attract’ idea?

Lastly, The Lobster’s ending is great: both satisfying and unsettling. It is definitely not a Hollywood type of a happy ending with the destruction of the dystopian world and the uncertain but hopeful future for the society. No, The Lobster ends with people stuck in an unfortunate situation, trying to make the best out of it.

Directing

The greek director Yorgos Lanthimos, with whose previous work I’m sadly not familiar with, does an absolutely stellar job with The Lobster. He presents the dystopian ideas in a very old-school, tradiotonal looking settting and really plays up this contrast between the normality and the absolute weirdness. He also gives the film a feeling of stagnation through the usage of the steady camera and the unmoving frame. The grim color palette also adds to the overall atmosphere. The great score by Johnnie Burn compliments the visuals really nicely. I especially enjoyed the mundane sequences which were accompanied with over the top epic and suspenseful orchestral numbers. The contrast was jarring and incredible.

Acting

All of the cast does an absolutely amazing job, bringing their nameless (for the most part) characters to life. Colin Farrel (Fantastic Beasts) is stunning in the lead, Rachel Weisz (The Light Between Oceans) absolutely nails her emotionless and actually quite scary voice over, while Ben Whishaw’s (Suffragette, The Danish Girl, Spectre, In the Heart of the Sea, A Hologram for the King) stiffness and monotony are jarringly appropriate too. Léa Seydoux (Spectre) and Olivia Colman (Locke) also deliver amazing performances.

In brief, the experimental art pictures (High-Rise and even The Neon Demon) are really hard to rate. I cannot put its worth into a number but I can tell you that The Lobster is a surreal, bizarre, and funny in that WTF kinda way film.

Rate: ?/5

Trailer: The Lobster trailer

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Movie review: Spectre + a look back

Hello!!!

The latest (24th!) James Bond film – Spectre – has finally hit theaters in its native UK and this is going to be my review!!

To begin with, as some of you may know, James Bond franchise is one of 2 spy/agent/espionage film series that I adore (other being Mission Impossible). And while MI films only had one interpretation of Ethan Hunt, James Bond has been played by a huge variety of actors and all fans have their favorite one. Mine is Daniel Craig’s Bond, just because it is the one that I’m most familiar with and that I actually grew up watching. In truth, I have seen one or two Pierce Brosnan’s Bond films on TV as a child, but they weren’t that good while Craig’s first outing as Bond in 2006’s Casino Royale was amazing. I would also love to check out the earliest editions of Bond and read the original novels by Ian Fleming someday.

Let’s go over the 3 previous films in a franchise, before moving on to talking about Spectre!

SPOILER WARNING

Casino Royale (2006)

Casino Royale is one of my favorite movies ever made. I still cannot believe that Martin Campbell directed it and did such an amazing job and then moved on to making Green Lantern. Casino Royale was the origin story of 007 and it had amazing action (the parkour chase) and wonderful suspense (the best poker scene ever put to film – made me want to learn poker). It also had amazing callbacks to the lore of Bond: the ordering of Martini, the iconic line to end the film and so forth. It was also the film that pushed the boundaries of violence – the torture/whipping scene was something that I have never seen before. It was really uncomfortable to watch but you could not take your eyes off the screen at the same time. This film also had the best Bond girl  – Vesper played by Eva Green. Vesper was resourceful and strong female character, who also had femininity and softness to her. She was just an overall great, well-developed character. It sad that she had to die for 007 to become the real Bond.

Quantum of Solace (2008)

This sequel to the majority of fans was a bit of a disappointment and I have to agree with them. While I really liked how this film based its story on the things that happened in the first film, it wasn’t up to par with its predecessor on any level.The plot was really messy and hard to follow. Quantum was directed by Marc Forster, who later made World War Z, which a lot of people hated while I kinda liked it.

Skyfall (2012)

Skyfall was the big comeback of this series as well as the commemorative film of Bond’s 50th anniversary. While Casino Royale was the origins of Bond and the Quantum of Solace was the Bond-y Bond, Skyfall was all about the broken Bond. It was great seeing a different side of the character as well as being able to glimpse into his past and his family – a theme which will be very important in Spectre. In addition, this film allowed us to spend more time with Judi Dench’s M and introduced 2 great new characters: Ralph Fiennes’s Mallory and Ben Whishaw’s Q. Lastly, as a new inhabitant of Scotland, I really appreciated the setting of the last part of the film, when I’ve re-watched it only recently: Welcome to Scotland!

Overall, this franchise has great acting and really good villains – in the first and third films to be precise. It also is an internationally set franchise which is always a plus for me. It also has a great soundtrack: my favorite theme song (not counting the original James Bond theme song) is still Adele’s Skyfall, but I do like Sam Smith’s Writing’s on the Wall as well. Chris Cornell’s You Know My Name and Jack White’s and Alicia Keys’s Another Way to Die are also great songs, worth the listen.

SPOILER WARNING FOR SPECTRE

IMDb summary: A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.

Overall, I’ve definitely enjoyed Spectre but not as much as I thought I would. Casino Royale is still the best Bond movie, to my mind, and, sadly, Spectre is not as enjoyable as Skyfall. Quantum of Solace, not surprisingly, takes the last place on the list.

Opening credits

Spectre had my favorite opening credits of the last 4 Bond films. Skyfall had amazing opening as well, but this one had even a better one. I loved how they started with the theme of fire and then played off of the Spectre’s logo – the octopus. I also really enjoyed the references to the previous films (or at least to 1st and 3rd films – everybody wants to forget Quantum): images of Vesper, M, Le Chiffre and Silva appeared in a breaking glass.

Tone

Spectre was probably the funniest Craig’s Bond film. It had a lot of laugh out loud moments and these were set up not only by dialogue punch lines but by action scenes. For example, I loved how Bond fell onto the sofa after that building crashed at the beginning of the film. At the same time, this movie was really dark and conveyed emotions like hopelessness and loneliness perfectly.

Story

The film’s script was written by a group of people: John Logan, Neal Purvis, Robert Wade, Jez Butterworth. All of them, except Butterworth, have previously worked on other Bond films. Logan has been nominated for an Oscar for writing Gladiator, The Aviator, and Hugo. Purvis and Wade have worked on other films together and Butterworth wrote Edge of Tomorrow and this year’s Black Mass. All of these accomplished writers did an okay job, however, I believe that they could have refined the story a bit more. A few supporting characters could have fared better with some more development and the plot could have made more sense: at times it felt that Bond was going from point A to B to C for no reason. Nevertheless, I really enjoyed the dialogue of the film, which was brought to life by amazing performances from the whole cast. The way Spectre’s story tied the whole series together is also worth praising. The theme of modernity versus tradition was an interesting idea to introduce into the Bond franchise as well. Lastly, I do not know about you, but I would definitely not feel safe if I am constantly being watched.

Directing

Skyfall’s Sam Mendes returned as a director for Spectre. He did an amazing job in 2012 and did not disappoint this year as well. I loved the opening crowd chase scene in Mexico as well as the car chase in Rome. I also liked how the ending of the film was set in Bond’s home – London. It was nice seeing the old MI6 base. Speaking about Mendes’s other films, I really want to watch American Beauty, which earned him an Academy Award for best director.

In addition, not only the action scenes were exciting, but the whole film was visually appealing, glamorous, luxurious and elegant. Praises for this go to cinematographer Hoyte van Hoytema.

Acting

• Daniel Craig as James Bond, agent 007. This was Craig’s 4th time playing Bond and it was yet again a different side of Bond. If Skyfall showed us a physically broken Bond, Spectre gave us an emotionally damaged one. It also showed that even though he is a stone cold assassin, he would like to change his way and find his ‘happy ending’. I’m sure that that ‘ happy ending’ won’t last long since Craig’s contract states that he has one more movie left (at least according to the Internet). However, there has been some rumors that Craig will refuse to play Bond moving forward, so I guess we will see what happens.
• Christoph Waltz as Ernst Stavro Blofeld was a good villain, who could have been great if we just have spent more time with him. I believe that it was a wasted opportunity not to put more of C. Waltz in the film because he is amazing in villainous roles. Just watch Inglorious Basterds if you don’t believe me. Check out Django Unchained as well if you want to marvel at how great of an actor Waltz is.
• Léa Seydoux as Dr. Madeleine Swann. Finally, a Bond girl (well, not really) who challenges Bond and who was actually as good as Vesper! I loved her character and would have wanted to spend more time with her as well. Seydoux is an accomplished French actress with films like the aforementioned Inglorious Basterds, Midnight in Paris, Mission Impossible: Ghost Protocol, Blue is the Warmest Color and The Grand Budapest Hotel on her resume.
• Ben Whishaw as Q. I loved how Q’s abilities were crucial to the plot of Spectre and I, once again, wish that we could have spent more time with him. I have talked more about him in my Suffragette review.
• Naomie Harris as Eve Moneypenny. I quite liked the brother-sister relationship that she and Bond have. However, her character was kinda wasted in this film – it is a shame that they didn’t give more things for her to do.
• Monica Bellucci as Lucia Sciarra. I have always been skeptical about Bellucci as an actress and never really paid any attention to her. However, she was perfectly fine in this film as the sex toy-Bond Girl. You see there are different types of Bond girls and she played the most stereotypical one.
• Ralph Fiennes as Gareth Mallory aka the new M. As much as I like Fiennes as an actor, my favorite M will always be Judi Dench. Having said that, Fiennes did a nice job in the role and I did love his serious facial expression.
• Andrew Scott as Max Denbigh – C. He was a really unlikable character even before it was revealed that he was working for Spectre. You could sense his douchebagness from miles away, so the twist was not that surprising.
• Jesper Christensen came back as Mr. White and I really liked the fact that his comeback was meaningful and not just a random cameo to please the fans.
• Dave Bautista as Mr. Hinx – the assassin of Spectre. He was not really developed as a character but, not surprisingly, did an amazing job in the fight/action scenes as in Guardians of the Galaxy.
• Lastly, it turns out that a Lithuanian actor (I’m Lithuanian also) Gediminas Adomaitis, who I have never heard before, was one of Oberhauser’s Right Hand Man, according to IMDb. That’s pretty cool.

All in all, Spectre was definitely an enjoyable film, however, it could have been and should have been so much better. I don’t know whether my expectations were too high and that’s why I am so harsh on this film. Still, I firmly believe that the film’s script was its weakest part. While I loved the tone and the dialogue, the plot could have used another revision. Nevertheless, the acting and the visuals, both in the opening and in the actual film, were splendid.

Rate: 3.5/5

Trailer: Spectre trailer