Movie review: Tomb Raider

Movie reviews

Hello!

And welcome to Hollywood’s gazillionth try at making video game movies into a thing. This is Tomb Raider!

IMDb summary: Lara Croft, the fiercely independent daughter of a missing adventurer, must push herself beyond her limits when she finds herself on the island where her father disappeared.

Writing

Tomb Raider was written by Evan Daugherty (of Divergent, The Huntsman, and TMNT), Geneva Robertson-Dworet (according to IMDb, hasn’t written any movies before this one but has 7 announced projects including MCU’s Captain Marvel), and Alastair Siddons (writer of Trespass Against Us – a movie with Michale Fassbender/new Lara Croft’s real-life husband. Fun connection). This film is based on the famous game series (which I have never played) and also acts as the reboot of the previous Lara Croft movie franchise from the early 2000s (which I don’t remember at all but plan on rewatching in April when I have some more free time). The writing for the new Tomb Raider wasn’t bad but it also wasn’t great either. The narrative itself was structured well enough and the story was interesting too. However, all of us have seen this movie before and more than once. We have also previously heard a good portion of the film’s by the numbers dialogue too.

The movie started promising. The set-up was interesting and I did like how contemporary it was (Lara being a deliveroo type of food courier). The only part of the set-up that sort of came out of nowhere was the invention of the villain – Trinity organization was mentioned in passing and was never developed more throughout the film. There were a plethora of hints at it in the closing scenes of the picture but whether the sequel will happen for those hints to result in anything substantial is a big question. No one is sure whether we will get to see Lara with her two signature guns either, which she acquired in the last scene of the film (I did like her with bow and arrows a lot, though). Thematically, Tomb Raider toyed with the ideas of history and the supernatural. I did like the historical quest/puzzle element of the film and I do appreciate the fact that they didn’t go the full supernatural route like The Mummy did. In general, the picture was an okay origin story and a good-enough reintroduction of the character but with so many other big franchises currently being produced, I don’t really know whether there is space for Lara Croft.

Directing

Tomb Raider was directed by a Norwegian director Roar Uthaug and, as far as I can tell, this film was his English language/Hollywood debut. I thought he did a good job realizing the flawed script. The pacing was okay too. I mostly had problems with the tone and the action of the film. The in-camera/on-location action was executed really well and made the movie feel like a tight action film. I especially liked the opening bike chase sequence, the chase on the boats in Hong Kong, and all the hand-to-hand combat in general. However, some other action scenes were really CGI heavy and had so many unbelievable moments that made them laughable. The shipwreck scene was super dark and filmed in a really shaky fashion, while the plane/river sequence just had way too many lucky coincidences. Those over the top, unrealistic action sequences made Tomb Raider feel like a video game movie, which I guess was the point. The final action sequence in the tomb was a mixed bag of good realistic action of an action movie and over the top CGI of a video game movie. I can’t really comprehend why somebody would make a movie lean more towards video game-ness, when the quality and the reaction to all the previous video games was so poor and when that same movie would be so much much better if it went the more classical/grounded action movie route.

Acting

Alicia Vikander played the lead and was actually really good as Lara Croft. Just the physical shape alone that the actress was able to achieve for this role was incredible, worthy of praise, and a bit inspiring. Made me want to do a couple of more extra crunches at the gym. I have always been impressed with Vikander’s indie/awards’ work (like The Danish Girl for which she won an Oscar and even Tulip Fever – the film was bad but she was good in it) and I was really glad to see her cast in a more mainstream/bigger budget/higher profile film. She has had supporting roles in mainstream films before, like – The Man From U.N.C.L.E. and Jason Bourne, but this is the first time she is headlining a movie of this scale and hopefully, a whole franchise. Still, I do doubt whether this movie will spawn a franchise but I also don’t think that it will damage Vikander’s career in any way if it doesn’t.

Walton Goggins (The Hateful Eight) was fine as the typical power hungry and blind-to-everything villain and I think I have seen Goggins in this role before (like in The Death Cure just a month ago). Dominic West (Genius, Money Monster) played the role of an equally delirious man and was okay in it. The writing didn’t make either of these characters sympathetic or understandable in any way, shape or form. Daniel Wu (Geostorm) had a small supporting role in the picture and, while he had some neat moments, his character was also forgotten in the third act. Wu has already starred in one video game movie – WarcraftKristin Scott Thomas (Darkest Hour, The Party) appeared too with the promise of a bigger role in the sequel (when and if it happens).

In short, Tomb Raider was an entertaining but forgettable film. It didn’t do much for the video game movie genre but didn’t damage it further (if that is even possible) either.

Rate: 3.3/5

Trailer: Tomb Raider

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The Awards Season Round-Up 2018

Movie previews, Movie reviews

Hello!

Welcome to the end of the 2018 awards’ season. With the big night – the Academy Awards – just around the corner, I thought it was high time for me to decide on my personal winners. I have done similar posts for 2016 and 2017 awards seasons and linked them accordingly.

This year, I’m switching up the format and instead of listing my favorite to the least favorite filmmakers/films in each category, I’m just gonna be announcing a single personal (subjective) winner out of the nominees. I’ll also write down my objective winner – somebody who I think (when factoring in the previous wins, the critical acclaim, even the box office numbers) will actually get the Oscar. My subjective and objective winners might not always coincide. I’ll also include some of the snubs – people or movies that should have been included in the prestigious top 5 (or top 10 for Best Picture) but didn’t get an invite. Here we go! Don’t forget to tell me your personal winners (who should win and who will win) in the comments!

Lead Actor:

Timothée Chalamet – Call Me by Your Name
Daniel Day-Lewis – Phantom Thread
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Denzel Washington – Roman J. Israel, Esq.

Snubs: Tom Hanks – The Post; James Franco – The Disaster Artist; Jamie Bell – Film Stars Don’t Die in Liverpool

  • Objective Winer: Gary OldmanDarkest Hour (he won every major award until this point).
  • Subjective Winners: Timothée ChalametCall Me by Your Name or Daniel Kaluuya Get Out (two incredible actors, both at the beginning of their career – the nominations themselves already solidified them as valuable commodity in Hollywood and the wins, though unlikely, would kickstart their career on even a higher note)

Lead Actress:

Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird
Meryl Streep – The Post

Snubs: Jessica Chastain – Molly’s Game; Michelle Williams – All The Money In The World; Emma Stone – Battle of the Sexes

  • Objective Winer: Frances McDormandThree Billboards Outside Ebbing, Missouri (again, she has won every major acting award this season)
  • Subjective Winner: Sally HawkinsThe Shape of Water (there was something so special about her performance that I just have to give it to her)

Supporting Actor:

Willem Dafoe – The Florida Project
Woody Harrelson – Three Billboards Outside Ebbing, Missouri
Richard Jenkins – The Shape of Water
Christopher Plummer – All the Money in the World
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Snubs: Armie Hammer – Call Me by Your Name

  • Objective Winer: Sam Rockwell Three Billboards Outside Ebbing, Missouri (won every major award this season)
  • Subjective Winners: Sam Rockwell Three Billboards Outside Ebbing, Missouri (made an awful caricature into an understandable character – brilliant)

Supporting Actress:

Mary J. Blige – Mudbound
Allison Janney – I, Tonya
Lesley Manville – Phantom Thread
Laurie Metcalf – Lady Bird
Octavia Spencer – The Shape of Water

Snubs: Hong Chau – Downsizing; Holly Hunter – The Big Sick; Kristin Scott Thomas – Darkest Hour

  • Objective Winer: Allison JanneyI, Tonya (won every major award – I’m getting tired of repeating this line but there really hasn’t been a lot of surprises this awards season)
  • Subjective Winners: Allison Janney I, Tonya (while all the nominees were good, she was amazing and on a different level altogether)

Director:

Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread
Guillermo del Toro – The Shape of Water

Snubs: Martin McDonagh – Three Billboards Outside Ebbing, Missouri; Ridley Scott – All the Money in the World; Steven Spielberg – The Post; Sean Baker – The Florida Project; Denis Villeneuve – Blade Runner 2049

  • Objective Winer: Guillermo del ToroThe Shape of Water (the major winner this season who is also a longtime working director that deserves an Oscar)
  • Subjective Winners: Greta GerwigLady Bird (while I didn’t think her movie was as praiseworthy as everyone said, I do think that her directing abilities made it into something more special than a simple YA coming of age tale).

Adapted Screenplay:

James Ivory – Call Me by Your Name
Scott Neustadter & Michael H. Weber – The Disaster Artist
Scott Frank, James Mangold & Michael Green – Logan
Aaron Sorkin – Molly’s Game
Virgil Williams & Dee Rees – Mudbound

Snubs:  Armando Iannucci, Ian Martin & David Schneider – The Death of Stalin;  Hampton Fancher & Michael Green – Blade Runner 2049 (not sure whether it counts as original or adapted)

  • Objective Winer: Aaron Sorkin Molly’s Game (I think that Sorkin’s name will be enough to persuade the voters)
  • Subjective Winners: Scott Frank, James Mangold & Michael Green Logan (no surprise here, if you read my blog: as much as I like typical awards movies, seeing a mainstream comic book movie winning an Oscar would be absolutely amazing)

Original Screenplay:

Emily V. Gordon & Kumail Nanjiani – The Big Sick
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Guillermo del Toro & Vanessa Taylor – The Shape of Water
Martin McDonagh – Three Billboards Outside Ebbing, Missouri

Snubs: Sean Baker & Chris Bergoch – The Florida Project;  Steven Rogers – I, Tonya

  • Objective Winner: Martin McDonaghThree Billboards Outside Ebbing, Missouri.
  • Subjective Winners: Emily V. Gordon & Kumail NanjianiThe Big Sick or Jordan PeeleGet Out (again, two more mainstream-esque movies that did something new and unique with familiar genres)

Best Picture:

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Snubs: The Disaster ArtistThe Big Sick; Molly’s Game; The Florida Project

  • Objective Winner: Three Billboards Outside Ebbing, Missouri (the winner up to this point). Or The Shape of Water (the big nominee that could steal the thunder)
  • Subjective Winners: I would love to see either of my objective winners actually winning. The third subjective pick would be Call Me by Your Name.

And that is is for the 2018th Awards Season! Onto March a.k.a. the warm-up for the summer movie season (A Wrinkle In Time; Red Sparrow; Tomb Raider; Pacific Rim 2; Love, Simon; Ready Player One…this month is going to be big!)

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Movie review: Darkest Hour

Movie reviews

Hello!

I’ve finally found time to watch Gary Oldman’s Oscar picture Darkest Hour and this is my review.

IMDb summary: During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler or fight on against incredible odds.

Before we start discussing this film, let me link you to another Churchill biography from 2017 titled, surprise surprise, Churchill. That film focused on the closing moments of WW2 (in contrast to this movie, which explores the opening chapters of it). Also, if you want more context for Darkest Hour, you can watch Dunkirk, also from 2017: the events in that film happen at the same time as the ones in Darkest Hour.

Writing

Darkest Hour was written by Anthony McCarten (writer and producer of The Theory of Everything and a novelist) and he did a spectacular job writing for the character of Churchill (less of a stellar job constructing the story of a film but, then again, the character was the story in the case of this movie).

Churchill was presented as a complex and layered figure, one that had both flaws and redeeming features. He was basically the last choice for the position of PM and, yet he became the hero of the nation and half of the Western world. He came from a privileged background (didn’t even know the correct hand gestures) and, yet was also the man of the people (the underground scene was a great visualization of his transition from being the PM for the government to being the PM of the people). He was also a patriot through and through and, yet he decided to lie to his nation (is there ever a good enough cause to withhold the truth?). He also has worked with people with diverging opinions and personalities all his life and, yet have never really learned to comprise. In addition to being a leader, who deeply felt the loss of his troops (the fact that it is the leader’s main objective to bear the loss is as true in real life as it is in fiction, a.k.a. The Last Jedi), he was also a husband and a father, who sacrificed his family life for the public one. And yet, Churchill’s and his wife Clementine’s relationship was portrayed as a very loving and caring one. The moments of confrontation were present in it too, but the shared feeling between the two individuals was love, at its purest.

The screenwriter also did a very good job with the inclusion of Churchill’s actual speeches into the film. However, while those speeches were truly inspirational, especially the final one, probably not one of the initial listeners (other politicians) were that inspired to do any actual fighting. The scriptwriter also wrote some brilliant dialogue for Churchill and King George VI (yup, the one from The King’s Speech – this is a well cinematized period of the British history) – I especially liked the King’s change of heart moment. Darkest Hour also explored or hinted at some of the wider implications of war. The moment with Churchill calling Franklin D. Roosevelt was a perfect signal of the reversal of fortunes of the former colony and the empire. Speaking about the empire: every WW2 (or any war) movies I watch raise me a question: is there ever the good side in the war? Yes, Hitler was a monster but the British Empire was an empire, that oppressed millions of people around the globe for way longer than Hitler was in power. How do count who is worse? By human loss? By time? By subjective and personal evaluation? Lastly, some historical events portrayed in the film, when put in contemporary context, made me chuckle ironically, like the fact that the majority of the British politicians were ready to compromise, while they are not known for their ability to do the same nowadays (*cough, cough*, Brexit).

Directing

Joe Wright (of such literary adaptations as Pride & Prejudice, Atonement, and Anna Karenina and mainstream missteps as Pan) tackled the Churchill biopic and was quite successful. Darkest Hour was truly a character piece, and a specific glimpse into, rather than a full-on recreation of a historical event. I loved how the camera’s focus was always on Churchill and how he occupied the center of the frame most of the time (I loved the images where Churchill was framed in doors, windows, rooms). I also thought that the drama was constructed quite well, though a film did felt a bit long. Lastly, I reached a sort of a personal epiphany that probably wasn’t intended by the director, when watching the picture. Seeing all the rooms of white old men in the positions of power was all good and appropriate for a historical drama but as soon as I saw them, I had a sad realization that this image has changed very little in the governments of today.

Acting

Gary Oldman (The Hitman’s Bodyguard was his last film – what a step-up in quality this one is) absolutely nailed the titular character. He fully transformed himself into Winston Churchill. While the physical transformation (the make-up and the prosthetics) were impressive, what I found most intriguing (and transformative) about Oldman’s performance was his demeanor, emotional intensity, and his way of speaking. I also appreciated the fact that Oldman played Churchill as a real person rather than a historical figure. By treating Churchill as a person, Oldman (and the director) found room for humor and sarcasm within the character – two things that don’t really come across in the history textbooks. Oldman has won every major acting award so far, thus, an Oscar win is almost a sure bet too.

Kristin Scott Thomas (The Party) brought warmth and strength to Clementine Churchill, while Ben Mendelsohn (Rogue One) was really good as King George VI and portrayed the royal as a real person rather than a larger than life figure too. Lily James (Cinderella, Baby Driver) was good as the secretary Elizabeth Layton but her character wasn’t really necessary for the film. Also, I feel like a secretary type of character (with either a boyfriend or a family member being at war or in another kind of peril) has been included in alongside portrayal of Churchill: e.g. Ella Purnell played PM’s secretary in Churchill, while Kate Phillips played one on The Crown. Lastly, Ronald Pickup and Stephen Dillane were good as the two main antagonists of Churchill: Neville Chamberlain and Edward Wood, 3rd Viscount Halifax, respectively.

In short, Darkest Hour was a brilliant character piece that featured a truly magnificent performance by Gary Oldman.

Rate: 4/5

Trailer: Darkest Hour trailer

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5 ideas about a movie: The Party 

Movie reviews

Hello!

It’s nice to sometimes take a break from the mainstream cinema and see something super unique and very obviously indie. This is The Party.

IMDb summary: A comedy wrapped around a tragedy. It starts as a celebration and ends with blood on the floor.

  1. The Party was written and directed by Sally Potter, whose previous movies have all been indies/experimental or art films in the short or the feature-length format. So, The Party – a real-time, black and white, just over an hour long picture was very much a continuation of her style. What a brilliant film it was, though.
  2. The Party’s narrative unfolded over a single hour. Its story was full of major personal dramas for each of the characters. All the issues that were touched upon were all directly related to the domestic space, and, while I’ve never been particularly interested in those types of topics, I was extremely into The Party. The film explored the concepts like politics, marriage, friendship, love, family, money, life, and death. It also had an extremely smart dialogue: the most intelligent small talk ever put to film. It was also full of real-life situational humor.
  3. The Party’s 7 characters made for a weird bunch. An idealist politician, a cynic and ironic best friend, a spiritualist life coach, a cheating and ill husband, a money-driven capitalist druggie, and a lesbian couple, consisting of an academic and a pregnant-with-triplets woman all found themselves present at the same party. The whole plot was all about them so there was plenty of character development. Also, that title – The Party – had a double meaning of both a political party and a social gathering. Thus, I’ve seen the picture interpreted as a metaphor for the modern Britain – a country in turmoil, incapable of reconciling its differences.
  4. The movie was filmed in black and white (don’t think I’ve ever seen a movie in B&W in a cinema), so the play between the shadows and the light was super important and interesting to notice. The real-time setting of the plot was exciting and extraordinary. The mobile frame and the handheld shots were authentically indie. All these features also made the movie seem a bit like a play. I guess the closest film I’ve ever seen to this one is Fences, which also felt like a filmed stage production (cause it was based on a play).
  5. The Party had a stellar international cast and was a brilliant display of acting. Emily MortimerCillian Murphy (Dunkirk, Free Fire, In The Heart of The Sea), Kristin Scott ThomasCherry JonesTimothy SpallPatricia Clarkson (The Maze Runner), and Bruno Ganz put on incredible dramatic (both tragic and comedic) performances. Murphy and Clarkson were my favorite.

In short, The Party is a great film about a really bad party. Short, smart, sophisticated and satisfying.

Rate: 4,5/5

Trailer: The Party trailer

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