Movie review: All the Money in the World

Movie reviews

Hello!

Famous for its subject matter (the real-life events it depicts) and the behind-the-scenes story (Spacey out, Plummer in just months before the release date), can this movie stand on its own? This is All The Money In The World.

IMDb summary: The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

Writing

All the Money in the World was written by David Scarpa (he wrote some actions films before), based on the book Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty by John Pearson. I found the writing for the film to be really good. I loved that the movie managed to be both a biography of J.P. Getty’s and a crime drama about the investigation of his grandson’s disappearance. The biography part was fascinating because its subject – Getty himself – was fascinating. His relationship with money – him being both rich and frugal – was really interesting. The fact that he found safety in materialism (and, in contrast, a high risk of failure in human relationships) also made him into somewhat understandable if not relatable (unless you are a 1-percenter) character.

Getty wasn’t the only character portrayed as being in the morally grey zone. Getty’s advisor was very vocal about his flaws, while the mother character wasn’t completely untouchable either. This morally grey type of portrayal made the characters seem real – as real as their real-life counterparts. The writing for the investigation portion of the film was great too – the investigation itself had so many layers and unexpected turns (I didn’t know the story beforehand). The picture also employed a lot of flashbacks to explain the backstories of characters and managed to make all the temporally different parts seem cohesive.

Directing

Ridley Scott (The Martian) directed All the Money in the World and made me want to see more of his dramas – he should start making them instead of Alien films (give that franchise to Neill Blomkamp, please). This film was impeccably shot and well edited. The world of the 1-percenters, as well as the 1970s time period, were well realized. The pacing was excellent too – the film was intense and engaging all throughout its 2h+ runtime. Lastly, the reshoot situation was handled just seamlessly. I couldn’t spot any inconsistencies in the story or the visuals (if only Justice League would have handled its reshoot that well).

Acting

The three leads of All the Money in the World did a magnificent job. To my mind, the acting was the best part of the film.

Michelle Williams (The Greatest Showman) was amazing. I feel like she was even better than in Manchester by the Sea, for which she was nominated plenty of times during the last awards season. Mark Wahlberg (Ted, Deepwater Horizon, Patriot’s Day, Daddy’s Home 2) was great too – this is not the type of role we are used to seeing him in, but, after this movie, I wish he would do more dramas and less Transformers-type of films cause he posses the acting talents of a dramatic actor and not just an action star. Christopher Plummer (The Man Who Invented Christmas) was brilliant as J. Paul Getty too – his performance becomes even more amazing when you realize that it was a super late addition (he was cast instead of Spacey (after the allegations against him were made public) and all Getty’s scenes had to be reshot months before the release date).

On the supporting front, Charlie Plummer (no relation to the other C. Plummer on the cast) was quite good as John Paul Getty III (the grandson), while a French actor Romain Duris played one of the kidnappers – his character was also morally grey – not a full on ‘villain’ to accompany the not really ‘heroes’ of the story.

In short, All the Money in the World is a well-directed drama with great writing and even better acting. A solid awards nominee if not a sure winner.

Rate: 4.5/5

Trailer: All the Money in the World trailer

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Movie review: Baby Driver

Movie reviews

Hello!

An original movie, in this day and age, is a rarity, and that makes Baby Driver ten times more special than it already is. Let see whether the film can live up to the hype, whether it can prove the worth of original material, and whether it can act as the comeback of Edgar Wright! Plus, can it just be a fun and enjoyable summer movie?

IMDb summary: After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.

Edgar Wright

Baby Driver was both written and directed by the coveted auteur Edgar Wright (one of the few auteurs working in Hollywood). Wright is best known for creating The Three Flavours Cornetto trilogy and cult classic Scott Pilgrim vs. The World. He also worked on the Marvel project Ant-Man before parting ways with the studio. Even though he left Disney/Marvel, he did live to make another movie and Baby Driver very much proves that his career is far from over. So, on a side note, Lord and Miller situation (them being fired from the Han Solo movie) might also turn out fine.

Writing

I very much enjoyed the writing for Baby Driver. The story was tight and simple, but yet also complex and unique. Let’s begin with the main character of Baby – I don’t think I can name another recent character that was so extraordinary. His love for music and driving, his sense of style (those glasses – brilliant), his relationships with his mother, girlfriend, and the deaf foster dad, and a good heart made him not only a relatable but extremely likable lead. And yet, he also had unexpected qualities (like the idea for that brutal kill or just bravery enough to kill). Also, the fact that the movie acknowledged that there are different ways to enjoy music (by hearing AND feeling it) was so great.

The romantic plotline also actually worked, which it rarely does in an action film. I loved the ending shot in black and white: they looked like a couple of criminals from a 60s movie. All the main criminal characters were amazing too and I loved the fact that all of their arcs had a definitive ending and that they weren’t dropped halfway through the runtime. My only gripe was that I didn’t think that Kevin Spacey’s character’s change of heart fully worked. The film also had wonderful humor, some of my favorite parts were the kid in the post office and the butchery metaphor. Lastly, I loved how Wright paid dues to other movies, by either giving them a shout-out or just showing a clip from them on TV. Baby Driver was, truly, a film written by a movie lover for movie lovers.

Directing

From the trailers, Baby Driver seemed like a super fun movie but I didn’t feel that it had the signature flavor of Wright. I was kinda right – Baby Driver was his lowest energy project yet (although it did dial everything up for the finale) and his most mainstream film so far and that is not really a bad thing. It was basically something different yet familiar. I loved all the action sequences and enjoyed the irony of Baby also having to run rather than drive in one of them. I was also impressed by the long takes, especially the one that followed the opening car chase. The signature close-ups were also neat.

Plus, I liked the fact that they used normal looking cars, not super expensive and super fast ones. Thus, Baby Driver was a celebration of driving – a thing that The Fast and The Furious used to have but lost completely in the later installments. Lastly, I cannot write a review for Baby Driver without mentioning the editing and the soundtrack. This is how you edit the visuals into the music. King Arthur and Suicide Squad should watch and learn.

Acting

Baby Driver’s cast was marvelous: it consisted of both proven actors and some up-and-comers. Ansel Elgort (TFIOS, Divergent) was spectacular, they way he acted into the music/with the music was just thrilling to watch. Lily James (Cinderella) was good as his girlfriend: they looked cute together and had chemistry. The cinema veterans Kevin Spacey (House of Cards), Jon Hamm (Keeping Up With The Joneses was actually not bad), Jamie Foxx (Sleepless was the best movie of this January – not much but something), and Jon Bernthal (The Accountant) all brought their A-game and appeared to be having a ton of fun with this picture. Lastly, an unknown (to me) Mexican actress Eiza González was an amazing badass to watch as well.

In short, Baby Driver is the best version of Drive meets American Grafitti. It has great action, funny jokes, cool editing, spectatcular soundtrack and it’s Edgar Wright at his best, even if that ‘best’ is a bit different than we are used to.

Rate: 4.5/5

Trailer: Baby Driver trailer

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