Movie review: The Lego Ninjango Movie

Movie reviews

Hello!

Welcome to a review of the 3rd Lego movie and the 2nd one this year. This is The Lego Ninjago Movie!

IMDb summary: Shunned by everyone for being the son of an evil warlord, a teenager seeks to defeat him with the help of his fellow ninjas.

To begin with, I really loved the 2014’s original The Lego Movie and adored the 2017’s The Lego Batman Movie as both a continuation of the Lego franchise and as a parody of the comic book movie/the superhero genre. The Lego Ninjago Movie seemed like a cool expansion of the Lego cinematic series though I didn’t know anything about the Lego ninja sub-brand. Also, I had no idea why they chose to release it this year, so close to The Lego Batman.

Writing

The Lego Ninjago Movie was written by a bunch of screenwriters, way more than it should have had. The two directors Bob Logan and Paul Fisher, and the writers William Wheeler, Tom Wheeler, Jared Stern, and John Whittington. Additionally, the story credits went to Hilary Winston, Dan Hageman, and Kevin Hageman. This just seems excessive: why would not that original children’s movie need 10 writers????

Speaking about that lack of originality: The Lego Ninjago Movie was super similar to The Lego Movie. And while we applauded its originality in 2014, 3 years later and a second-time around, the same ideas just don’t seem that fresh. This film had the same type of a framing device – real-world/live-action set-up which enveloped the lego story. The message – one about encouraging the imagination, play, and the storytelling during childhood – also stayed the same but I can’t really fault it because of how positive even if repetitive it is.

Speaking about the Lego part of the narrative: it was fine but nothing new. The plot focused on the child of a villain (Disney’s Descendants?) and dealt with his experiences as a high schooler (any teen movie ever?) who has a secret superhero life (Big Hero 6?). The ninja characters, in general, seemed to have been inspired by Transformers, Power Rangers, Pacific Rim, and Ironman. I’m guessing that a lot of Japanese/samurai movies were also consulted (and their clips included in the actual film). The elemental powers were cute but old. Lastly, the whole father-son thing was very Star Wars.

The humor of the film wasn’t bad but, at times, it did feel like the movie was trying too hard to be hip and cool (and the kids are cynical these days). That ultimate weapon reveal was super dumb but still hilarious, though.

Directing

The Lego Ninjago Movie had three directors: Charlie Bean, Paul Fisher, and Bob Logan – all long time animators but new to directing.  Speaking about that part of the film which they were best at – the animation was spectacular. This animation style still amazes me and I applaud all the animators for achieving the visuals that I haven’t thought possible just a few years back. The pacing was good too, stuff was always happening for the most part and the movie’s runtime wasn’t stretched out for no reason. Also, this quick pace kinda gave a movie a video game-esque feeling, which was good. There were a lot of dances and songs included too, similarly to the other two Lego films. However, The Lego Ninjago Movie differed from its predecessors in one aspect: it actually did feel like a commercial for the Lego toys way much more than the others did. I know that both The Lego Movie and The Lego Batman Movie were ads for Lego too but at least they were not as obvious about it and had something extra (like the originality or the references) to embellish the ad. The Lego Ninjago Movie lacked that extra.

Voice work

The Lego Ninjago Movie assembled quite a stellar voice cast. Of course, one cannot make a ninja movie without Jackie Chan, so he both voiced a character and appeared on screen (I kinda think that he is still appealing to kids, while the adults don’t care much for him anymore). Dave Franco (Nerve, Now You See Me) and Justin Theroux (The Girl on The Train) voiced the son and the father and were fun to listen to. Silicon Valley’s Kumail Nanjiani (The Big Sick) and Zach Woods played the child-friendly version of their characters from the HBO show. Michael Peña (Ant-Man, The Martian, Collateral Beauty), Abbi JacobsonFred Armisen, and Olivia Munn (X-Men) rounded out the cast and delivered good aural performances too.

In short, The Lego Ninjago Movie was an okay addition to the Lego movie franchise. It mostly just rehashed the same stuff and didn’t add anything new but was still entertaining and enjoyable.

Rate: 3.2/5

Trailer: The Lego Ninjago Movie trailer

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Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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