Movie reviews: Crazy Rich Asians and Searching

Movie reviews

Hello!

And welcome to the reviews of TWO films that are equally just important as Black Panther was/is! Today, we are discussing Asian representation in Crazy Rich Asians and Searching.

IMDb summaries:

Crazy Rich Asians: This contemporary romantic comedy, based on a global bestseller, follows native New Yorker Rachel Chu to Singapore to meet her boyfriend’s family.

Searching: After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her.

Acting

Even though I usually start my reviews by discussing the writing of the film(s), I thought that these two movies warranted that we discuss the acting and the casting first. While Black Panther was a first big-brand film with a predominately black cast, Crazy Rich Asians was the first American mainstream film with an overall Asian cast (as the title suggests). More importantly, the film showcased the diversity within the Asian community by casting actors that were from or descendant from a plethora of countries: Taiwan, Malaysia, China, South Korea, Hong Kong, The Phillippines, and Singapore. The cast consisted of Constance Wu and Henry Golding (A Simple Favor) as the superb lead couple, and Michelle Yeoh, Gemma Chan, Lisa Lu, Awkwafina (who was also recently in Ocean’s 8), Ken Jeong, Sonoya Mizuno, Chris Pang, Jimmy O. Yang, and Ronny Chieng among others in the supporting roles. Could more Asian identities/actors have been included? Yes. Did they have space for that in the film? Maybe. Did Crazy Rich Asians begin a process of change in Hollywood through which more Asian identities could be portrayed by Asian actors? I really hope so!

Searching didn’t have an Asian-only cast – it had a better thing – a blindly casted Asian lead – a lead that was Asian but his race never once came into play, played superbly by John Cho (of American Pie and Star Trek films).

What I loved even more than these two film’s (and their casts’) separately was the fact that the actors from the two films were so supportive of one another, especially Henry Golding and John Cho. Their mutual cross-promotion was one of the reasons why I put these two reviews together!

Writing

Crazy Rich Asians was a book adaptation of Kevin Kwan’s novel of the same name by screenwriters Peter Chiarelli and Adele Lim. Searching was an original screenplay by Aneesh Chaganty (who also directed) and Sev Ohanian. Both of these films took well known Hollywood tropes and genres – romcom and thriller, respectively – and made them feel brand new!

In Crazy Rich Asians, the romantic plotlines and the Cinderella-like tale were not as cliche as I was expecting them to be. The story also had more depth and sophistication than I was expecting. Some great ideas about the differences between Asian experiences (as a native and an immigrant/old culture vs new culture) were also expressed and added layers to the story.

Searching had a great showcase of father’s love and determination. On the flip side, it also showed the negative side of a parent’s love and how that love and ‘everything for one’s child’ attitude might be quite damaging. The end reveal of the plot was quite surprising and I don’t know if it worked completely. Nevertheless, it allowed the movie to look at a couple of more issues – toxic masculinity and obsessive relationships.

Directing

John M.Chu (of Step Up and Now You See Me 2) directed Crazy Rich Asians, while Aneesh Chaganty helmed Searching (both directors are also of Asian descent!). Chu handled the world building of Singapore beautifully (the glamour of the culture itself + rich setting made for a neat world to vicariously live in for the audiences a.k.a. me) and also nailed the pacing and the comedic timing of the film. My one critique was that the movie might have been a touch too long.

Chaganty and cinematographer Juan Sebastian Baron made Searching unique by having so much of that film be portrayed with screens on the cinema screen: the opening montage was just brilliant. I never thought that the movie portrayed through social media and technology (screens within the screen) could be so compelling and intense.

In short, Crazy Rich Asians and Searching were two films that not only did a lot in terms of representing an underappreciated group of actors and audiences but were just great movies in general!

Rate: both at 4.5/5

Trailers: Crazy Rich Asians trailer | Searching trailer

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5 ideas about 5 movies

Movie reviews

Hello!

And welcome to a slightly different type of a movie review. Long story short: I have been feeling a bit burned out after writing 2-3 movie reviews per week while also writing a lot of essays for my studies. Thus, as soon as the summer started, I almost stopped writing completely and missed out on reviewing quite a few films. In order to get myself back to writing without pushing myself too much and in order to catch up on the missed reviews ASAP, I decided to review all the 5 films together in 1 post. Thankfully, these movies easily lend themselves to this type of format, as they all have a similar message and some shared ideas.

The movies that I will be discussing are: I Feel Pretty, Life of the Party, Book Club, Eddie, and Tully. You might have heard about some or all of these films. If you know anything about them, then you know what’s their connection: they are all female-driven films that encourage women to live at ever age (yes, even after 30) and however they want (as mothers, as career women, as both or neither, or as whoever they want to be). Let’s go over all the pictures one by one in a bit more detail and see what exactly they were doing with the overarching topic of female empowerment.

I Feel Pretty is the latest Amy Schumer comedy (joining Trainwreck and Snatched), written and directed by Abby Kohn and Marc Silverstein (who did How To Be Single recently). I have always appreciated Schumer’s ‘zero f*cks given’ attitude but never found her jokes particularly funny or original. I had similarly mixed feelings about this film. I wasn’t sure and I’m still not sure whether this movie portrayed character growth or was confused about its message. Was the movie trying to portray body positivity or body shaming? Was it condoning or celebrating egoism and privilege? Were we laughing with or at Schumer’s character? It’s been like 3 months since I saw the film and I’m still not sure. Rate: 3/5

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The second comedy out of the five films, Life of the Party is less raunchy than I Feel Pretty and has a clearer message. Mellisa McCarthy starred and wrote the film, while her husband Ben Falcone directed it (the duo previously worked on Tammy and The Boss together). The main idea of the movie was the female empowerment through higher education, specifically. The film also promoted female friendship and solidarity, which both are super important. On the entertainment side, the movie was funny but a bit cringe-y too. Rate: 3.3/5

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The third comedy of the bunch, Book Club stars the creme de la creme of Hollywood: Diane KeatonJane FondaCandice Bergen, and Mary SteenburgenBill Holderman directed the film (in a directorial debut) from a script written by him and Erin Simms (TV actress). Book Club was my favorite of the three comedies because it had the best-written dialogue and banter and also promoted female friendship not only in college (like Life of the Party) but throughout one’s whole life. It also showcased 4 successful women with different career and life choices (variety is important as any life choice is valid!). Lastly, Book Club, even though inspired by Fifty Shades of Grey, somehow felt the most profound out of all the comedies. Rate: 4/5

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The indie version of Book Club, Eddie is small British drama about not being afraid to live and follow one’s dream at any age. While Book Club gets to the same message through a raunchy book, Edie gets there through hiking in Scotland. Sheila Hancock stars as the frustrating and sympathetic lead, while Elizabeth O’Halloran writes and Simon Hunter directs. In addition to Book Club, this film also reminded me of other indie dramas like The Leisure Seeker and Finding Your Feet! Rate: 3.7/5

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The last of the films and the second drama of the five, Tully was the film that surprised me the most. Starring Charlize Theron (in another, Monster-esque de-glamourized role) and Mackenzie Davis, written by Diablo Cody and directed by Jason Reitman (the duo behind Juno), Tully tells the not sugar coated at all story of a tired mother. It has a Bad Moms set-up but doesn’t go the comedy route. Instead, its story goes into an unexpected direction in order to present a message that a simple family life is as valid of a life choice as any other, even if it is no longer promoted as much in the media (‘a career woman’ is the desired ideal these days and my personal ideal too. And yet, this ode to motherhood of a movie states, moms should be celebrated and idolized just as much). Rate: 4/5

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To conclude, I hope you enjoyed reading my slightly rushed and probably confused take on 5 movies that I’ve seen recently and somehow managed to connect in my own head!

 

5 ideas about a movie: Beast

Movie reviews

Hello!

The only movie that is daring to play as counterprogramming to Avengers: Infinity War in the UK cinemas is a small British movie Beast. As it will certainly be overlooked by a lot of people, I decided to give it a chance.

IMDb summary: A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.

  1. Beast was written and directed by Michael Pearce, who has mostly directed short films before, making this movie his feature debut. Beast was certainly a peculiar story but in the best way possible. I have seen some describing it as a modern fairytale. I guess that’s the case if we are replacing princes and princesses with criminals and psychopaths?
  2. Beast’s writing was really great. The set-up of an oppressive, damaging, and not very loving family was very clear and made the viewers instantly feel for the character. The will they/won’t they romance (more like is he the killer or isn’t he?) mystery also worked. I wasn’t entirely sure about the ending, whether the blind love was in any way a good message or whether that finale was a celebration of female empowerment or a celebration of a psychopath as bad as the initial murderer? Is she the titular Beast or was he? Or was it both of them? Or is it all humans, as we are, in one way or the other, deeply flawed creatures?
  3. The closed off island and a tight-knit privileged community made for a great setting for this mystery thriller (recently, another English Channel island got spotlighted – Guernsey – but in a completely different type of a film). Just the views of the island itself were really pretty and calming in contrast to the story. It was also interesting to see movie constructing the class difference as a defining factor in how one is going to be perceived a.k.a. painted as the villain. But as it turned out to be the truth, doesn’t that make the movie’s message that lower class individuals more likely to be criminals?
  4. From the directing point of view, the movie was slowish but suspenseful and I did like very real and raw visuals. The diegetic noises – the breathing sounds or the sound of crunching grass/dirt – added a lot of ambiance to the movie. The camera work was neat too.
  5. The two leads were played by Jessie Buckley (British TV and theatre actress) and Johnny Flynn (TV actor and musician). I was completely unfamiliar with both of the actors but I thought that they did a spectacular job. The performances were believable, relatable, but also slightly off to always keep the viewer on edge.

In short, Beast was a great psychological thriller that left me with a lot of questions to ponder over.

Rate: 4/5

Trailer: Beast trailer

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5 ideas about a movie: Every Day

Movie reviews

Hello!

Before watching Avengers: Infinity War, I checked out a smaller YA movie, so that my series of recent YA reviews could continue. This is Every Day!

IMDb summary: A shy teenager falls for someone who transforms into another person every day.

Previous recent YA movies I’ve discussed are linked here: Status Update, Love, Simon, Midnight Sun, Blockers.

  1. After watching a fair few of YA movies recently, I’ve sort of realized that they don’t deserve all of the bad-ish rap that they are getting. Not all YA movies are created equal, similarly to how all other films, which aren’t overtly targeted to a specific demographic, are not all good. And while Every Day isn’t the best picture out there, it is certainly not bad and has some new and modern concepts to offer.
  2. Every Day was written by Jesse Andrews (the author of Me and Earl and the Dying Girl), based on the book of the same name by a well known YA writer David Levithan, and directed by Michael Sucsy (who did 2012’s Rachel McAdams romantic drama The Vow). Its premise was either stupid or genius: stupid in that one needed a lot of suspension of disbelief to take the movie seriously but genius because it led to some neat and very 21st-century topics.
  3. I adored Every Day’s take on the trope of the romantic lead and how they could be literally anyone in this movie. Flipped the genre on its head (do any of my readers listen to The Weekly Planet? If yes, I sincerely hope you got that reference). Anyways, I loved how the movie portrayed both identity and sexuality as fluid and asked whether one falls in love with the inner or outer identity.
  4. From the directing standpoint, the movie was fine. It was slow like the majority of romantic dramas and had some neat pop songs like a lot of young adult teen movies do.
  5. The lead of the film was played by Angourie Rice, who some of you may know from an underappreciated comedy The Nice Guys or Sofia Coppola’s The Beguiled. The different romantic interests were played by a whole bunch of actors, some better known than others, like Spider-Man Homecoming’s Jacob Batalon and Paper Towns’ Justice Smith. Debby Ryan also appeared as a sister of the main character – haven’t seen that actress in a project since forever.

In short, Every Day is a very contemporary YA picture that should be given at least a chance.

Rate: 3.5/5

Trailer: Every Day trailer

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5 ideas about a movie: Ghost Stories

Uncategorized

Hello!

I started last week with some American horror, so it’s only right that I start this one with some British horror. This is Ghost Stories!

IMDb summary: Arch sceptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.

  1. Ghost Stories was written and directed by Andy Nyman (who also played the lead) and Jeremy Dyson. Nyman has worked quite a lot alongside psychological illusionist Derren Brown and that collaboration has influenced a lot of projects, including Ghost Stories, which actually started as a play on West End (co-written by both Nyman and Dyson) and was adapted to film this year.
  2. For the first 70minutes of the movie, I thought that the writing for it was good but not particularly original. The psychic detective character was an interesting one to focus on and his family’s background was also quite fascinating and obviously important. The three cases themselves had some nice themes within (violence, psychosis, family drama) but they seemed quite typical for a horror movie. However, the reveals which occurred in the last 20 minutes completely changed my mind on the wiring: the rapid-fire reveals and explanations made the whole script way more genius than it seemed before. Basically, Ghost Stories had great ‘bigger picture’ writing with some good and some just okay details.
  3. Thematically, Ghost Stories asked whether the supernatural was real and I sort of think that it answered the question by saying that the psychological is the supernatural – inner demons result in outer ones. The second big thematic idea was the statement that things are not what they always seem and that was both true within each individual case and for a whole movie overall, as its story was not what it seemed at first. The finale with the main character being trapt in his own mind was the spookiest idea of the whole film.
  4. The direction of the movie was good too. The documentary-like style opening was cool and I wish that the whole picture continued to be filmed like that. The horror sequences were scary, disturbing and intense but not something one hasn’t seen (especially if you watch a lot of horror movies – I only see a few horror movies per year and I still didn’t found the horror in this one to be particularly original). I feel that the sequences were scarier when the actual supernatural figure wasn’t directly seen: I, personally, fear the unseen way more.
  5. Ghost Stories’ cast consisted of a writer/director Andy Nyman (with whose previous work I was unfamiliar with seeing this movie), Black Mirror’s and The End of a F***ing World’s Alex Lawther (he is amazing at playing characters on the cusp of a mental breakdown, like the ones in the aforementioned TV shows and this film), Martin Freeman (also known as a Tolkien white guy on Black Panther and my main drawn to this film), and Paul Whitehouse (The Death of Stalin). No female characters were present in the film.

In short, Ghost Stories is a spooky ride with some original packaging of familair (but still cool) ideas.

Rate: 3.7/5

Trailer: Ghost Stories

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5 ideas about a movie: A Quiet Place

Movie reviews

Hello!

I start every review of a horror movie by saying that I don’t watch horror movies, which is not only a paradox but a lie too. Anyways, this is A Quiet Place!

IMDb summary: A family is forced to live in silence while hiding from creatures that hunt by sound.

  1. A Quiet Place was written by Bryan Woods, Scott Beck, and John Krasinski, who also directed the picture. Krasinski has been acting, writing, producing, and directing films/TV shows in Hollywood for the past decade but this movie is definitely his biggest project to date and also a film that he has probably been the most invested in. I haven’t been really familiar with Krasinski’s previous work. I really liked him in 13 Hours but I have never (brace yourselves, people) seen a single episode of The Office. Yup, I know, you can throw virtual rocks at me, I’m ashamed too. Anyways, onto the review.
  2. The premise of this movie was absolutely genius and I’m so glad that it was also executed really well in the story. The rules of this world were clear enough, but the mystery element also always remained (e.g. the origin of the aliens). I also loved the fact that the story had real consequences and that not all the characters made it through – that added so much more weight to the narrative and required more emotional investment from the viewers. Lastly, I loved the ending and how it was kept small and intimate with only a hint at a bigger, over-the-top battle to come.
  3. While A Quiet Place is not a family movie, it is certainly a movie about family. The love within and the sacrifice for a family were beautifully portrayed on screen. The concept of blame also came up and was touched upon. The fact that movie had a serious thematic under structure elevated it from a simple horror movie somewhere closer to the levels of Get Out and smart genre filmmaking.
  4. The film was also not only well-written but well-directed too. The raw visuals made the movie seem grounded, while the close-ups helped it feel intimate, personal. The levels of intensity and suspense were also always pretty high. A Quiet Place also earned the right to use jump scares because they weren’t the typical visual jump scares (a couple of those were used too) but more of a sound scares which fit so well with the story. The design of monsters themselves wasn’t the most original but I loved the visualization of their main strength and weakness – hearing/the ear.
  5. John Krasinski and Emily Blunt (Edge of Tomorrow, Sicario, The Huntsman, The Girl on The Train) were the perfect leads. They had that quiet chemistry (obviously, they are, after all, married) and their individual performances were great too. I completely bought Krasinski as the grieving and loving father who would do anything for his family. I also loved Blunt’s almost sensual performance in the pregnancy scenes. The children were played by Millicent Simmonds and Noah Jupe (Wonder, Suburbicon). It was so nice to see some diversity and inclusivity with the casting of Simmonds (a deaf actress playing a deaf character), while Jupe’s performance was really powerful and realistic.

In short, A Quiet Place was scary, smart, and heartwarming. An unlikely combination but it works, I swear.

Rate: 4.5/5

Trailer: A Quiet Place trailer

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Movie review: Thoroughbreds

Movie reviews

Hello!

And welcome to a review of a movie that enthralled me just with its name. This is Thoroughbreds.

IMDb summary: Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.

Writing

Thoroughbreds was written by the director Cory Finley. I have seen this movie described as an ‘update on the teen thriller genre’. Even though that sounds like a positive description, I would like to completely bypass the teen genre denomination, as, while the movie is about two teens, its writing is so much more than the writing for just a teen movie. It’s entirely something else.

Thoroughbreds plot revolves around two girls that set off on a mission. But these girls are not just random teenagers: they come from a privileged background that has damaged them. One of them has no emotions, the other controls hers until she doesn’t. And their mission is not a fun adventure but a quest that showcases human capacity and will for violence. It really doesn’t paint the best picture of humanity, especially the supposed best of the best of humanity, also known as the rich upper class. It also doesn’t paint the best picture of people’s understanding of human emotion, as lack of it is always seen as an issue, a deficiency, a mental illness. On the other hand, it does portray the idea of sympathy as a rare phenomenon in modern society very accurately.

Hints (or more than just hints) to the characters being psychopaths are also in the film, as they don’t seem to process human relationships in a healthy way. While the stepfather does appear abusive and not the nicest man, the killing of him is far from justified. It’s only justified in the character’s mind as the reclaiming of control. Finley’s script doesn’t need to reclaim controls as it never lets it go. The narrative is tight and doesn’t have any unnecessary details, while no line of the dialogue feels out of place. All the statements are sharp and to the point but still somewhat natural and realistic sounding. And that name, the thing that first peaked my interest, is perfect. Not only does it captures the privileged nature of the characters (horseriding is a stereotypically popular activity among the upper class), but also showcases how that privilege damages them (children are bred like animals rather than cared for through human connection).

Directing

Thoroughbreds was a directorial debut by Cory Finley and want a brilliant one it was. He took the idea of control from the script and applied it to the whole story, making it tight and controlled. It was brought to life through forceful but contained visuals and cinematography. Restrain was, most likely, encouraged in the actors’ performances too. One part of the movie that is allowed to be a bit less controlled but is still incredibly focused and powerful is the score. It’s unsettling and keeps the tension and suspension all throughout the runtime. Finley’s debut thriller-drama was just so damn good. I have no idea why it is being billed as comedy as there is nothing particularly funny about it, maybe only in ‘this is so morbid, I have to laugh’ kinda way.

Acting

Olivia Cooke (Ready Player One) and Anya Taylor-Joy (Split, soon The New Mutants) were absolutely brilliant in the picture. Their performances were top notch and extremely strong in a subtle way. Cooke’s character’s emotionlessness and Taylor-Joy’s characters privilege and porcelain-like stature were portrayed with such sophistication. Can’t wait to see more from them!

This movie also featured one of the final performances by Anton Yelchin (Star Trek Beyond). Seeing him on screen was a bittersweet moment. It’s such a shame that we have lost an incredibly talented actor at such a young age. His role here was really interesting: his drug dealer character unexpectedly became the one nice person in the film, who received all of the viewers, at least all of my, sympathy.

In short, Thoroughbreds is a fantastic thriller about control (the concept permeates all aspects of the film) and an incredibly promising directorial debut from a new voice in Tinseltown.

Rate: 4.25/5

Trailer: Thoroughbreds trailer

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5 ideas about a movie: Isle of Dogs

Movie reviews

Hello!

And welcome to a review of one peculiar little picture. This is Isle of Dogs.

IMDb summary: Set in Japan, Isle of Dogs follows a boy’s odyssey in search of his lost dog.

  1. Isle of Dogs was written and directed By Wes Anderson and was undeniably his picture. His style of filmmaking is just so unique and different that it is impossible to confuse his films with anyone else’s. While Anderson did write the screenplay himself, the story credits went to Roman Coppola, Jason Schwartzman (two of Anderson’s frequent collaborators), and Kunichi Nomura (a Japanse actor/writer who was also one of the two casting directors for this film).
  2. I have seen a lot of articles and comments online about Isle of Dogs in relation to the appropriation of Japanese culture. I certainly had a similar thought when watching the movie. I wasn’t entirely sure why the setting had to be Japan, though I found the interplay between the languages – English and Japanese – quite an interesting choice for the film. I also wouldn’t like to state that the filmmaker was definitely appropriating something as I believe that cultures should be shared. And yet, where is the line between respectful homage and appreciation versus malevolent appropriation?
  3. In my mind, Isle of Dogs’ story unfolded on two plains: the surface and the hidden one. The surface story was an elaborate but clear adventure narrative about some dogs and a boy fighting an evil empire. That story was a bit slow but the humor was still snappy (the comedic timing was quite impeccable). The deeper meaning that I took from the picture was the commentary on the modern society, which enjoys nothing more than othering and excluding people that it finds unsuitable for a whole number of reasons (a lot of which relate to the person’s identity).
  4. I highly enjoyed the format of Isle of Dogs. I have always been a fan of the stop-motion animation and I sill find it just so captivating. The amount of work that goes into this style of animation blows my mind every time I see a new film using it. The design of the animals was also great – real but not really. Every shot felt just so material: saturated with objects, colors, and textures. The symmetrical steady shots also felt very Anderson. The film was also very musical in that its score had an underlying beat, constantly ringing in the background, which provided a sort of rhythmic backdrop for the story. The animation, art, and music departments should get as much recognition for this movie as Anderson himself does.
  5. Isle of Dogs’ voice cast was full of Hollywood’s most recognizable and expressive voices that added so much to the picture. Bryan Cranston (Trumbo, Power Rangers), Edward Norton (Collateral Beauty), Bill Murray (The Jungle Book), Jeff Goldblum (ID2, Thor 3), Bob BalabanGreta Gerwig (Lady Bird), Frances McDormand (Three Billboards), Scarlett Johansson (Ghost in the Shell, MCU), and Tilda Swinton (Okja, Doctor Strange) all had roles of varying sizes.  On the Japanese front, Koyu Rankin, Kunichi Nomura, Akira Takayama and even Yoko Ono lent their voices to some characters.

In brief, Isle of Dogs was a bizarre and fascinating Wes Anderson-y ride that might or might not have been culturally insensitive.

Rate: 3.5/5

Trailer: Isle of Dogs trailer

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Movie review: Unsane

Movie reviews

Hello!

Welcome to a review of a horror movie by a horror hater (also known as a scary cat). This is Unsane!

IMDb summary: A young woman is involuntarily committed to a mental institution, where she is confronted by her greatest fear–but is it real or a product of her delusion?

Writing

Unsane was written by Jonathan Bernstein (journalist) and James Greer (novelist and critic) and I thought that their script was really interesting. First of all, I loved how much information the movie provided about its characters and the story, and yet, how nothing was clear. It sprung the main topic of the film on the viewer in the first few scenes without any preparation. That main question, whether the character was actually insane or not, didn’t actually end up being answered but the ambiguity of it was so intriguing that I wasn’t even mad for not getting concrete answers. I also don’t feel that concrete answers are appropriate when looking at mental illness – a very complex, personal, and still not-fully-understood field.

The main character, aside from her existing (or not) psychological issues, was also super interesting. Her personality and actions weren’t the most sympathetic and yet, the viewer wanted to root for her. It was quite a confusing and frustrating state that the viewer was put in. I also got personally annoyed with the character because of her incapability to work the situation that she was in. That inability might be due to the mental illness? But did it start because of the stalking? Or was there an issue before? Was she ever telling the truth? Why would she play/provoke him? What about that ending? I really didn’t expect the movie to go there but I am sort of fascinated by the fact that it did.

Lastly, the setting of the movie was incredible too. That asylum was both old-school (because it reminded me of a mental institution one might see in old horror movies) but was also super contemporary (because it was just a front for insurance fraud (yey, capitalism?)).

Directing

Unsane was directed by Steven Soderbergh (Magic Mike XXL), who was also the cinematographer and the editor of the film. His involvement with this movie was the main reason while I actually subjected myself to watching a horror movie. And it wasn’t really a typical horror movie, but a very fascinating and creepy psychological thriller (and I’m somehow very into that genre, even though it is so closely related to the horror one).

Anyways, Soderbergh has made some bold chances, like breaking away from the big studios and handling the marketing himself with his last film Logan Lucky. He went one step further with Unsane by not even using any of the traditional filmmaking methods – the picture was shot entirely on an iPhone (Tangerinewas also shot on an iPhone, so Unsane isn’t the first ‘bigger’ movie to do that). Thus, the aspect ration of the movie was unusual. The cinematography was super unique too: the viewers had a very direct relationship with the image and seemed to be so close to it. The angles from which the film was shot also differed from the usual ones. That lack of distance between the viewer and the picture kinda made it feel like a documentary movie too. The not-perfect quality of the visuals also added to that feeling of realism. Since it appears that Soderbergh pretty much did everything himself on this picture, the credits of it were surprisingly short. I was halfway down the stairs in the screen and they were already over.

Acting

Unsane was mostly a one-woman show: Claire Foy (Breathe) played the lead and was really incredible. Love the fact that Netflix’s The Crown led to more cinematic roles for her. Joshua Leonard played the stalker and was uncomfortable to watch, both because of what type of character he was playing and because the actual performance was a bit stiff. SNL’s Jay Pharoah was one strand of positivity in the film and I did appreciate the breather/reassurance that the character provided both for the main character and the viewers. Juno Temple (Wonder Wheel) also had a small but quite explosive role. There is also a fun cameo by a big movie star, who has been popping up in all kinds of different projects, lately.

Unsane was an unhinged psychological thriller that left me with more questions than answers, like any good psycho-thriller should do.

Rate: 4/5

Trailer: Unsane trailer 

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5 ideas about a movie: You Were Never Really Here

Movie reviews

Hello!

And welcome to a review of a movie I knew nothing about prior to seeing it. Can’t say I know much more having now seen it. This is You Were Never Really Here.

IMDb summary: A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.

  1. You Were Never Really Here was written and directed by Lynne Ramsay. Her previous feature – We Need To Talk About Kevin – has been on my ‘to watch’ list for years and I have yet to get to it. Thus, I went into this movie not only not knowing anything about the actual picture but also without any expectations. And I still don’t know how I feel about this movie, even though it’s been 3 weeks since I’ve seen it.
  2. The film won the ‘Best Screenplay’ at the 70th Cannes Film Festival and, at first, I wasn’t sure why, as I didn’t really think this movie had a story. It had a plot and stuff happening but I didn’t see the narrative. Then, I sort of realized that that was an intentional choice. There was barely any dialogue, let alone narration. It was up to a viewer to fill in the blanks and figure out the story. I think that one’s enjoyment of this film solely depends on one’s ability to fill in the gaps themselves or one’s willingness to be content with not knowing.
  3. While the movie never gave enough information neither in the opening nor throughout the rest of the plot, what it did present was intriguing as much as disturbing. These feelings are certainly appropriate for the themes that the movie was exploring: it looked at the concept of one’s inner demons and also showcased abuse (I thought that it questioned whether the main character was a victim or perpetrator of abuse or both? What is the relationship between the two?). What I liked most about this movie was its undeniable focus on the human. The happy ending was also nice but I didn’t trust the movie enough to actually believe it.
  4. The unsettling topics weren’t expressed verbally but they were perfectly showcased visually through a lot of uncomfortable close-ups. The movie was also really slow and that slowness of pace did not allow the viewer to escape from the creepiness of the movie’s world for but a second. Since I cannot see a movie and not automatically connect it with a different movie, I thought that the underwater shots in this film looked like creepier and more realistic takes on The Shape of Water’ water scenes.
  5. The lead in the movie was played by Joaquin Phoenix (Irrational Man) and he was really good. Both sort of scary yet sympathetic. He was my only draw to this picture and I should have known what kinda film I was signing up for, as Phoenix doesn’t really do mainstream (or close to the mainstream) projects. I, personally, was quite lost and confused when watching the movie and I don’t know if it is accessible to the mainstream audiences. My problem with movies like this one is that they don’t encourage me to research them and to potentially get smarter: they just make me feel dumber and angry about it.

Rate: 3/5

Trailer: You Were Never Really Here

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