The Awards Season Round-Up 2016

Movie previews, Movie reviews

Hello Hello Hello!

Welcome to the last (finally) post dedicated to the awards’ season. This time, I won’t be reviewing any nominated motion pictures (I have done that already), but I  will tell you my own personal winners and will list all the others films in a very subjective order in each category. I am listing all the films because it was very hard for me to pick a definite number 1 spot. In addition, a lot of these films would have probably made my Best movies of 2015 list if I had seen them before January 1st, so I feel the need to at least mention them here.

Now, my categories won’t have a definite number of spaces in them. I have actually picked 20 films in total that have been nominated for either a Golden Globe, a SAG, a BAFTA, an Oscar or for all 4.  Also, I will be joining adapted and original screenplay categories into one. The distinction between lead and supporting roles will also be treated subjectively and not necessarily the way that the studios wanted. At the end of each category, I will also give my more objective prediction of who will probably take home the Academy Award.

P.S. The reviews of all these movies are linked to the names of the films only once – in the first category because it just seemed irrational to link you to a single post 5 or 6 times.

Best Picture

  1. Mad Max: Fury Road
  2. The Revenant
  3. The Martian
  4. Spotlight
  5. Creed
  6. The Big Short
  7. The Hateful Eight
  8. Steve Jobs
  9. Room
  10. The Danish Girl
  11. Bridge of Spies
  12. Brooklyn
  13. Ex-Machina
  14. Concussion
  15. Joy
  16. Straight Outta Compton
  17. Trumbo
  18. Beasts of No Nation
  19. Carol
  20. 45 Years

Prediction: As much as I would love for Mad Max to get the win, it seems very unlikely that this will happen. Although, with all the backlash against the Oscars online, the Academy might want to calm the fanboys/fangirls down by giving the award to the fan favorite. If they do decide to go the traditional route, The Revenant will probably be their top pick.

Best Directing

  1. Mad Max: Fury Road – George Miller
  2. The Revenant – Alejandro González Iñárritu
  3. The Hateful Eight – Quentin Tarantino 
  4. Room –  Lenny Abrahamson
  5. The Big Short – Adam McKay
  6. Creed – Ryan Coogler 
  7. Beasts of No Nation – Cary Joji Fukunaga
  8. Bridge of Spies – Steven Spielberg 
  9. Straight Outta Compton – F. Gary Gray
  10. The Martian – Ridley Scott
  11. Steve Jobs – Danny Boyle
  12. Ex-Machina – Alex Garland
  13. Spotlight – Tom McCarthy
  14. Concussion –  Peter Landesman
  15. The Danish Girl – Tom Hooper
  16. Brooklyn – John Crowley
  17. Trumbo – Jay Roach
  18. Joy – David O. Russell
  19. Carol – Todd Haynes
  20. 45 Years – Andrew Haigh

Prediction: Again, I would love for George Miller to take the award home, but I kinda think that Iñárritu will get his second win in the row. I would be willing to let Iñárritu win if Mad Max gets the Best Picture statue.

Best Writing

  1. Spotlight – Tom McCarthy, Josh Singer
  2. The Hateful Eight – Quentin Tarantino
  3. Steve Jobs – Aaron Sorkin
  4. The Martian – Drew Goddard
  5. Creed – Ryan Coogler, Aaron Covington
  6. The Big Short – Adam McKay, Charles Randolph
  7. The Revenant – Mark L. Smith, Alejandro G. Iñárritu
  8. Mad Max: Fury Road – George Miller, Brendan McCarthy, Nico Lathouris
  9. Bridge of Spies – Matt Charman, Joel Coen, Ethan Coen
  10. Straight Outta Compton – Jonathan Herman, Andrea Berloff
  11. Ex-Machina – Alex Garland
  12. The Danish Girl – Lucinda Coxon
  13. Room – Emma Donoghue
  14. Trumbo – John McNamara
  15. Concussion – Peter Landesman
  16. Joy – David O. Russell
  17. 45 Years – Andrew Haigh
  18. Beasts of No Nation – Cary Joji Fukunaga
  19. Brooklyn – Nick Hornby
  20. Carol – Phyllis Nagy

Prediction: this is the hardest category to predict. My best bet is that the original screenplay statue will be awarded to Spotlight, while the adapted one – to The Big Short.

Best Male Performance in a Leading Role:

  1. Leonardo Dicaprio for The Revenant
  2. Eddie Redmayne for The Danish Girl
  3. Tom Hardy for The Revenant and Mad Max: Fury Road
  4. Matt Damon for The Martian
  5. Jacob Tremblay for Room
  6. Michael Fassbender for Steve Jobs
  7. Samuel L. Jackson for The Hateful Eight
  8. Michael B.Jordan for Creed
  9. Will Smith for  Concussion
  10. Bryan Cranston for Trumbo
  11. Tom Hanks for Bridge of Spies
  12. Christian Bale for The Big Short
  13. Mark Ruffalo for Spotlight
  14. Domhnall Gleeson for Ex Machina
  15. Abraham Attah for Beasts of No Nation
  16. O’Shea Jakcson Jr. for Straight Outta Compton
  17. Tom Courtenay for 45 Years

Prediction: this is one of the few categories where my objective and subjective side think the same thing. If Leo does not win this year, he should just stop trying altogether.

Best Female Performance in a Leading Role:

  1. Brie Larson for Room
  2. Alicia Vikander for The Danish Girl and Ex-Machina
  3. Charlize Theron for Mad Max Fury Road
  4. Rooney Mara for Carol
  5. Jennifer Lawrence for Joy
  6. Rachel McAdams for Spotlight
  7. Cate Blanchett for Carol
  8. Saoirse Ronan for Brooklyn
  9. Charlotte Rampling for 45 Years

Prediction: once again, I both objectively and subjectively think that Brie Larson should get the Oscar, although, I would be pleasantly surprised if Vikander gets the win. On a side note, the saddest part about this category is that out of the 20 films, I could only find 9 actresses in  leading(-ish) roles, while there 17 male leading roles.

Best Male Performance in a Supporting Role:

  1. Ryan Gosling for The Big Short
  2. Mark Rylance for Bridge of Spies
  3. Sylvester Stallone for Creed
  4. Nicholas Hoult for Mad Max Fury Road
  5. Domhnall Gleeson for The Revenant
  6. Bradley Cooper for Joy
  7. Idris Elba for Beasts of No Nation
  8. Oscar Isaac for Ex-Machina
  9. Matthias Schoenaerts for The Danish Girl
  10. Walton Goggins for The Hateful Eight
  11. Michael Keaton for Spotlight
  12. Alec Baldwin for Concussion
  13. Corey Hawkins for Straight Outta Compton

Prediction: while I would like Gosling to win, I think that the award will go to either Mark Rylance or Sylvester Stallone. I wouldn’t be sad in either case.

Best Female Performance in a Supporting Role

  1. Kate Winslet for Steve Jobs
  2. Jennifer Jason Leight for The Hateful Eight
  3. Jessica Chastain for The Martian
  4. Tessa Thompson for Creed
  5. Amber Heard for The Danish Girl
  6. Gugu Mbatha-Raw for Concussion
  7. Diane Lane for Trumbo

Prediction: I would like the win to go to Kate Winslet, but the actual award will probably find itself in the hands of Jennifer Jason Leight. On a side note, this was probably the hardest category to fill, because I put a lot of actresses in the leading role category, while the Academy and the studios said that they were playing supporting roles.

I really hope that you enjoyed this post because I worked really hard on it. I felt the most challenged not when I was compiling the actual final lists, but while I was watching and reviewing all the films. Tell me in the comments your personal winners! Bye!!

Advertisements

Movie review: The Revenant

Movie reviews

Hi!

Let’s continue the seemingly endless awards season and talk about Leo’s 5th try in getting an Oscar for acting – the epic picture The Revenant.

IMDb summary: A frontiersman on a fur trading expedition in the 1820’s fights for survival after being mauled by a bear and left for dead by members of his own hunting team.

The Revenant has already picked up a few awards for acting, directing and simply for being the best picture. I do think that it deserves the Academy Award for Best Picture as well, however, I would prefer Mad Max Fury Road to win instead.

Writing

The Revenant’s script was written by Alejandro González Iñárritu and Mark L. Smith, based in part on Michael Punke’s book The Revenant: A Novel of Revenge and real life events. Iñárritu  is a very well know Mexican auteur, who has created a few epic films, including last year’s winner of Best Picture at the Oscars – Birdman. He has also won best directing and original screenplay for Birdman, while Emmanuel Lubezki won for cinematography. Babel is also another film by Iñárritu, which is worth a watch.

The Revenant’s story was really interesting and unbelievable. I liked the usage of dialogue in a foreign language, however, those parts seemed dubbed – a few times it looked like the movements of the lips and the sounds were not precisely synchronized. I also enjoyed the usage of flashbacks and dream sequences for the backstory.

The cunning twist at the end with the switching of the bodies on the horse was really clever. I also liked the idea that revenge is not in human’s hands. The final fight was also really amazing to watch – it contained two of my favorite characters literally killing each other.

Directing

The Revenant had amazing cinematography and directing. It was mainly shot on location with natural light. The long takes (although, not as long as in Birdman) and mobile frames were used once again . There was also a lot of low angle shots and following/dolly shots from the side. The close-ups were also present in the film, so the viewer could clearly see the emotional and physical struggle of the characters. The CGI of the bear was also very realistic and just plainly spectacular.

The mise-en-scene of the film was also both breathtakingly beautiful and stomach wrenching. The setting of the forest, freezing rivers and snowy mountains was amazing. I also really loved the shots with vertical trees and the sunlight/moonlight or torchlight. coming through the tree trunks (these shots were not only beautiful, they were also used as bridges in the narrative, signaling the passages of time). However, the film’s fight scenes were extremely explicit and violent, while the character design was realistic and gritty – the characters’ costumes and the hair (or lack of them) spoke for themselves.

In short, once again, Iñárritu channeled his passion for filmmaking and delivered a masterpiece of gritty realism.

Soundtrack

A lot of intense scenes of the film lacked soundtrack, so the viewer could hear the breath, moans or screams of the characters, which only increased the intensity of the film. However, when the music was used, it was very elevated and grand, it felt like you were listening to a live symphony. This great score was created by Ryuichi Sakamoto, Alva Noto, and Bryce Dessner.

Acting

While everyone is talking about Leonardo DiCaprio’s performance in the film, the film’s entire ensemble cast is really good and everyone deserves recognition and praise.

  • Leonardo DiCaprio as Hugh Glass was spectacular. He once again deserves an Oscar and just simply has to get it. If he loses once more, I think he should just stop trying, because I don’t know what else can he do. He completely morphed into the character. The way he looked at the camera in the closing shot of the film also made me shiver – it felt like he was looking deep into my soul. I have seen a lot of DiCaprio’s films, including Django Unchained, The Wolf of Wall Street, The Great Gatsby and a bunch of others, however, I still have quite a few of films, starring DiCaprio, on my list of films to watch, like The Departed and The Aviator.
  • Tom Hardy as John Fitzgerald was also truly wonderful. He has proved himself to be an amazing actor a few times this year, first in Mad Max, then in Legend and Child 44 and now in The Revenant. I hated his character and I really like him as an actor, so props to him for being so versatile and for being to play a complete crazy freak. I also really liked the close-up shot of Hardy’s eyes, when he realized that Hugh was onto him. I somehow really noticed the characters’ eyes in this film.
  • Domhnall Gleeson as Captain Andrew Henry was also wonderful and just a complete bad-ass, especially, when he was looking for Fitzgerald back in the camp. I am used to Gleeson playing quite calm characters (Ex Machina, Brooklyn), well, except in Star Wars The Force Awakens. I really liked him in that film, but he just blew me away in The Revenant.
  • Will Poulter as Jim Bridger was also amazing. I was first introduced to him in The Chronicles of Narnia: The Voyage of the Dawn Treader, in which his character was really annoying, and then in the comedy We’re the Millers. He then also starred in a few young adult films, like a more serious one – Plastic and the dystopian action one – The Maze Runner. I haven’t seen him in a serious/dramatic role, so I was very surprised at how good he was in The Revenant, so now I would really like to see him take on a few more serious roles like this one.
  • Forrest Goodluck as Hawk made his acting debut and was really good in the role. It was also really nice seeing a person of Native American descent in a film because Hollywood needs as much diversity as it can get.

To sum up, The Revenant was another epic masterpiece by Iñárritu. While I don’t really want it to win the Best Picture award at the Oscars, I would love for it to be awarded Best Director and Best Actor in a Leading Role. Last advice: do not watch this film if you have a weak stomach – despite the fact that the story might interest you, you won’t enjoy the film if you can’t deal with explicit images of blood and guts on screen.

Rate: 4,5/5

Trailer: The Revenant trailer

revenant-leo