The Awards Season Round-Up 2018

Movie previews, Movie reviews

Hello!

Welcome to the end of the 2018 awards’ season. With the big night – the Academy Awards – just around the corner, I thought it was high time for me to decide on my personal winners. I have done similar posts for 2016 and 2017 awards seasons and linked them accordingly.

This year, I’m switching up the format and instead of listing my favorite to the least favorite filmmakers/films in each category, I’m just gonna be announcing a single personal (subjective) winner out of the nominees. I’ll also write down my objective winner – somebody who I think (when factoring in the previous wins, the critical acclaim, even the box office numbers) will actually get the Oscar. My subjective and objective winners might not always coincide. I’ll also include some of the snubs – people or movies that should have been included in the prestigious top 5 (or top 10 for Best Picture) but didn’t get an invite. Here we go! Don’t forget to tell me your personal winners (who should win and who will win) in the comments!

Lead Actor:

Timothée Chalamet – Call Me by Your Name
Daniel Day-Lewis – Phantom Thread
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Denzel Washington – Roman J. Israel, Esq.

Snubs: Tom Hanks – The Post; James Franco – The Disaster Artist; Jamie Bell – Film Stars Don’t Die in Liverpool

  • Objective Winer: Gary OldmanDarkest Hour (he won every major award until this point).
  • Subjective Winners: Timothée ChalametCall Me by Your Name or Daniel Kaluuya Get Out (two incredible actors, both at the beginning of their career – the nominations themselves already solidified them as valuable commodity in Hollywood and the wins, though unlikely, would kickstart their career on even a higher note)

Lead Actress:

Sally Hawkins – The Shape of Water
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird
Meryl Streep – The Post

Snubs: Jessica Chastain – Molly’s Game; Michelle Williams – All The Money In The World; Emma Stone – Battle of the Sexes

  • Objective Winer: Frances McDormandThree Billboards Outside Ebbing, Missouri (again, she has won every major acting award this season)
  • Subjective Winner: Sally HawkinsThe Shape of Water (there was something so special about her performance that I just have to give it to her)

Supporting Actor:

Willem Dafoe – The Florida Project
Woody Harrelson – Three Billboards Outside Ebbing, Missouri
Richard Jenkins – The Shape of Water
Christopher Plummer – All the Money in the World
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Snubs: Armie Hammer – Call Me by Your Name

  • Objective Winer: Sam Rockwell Three Billboards Outside Ebbing, Missouri (won every major award this season)
  • Subjective Winners: Sam Rockwell Three Billboards Outside Ebbing, Missouri (made an awful caricature into an understandable character – brilliant)

Supporting Actress:

Mary J. Blige – Mudbound
Allison Janney – I, Tonya
Lesley Manville – Phantom Thread
Laurie Metcalf – Lady Bird
Octavia Spencer – The Shape of Water

Snubs: Hong Chau – Downsizing; Holly Hunter – The Big Sick; Kristin Scott Thomas – Darkest Hour

  • Objective Winer: Allison JanneyI, Tonya (won every major award – I’m getting tired of repeating this line but there really hasn’t been a lot of surprises this awards season)
  • Subjective Winners: Allison Janney I, Tonya (while all the nominees were good, she was amazing and on a different level altogether)

Director:

Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread
Guillermo del Toro – The Shape of Water

Snubs: Martin McDonagh – Three Billboards Outside Ebbing, Missouri; Ridley Scott – All the Money in the World; Steven Spielberg – The Post; Sean Baker – The Florida Project; Denis Villeneuve – Blade Runner 2049

  • Objective Winer: Guillermo del ToroThe Shape of Water (the major winner this season who is also a longtime working director that deserves an Oscar)
  • Subjective Winners: Greta GerwigLady Bird (while I didn’t think her movie was as praiseworthy as everyone said, I do think that her directing abilities made it into something more special than a simple YA coming of age tale).

Adapted Screenplay:

James Ivory – Call Me by Your Name
Scott Neustadter & Michael H. Weber – The Disaster Artist
Scott Frank, James Mangold & Michael Green – Logan
Aaron Sorkin – Molly’s Game
Virgil Williams & Dee Rees – Mudbound

Snubs:  Armando Iannucci, Ian Martin & David Schneider – The Death of Stalin;  Hampton Fancher & Michael Green – Blade Runner 2049 (not sure whether it counts as original or adapted)

  • Objective Winer: Aaron Sorkin Molly’s Game (I think that Sorkin’s name will be enough to persuade the voters)
  • Subjective Winners: Scott Frank, James Mangold & Michael Green Logan (no surprise here, if you read my blog: as much as I like typical awards movies, seeing a mainstream comic book movie winning an Oscar would be absolutely amazing)

Original Screenplay:

Emily V. Gordon & Kumail Nanjiani – The Big Sick
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Guillermo del Toro & Vanessa Taylor – The Shape of Water
Martin McDonagh – Three Billboards Outside Ebbing, Missouri

Snubs: Sean Baker & Chris Bergoch – The Florida Project;  Steven Rogers – I, Tonya

  • Objective Winner: Martin McDonaghThree Billboards Outside Ebbing, Missouri.
  • Subjective Winners: Emily V. Gordon & Kumail NanjianiThe Big Sick or Jordan PeeleGet Out (again, two more mainstream-esque movies that did something new and unique with familiar genres)

Best Picture:

Call Me by Your Name
Darkest Hour
Dunkirk
Get Out
Lady Bird
Phantom Thread
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Snubs: The Disaster ArtistThe Big Sick; Molly’s Game; The Florida Project

  • Objective Winner: Three Billboards Outside Ebbing, Missouri (the winner up to this point). Or The Shape of Water (the big nominee that could steal the thunder)
  • Subjective Winners: I would love to see either of my objective winners actually winning. The third subjective pick would be Call Me by Your Name.

And that is is for the 2018th Awards Season! Onto March a.k.a. the warm-up for the summer movie season (A Wrinkle In Time; Red Sparrow; Tomb Raider; Pacific Rim 2; Love, Simon; Ready Player One…this month is going to be big!)

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Movie review: The Big Sick

Movie reviews

Hello!

I had a chance to watch, probably, the most original film of the year and I really want to talk about it. It’s The Big Sick!

IMDb summary: Pakistan-born comedian Kumail Nanjiani and grad student Emily Gordon fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings.

Writing

The Big Sick was written by Emily V. Gordon and Kumail Nanjiani. They based the script of their actual relationship and Nanjiani also portrayed a version of himself in the film. Gordon has mostly written for TV before, while Nanjiani has done a lot of acting and writing for TV too. The Big Sick was their biggest writing project to date.

The aspect of the film, which has been discussed the most, was its diversity or, more specifically, the ethnicity/race of the main character/actor as well as the cultural commentary provided by the movie. Everyone in the industry was super surprised that a movie with a Pakistani-American actor in the lead could succeed financially (critical success seemed more plausible) or that audiences were actually interested in a different culture.

On top of being interested in a different culture, audiences just usually look for a quality film to watch, and The Big Sick was exactly that. I thought that it had one of the best scripts of the recent romance films because the relationship was written in a realistic manner. The dialogue between the two people was fresh and actually sounded like an interaction between real people: it had moments of awkwardness and comfort, fun and absurdity but was also very sincere. The slight gendered bickering wasn’t out of place either and felt like a believable part of a modern relationship. The cinematic cliches (e.g. a guy listening to the girl’s voicemails after the breakup) didn’t look forced or cringy but actually seemed cute and natural. Lastly, the way Gordon and Nanjiani wrote the ending of the film was just absolutely brilliant. They didn’t go for a grand reveal and an instant fairy tale conclusion but crafted a realistic ending to a relationship – the kind that people have to work for.

Speaking about the portrayal of a different culture, I thought that The Big Sick was very successful in that aspect. I loved how the film presented a varied Pakistani-Muslim community, with some people keeping up with the traditions more and some less. It was also very thoughtful of the movie to showcase a successful arranged marriage (while it might not be for everyone, it can also bring happiness). In addition, I loved how the movie wasn’t afraid to not just present the culture but to critique it (or even joke about it). One of the best moments in the picture was the scene where Nanjiani’s character voiced his doubts about the culture (are the American lifestyle and the Muslim culture at all compatabile?). I loved how in that moment, he both remained respectful of the culture but also wasn’t blinded by it and underscored the importance of his own personal experience. The inclusion of Nanjiani’s career plot-line into the picture also helped to interrogate the culture from more than not just the romance angle, while it also made the story richer and elevated the whole movie.

Another unique part of the film was Nanjiani’s character’s bonding time with his girlfriend’s parents (I haven’t seen anything similar in recent times or maybe ever). Their conversations were really genuine but also fun. The scene of the mother character showing her daughter’s childhood pictures to the boyfriend was so true to life. The way the parent characters were written to behave at the hospital – writing everything down and googling the symptoms – added another layer of realism to the film too. My only slight gripe was the fact that I didn’t think that the inner problems of the parent’s relationship were necessary. However, their addition to the movie didn’t detract from the main relationship too much.

Directing

The Big Sick was directed by Michael Showalter whose previous picture was also a romantic comedy – Hello, My Name is Doris, which was as unique as The Big Sick. Both of these pictures focused on unconventional romantic pairings, be it because of the age or ethnicity of individuals in the relationship.

I thought that Showalter did a very good job directing The Big Sick. I liked the overall aura of the film: it had the authenticity of a documentary film but was approachable as a narrative film. Plus, although it was an indie picture, it had the continuity and flow of a mainstream romantic comedy.

Moreover, The Big Sick was very nicely paced: the story progressed slowly but never dragged, instead, the movie cleverly took its time to build an emotional core of the narrative. The reveals in the story also came organically and weren’t shocking just for the sake of being shocking. Alternatively, they were, again, more focused on the sentimental impact.

Acting

  • Kumail Nanjiani had a few minor roles on the big screen prior to this picture, though he was most well known for being on the main cast of Silicon Valley (a series that I have yet to watch). I wonder how was it for him to play a version of himself – whether it was easy or extremely difficult and whether he had to withhold or embellish his personality for the camera. Overall, I believe that he portrayed the character’s arc very concincigly and I hope that this film’s success can lead to more movie roles for him.
  • Zoe Kazan was also very good in the picture. Her and Nanjiani’s chemistry was amazing too. Holly Hunter and Ray Romano starred as the parent and did a nice job as well. It was delightful to see Hunter in a better film than her last one (BvS) and Romano actually appearing on the screen instead of just voicing the mammoth in the endless Ice Age movies. Lastly, the film’s cast was rounded out by a whole bunch of stand-up comedians, who all delivered excellent performances.

In brief, The Big Sick is one of the most unique romantic comedies I have ever seen. Not only does it have a fresh perspective and an original concept to explore, it is simply just a very well made movie.

Rate: 4.5/5

Trailer: The Big Sick trailer

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