5 ideas about a movie: Early Man

Movie reviews

Hello!

While some people flocked to the theater to see the last Fifty Shades, I joined my favorite demographic – kids – at the cinema. This is Early Man.

IMDb summary: Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, Early Man tells the story of Dug, along with sidekick Hognob as they unite his tribe against a mighty enemy Lord Nooth and his Bronze Age City to save their home.

  1. Early Man was written by Mark Burton (comedy writer) and James Higginson and directed by Nick Park (Chicken Run director). This animated feature comes from Aardman – one of the few stop-motion animation studios still working in the mainstream (the other studio being Laika). I have always loved this type of an animation style and the aforementioned style was one of the factors that drew me into the cinema to see Early Man.
  2. Having seen the trailer numerous times (they were showing it literally before every movie here in the UK, Aardman being a British company), I vaguely knew what the story was going to be and wasn’t certain how to feel about it. Part of me was thinking that it’s a good thing to educate children on the origin of humans but another part of me (the anthropology student) wasn’t sure how the film would handle the ideas of a ‘primitive’ (can’t stand that word anymore, thanks, anthropology). Anyways, Early Man’s solution to the tricky representation was to just make every character into an idiot and also, have the movie to turn out to be about something completely different: not the origin of humans but the invention of football.
  3. The whole football storyline (which was, basically, the main plotline) was where the movie shined. All the real world comparisons and jabs completely worked: starting with the instant replay puppets, unfair referee, players acting as if they were hurt and ending with Lord Nooth being a corrupt sports manager (‘Voluntary contribution…everybody has to pay’ was such a great oxymoron of a line). This whole idea to focus on football (or soccer for the US) also seemed very British/European. South America enjoys football too, so maybe this film will be financially successful down there. In addition to smart jokes, Early Man also had a plethora of really stupid ones, which I didn’t care for, but the primary audience (a.k.a. children in my screening) absolutely loved.
  4. The animation of the picture was really great and the character design stayed within the Aardman brand (more round, obviously clay-like characters in contrast to Laika’s more spindly and weirdly shaped ones). The pacing of the movie was good too and I did appreciate how quick and short it was. As all sports-movies (yes, Early Man is a sports movie), this film had a fun and quite inventive training montage. Lastly, I’d love to find out whether any of the football players in the movie were based on real athletes.
  5. Early Man’s voice cast featured some incredible British A-listers (their involvement was the second major draw to the movie for me, personally). Eddie Redmayne (Fantastic Beasts, The Danish Girl, Jupiter Ascending) was great as aloof, optimistic, and infectious lead Doug, while Tom Hiddleston (Thor 3, Kong, High-Rise) sounded like he had fun embodying such a caricaturish old-school villain. Game of Thrones’ Maisie Williams was basically voicing an animated version of Arya (only obsessed with football, not revenge). While one could definitely recognize the voices of all the actors, their accents did sound a bit thicker than usual, which seemed like an intentional choice to go with the overall tone of the film.

In short, Early Man was a lovely and neatly animated movie with a nice message of writing one’s own story. It also kinda made me want to watch a football match or even kick a ball around for a bit myself.

Rate: 4/5

Trailer: Early Man trailer

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Movie review: Justice League

Movie reviews

Hello!

Welcome to the review of the most polarizing movie of the year. Is anyone even surprised that the said divisive film is just another entry into the DCEU? This is Justice League.

IMDb summary: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Before moving on to the actual review, I wanted to give you my brief thoughts about the DCEU in general. When Man of Steel came out in 2013, I barely paid any attention to it because I wasn’t into comic book movies much (had watched some Marvel ones and enjoyed them but was still oblivious to the bigger universe). However, 3 years later (in 2016), I had already become a huge fan of MCU, had familiarized myself with the DC character on TV and had started to read comics regularly. Needless to say, I was looking forward to Batman v Superman and Suicide Squad. Both films left me sort of baffled. While I wasn’t a fan of the dark/grim atmosphere, I could understand it as a creative choice. What I couldn’t forgive was the messy and unfocused storytelling. Then Wonder Woman came along and was a breath of fresh air (with a meh third act). Now, Justice League is coming together for the first time on the big screen and I have mixed feelings even before I see it. I care about these characters, because I have been dazzled by them in the comics (I read way more of DC than I do Marvel), have caught up with them every week on TV (The Flash) or in animated films (DC animation used to be so good before it started going sideways with The Killing Joke debacle and Batman and Harley weirdness) and even though the movies themselves were flawed, I have enjoyed seeing these versions of Batman and Wonder Woman (somebody please fix Superman, though). I go into the screening hoping for the best while also worrying about the worst.

SPOILER ALERT

Writing

Justice League’s screenplay was written by Chris Terrio (the writer of Argoand BvS, while Zack Snyder helped out with the story. Joss Whedon (Avengers 1 and 2) also received a screenplay credit but it’s not really clear whether he got the credit because he actually changed some of the narrative of the film or just because he couldn’t get a co-directing credit together with Snyder. Anyways, I thought that the movie’s writing was a mixed bag.

Let’s start with the set-up. I highly enjoyed a lot of its elements but didn’t necessarily think that they all jelled well. The film’s set-up had two main goals: to introduce the new characters and the establish the team and to develop a villain for the story. The introductions of the new characters – Flash, Aquaman, and Cyborg – were brief but effective. Still, if these characters had solo movies prior to this film, I believe I’d have had a stronger connection to them. Since I already knew this universe’s version of Wonder Woman and Batman (BvS was basically his solo film), they were my favorites of the group.

The dynamics within the team were really neat. I liked the different pairings, the contrast between the rookies and the seniors, and the humor within the group. That last thing felt like an obvious influence of Joss Whedon. What I could have done without was all the sexual nods between Diana and all other members. I wouldn’t have minded a few of them, but the constant stream was not welcomed by me.

Speaking of the villain, Steppenwolf served his purpose but wasn’t amazing. What boggled me was the fact that the DCEU is or was supposed to be this realistic and sophisticated reimagining of the DC characters. And yet, all their villains have been super comic book-y and in no way fitting for the tonne of the franchise. The fact that the main villain had a disposable army, like in all the other comic book films, didn’t bode well for the picture either. Having said that, the army of parademons at least had a trait to make them more interesting – they were feeding on fear – and they also served a bigger purpose in the final act (a.k.a. took down Steppenwolf when he experienced fear).

Justice League also had a plethora of references to the future DCEU projects and I immensely enjoyed spotting them. The more into comics I get, the more Easter Eggs I recognize. I also love to research the references I didn’t spot. Honestly, a huge part of watching these films is reading/watching the coverage of them after the actual screening. Speaking about the future of the DCEU, Justice League had an ending that felt like an answer to the critique of the grimness of the franchise. The sense of hope for the future was established. Now, let’s just pray that the box office numbers allow the DCEU to deliver on their promise of course correction (the opening weekend’s numbers have not been great).

Directing

Zack Snyder (300, Watchmen, Sucker Punch) helmed the movie during the principal photography, while Joss Whedon directed the reshoots and was responsible for the final edit. The film that premiered in cinemas around the world was an amalgamation of the talents of both these filmmakers. Snyder’s input was evident in the actions scenes, while Whedon’s influence shined in the aforementioned humor of the feature.

Speaking of the action, the team had 3 big action scenes (the individual characters had some smaller action scenes in addition to the 3 team ones). The action sequence underneath the Gotham harbor was neat and a great first showcasing of the team’s powers together (I loved how the seniors Wonder Woman and Batman were doing the majority of the fighting, while the rookies Flash and Cyborg were more about helping the civilians). The Superman v League fight wasn’t bad either. The final action scene was entertaining but I wish it was more epic and more massive in scope. Well, at least they have some space to grow in the following pictures. They also have a lot of space for the improvement of the CGI: it should have been way more photorealistic. Overall, my favorite action scene did not even involve the Justice League themselves. It was the sequence on Themyscira that I found the most inventive and the most enjoyable.

The movie’s runtime has been cut short. What was supposed to be a 2.5 hours film, ended up being less than 2 hours. The set-up felt like it was missing some scenes and that’s why it might have felt choppy. However, the fact that the picture was shorter than expected, made it feel really quick and more fast-paced than it actually was/might have been. Nobody can say that it dragged.

The credits scenes

Justice League had a mid-credits scene consisting of the race between The Flash and Superman – an iconic moment from the comics that was replicated only recently on DCTV with Supergirl and The Flash. The post-credits scene was a hint for the future alliance of the villains and also introduced the viewers to Deathstroke (who just appeared on DCTV/Arrow last/this week).

Acting

The DCEU casting choices have been their best choices concerning the series. Let’s go over the main players as well as their supporting characters.

  • Ben Affleck (The Accountant, Gone Girl) was great as Bruce Wayne / Batman. I really enjoyed his speech about his lack of humanity. Jeremy Irons (High-Rise, Assasin’s Creed) was neat as Alfred Pennyworth, while J. K. Simmons (The Snowman, Renegades, Patriot’s Day, La La Land) had a couple of scenes as James Gordon. I really want that Batman solo film to materialize and see more of these actors in the iconic roles.
  • Henry Cavill (The Man from U.N.C.L.E., Sand Castle) appeared as Clark Kent / Superman, while Amy Adams (Arrival, Nocturnal Animals) reprised her role of Lois Lane (the big guns). Cavill’s infamous mustache was very noticeable and his face looked really wonky in half of the shots. Subsequently, a lot of Superman’s scenes were distracting. However, he didn’t have much of them in the film. He is the character that has appeared in the biggest numbers of movies in the franchise, so we have already been exposed to him a lot. What I did like about Cavill’s performance in Justice League particularly was the fact that he was allowed to be positive and happy to be alive (in contrast to moping and feeling sorry for oneself).
  • Gal Gadot came back as Diana Prince / Wonder Woman and was as perfect as ever. I really want to see her in more movies, outside this or Fast&Furiousfranchises. Connie Nielsen briefly appeared as Hippolyta. I loved that moment with the signal fire for Diana.
  • Ezra Miller (Fantastic Beasts) as Barry Allen / Flash was the standout of the new characters and that was mostly due to Miller’s comedic talents. His enthusiasm was infectious and his reaction faces just hilarious. His love interest Iris West was set to be played by Kiersey Clemons (Flatliners) but was cut from the final film. We did get an intro to Barry’s father Henry Allen played by Billy Crudup (Alien: Covenant), though. That The Flash solo movie might actually be really good and could compete with the TV show.
  • Jason Momoa played Arthur Curry / Aquasman. I loved Momoa in the role but wish he was given something more to do with it. I’m hopeful about his solo movie, though. Amber Heard (Magic Mike XXL, The Danish Girl), who was introduced as Mera, will also re-appear in it.
  • Ray Fisher starred as Victor Stone / Cyborg and was probably the character most integral to the plot of the film. I didn’t know much about Fisher prior to this movie but was really impressed by his performance. He brought heart and soul to Cyborg – qualities which only a good dramatic actor can portray well.
  • Ciarán Hinds (GOT’s King Beyond the Wall) did the motion capture of and provided the voice for Steppenwolf. He was good enough in the role but I do wish that the design of the character would have been more interesting.

In short, Justice League was the second best film in the DCEU (and while it’s not much, it’s something). It had some great character moments (both action and humor ones) but was still plagued by the wider problems of the whole series. Nevertheless, the future is hopeful.

Rate: 3.5/5

Trailer: Justice League trailer

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Movie review: Thor: Ragnarok

Movie reviews

Hello!

What a time to be a nerd! A new Marvel movie is in theatres every 4 months! Is this heaven or what? Without further ado, let’s discuss Thor: Ragnarok!

IMDb summary: Imprisoned, the mighty Thor finds himself in a lethal gladiatorial contest against the Hulk, his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela from destroying his home and the Asgardian civilization.

If it wasn’t obvious from my intro, I’m a huge MCU fan and have reviewed quite a few films of the franchise, thus, I’m linking the said reviews here: Captain America 1+2, Ant-Man, Guardians 1 and Guardians 2, Avengers 2, Civil War, Doctor Strange, Spider-Man: Homecoming.

This review is SPOILER FREE. The discussion involving SPOILERS is located at the end of the page.

Writing

Thor: Ragnarok was written by Eric Pearson (writer of a few MCU one-shots (I wish they were still making them) and writer on Agent Carter), Craig Kyle (comic book writer, producer the first two Thorfilms and of some of Marvel’s direct-to-video animated pictures), and Christopher Yost (longtime collaborator of Kyle, writer of Thor: The Dark World). I loved the writing for this film.

To begin with, I appreciated how dense the narrative was. So much happened in this picture and every second of that 2-hour runtime was packed with plot. It felt like this movie consisted of a couple of films, which was exactly the case. Thor: Ragnarok contained the first third of a Hulk solo movie – the middle part and the ending will probably be folded into Avengers 3and 4. I was a bit worried that the Hulk sideline will feel tacked-on but it didn’t – Bruce Banner and his green friend fit into this picture organically. I loved the fact that we got to see more of Hulk and find out about his own separate personality.

In general, the majority of the main characters had very satisfying character arcs. First of all, Thor went on a journey on finding his path again, while Valkyrie also had to re-find her purpose in life (I loved how she was both badass and had her flaws). Loki attempted to redeem himself in the most questionable and Loki-appropriate way possible and Heimdall got to do something meaningful for once in these films. Skurge’s questioning of morality was great, while Grandmaster’s hijinks were hilarious.

Speaking of the comedy in the film – it was just wonderful. The situational relatable humor, the reactions, the call-backs, the references, and the jabs at the previous MCU events were extremely funny. However, the film also had some heart to it. One particularly touching moment occurred in Norway at the beginning of the film. That scene’s location – Norway – was also a neat nod to the Norse mythology roots of these characters.

MCU films have been notorious for their lack of great villains. I didn’t think that Hela followed this trend. She was both memorable and menacing. I also loved how she had a family connection to the protagonist, and, thus, how the film got an opportunity to explore the notions of family and home. I also enjoyed seeing her be actually threatening, setting the stakes high and having a lasting impact on both Thor and Asgard (physical and emotional).

Directing

Thor: Ragnarok was directed by the incredible filmmaker from New Zealand – Taika Waititi. I was only introduced to his work last year with the awards’ nominated delightful and heartfelt comedy Hunt for the Wilderpeople. Before going to see Ragnarok, I also watched his brilliant vampire mockumentary What We Do in the Shadows. Needless to say, my expectations were high and I’m so glad to say that Waititi delivered on them 100%! Thor: Ragnarok had the heartwarming feeling of Spider-Man: Homecoming, the jokes of Guardians of the Galaxy, and the trippy visuals of Doctor Strange. Nevertheless, it wasn’t just a rehashing of elements from other films, but a refreshing, unique, and immensely entertaining take on them.

The color palette of Thor 3 was just so gorgeous and super vibrant. The location and the character designs have never looked better in a Thor film (the looks reminded me of a mixture of Star Wars, Star Trek, Lord of the Rings and just 1980s style). The action was just so dynamic and energetic. It was also varied: we got to see a couple of one-on-one fights as well as some epic scale battles and a few spaceship chases. One of my favorite action pieces was the short opening fight between Thor/Loki/Hela in the rainbow bridge. Not on it, but in its stream. The music (by Mark Mothersbaugh) was also nicely incorporated into the film. I’m gonna listen to that Led Zeppelin song every day at the gym now.

Acting

  • Chris Hemsworth (Ghostbusters, The Huntsman, In the Heart of the Sea) had his 5th and best outing as Thor. We already knew that he was great a the role of a hero, but here he also displayed all his comedic chops!
  • Tom Hiddleston (High-Rise, Kong) was sly and charismatic as Loki again (I love the character, so I’ll never complain about seeing him).
  • Cate Blanchett (Carol, Cinderella) had a snake-like quality to her performance of Hela. At the beginning, I thought that she was bordering on being too cartoonish a too bit much but I think she quickly found her footing.
  • Idris Elba (The Mountain Between Us, The Dark Tower, Star Trek Beyond, Bastille Day, Beasts of No Nation) returned as Heimdall and got a chance to do something more in the film than just stand in one room!
  • Jeff Goldblum (ID2) was perfect as Grandmaster. He was doing his Jeff Goldblum thing (I can’t explain it) and that fit the character so well! He, in my mind, had the leeway to go cartoonish and I’m glad he went there at least a bit.
  • Tessa Thompson (Creed) was wonderful as Valkyrie. I loved how Thompson portrayed her character’s flaws, regrets, and determination.
  • Karl Urban (Pete’s Dragon, Star Trek Beyond) as Skurge. I hope that Urban’s involvement with a new comic book property means that he might go back to one of his old ones – the role of Dredd. Nonetheless, I loved seeing him here.
  • Mark Ruffalo (Spotlight, Now You See Me 2) delivered a short but sweet performance as Bruce Banner / Hulk. Immense props to him for his comedic timing too!
  • Anthony Hopkins (Transformers 5) only appeared briefly as Odin but he was responsible for the most touching and the most emotionally-challenging scene of the film, as a dramatic actor of his caliber should be.

In short, Thor: Ragnarok was without a doubt the best Thor film but it also might be one of the best MCU solo films ever! Not only worthy of watching once, but repeated viewing is recommended!

Rate: 4.8/5

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SPOILER-Y PART: 

Since I saw the movie super early (thanks, UK release schedule), I didn’t want to talk about spoiler stuff in the main part of the review, so I’ll just unpack some ideas in more detail here:

  1. Thor: Ragnarok had a great cameo by Doctor Strange. Those, who saw Doctor Strange and waited for the post-credit scene of that film, knew that Sorcerer Supreme will be showing up in Thor 3. It was wonderful to see the character appear on film as being closer to his comic book counterpart – way more advanced in his skill and more in control of his powers than he was when we last saw him.
  2. Matt Damon, of all actors, had a super funny cameo as an Asgardian actor playing Loki. It’s always nice to see a great actor doing some bad acting and Damon nailed his. Stan Lee also had an amazing cameo as the hairdresser. I’m glad that he was the one who supposedly got a chance to change Thor’s look. I feel like, since that change came from Lee, it is somehow automatically canon.
  3. Hela was turned into Thor’s and Loki’s sister for the film (she is the daughter of Loki in the comics). I liked the change because it allowed the movie to explore the differences between Odin’s relationships with each of his kids. Also, the fiction vs truth idea came into play in the movie because of that change.
  4. Some of my favorite jokes, which I didn’t want to spoil were: the Sakar’s infomercial sequence; Loki’s reaction to Hulk throwing Thor around like a ragdoll – Loki experienced the same fate in Avengers; Thor’s attempt to calm Hulk down with Black Widow’s lullaby; and the jabs at Tony Stark. Even if RDJ is not in the film, his presence is always felt. Another delightful comedic part was Taika Waititi’s motion capture and vocal performance as Korg. Waititi is a great comedic actor and I’m glad he got to showcase that here in addition to directing.
  5. Lastly, Thor: Ragnarok had two end-credits scenes. The mid-credits scene was a very vague tease for Avengers: Infinity War, while the post-credits scene was just a fun nod to this particular film.

5 ideas about a movie: Free Fire

Movie reviews

Hello!

Welcome to a review of a new British indie movie Free Fire that acted as a great counter-programming to the awful Ghost in the Shell.

IMDb summary: Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

  1. Long time readers of my blog will know that I’m a fan of British contemporary cinema. Even before I lived in the UK, I would try to watch all smaller British films that reached my then hometown’s movie theater. It’s pretty sad that the majority of these films do no interest non-European audiences. It’s especially heartbreaking that an amazing film, like Free Fire, will probably go unacknowledged by many global cinema-goers as well. I first found out about the picture in an article in an Empire magazine. The publishing focused on the logistics of the big shoot-out sequence and made me really interested to see the final product.
  2. Free Fire was written and directed by Ben Wheatley, in collaboration with the long-time creative partner – writer and editor Amy Jump. I’m very much a newcomer to Wheatley’s work. The first film of his that I saw was last year’s High-Rise. The dystopian drama was both puzzling and intriguing. It also had a magnificent cast –  Wheatley continued this trend in his next movie too.
  3. The writing for the movie was quite nice. There was no obvious narrative or a story, but the way the character interactions were included within the action was really cool. The attempts at flirting were especially inappropriate in the circumstances of the movie, and, thus, hilarious. In general, the movie was full of actually funny jokes. I laughed out loud multiple times. This group of characters with their various levels of stupidity and all the in-fighting was also super entertaining to watch on screen. Lastly, the decision to loosely tie in the film’s plot to the real historical events in Ireland/Northern Ireland in the 1970s was an interesting choice.
  4.  I also loved the visuals of the film. The big action set-piece was seamlessly executed. The visual craziness was neatly paired with quieter moments full of amazing verbal jabs. Plus, even before everything had escalated, Wheatley succeeded at building tension between the characters, so the start of the shoot-out was somewhat believable even if extremely sudden. The action itself was captured with a mixture of close-ups and wider shots and, while the said action was gritty, bloody, and brutal, it was not literally dark, so one could actually see what was happening on screen. In fact, the color palette was pretty warm – a lot of browns and yellows – a perfect match for the 1970s setting and the tacky costumes. I’m so happy that shoulder pads are no longer in style. What I’m sad about is that this film’s soundtrack and the similar style of music are no longer on the radio.
  5. The film had an amazing cast, full of accomplished and well-known actors. This time around, their ‘acting’ included playing kindergarten-like children in adult bodies and crawling around a lot. The cast’ included big name talent like Brie Larson (Room, Kong), Sharlto Copley (Blomkamp’s films, Hardcore Henry), Armie Hammer (The Man from U.N.C.L.E.The Birth of a Nation, Nocturnal Animals), Cillian Murphy (In the Heart of the Sea, Anthropoid, soon Dunkirk), and Jack Reynor (Sing Street). I loved Larson’s character as well as her interactions with Murphy’s character – they had this subtle chemistry which really worked. I also liked seeing Hammer actually having fun with the role and loosen up a bit. Reynor has been popping on my radar a lot lately, maybe that he is that one actor whose involvement in the Transformers franchise actually led to some good work? The film’s cast was rounded out by a lot of great but less well-known actors: Babou Ceesay (Eye in the Sky), Enzo Cilenti (small role on GOT), Sam Riley (Pride and Prejudice and Zombies, Maleficient), Michael Smiley (Black Mirror’s White Bear episode), Noah Taylor (small role on GOT too), Patrick Bergin (Irish screen actor), and Tom Davis and Mark Monero (TV actors).

In short, Free Fire is a super enjoyable action-comedy that works both as an action movie (the craftmanship of the big action sequence is amazing) an as a comedy (the visual jokes as well as small funny moments of dialogue pair off nicely).

Rate: 4.5/5

Trailer: Free Fire trailer

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Movie review: Beauty and the Beast

Movie reviews

Hello!

The Disney’s juggernaut Beauty and the Beast has landed in theaters, so, let’s review it!

On a personal note, Belle was always the character I most closely identify with, in that we were both more interested in books than the real world. Also, weirdly enough, Disney fairytales seem to be the only romances I can stomach because l seem to prefer love stories set in a fantasy world rather than real one.

Disney has made quite a fair few of the live-action fairytales: Alice and its sequel, Oz The Great and Powerful, Maleficient, Into The Woods, Cinderella, The Jungle Book, The BFG, and Pete’s Dragon. The re-tellings started dark (almost as a comeback to the original print version of the tales) and have gotten lighter and more faithful to the Disney animated versions. The new Beauty and the Beast film is the most faithful to its animated predecessor out of all of them because the live action movie will also be a musical. While all the other live-action adaptations have featured some variations of the traditional songs neither of the previous movies have been full-on musicals.

Writing

2017’s Beauty and the Beast’s script was written by Stephen Chbosky (The Perks of Being a Wallflower) and Evan Spiliotopoulos (The Huntsman: Winter’s War). I thought that the duo of writers crafted a beautiful and faithful adaptation that was inspired by both the Disney animated version and the original French fairytale (which I, sadly, haven’t read in its original form but have definitely read a few re-tellings). I didn’t notice any big changes from the animated film but I highly appreciated all the additions. I really liked that they expanded Gaston’s character: gave him a war background and made him more cruel and villainous not just empty. I also enjoyed seeing Agatha or The Enchantress taking on a more active role in the story. Similarly, both Belle and the Prince received more development – their family backgrounds were incorporated into the narrative. That really helped The Beast’s character – his vainness was justified by his upbringing and, thus, made him more likable.

Speaking more about the writing for Belle – I really loved the fact that this time around Belle tried escaping from the very beginning and that it was explicitly stated that she find out about the curse. Moreover, I loved that they added the idea that both Belle and The Beast were outsiders and that that helped them reach a common ground.

Finally, to address the issue that a lot of people pointlessly made a big deal of – LeFou being gay or having a ‘gay moment’ in the movie (wtf that even means?). Personally, I loved all the subtle progressive additions to the plot: I absolutely loved the moment with the three musketeers being dressed in the lady’s outfits and one of the giving a positive reaction. The way that moment came into play later, during the final dance with that musketeer and LeFou briefly meeting was also nice. Even though the idea that feminity and homosexuality go hand-in-hand is bit stereotypical, it was still a nice moment and a definite step (even if a tiny one) forward. Additionally, the fact that LeFou realized that he was too good for Gaston was so important! In general, I really enjoyed what they did with the character. I applaud the filmmakers for seeing an opportunity to make a modern and sophisticated alterations/enhancement and taking it. Moreover, the screenwriters still managed to keep the comic relief aspect of the character and even made his jokes more mature and commentary-like instead of the slapstick cartoonish humor of the animation.

Directing and Visuals

Bill Condon, who has a diverse list of movies in his filmography, ranging from Twilight 3 and 4 to The Fifth Estate and Mr. Holmes, directed the picture and did a brilliant job. From the opening shot of the film, the visual were just plain gorgeous. The CGI characters and the backgrounds and the actual physical props blended seamlessly (hats off to both the production design and the special effects teams). The opulent opening sequence acted as an amazing visual set-up and explained the Prince’s greed and vainness effectively. The Sound of Music reference with Belle singing on the hill was also nice. The final action sequence appeared to be elongated and was definitely more suspenseful than the one in the animated version – I can easily see why they did that – even fairytales have to have a big 3rd act action sequence in Hollywood’s mind. My only criticism for the movie was that the second hour before the 3rd act felt a bit slow. And yet, I still understand why they had to slow down – they needed to show Belle and The Beast falling in love. In fact, I actually appreciated that the falling in love montage was longer, and, hence, more believable. In general, the picture had all the right feels – from the heartbreaking sadness to the Disney staple of eternal romance. Lastly, the animated character credits and the French translations for the credits were neat finishing touches.

Musical Numbers

Alan Menken was responsible for the music of the picture and did an amazing job. I felt that all of the musical numbers lasted for a longer time (the movie is half an hour longer than the animated picture) and I also loved the huge scope of them – they had way more extras and dancers than I expected. All the theatricality and drama of the performances was just great as well. All the old songs sounded familiar and yet brand new. I loved all the classics – Belle, Gaston, Be Our Guest, and, of course, Beauty and the Beast. The new songs – How Does a Moment Last Forever, Evermore, and Days in the Sun were also great and fit the old soundtrack well. The fact that the filmmakers got Celine Dion to sing one of the new songs during the credits was also great and a nice reference to her work on the animated film. I also really liked the Ariane Grande/John Legend version of Beauty and the Beast.

Acting

Emma Watson as Belle. Watson is always going to be Hermione in the majority of people’s minds but I hope that she will also get remember as Belle as she was stunning in the role: sweet but also tough enough. I also thought that she did a good job with the singing. Next step for her career is to star in an awards movie and maybe even snag a nomination for it.Some of her recent films include Noah, Colonia, and the upcoming The Circle.

Dan Stevens as The Beast. He was amazing. I could actually see him through all the motion capture CGI and his singing was also excellent. Steven’s career has had its ups and downs. He first got on everyone’s radar through Downton Abbey, but then he made a decision to leave the show just after a couple of seasons in order to star his movie career Well, that didn’t happen as soon as he probably planned. The role of The Beast is his most high-profile role to date but his performance 2014’s The Guest has also been positively accepted. Interestingly, Stevens also made a decision to go back to TV – be it in a very different role than the Cousin Matthew one – this time playing the titular mutant on Legion.

Luke Evans as Gaston. A perfect casting if I have ever seen one. Evans was just oozing charm as Gaston and even though I wanted to completely despise the character, I just couldn’t. Evans got his big break with The Hobbit movies and Dracula Untold and he was also recently in an indie experimental film High-Rise and The Girl on The Train big screen adaptation.

Josh Gad as LeFou was also brilliant. I really liked actually seeing him on screen after only listening to him in Frozen (he was Olaf for those not in the know).

My favorite voice actors were Emma Thompson as Mrs. Potts and Ewan McGregor as Lumière. Thompson just has a motherly sounding voice that was perfect for Mrs. Potts, while McGregor was super funny as Lumière. I can’t really comment on McGregor’s French accent or lack of it, cause I don’t speak French but I know that he had some difficulties with it. Well, I didn’t mind and actually liked how he sounded. It was also nice to hear McGregor singing cause I think that the last movie I heard him singing in was Moulin Rouge more than 15 years ago. The fact that he went from Trainspotting 2 straight to a Disney fairytale is also pretty funny.

Other cast member included Kevin Kline as MauriceIan McKellen as CogsworthAudra McDonald as Madame de GarderobeGugu Mbatha-Raw as Plumette, and Nathan Mack as Chip. All of them did a fine job. Lastly, Stanley Tucci played an original character – Maestro Cadenza. I didn’t really think that the picture needed a new character but his presence didn’t hurt the movie either. That final gag with the teeth and the piano keys was actually quite funny.

In short, Beauty and the Beast is an amazing adaptation of a beloved classic. It’s immensely entertaining and provides a great opportunity for some quality escapism into a fairytale world.

Rate: 4.8/5

Trailer: Beauty and the Beast trailer

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Movie review: The Lobster

Movie reviews

Hello!

Before the year comes to a close, I’m catching up on a few films that I’ve missed and I’m reviewing them on this blog. Today, we are talking about The Lobster – the highly regarded indie flick that had a limited and festival release last yeat, but only premiered in the majority of countries in 2016.

IMDb summary: In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

Writing

The Lobster’s script was written by Efthymis Filippou and the director of the film’s Yorgos Lanthimos. In a sea of dystopian mainstream films, The Lobster stands out as a dystopian indie picture. It’s an absurdist story full of unique, original, funny, entertaining, uncomfortable, disturbing, and, of course, thought-provoking moments. It has a great narrative structure: the story starts without a warning, the viewer is just dropped into the world of the picture and left to figure stuff on his/her own. The surprises come in the first minute. The rest of the story is told organically through the great dialogue, however, the voiceover is also present and very effective. Its existence kinda makes the movie feel like a documentary, meaning that the events happening on the screen appear to be real, and, thus, even scarier.

The movie has some great themes and explores them in an interesting and fresh way. It basically takes the world’s obsession with love and perverts it to the max by making the process of falling in love into a mechanized rather than natural and organic thing. The film really succeeds in showing the radicalized absurdity of love and dating . It also asks the question of what is a real and what is a fake relationship. In addition, The Lobster accurately presents the contemporary view on the single people (the single people are still seen as less valuable members of society – we haven’t get rid of some conservative ideas just yet). The film also exaggerates the divide between the singles and the couples, by only presenting the two possible extremes without a middle ground. It also examines the taboo topics by making them appear as even more taboo than they are.

All of the characters in the film are reduced to a single feature and turned into ironized stereotypes not only for comedic but also for intellectual purposes. The animal symbolism is also very telling in the film, as lobsters are supposed to represent deep emotions while the film’s world seems to be completely emotionless. The Lobster also takes a subtle jab at today online dating culture which aims to match people up based on the percentage of their likeness and similarity. What happened to the ‘opposites attract’ idea?

Lastly, The Lobster’s ending is great: both satisfying and unsettling. It is definitely not a Hollywood type of a happy ending with the destruction of the dystopian world and the uncertain but hopeful future for the society. No, The Lobster ends with people stuck in an unfortunate situation, trying to make the best out of it.

Directing

The greek director Yorgos Lanthimos, with whose previous work I’m sadly not familiar with, does an absolutely stellar job with The Lobster. He presents the dystopian ideas in a very old-school, tradiotonal looking settting and really plays up this contrast between the normality and the absolute weirdness. He also gives the film a feeling of stagnation through the usage of the steady camera and the unmoving frame. The grim color palette also adds to the overall atmosphere. The great score by Johnnie Burn compliments the visuals really nicely. I especially enjoyed the mundane sequences which were accompanied with over the top epic and suspenseful orchestral numbers. The contrast was jarring and incredible.

Acting

All of the cast does an absolutely amazing job, bringing their nameless (for the most part) characters to life. Colin Farrel (Fantastic Beasts) is stunning in the lead, Rachel Weisz (The Light Between Oceans) absolutely nails her emotionless and actually quite scary voice over, while Ben Whishaw’s (SuffragetteThe Danish Girl, Spectre, In the Heart of the Sea, A Hologram for the Kingstiffness and monotony are jarringly appropriate too. Léa Seydoux (Spectre) and Olivia Colman (Locke) also deliver amazing performances.

In brief, the experimental art pictures (High-Rise and even The Neon Demon) are really hard to rate. I cannot put its worth into a number but I can tell you that The Lobster is a surreal, bizarre, and funny in that WTF kinda way film.

Rate: ?/5

Trailer: The Lobster trailer79027645349865d432662d9e4e919a6c.jpg

Movie review: The Girl on The Train

Movie reviews, Uncategorized

Hello!

The highly awaited adaptation of the best-selling thriller has finally reached cinemas, so let’s talk about it! This is the review of The Girl on The Train.

IMDb summary: A divorcee becomes entangled in a missing person’s investigation that promises to send shockwaves throughout her life.

The Girl on The Train is an adaptation of the book with the same name, written by journalist-turned-writer Paula Hawkins and published in January of 2015. It has taken Hollywood only around a year and a half to come up with the cinematic version of the same story. The book has been compared to Gone Girl – famous novel by Gillian Flynn (another former journalist, now a published author), but I would also suggest you check out the other two Flynn’s books – Sharp Objects and Dark Places – if you liked The Girl on The Train. J.K.Rowling’s first adult novel – The Casual Vacancy – might also be of some interest to you, as it explores similar topics to The Girl on The Train, namely the idea of the domestic affairs and the concept of the outside image. Another analogous book about a dysfunctional family that is on my to-read list is The Girl With The Dragon Tattoo and all its sequels.

To me, the dichotomy of private and public life was one of the most interesting aspects of the source material. The novel also appealed to my inner stalker – I, as the main character Rachel, like to watch strangers around me and imagine their lives or imagine myself in their place. I guess that tells you something about my less-than-stable mental state. I promise I’m not a drunk, though.

Last year, both Gone Girl and Dark Places have been adapted to films and The Girl with The Dragon Tattoo has been turned into a couple of movies (both in Sweden and the US) and I’m sure that the adaptation of The Girl on The Train will be compared to all of them. Some will even go as far as to compare it to Hitchcock’s classics, which isn’t really fair, in my opinion. But, enough of the introduction, let’s get into the actual review of the picture.

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!SPOILER ALERT!

Writing

The Girl on The Train’s script was written by Erin Cressida Wilson. She penned last year’s Men, Women & Children – the only recent film with Adam Sandler that I didn’t hate – I actually even enjoyed it. As per usual, some of the details of the story were changed when adapting the narrative. To begin with, the action was relocated from London to New York for no obvious  creative reason, other than to appeal more to the American audiences. I would have preferred it to be set in England – the gloomy and rainy London would have fit the story more than the city who never sleeps – NY. The screenwriter also cut a few of the creepier details that were in the book, namely a couple of messed up sex scenes. She also gave more traits to some characters: Rachel liked to draw and we actually saw her go to an AA meeting and Megan liked to go on runs. Cathy’s character was altered a bit too, while the character of Martha was an original creation for the picture. The role that the media played in the murder mystery was also diminished in the film.

Other than that, the characters pretty much stayed the same – they were all damaged people, some for a reason, others – without explanation. Then again, some people just are the way they are and there is no deeper tale behind their personality. Rachel basically was digging a hole for herself throughout the film, Megan was playing with fire and got burnt, and don’t even get me started on Anna – she was so willing to turn a blind eye to everything that she kinda made me sick. The 2 male character got a bit less of development but they were both kinda similar – abusive in one way or the other to some extent. Inspector Riley’s character was actually better in the film than in the book – she was super annoying in the novel and actually quite efficient and clever in the film, though she still went after a wrong person.

The narrative was more compressed in the movie than in the book, but all the main themes stayed the same: the desire to create a family was still the most driving plot point of the story (so stereotypical and one that I cannot understand or agree with, then again, I’ve never been family-orientated and this story only reassured my beliefs) and the private life and the public exterior were juxtaposed. The characters looked at each other for an ideal example and lived in a past way too much. The movie also showed the complexity and the dark side of relationships and love and looked at a very important aspect of the modern life – mental problems and depression.

Directing

Tate Taylor, whose previous films include The Help and Get on Up, directed The Girl on The Train and did a fine job. The camera was a bit static, but the visuals of the train in the background of various shots were nice. All the close-ups also worked to make the movie a bit more intimate experience. And yet, the film was quite slow and the numerous flashbacks didn’t really allow the story to go forward – it seemed like something was holding the movie back. The levels of intensity were also low and the buildup to the big twist was basically non-existent. Nevertheless, I did enjoy the big reveal even if I knew it beforehand. I wish that particular sequence would have been longer, though – the picture wrapped up really quickly when the real killer was announced to the audience and the characters. Overall, the directing was a bit flat and I wish Taylor would have done more with the material.

Music

The movie’s soundtrack by Danny Elfman wasn’t really noticeable (which sometimes is a good thing). I liked the instrumental score but wished they used more actual songs. For one, I really liked the trailer’s song Heartless and that comes from a person who highly dislikes Kanye West.

Acting

  • Emily Blunt (Edge of Tomorrow, Into the WoodsSicarioThe Huntsman) as Rachel Watson was absolutely amazing. She played such a believable drunk person – her performance was never over-the-top or too cartoonish. She basically carried this whole movie by herself and I really wish that her work in this film would be recognized with at least a Golden Globe nomination. Her 2 upcoming film are both animated but I’m sure that we will soon get a few announcements about her being cast in some live-action flicks.
  • Haley Bennett (Hardcore Henry) as Megan Hipwell was also really good. She reminded me a bit of both Jennifer Lawrence and Rosamund Pike. Furthermore, Bennett’s acting range is amazing – the character of Megan was completely different from her last cinematic character in The Magnificient Seven. Would love to seem more of her work.
  • Rebecca Ferguson (MI5, Florence Foster Jenkins) as Anna Watson was also great. While reading the book, I really disliked Anna and thought she acted a bit creepy and Ferguson portrayed that well.
  • Justin Theroux as Tom Watson. Theroux played a good villain – that of the worst kind. He seemed to be a good husband and father on the outside, but deep down was a manipulative liar, who managed to believe his own lies, and had no regard for other people’s mental or physical lives. While reading the book, I guessed that he was the killer when I still had around 50 pages left to the big reveal. He just seemed too normal to be a character in the book full of broken people. Going forward, Theroux will be voicing a lord in The Lego Ninjago Movie
  • Luke Evans (The Hobbit trilogy, Dracula Untold, High-Rise) as Scott Hipwell was fine in the role. I kinda feel like he was used as an eye candy for the first half of the film, though. He only said his first line in the 45th minute of the film (I checked). Nonetheless, his few emotional scenes with Blunt were my favorite parts of the movie. His next film is the live-action remake of Beauty and the Beast, which I’m super excited about!
  • Allison Janney as Detective Sgt. Riley was really good. Janney’s performance made me like the character of Riley much more than I did in the book. Coincidentally, I only just saw another film with her – she had a small role in Miss Peregrine’s Home for Peculiar Children.
  • Édgar Ramírez (Joy, Point Break) as Dr. Kamal Abdic was fine. He was clearly not Bosnian (that was a big deal in the book) but they still tried to mention his ethnicity in the film which didn’t work. In the book, he was the survivor/refugee of the Yugoslavian wars and this impacted the media’s perception of him as the supposed killer. In the film, they just had Rachel throw the line ‘Where are you from?’ as a possible nod to his background in the book, but that didn’t really work.

In short, The Girl on The Train was an okay movie. The strongest part of it was the acting, while the directing and the writing had to take the back seat. It is not a must watch, but the fans of the book, as well as those who like character/actor-driven films, should check it out.

Rate: 3.5/5

Trailer: The Girl on The Train trailer

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Movie review: Batman v Superman: Dawn of Justice 

Movie reviews

Hey Hey Hey!

The wait is finally over! We now have a movie that shows the two greatest superheroes fighting one another. Without further ado, let’s dig-in into Batman v Superman: Dawn of Justice.

IMDb summary: Fearing the actions of Superman are left unchecked, Batman takes on the man of steel, while the world wrestles with what kind of a hero it really needs. With Batman and Superman fighting each other, a new threat, Doomsday, is created by Lex Luthor. It’s up to Superman and Batman to set aside their differences along with Wonder Woman to stop Lex Luthor and Doomsday from destroying Metropolis.

Before we start: I have done a preview post for this film, in which I discussed my hopes for the movie and gave you my thoughts on the casting choices, Snyder’s previous work and DCCU in general. I won’t be repeating those things in here, so I highly suggest that you check out that other post first!

Since I’m posting my review on Saturday and the movie has been out for a couple of days, I will be talking about SPOILERS!

Audience

Before BvS was released, a lot of news sites reported that the majority of the presale tickets were bought by men. Saturday, 9am screening that I went to (definitely the earliest screening I’ve ever been to) was also predominately male. I think there was only around 30 people watching the film with me, and only 4 of them were female (me included). The audience was also very adult-centric – there were only 3 or 4 kids in the cinema.

I don’t really know what to make out of this. I refuse to believe that women don’t like comic book movies. Moreover, I cannot believe that children are not interested in a film like this one.

Also, before the movie, they showed The Lego Batman teaser – it was very appropriate and extremely funny (definitely a lot funnier than the film that followed).

Story: Writing, Tone, and Plotlines

BvS’s script was written by Chris Terrio and David S. Goyer. Terrio is best known for writing the screenplay for 2012’s Argo, while Goyer has written all the Blade movies, all of Nolan’s Batman films and Man of Steel. With such an accomplished duo, it’s quite strange to see that Batman v Superman did not turn out that great, when it comes to story. Let’s go over all the different story and plot points (the good, the average and the bad) one by one:

  • To begin with, BvS was a more Batman-centric movie and that’s perfectly understandable – they needed to establish him as a character. The opening of the film nicely dealt with Bruce’s backstory – the death of his parents and his obsession/fear of bats.
  • – The film had a lot of dream sequences and it was extremely hard to understand, which scenes were set in reality and which ones – only in the minds of the characters (I still don’t know who was the person in Bruce’s dream that told Batman that Lois Lane is the key – I read that it was probably the Flash, travelling back in time. The other dream sequence (Nightmare one) was also an Easter Egg for Darkside (maybe)). Anyway, the decision to blend the reality and the dreams together might have been a creative choice, however, it made the narrative unclear and hard to understand/follow.
  • – The film was more than 2 hours long but all the characters lacked development – I wanted to spend more time with all of them and wasn’t satisfied with a few scenes that I’ve got.
  • – However, there were characters that we spent way too much time with and the pay-off, concerning these characters, was not that great. Those senate hearings and Lex Luthor’s and Senator Finch’s scenes seemed to last forever and didn’t really accomplish much.
  • – Basically, the movie had way too many plotlines and was jumping around way too much. In short, there was at least 5 great movies inside this 1 (average) film. The first two parts of the picture also lacked action and the whole set-up for the final act was generally a bit boring, although it had a few exciting moments.
  • The mother-son relationship was really important in this film and it was actually nice to see this particular family relationship explored on screen. Movies usually tend to focus on father-son or father-daughter relationships. I also enjoyed the clever idea to use both Clark Kent’s mother’s and Bruce Wayne’s mother’s name – Martha – as a linguistic plot-device that not only united them but helped to show their humanity.
  • -/+ While I enjoyed seeing Batman and Superman united in battle, I think that they became ‘friends’ too quickly. It would have been more believable to see them calling each other ‘partners’ or something like that.
  • – Speaking about the believability – BvS (like all others DCCU films) really want to be grounded in reality, that’s why they are so dark and gritty. However, I do believe that real life also has lighter moments. Reality doesn’t automatically mean darkness and depression. Sophisticated and serious superhero films can be at least slightly funny as well (I’m not saying they all have to be comedies like Deadpool). I wish that we would have gotten at least a few more lively/amusing-ish moments to balance out the darkness – the only scenes that had a lighter tone were the romantic ones and I had a lot of problems with them separately.
  • Also, while the first two acts of the film were somewhat realistic and very dark, the final act of the film left the reality behind. And you know what? THAT WAS THE BEST PART OF THE FILM. The more over-the-top and comic book-y it became, the better the film was. That last act improved my opinion on the whole film and definitely increased the rating.
  • +/- More on the final act: Doomsday’s birth and evolution were cool scenes to look at, but felt a bit rushed. Also, the portrayal of the government forces was very one-sided aka negative.
  • – The lighter aka romantic scenes involved Clark Kent and Lois Lane. While the scenes were cute to look at, they did feel out of place. Also, Lois Lane was such a damsel in distress – she was incapable of doing anything by herself and that annoyed me quite a lot.
  • +/- The ending of the film was quite a brave choice on the filmmakers part. However, since the audiences are quite familiar with the ideas of resurrection not only in comic book films but in movies in general, it was quite hard to feel really emotional about the death of Superman. As soon as he died on screen, my mind started racing on how he will be brought back to life. And even before we got that slight teaser (just before the film cut to black), we all knew that he is coming back. So, basically, it was really hard to think that Superman’s death will stick and that it will have any real consequences.
  • I enjoyed the fact that the characters’ alter-egos were as important as their superhero identities. This idea was nicely portrayed in the double funeral of Clark Kent.
  • + BvS also gave us more than a few very on-the-nose teasers for all the other Justice League members as well as the Justice League itself. We saw: the Flash, stopping the store from being robbed, Aquaman, attacking or threatening someone, and Cyborg, just in the process of creation.
  • Lastly, I might be nitpicking, but it seemed that this time they destroyed more stuff aka two cities – both Gotham and Metropolis. The damage that Man of Steel has done now seems minuscule.

Visuals: Directing, Action, and the Costumes

Zack Snyder did a very nice job directing the action scenes. I only wish that we would not have needed to wait for the said action scenes for more than 1.5h. The picture’s color scheme was also very Snydery – dark and shadowy (unnecessarily grim, like the story). The action scenes that we got in the 3rd act of the film were definitely enjoyable,so let’s discuss them a bit more:

  • The titular fight between Batman and Superman was really cool: the Batman’s protective costume was nice, while the usage of the Krypton – a clever solution. I also loved how Superman just slightly pushed Batman with one hand and Bruce went flying. The only thing that I didn’t like about that fight is the fact that Lois Lane just had to appear out of nowhere in the end.
  • The DC’s trio vs. Doomsday was also an exciting battle. This one was very comic-book-y, thus, very unbelievable, thus – the best part of the film. I loved Superman and Doomsday, flying in space, I loved Batman, trying to come up with a solution (because he knew that he can’t fist-fight the devil), and Wonder Woman, just charging into battle.

Costumes and Props

The characters’ costumes are of course very iconic and there is really no point in talking about them in detail, since, they have been revealed long before the movie was released. However, I do want to mention a few things about them:

  1. I loved Batman’s eyes in all of his costumes. I loved how bold his real eyes looked in his normal costume and how threatening were the light-up eyes in his armor.
  2. Superman’s cape game was strong. He looked amazing while flying or just floating in the air.
  3. Lastly, Wonder Woman’s light-up lasso was super cool – it looked amazing on screen.

Music

The film’s soundtrack was created by Hans Zimmer and Junkie XL. Junkie XL has previously worked on music for Man of Steel and a bunch of other films (Mad Max: Fury Road, Black Mass, Point Break and Deadpool). Zimmer needs no introduction – he is the king of movie soundtracks in Hollywood (Gladiator, Pearl Harbor, The Last Samurai, Nolan’s Batman films, Pirates of the Carribean franchise, Inception, Interstellar, 12 Years a Slave, Man of Steel and a plethora of other movies have been scored by him).

Acting

  • Ben Affleck as Bruce Wayne / Batman. Affleck was really good in both the action scenes and the dramatic ones. He probably is the most accomplished actor of this cast, so it is no surprise that his performance was the best one. 2003’s Daredevil should just be wiped out of his resume. We will see Affleck in a cameo role in Suicide Squad, but if you want to watch a non-comic book movie, starring Affleck, I highly suggest both Argo and Gone Girl.
  • Henry Cavill as Kal-El / Clark Kent / Superman. I did enjoy Cavill’s performance but his facial expressions were a bit one-note. He was amazing in the action sequences, though. Last year, we saw Cavill in The Man from U.N.C.L.E. Currently, he is working on a war drama Sand Castle.
  • Amy Adams as Lois Lane. Adams was good in the role and it’s not really her fault that the character of Lois was written in the way it was. Basically, I felt that her character was out of place during the majority of the film. I would have liked to see more of her actual journalist side, maybe in scenes opposite Laurence Fishburne’s Perry White – the editor-in-chief of the Daily Planet. As an actress, Adams has had quite a long and rewarding career. I especially liked her newer films – American Hustle and Big Eyes.
  • Jeremy Irons as Alfred Pennyworth. My favorite lines of dialogue were spoken by Irons. I really liked his portrayal of Alfred as more of a partner, less like a servant. Also, I recently saw Irons in High-Rise and I also want to watch his other 2016 film – Race.
  • Gal Gadot as Diana Prince / Wonder Woman was my favorite character in the film. Gadot was amazing in the role. She shined in the action sequences and I only wish that she would have had more lines because, for the majority of the film, she just reacted to the events that were happening around her. I can’t wait for her own stand-alone film, coming out next year!
  • Jesse Eisenberg as Lex Luthor (?) – I forgot to talk about Eisenberg being cast as Lex Luthor in the preview but that was because I deliberately wanted to forget this development. From what I saw in the trailer, Eisenberg  did not play the true Lex Luthor – at least not the one that I grew up watching in the cartoons. There was also this rumor floating online that Eisenberg was playing Luthor Jr. but that just seemed like a cheap explanation. Also, Eisenberg’s Lex Luthor Jr. haircut reminded me way too much of the look that his American Ultra character had and it’s safe to say – I did not enjoy that stupid stoner action comedy. Now, having watched the film, I still have mixed feelings about Eisenberg in this role. I enjoyed the fact that he played very modern, young and hip entrepreneur. However, at the same time, my mind was screaming: ‘This is not Lex Luthor, neither Jr. nor Sr.’. His voice was also a bit squeaky throughout the film, so that did not make him seem as a threatening and serious villain. Nevertheless, I liked both his look and the way he acted at the end of the film, in the cell (he has finally lost that stupid hairstyle). So, maybe BvS was just an origin story for the true Lex Luthor? We will probably find that out in the Justice League films.

Lastly, the movie didn’t have a post-credits or end-credits scene, so there is really no point in waiting through more than 5 minutes of credits.

In the end, Batman v Superman: Dawn of Justice was a good film that could have been so much better. It unnecessarily wanted to be real and grim. The first two acts were messy and had too many plotlines, while the third act embraced the comic bookiness of the characters and made the ending of the movie – the best part of it. The acting was really good, Gal Gadot’s and Ben Affleck’s performances were the best. I went into this movie really wanting to like it and, to be truthful, was kinda let down. I am excited to see the standalone films of the characters, but I don’t think that they should rush with the Justice League movies, like they are doing right now. Maybe WB will prove me wrong next year.

Rate: 3/5

Trailer: Batman v Superman: Dawn of Justice trailer

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Movie review: High-Rise

Movie reviews

Hi!

I really wasn’t sure whether I would go to the cinema this weekend. However, I decided that I need some fresh air – I have been binging on Daredevil Season 2 since it dropped on Friday – and went out to see the new British film High-Rise. It’s a dystopian movie (my favorite genre!) starring Tom Hiddleston (one of my favorite actors!). Let’s go!

IMDb summary: Life for the residents of a tower block begins to run out of control.

This movie wasn’t on my radar. I would have missed it if they wouldn’t have showed its trailer before the screening of Allegiant last week. High-Rise actually premiered last year at various film festivals, including Toronto International Film Festival. It will be released in the US (in limited release) in May and on video-on-demand. Since it’s a British film, it was released in the UK a bit earlier – this weekend.

British cinema

I am a huge fan of contemporary British films and I have told you this many times before. If you want to read more of my reviews of UK films, I invite you to look through posts on Legend, Far From The Madding Crowd, Suffragette, and Testament of Youth.

When I saw this film’s trailer, I thought that its main idea resembled that of Snowpiercer. After having watched High-Rise, I still think that the core theme and the premise are both similar to those of Snowpiercer. However, that’s where all the similarities end: while Snowpiercer was a dystopian and sci-fi action movie, High-Rise is a dystopian art film – I would even classify it as belonging or at least partially resembling the genre of experimental/avant-garde films. To be frank, when watching these types of motion pictures, I question my mental abilities: do these films just not make any sense or am I just too stupid to understand them?.

Story

The film’s screenplay was written by Amy Jump based on a book by J.G. Ballard. I haven’t read the book and I am not familiar with Jump’s previous work. Speaking about the story of the film, I wouldn’t say that I liked it (in the normal sense of the word), but I definitely found it interesting and I do applaud the writing.

The film’s main story was told in a flashback, so this was definitely not your typical narrative movie. The movie’s plot was also very fragmented and this fragmentation was carried out into editing (more on the montage style later).

The film revolved around a community of people living in the 40-story building, with the richest and the most privileged ones living at the top, and the poorest families  at the bottom. The main character of the film, played by Tom Hiddleston, resided on the 24 or 25 floor – in the middle of the two groups.

This movie explored the themes such as human savagery (showed people ’embracing’ their animalistic nature) and social hierarchy. It also touched upon humanity’s dependence on technology and power – it basically critiqued our consumerism. I thought about the building’s community as a metaphor for our society, but I also read online that it might be a metaphor for not just any society, but for the digital age/Internet society and I can definitely see why some people, who saw this film, think that way.

Ballard wrote his book in the 1970s and also set the action of the book in the same decade. The Internet did not exist back then, so if Ballard predicted all of this, he is not far from genius.

The movie was brutal in its humor and also raised a lot of questions. For one, what was up with that kid? Was he just another metaphor of how the future generations are the ones responsible for the survival of our society? Human society?

 

Directing and Editing

The film was directed by Ben Wheatley. I do admire his work on High-Rise but I don’t think that I will be intentionally seeking more movies of his. He and the screenwriter of the film – Amy Jump – were also responsible for the editing of the film. High-Rise was edited in a very old-school kind of way, using montage to connect contrasting images into one synthesis, from which distinct meaning may arise. We spent a week (at least) on this topic in my film course, reading essays and watching films by Kuleshov and Eisenstein – the godfathers of montage editing.

Wheatley and Jump used a lot of intercuts of extreme close-ups in their montages and also paired up the visuals with the classical music. They also used ABBA’s S.O.S.’s in an interesting way at least twice. They also used the trick of the montage inside the montage with that kaleidoscopic sequence.  All of the film’s montages  were puzzling and even confusing but that was kinda their point (I think). Wheatley and Jump were trying to make the viewers think: ‘what the hell am I watching?’. And if we all question the things that we see, maybe we won’t end up like those people in the building.

A few last things on the visuals of the film: since the film was set in the 70s, the costumes, and the setting were at least partially of that period. The lift scenes with the mirrors and multiple copies of the actors were cool too. Also, the movie had a lot of sexual scenes and some disturbing imagery involving a human head right at the beginning of the film. Actually, there was plenty of disturbing scenes throughout the film as well.

These unsettling visuals and the critique of our society reminded me a bit of a different avant-garde film that I watched in the film class – Jean-Luc Godard’s Week-end from 1963. However, Godard used a lot of long takes in that film, while High-Rise was basically a feature-length music video (meaning that it was assembled from short clips into a coherent motion picture in the editing room). I also don’t think that Wheatley could ever be equal to Godard in not only his films’ quality but in how much he did for cinema in general.

Acting

The film had a huge cast of accomplished actors, who all played very unlikeable and even despicable characters – all of the inhabitant of the building were rotten people to some extent. I actually think that all sane people should feel disgusted by the characters of this film and, if they do, maybe it’s a positive sign. It shows that we still have hope as a society.

The film’s cast consisted of Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss, James Purefoy, Keeley Hawes, Peter Ferdinando, Reece Shearsmith, Sienna Guillory, Dan Renton Skinner, Augustus Prew and Stacy Martin. All of them did a magnificent job and acted over-the-top just enough to still seem like somewhat believable/real characters/people.

I am probably the most familiar with the previous work of Hiddleston, Evans and Irons. Hiddleston was, of course, the main reason that I was interested in the film in the first place. If you would like to watch Hiddleston in a different small scale, more artsy film (basically, the complete opposite of the Avengers), I highly suggest you check out Only Lovers Left Alive or if you want something more classic – Woody Allen’s Midnight in Paris is a great choice. Crimson Peak is also not bad visually (stunning, actually), even if the story is kinda mediocre. I’m really interested to see what will Hiddleston bring to Kong: Skull Island opposite Brie Larson, coming out next year.

I will talk about Jeremy Irons more in my next review of Batman v. Superman – he is playing Alfred in that film. Evans popped up on my radar with The Hobbit films and later on with Dracula Untold. He was also in the last few Fast and Furious films and will also be in Disney’s live-action Beauty and the Beast.

All in all, High-Rise was full of confusing and disturbing images mixed with thought-provoking and question-raising ideas. It is not an easy film to watch, but worth the time and the money.

Rate: ?/5 (I am not sure how to rate this kind of film, so I will leave it for you to decide on your own)

Trailer: High-Rise trailer

high-rise-poster